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THE

MAGICALALPHABET

 

..................

 

-
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THE RAINBOW LIGHT
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T
=
2
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3
THE
33
15
6
R
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9
-
7
RAINBOW
82
37
1
L
=
3
-
5
LIGHT
56
29
2
-
-
14
-
15
THE RAINBOW LIGHT
171
81
9
-
-
1+4
-
1+5
-
1+7+1
8+1
-
Q
-
5
-
6
THE RAINBOW LIGHT
9
9
9

 

 

Wikipedia
https://en.wikipedia.org
History of ancient numeral systems - Wikipedia

Number systems have progressed from the use of fingers and tally marks, perhaps more than 40,000 years ago, to the use of sets of glyphs able to represent any conceivable number efficiently. The earliest known unambiguous notations for numbers emerged in Mesopotamia about 5000 or 6000 years ago.

An alphabetic numeral system is a type of numeral system. Developed in classical antiquity, it flourished during the early Middle Ages.[1] In alphabetic numeral systems, numbers are written using the characters of an alphabet, syllabary, or another writing system. Unlike acrophonic numeral systems, where a numeral is represented by the first letter of the lexical name of the numeral, alphabetic numeral systems can arbitrarily assign letters to numerical values. Some systems, including the Arabic, Georgian and Hebrew systems, use an already established alphabetical order.[1] Alphabetic numeral systems originated with Greek numerals around 600 BC and became largely extinct by the 16th century.[1] After the development of positional numeral systems like Hindu–Arabic numerals, the use of alphabetic numeral systems dwindled to predominantly ordered lists, pagination, religious functions, and divinatory magic.[1]
An alphabetic numeral system is a type of numeral system. Developed in classical antiquity, it flourished during the early Middle Ages.[1] In alphabetic numeral systems, numbers are written using the characters of an alphabet, syllabary, or another writing system. Unlike acrophonic numeral systems, where a numeral is represented by the first letter of the lexical name of the numeral, alphabetic numeral systems can arbitrarily assign letters to numerical values. Some systems, including the Arabic, Georgian and Hebrew systems, use an already established alphabetical order.[1] Alphabetic numeral systems originated with Greek numerals around 600 BC and became largely extinct by the 16th century.[1] After the development of positional numeral systems like Hindu–Arabic numerals, the use of alphabetic numeral systems dwindled to predominantly ordered lists, pagination, religious functions, and divinatory magic.[1]

 

 

A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

18
THE ENGLISH ALPHABET
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THE
33
15
6
-
ENGLISH
74
38
2
1
ALPHABET
65
29
2
18
THE ENGLISH ALPHABET
172
82
10
1+8
-
1+7+2
8+2
1+0
9
THE ENGLISH ALPHABET
10
10
10
-
-
1+0
1+0
1+0
9
THE ENGLISH ALPHABET
1
1
1

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
C
D
E
F
G
H
I
1
2
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4
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8
9
 =
 =
 =
 =
 =
 =
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 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
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18
1+0
1+1
1+2
1+3
1+4
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1+6
1+7
1+8
1
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5
6
7
8
9
 =
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 =
 =
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=
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 =
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 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
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23
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9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

A
B
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F
G
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21
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-
-
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-
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-
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-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
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4
5
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7
8
9
1
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A
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T
U
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X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
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Q
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T
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9
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A
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U
V
W
X
Y
Z

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

ATEN

ZERO = O = ZERO

ONE AND ZERO ZERO AND ONE

ISISIS ZERO = ONE = ONE = ZERO ISISIS

RA OSIRIS ERECT PENIS = I = PENIS ERECT OSIRIS RA

ISISIS ZERO CIRCLE VAGINA = O = VAGINA CIRCLE ZERO ISISIS

999999999666666666101010101010101010010101010101010101666666666999999999

 

THE SACRED MUSHROOM AND THE CROSS

John M, Allegro 1970

 

XVI
David, Egypt, and the Census

Page 141 (number omitted)

" In the Old Testament, David, the "lover" or "beloved" as we may render his name,l is the counterpart of the Semitic and classical Adonis, first among the fertility hero-gods of the ancient world. The name Adonis is related to the Semitic common noun' adon, "lord". The root meaning of both we may now trace to the same Sumerian ANDUL, "heavenly shade", as gave the name Atlas to the mighty man of mytho­logy who holds aloft the canopy of heaven.2 The basic conception is one of "protection" and thus "lordship" in that sense of shielding the land and people from outward harm. The same picture is presented in another of the god's names, Na'iman, traceable now to a Sumerian *NA-IM-A-AN, "stretched across the sky".3 Thus, within the mushroom cult, both names, Adonis and Na'iman can have a specific reference to the canopy of the fungus, viewed in the kind of cosmographical terms we have just discussed. Later, we shall look again at the Adonis­Na'iman figure in its particular application to the cultivation and use of the sacred fungus.4 For the moment, we may study more particularly his Old Testament representative David, whose Adonis and fertility connections are plainly set out in the oracle ascribed to his authorship:

The oracle of David, son of Jesse; the oracle of the erect phallus (RSV "the man who was raised on high"), the semen-smeared (RSV "anointed") of the God of Jacob, the Na'im ("heavenly canopy", RSV; "sweet") of the stretched penis (RSV: "psalmist") of Israel (II Sam 23 :r).

The "patronymic" epithet, "Son of Jesse", is really an attempt to hebraize an original Sumerian *BAR-USh-SA, "erect penis", thus conforming to the other phallic names given the hero figure. The phrase has some particular interest since in the form Briseus or Breseus we may now recognize it among the titles of the phallic Dionysus/Bacchus.5 In the description of David as the "Na'im of the stretched penis (z-m-r)" / Page 142 / of Israel" there is a clear connection with a passage in Isaiah about the "Adonis plantations" : "You plant the plants of Na'iman (Adonis), you sow the penis (z-m-r) of the field (?)" (Isa 17:10).6
The English versions usually render the word in the David oracle as "songs" since the root z-m-r means also" sing" . But this is just another instance of the idea that singing was primarily a sexual activity whose function was to stimulate new life, demonstrably by causing an erection in the male organ. It is, thus, a cultic word, as singing, like lamentation, was part of the stimulatory worship of the fertility deity.7
It is in this cultic phallic sense that we find z-m-r used again in Ezekiel's vision of the abominable practices being carried on in Jerusalem during his absence. Having been shown the women bewailing Tammuz/ Adonis at the entrance of the north gate of the Temple:

. . . he brought me into the inner court of the house of Yahweh; and behold, at the door of the temple of Yahweh, between the porch and the altar, were about twenty-five men, with their backs to the temple of Yahweh, and their faces towards the East, worshipping the sun towards the East. Then he said to me, "Have you seen this, O son of man? . . . Lo, they stretch out the erect phallus before them" (RSV: "put the branch to their nose") (Ezek 8 :17).8
The bearing of the phallus was a marked feature of the Dionysiac processionals,9 but as we now know, it had more than a purely physiological significance. The penis was not only the sign of human generation but within the mushroom cult it symbolized the sacred fungus itself, the "phallus of God".
The root z-m-r, "stretch out", is but a jumbled form of another root m-s-r or m-z-r of the same meaning, derived, as we may now appreciate, from a Sumerian word SUR, "stretch out, measure a boundary".lO Its use and word-play in cultic mythology has probably caused more misunderstanding in later generations about the history of the Jews than almost any other. We happen to know that one of the names of the mushroom was the" stretched gourd", for it has come down to us, transliterated in Greek from the old language of the North African Semites, as Koussi Mezar, and confused, as so often with names for the fungus, with the Squirting Cucumber.ll The root m-z-r/m-s-r si also known in Semitic as the designation of the country of Egypt, "The Territory", or in the dual form, as normally in Hebrew, "The Two / Page 143 / Territories", that is, Upper and Lower Egypt. So modern botanists have understood the old Semitic name Koussi Mezar as "the Egyptian gourd". And what the moderns have done unwittingly, the old myth­makers did intentionally: the sacred fungus was known as "the Egyptian mushroom", and from that playful designation was born the myth of the Israelites' sojourn in that land.
The New Testament also took up the theme and has the Holy Family flee to Egypt to escape the highly improbable persecution by Herod "of all the male children in Bethlehem and in all that region who were two years old or under" (Matt 2 :13ff.). It cites as justification of the exercise the text from Hosea:

When Israel was a lad I loved him, and out of Egypt I called my son (Hos II :1).

Israel as the god's first-born son in Egypt is the theme of the whole of the captivity and deliverance cycle of the Exodus. Thus Moses is com­manded to approach pharaoh with these words:

Thus says Yahweh, Israel is my first-born son, and I say to you, "Let my son go that he may serve me"; if you refuse to let him go, behold, I will slay your first-born son (Exod 4 :23).

The carrying out of this threat to kill all the first-born of the land of Egypt forms the setting for the institution of the Passover. After the escape, Yahweh commands:

Consecrate to me all the first-born; whatever is the first to open the womb among the people of Israel, both of man and beast, is mine (Exod 13 :2).

Earlier on in this book we examined the philosophy of the fertility religions of the ancient world with regard to the special favour ascribed to the first-born, connected as it is with the power of the first menstrual blood of the virgin. Custom demanded that these specially endowed offspring should be returned to the god as a token towards restoring the balance of nature disturbed by their birth and human appropriation.12
This is the cultic background of the Exodus Passover tradition, but the story itself hinges on the play between the name of the fungus as Mezar, "erect, stretched", and Masor, "Egypt", to set the place of the myth; and upon the common Semitic name of the mushroom, Pitra', and the root p-t-r which gave "frst-born" , "release", and unleavened / Page144 / bread". The Hebrew story-teller thus had in the Mushroom name and epithet the main ingredients of his Exodus story.13
The New Testament writers were not slow to see the possibilities of this Mezar epithet of the fungus for their myth-making. The root m-s-r in its various forms provides a rich harvest of puns for story-telling, and the New Testament abounds in instances. Perhaps the best known is the epithet given to Judas Iscariot14 that has characterized him and those named after him throughout the civilized world, "he who betrayed him" .15 The verb m-s-r means "hand over" as a betrayal, particularly to Gentiles, so Iscariot is the arch-masor, "betrayer" of all time.
Another word of different root but similar in sound is mesor, meaning "bonds, imprisonment". Playing on this word and the Mezor of the fungus, together with the p-t-r root, giving "Peter", the apostle, and pattira', "unleavened bread", we have the story in Acts which begins:

. . . and when he (Herod) saw that it pleased the Jews, he proceeded to arrest Peter also. This was during the days of the Unleavened Bread. And when he had seized him, he put him in prison. . ." (Acts 12:3£).
"Pleasing the Jews" stems from the Sumerian mushroom name MASh-TAB-BA-RI, read as "that which is pleasing to the Hebrews (Jews)", by a word-play with Aramaic.16 The name Herod, meaning "heron" (Latin ardeola) serves throughout the New Testament as a useful play on the Semitic 'Ardila', "mushroom", as does the feminine form "Rhoda" who opened the door to Peter after his release from prison (Acts 12 :13).17
Another form of "restriction" is the girdle or loin-cloth, and words for this in Semitic are similarly formed, as the Aramaic mesara'. Taking the old Punic name Koussi Mezar (properly *kisshu' ath18 mesorah, or the like), as the pattern, the myth-makers formed the play "girdle-clothing" (kesaya')19 that is, "waist-band, or loin-cloth". In the prophetic symbolism recorded of the seer Agabus, plays on both" girdle" and "betrayal, handing over" are extracted from the mushroom name:

. . . a prophet named Agabus20 came down from Judea. And coming to us he took Paul's girdle and bound his own feet and hands, and said, "Thus says the Holy Spirit, 'So shall the Jews at Jerusalem bind the man who owns this belt and deliver him into the hands of the Gentiles. . .'" (Acts 21 :10£).

Page 145

The patronymic by which David is known in the Oracle quoted above, and elsewhere, "son of Jesse" is, as we have seen, also old Sumerian name for the erect phallus, *BAR- USh-SA. The same word, USh-SA appears again in the name of one of Jacob's sons, Issachar.21 The story of his birth is a good example of word-play based on a well­known name. But here the play is on a fanciful Hebrew derivation of the name and is obvious: indeed, the writer spells it out for us in so many words:

In the days of the wheat harvest, Reuben [another of Jacob's sons] went out and found mandrakes in the field, and brought them to his mother Leah. Then Rachel [Jacob's barren wife] said to Leah, "Give me, I pray thee, some of your son's mandrakes." But she said to her, "Is it a small matter that you should have taken away my husband? Would you take away my son's mandrakes also?" Rachel said, "He can sleep with you tonight for your son's mandrakes."
when Jacob came from the field in the evening, Leah went out to meet him, and said, "You have to have intercourse with me, because I have hired (s-k-r) you with my son's mandrakes." So he slept with her that night. And God favoured Leah and she conceived and bore Jacob a fifth son. Leah said, "God has given me my hire (s-k-r) . . ." so she called his name Issachar
(Gen 30:14-18).
The author of this little tale finds his theme in the fancied meaning of the name Issachar as 'ish, "man" and sakar, "he has hired", taking the name as if it were Hebrew. In the cycle of birth and naming stories contained in that and the previous chapter, the writer has tried to find in each of the names of Jacob's children some Hebrew root on which to make a punning reference to some aspect of his origin or character. Thus "Reuben" is understood as if it contained the roots r-' -h, "see", and '
'-n-h, "afflict" - Yahweh has looked upon my affliction ", as if it contained the root sh-m-', "hear" - "Yahweh has heard that I am hated" ;23 "Levi", as if it were of the root l-w-h, "join" ­ "this time my husband will be joined to me" ;24 "Judah" as if it were of the root y-d-h, "praise" - "I will praise Yahweh", 25 and so on.
Even if the names were Semitic, let alone Hebrew, some of the supposed derivations would be philologically impossible. Happily, myth­makers were not academic pedants, or the world would be lacking some of its finest literature. Such stories do not necessarily indicate whether / Page 146 / or not the people who composed them had lost the real meanings of the names by that time, for word-play among the ancients, as we have seen, was a legitimate means of religious exposition and source of cultic story-telling. For the purposes of the plot and its moral, it was quite in order to spin out the old patriarchal names in this far-fetched way if the end-product served the cause of pious homiletics.
However, there are passages in some of the older oracles of the Old Testament where it is clear that the writers were aware of the meanings of the ancient names. For example, of Issachar Deborah sings:

Why did you lie between the sheep-folds, listening to the piping of the flocks? (Judg 5 :r6)

Much the same phrase occurs of Issachar in the ancient oracle of Jacob on his sons:

Issachar is a . . . ass, lying between the sheepfolds; and he saw a resting­place that it was good, and the land that it was sweet (na'imah); and he put his shoulder to the burden, and it was for him a worker's labour (Gen 49:r4f)

Now, in such oracular snatches we have word-play of a very different order from those tales just quoted. And because they are dealing with the real meanings of the tribal names, as distinct from the fanciful plays on supposed Semitic roots, we have hitherto been at a loss to understand many of the references and allusions. Now at last we shall be able to start breaking them down, but it will be no easy task. Since they ceased to be understood from a comparatively early time, the chances are that many of the key words will have been changed during transmission. Happily oral traditions are not so susceptible to change as those which are passed on by the written word. Children will remember a poem or song by heart without necessarily understanding every word. We all have doubtless wondered in our youth why a "green hill" should need a "city wall" anyway. So for centuries the songs and oracles of the Old Testament will have come down exactly by word of mouth even though their dialects had ceased to be used, or the words had been carried out of their original territories.
Nevertheless there will come a time when the poems will find written form, and the scribes will puzzle over forms and words quite strange to them. They will guess at their meanings and here and there substitute / Page 147 / more common words, or even add the colloquial" explanation" along­side the original. The modern researcher has to try and sort out the different literary strands. But if he himself has lost the key - in the case of the oldest Hebrew writings, the nature of the cult from which they came - there is little he can do but wait and hope that further archaeological or philological discoveries may shed new light on the points of difficulty.
Unfortunately, when the writings become the central fount of authority for another religion, or a wayward development of the old, there is a temptation to make sense of the inherited scriptures at all points, and at any cost. In such cases basic principles of grammar and syntax, and a free admittance of lexicographical ignorance, too often give way before the need for pious exposition.
To return to Issachar, "crouching between the sheep-folds". Deborah's taunt rests upon a word-play on the Sumerian mushroom name, *LI-MASh-BA(LA)G-ANT A- T AB-BA-RI, read as "why are you resting (Semitic sh-b-kh, "be still, at peace") in the pasture ?"26 The next line of the Jacob Blessing: "and he saw a resting-place and it was good. . ." gives a more obvious play on the Adonis mushroom name Na'iman (Semitic n-'-m, "be sweet").27 The last phrase: "it was for him a worker's labour" (Hebrew mas-' obed) provides a good instance of a change made in the text at some stage when the original word became dialectally out of fashion.28 The text probably first read mas-palakh and was intended as a play on MASh-BALAG of the mushroom name.29 Both phrases nleant the same "forced labour" and to judge from the number of times that this theme appears in the Old Testament myths, it served their authors as a favourite source of word-play.
The forced labour to which the Israelites were subject in their mythical sojourn in Egypt was in this way derived from the name of the sacred fungus. David's successor on the throne, Solomon, for all his much-vaunted wisdom in offering to share a baby between its rival claimant mothers with a knife (I Kgs 3 :16-28), showed less acumen in demanding forced labour from his subjects (I Kgs 12 :4). Furthermore, the same phrase also had the implication of making a census of the people and thus administering a tax as well as a work-levy system. Not unnaturally this kind of administrative advance was not welcome. One account of David's eventual fall from grace was that he had designed such a census and was punished by his god for doing so (II Sam 24).

Page 148

The MASh-BALAG-"census" theme of mushroom mythology gave the New Testament story-teller the dramatic means of bringing the pregnant Mary over a hundred miles of some of the roughest terrain in the world from Nazareth to Bethlehem to be delivered of the Christ child. It is the ungrateful pedant, or over-zealous religionist, who bothers overmuch about the likelihood that any Roman governor would have been so stark, raving mad as to require everyone in his territory to do a kind of" general post" to the place of their tribal origin for the purpose of being counted (Luke 2 :3).
That particular author could, however, have saved subsequent less imaginative readers a great deal of worry and spilt ink if he had not seized upon a recollection of the name of one Syrian governor, Quirinius, to add colour to the tale. Unfortunately Quirinius did not become governor until AD 6, and King Herod, in whose time the birth of Jesus was supposed to have taken place, died a decade or so earlier.30 Still, even the best myth-makers cannot have everything their own way. The point of Quirinius (Greek Kurenios) is that his name made an excellent word-play with both Grunon and Geraneion, Greek names of the fungus.31
The mushroom allusions in the snatches of song. about Issachar are not only verbal. The "resting-place" sheepfold had a special significance in fungus imagery. It consisted basically of two barriers set out like a funnel, or an open "V" shape, through which the sheep could be driven into their fold.32 We have in this structure, the stylized configuration of the mushroom cap, supported by the stem, "lying between the folds". In human physiological terms, Issachar, "mighty penis", lies between the opened legs of the woman, and seeing" a resting place that it was good, and the land that it was sweet, puts his shoulder to the burden . . ." To use another mushroom metaphor, Issachar stands ready to "take up the yoke", or to bear his cross"33
The word-play used to produce this "resting-place of animals" from *LI-MASh-BA(LA)G-ANTA-TAB-BA-RI, served also the New Testament writers for their story about the "stable" at Bethlehem:

And while they were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn (Luke 2 :7).

Page 149

The authors spun out from that name of the sacred fungus "for him a resting-place in an animal's stall", as well as the more obvious play on pitra', "mushroom", and peter, "first-born". 34 At a more basic level of mushroom mythology was the image of the fungus as a "manger" with a sheltering canopy held by the stalk above the" cradle" or "feeding trough" of the lower half of the volva. Possibly Euripides knows of a similar tradition to the Christian story when he has Pentheus order the unrecognized Dionysus to be carried off and" tied where the steeds are bound; let him lie in a manger, and stare into the darkness" .35
Adonis, then, was the prime fertility hero-god of the ancient Semitic and classical worlds. We have seen how his names fit into the mushroom pattern, and it is also apparent that the Hebrew David figure is portrayed in the same phallic form. The Oracle ascribed to him paints him in these terms without any doubt, and his supposed patronymic, "Son of Jesse", is but an attempt to reproduce in Hebrew form a Sumerian name of the phallus and probably the mushroom. The tribal name Issachar has a similar derivation and again, in the oldest oracles referring to this character, its fungus nature is plainly evident.
It appears that in the Old and the New Testaments, one of the old Semitic names for the mushroom, extant in a Punic version from North Africa, was misunderstood as suggesting an Egyptian origin for the fungus, and a resultant mythology brought Israel and the Holy Family from that country.
The question must now be asked again, as indeed, these studies must continually provoke the enquiry, how much, if any, of these biblical traditions is history? Despite the obvious allusions to an Adonis back­ground for many of David's epithets in the oracles and in the stories recounted about him, was there ever a real King David whose court chronicles gave some historical framework at least for the tales ? Was there, for that matter, any Exodus, any Moses, any Abraham? One difficulty in sorting out fact from fiction in folk-tales is that the characters are often made so human that the listener finds it quite easy to imagine them as real people, even identify himself with them. Where the same themes have been treated over centuries of story-telling, successive narrators have embroidered the tales and made his characters more and more believable until the point comes when even the most far-fetched adventures, the most unlikely exploits, amatory, warlike, or / Page 150 / muscular, do not deter us from wondering whether behind it all there was not a real Adonis, a real Hercules, a real David . . .
Well, perhaps there was. What we are concerned with in this present work is not trymg to sift fiction from reality, the man David from the "stretched penis of Israel", but to fmd out what we can from the names and epithets and from the various mythologies of the ancient world, to what extent and in what ways the sacred mushroom was worshipped,
and how far its cult was responsible for the later mystery religions of the Near East and Christianity in particular. It would not be surprising if real kings and heroes received names from their parents or their admirers traceable to titles of the mushroom, if they were adherents of the cult of the Holy Plant. Their historicity is not proved or disproved thereby. Nevertheless, if all we know of a character in our sparse records of the ancient world "reflect only mushroom mythology, like Jacob and Esau, for instance, or Cain and Abel, then there seems little point in arguing that they were ever real people. If there was a real Jacob, good; but then it has to be admitted we know very little about him.
A quite different situation obtains, however, with regard to the New Testament characters. Here, for reasons already stated and which by now should be apparent to the reader, we are dealing with a cryptic document. This is a different kind of mythology, based not on pious aggrandizement by later admirers, as has been so often ass\lmed in the past, but a deliberate attempt to mislead the reader. There is every reason why there should not have been a real Jesus of Nazareth, at least not one connected with the sect of Christians, nor a real John the Baptist, Peter, John, James, and so on. To have named them, located their homes and families, would have brought disaster upon their associates in a cult which had earned the hatred of the authorities."

 

THE SACRED MUSHROOM AND THE CROSS

John M, Allegro 1970

Page 143

David, Egypt, and the Census

And God favoured Leah and she conceived and bore Jacob a fifth son. Leah said, "God has given me my hire (s-k-r) . . ." so she called his name Issachar (Gen 30:14-18).
The author of this little tale finds his theme in the fancied meaning of the name Issachar as 'ish, "man" and sakar, "he has hired", taking the name as if it were Hebrew.

ISH = 9 +19 + 8 = 36 3+6 + 9

 

HOLY BIBLE

Scofield References

Hosea C16 V16

Page 92

AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALT CALL

ME

ISHI

AND SHALT CALL ME NO MORE

BAALI

Page 58

1 Chronicles C 2 V 31

"ISHI"

"ISHI"

Page 464

1 Chronicles C 7 V 3

"ISHIA"

 

THE SACRED MUSHROOM AND THE CROSS

John M, Allegro 1970

THE NAMES OF THE GODS

Page 24 "In Semitic, ba'al, Baal, is not only the divine name but has also the general meaning of "lord, husband".27 Hosea, the Old Testament prophet, makes a play on the general and cultic uses of the word when he has Yahweh say to Israel, "in that day you will call me 'my man' and you will no more call me 'my baal'; I shall banish the name of baals from your mouth. . ." (Hos 2:16 [Heb. 18])."

 

 

THE SACRED MUSHROOM AND THE CROSS

John M, Allegro 1970

DEATH AND RESURRECTION

Page 151 (number omitted)

Death and Resurrection
We have earlier spoken of the treatment of death and resurrection in the fertility philosophy.! The ancients knew well that life and death are merely facets of the same creative process. To have crops in the Spring the land must die in the Autumn, and many of their myths deal with the "killing" of Nature after the harvest, and bringing it to life with the new agricultural year. This same experience of death and ressurrection is no less at the heart of the more sophisticated forms of the fertility cult, the mystery religions of which Christianity is the best known example. It seemed to the ,mystics that it might be possible to enact within the mind and body a spiritual "death" and "resurrection" so that, however anchored the mortal frame might be to a terrestrial existence, the soul could be released as if at death and given the freedom they believed it had experienced before birth and would do so again at death. Thus
Josephus says of the Essenes, "It is a fixed belief of theirs that the body is corruptible and its constituent matter impermanent, but that the soul is immortal and imperishable. Emanating from the [mest ether, these souls become entangled, as it were, in the prison-house of the body, to which they are dragged down by a sort of natural spell; but when once they are released from the bonds of the flesh, then, as though liberated from a long servitude, they rejoice and are borne aloft. . ."2
The way \ to this release of the soul was by asceticism and particu­larly by fasting, but the same effects could be achieved and more quickly by the use of drugs, like those Josephus says the Essenes sought out "which make for the welfare of the soul and body".3 Above all, the sacred fungus, the Amanita muscaria, gave them the delusion of a soul floating free over vast distances, separate from their bodies, as it still does to those foolish enough to seek out the experience. The Christians put the matter thus: "If the Christ is in you, although your bodies are dead through sin, your spirits are alive through righteousness. If the

152
THE SACRED MUSHROOM AND THE CROSS
Spirit of him who raised Jesus from the dead dwells in you, he who raised Christ Jesus from the dead will give life to your mortal bodies also through his Spirit which dwells in you" (Rom 8 :10, 11).
Not only could the drug contained under the skin of the sacred fungus give to the initiate at will this illusion of spiritual resurrection, of
victory over death, but in the conception and growth of the mushroom he could see a microcosm of the whole natural order. Before his eyes the cycle of life and death was enacted in a matter of hours. The Amanita muscaria was the medium of spiritual regeneration and at the same time
in itself the supreme example of the recreative process in the world of
Nature. No wonder the fungus attracted so much awesome wonder among the ancients, or that it inspired some of literature' s greatest epics.
To the mystic, the little red-topped fungus must have seemed human in form and yet divine in its power to change men and give them an in­sight into the mysteries of the universe. It was in the world, but not of it. In the New Testament myth, the writers tried to express this idea of the duality of nature by portraying as its central character a man who appea­red human enough on the surface but through whom there shone a god­like quality which manifested itself in miracle-working and a uniquely authoritative attitude to the Law. The extent to which they succeeded can be seen today in the mingled sympathy and awe with which Jesus is regarded in the Western world, even among people for whom the Christian religion offers no attractions.
The myth of the dying and rising god is variously treated within the mushroom cycle. One of the best-known stories is that ofPersephonef Kore, her mother Demeter, and the wicked uncle pluto.4 The beautiful virgin who is the heroine of the tale presents in her double name the equivalent of the effeminate male Hermaphrodite. Her two names can now be seen as two aspects of the mushroom, Persephone being the valva (Sumerian *BAR-SIB-U-NI, "container or the penis of fecun­dity") and Kore the stem of "phallus" (Sumerian *GU-RI, as in the storm-gad's name, *ush-GU-RI [ISKURD.5
Put in other fungus folk-lore terms, Kore is the charmed and erect "serpent", thrusting open the egg of Persephone. It is with this sense
that *SIB-U-NI comes into Hebrew, in the form siph'oni, "adder", which has a specific mushroom reference in a passage in Isaiah. The prophet warns that those who "split" the "eggs of the siph'oni, adder", will bring death upon themselves, and those who weave with "spiders'

DEATH AND RESURRECTION
153
spindles" (qore, the spindle rod with its whorl) will never weave such a web as will cover their cultic malpractices (59:5£). Doubtless both these expressions will have been common folk-names for the mushroom.
PersephonefKore was passionately loved from afar by her uncle Pluto, god of the underworld. Although her father Zeus approved of
the match, her mother Demeter (listed along with her daughter's names among those of the Holy Plant),6 strongly objected to the arrange­ment, not least because the marital home would have been outside her influence. However, Pluto, with the connivance of his brother, arranged that a large and beautiful flower7 should one day appear at the feet of his beloved as she walked in her Sicilian home. Unable to resist the blossom, the girl picked it, and immediately a yawning chasm appeared at her feet, revealing her suitor complete with chariot and horses to carry her off struggling to his subterranean palace.
Not unnaturally, her mother was upset by the turn of events and began a long and variously recounted search for her daughter. Un­happily, even when she discovered her whereabouts, it was to fmd that the hapless child had eaten some magic herbs that made it impossible for her to leave Hades for ever. An agreement was finally reached that she should remain in her husband's home for a third (or half) the year, and spend the rest of the time on earth with her mother.
It has seemed strange to scholars that Pluto, the god of the under­world, should elsewhere be reckoned as a god of fer~ility. It is true that much of our western classical and Semitic tradition has led us to think
of Hades9 as a place of dull lifelessness, or even of retributive torture of
the damned. More original, as we have seen,10 is the conception of the earth's bowels as the seat of creation where all life is conceived and after death recreated.l1 In the subterranean oven, the god's seminal fluid is processed into living matter, and the Word made flesh.
The nam~ Pluto, Greek Plouton, is primarily a fertility word, now recognizable as coming from an original Sumerian *BURU-TUN, "deliverer of the womb", of which the element BURU, "deliver, re­lease", is cognate with the Greek bruo, "teem with, be full, burst forth" .12
The same Sumerian word appears in such names as Apollo, Aphrodite (from which comes our "aphrodisiac"), and the plant name Abrotonon, "Southernwood", a sprig of which under the pillow, Pliny tells us, "is the most effective countercheck of all to magical potions given to produce sexual impotence" .13

 

SOUND = S= 1.....OU = 36 .....ND = 18 = SOUND

SOUND

HEARING SOUND FEELING

SOUND

 


Perception
Main article: Psychoacoustics

A distinct use of the term sound from its use in physics is that in physiology and psychology, where the term refers to the subject of perception by the brain. The field of psychoacoustics is dedicated to such studies. Webster's dictionary defined sound as: "1. The sensation of hearing, that which is heard; specif.: a. Psychophysics. Sensation due to stimulation of the auditory nerves and auditory centers of the brain, usually by vibrations transmitted in a material medium, commonly air, affecting the organ of hearing. b. Physics. Vibrational energy which occasions such a sensation. Sound is propagated by progressive longitudinal vibratory disturbances (sound waves)."[17] This means that the correct response to the question: "if a tree falls in a forest and no one is around to hear it, does it make a sound?" is "yes", and "no", dependent on whether being answered using the physical, or the psychophysical definition, respectively.

The physical reception of sound in any hearing organism is limited to a range of frequencies. Humans normally hear sound frequencies between approximately 20 Hz and 20,000 Hz (20 kHz),[18]: 382  The upper limit decreases with age.[18]: 249  Sometimes sound refers to only those vibrations with frequencies that are within the hearing range for humans[19] or sometimes it relates to a particular animal. Other species have different ranges of hearing. For example, dogs can perceive vibrations higher than 20 kHz.

As a signal perceived by one of the major senses, sound is used by many species for detecting danger, navigation, predation, and communication. Earth's atmosphere, water, and virtually any physical phenomenon, such as fire, rain, wind, surf, or earthquake, produces (and is characterized by) its unique sounds. Many species, such as frogs, birds, marine and terrestrial mammals, have also developed special organs to produce sound. In some species, these produce song and speech. Furthermore, humans have developed culture and technology (such as music, telephone and radio) that allows them to generate, record, transmit, and broadcast sound.

Noise is a term often used to refer to an unwanted sound. In science and engineering, noise is an undesirable component that obscures a wanted signal. However, in sound perception it can often be used to identify the source of a sound and is an important component of timbre perception (see below).

Soundscape is the component of the acoustic environment that can be perceived by humans. The acoustic environment is the combination of all sounds (whether audible to humans or not) within a given area as modified by the environment and understood by people, in context of the surrounding environment.

There are, historically, six experimentally separable ways in which sound waves are analysed. They are: pitch, duration, loudness, timbre, sonic texture and spatial location.[20] Some of these terms have a standardised definition (for instance in the ANSI Acoustical Terminology ANSI/ASA S1.1-2013). More recent approaches have also considered temporal envelope and temporal fine structure as perceptually relevant analyses.[21][22][23]

Pitch

Pitch perception. During the listening process, each sound is analysed for a repeating pattern (orange arrows) and the results forwarded to the auditory cortex as a single pitch of a certain height (octave) and chroma (note name).
Pitch is perceived as how "low" or "high" a sound is and represents the cyclic, repetitive nature of the vibrations that make up sound. For simple sounds, pitch relates to the frequency of the slowest vibration in the sound (called the fundamental harmonic). In the case of complex sounds, pitch perception can vary. Sometimes individuals identify different pitches for the same sound, based on their personal experience of particular sound patterns. Selection of a particular pitch is determined by pre-conscious examination of vibrations, including their frequencies and the balance between them. Specific attention is given to recognising potential harmonics.[24][25] Every sound is placed on a pitch continuum from low to high.

For example: white noise (random noise spread evenly across all frequencies) sounds higher in pitch than pink noise (random noise spread evenly across octaves) as white noise has more high frequency content.

Duration

Duration perception. When a new sound is noticed (Green arrows), a sound onset message is sent to the auditory cortex. When the repeating pattern is missed, a sound offset messages is sent.
Duration is perceived as how "long" or "short" a sound is and relates to onset and offset signals created by nerve responses to sounds. The duration of a sound usually lasts from the time the sound is first noticed until the sound is identified as having changed or ceased.[26] Sometimes this is not directly related to the physical duration of a sound. For example; in a noisy environment, gapped sounds (sounds that stop and start) can sound as if they are continuous because the offset messages are missed owing to disruptions from noises in the same general bandwidth.[27] This can be of great benefit in understanding distorted messages such as radio signals that suffer from interference, as (owing to this effect) the message is heard as if it was continuous.

Loudness

Loudness information is summed over a period of about 200 ms before being sent to the auditory cortex. Louder signals create a greater 'push' on the Basilar membrane and thus stimulate more nerves, creating a stronger loudness signal. A more complex signal also creates more nerve firings and so sounds louder (for the same wave amplitude) than a simpler sound, such as a sine wave.
Loudness is perceived as how "loud" or "soft" a sound is and relates to the totalled number of auditory nerve stimulations over short cyclic time periods, most likely over the duration of theta wave cycles.[28][29][30] This means that at short durations, a very short sound can sound softer than a longer sound even though they are presented at the same intensity level. Past around 200 ms this is no longer the case and the duration of the sound no longer affects the apparent loudness of the sound.

Timbre

Timbre perception, showing how a sound changes over time. Despite a similar waveform, differences over time are evident.
Timbre is perceived as the quality of different sounds (e.g. the thud of a fallen rock, the whir of a drill, the tone of a musical instrument or the quality of a voice) and represents the pre-conscious allocation of a sonic identity to a sound (e.g. "it's an oboe!"). This identity is based on information gained from frequency transients, noisiness, unsteadiness, perceived pitch and the spread and intensity of overtones in the sound over an extended time frame.[10][11][12] The way a sound changes over time provides most of the information for timbre identification. Even though a small section of the wave form from each instrument looks very similar, differences in changes over time between the clarinet and the piano are evident in both loudness and harmonic content. Less noticeable are the different noises heard, such as air hisses for the clarinet and hammer strikes for the piano.

Texture
Sonic texture relates to the number of sound sources and the interaction between them.[31][32] The word texture, in this context, relates to the cognitive separation of auditory objects.[33] In music, texture is often referred to as the difference between unison, polyphony and homophony, but it can also relate (for example) to a busy cafe; a sound which might be referred to as cacophony.

Spatial location
Main article: Sound localization
Spatial location represents the cognitive placement of a sound in an environmental context; including the placement of a sound on both the horizontal and vertical plane, the distance from the sound source and the characteristics of the sonic environment.[33][34] In a thick texture, it is possible to identify multiple sound sources using a combination of spatial location and timbre identification.

Frequency
See also: Audio frequency
Ultrasound

Approximate frequency ranges corresponding to ultrasound, with rough guide of some applications
Ultrasound is sound waves with frequencies higher than 20,000 Hz. Ultrasound is not different from audible sound in its physical properties, but cannot be heard by humans. Ultrasound devices operate with frequencies from 20 kHz up to several gigahertz.

Medical ultrasound is commonly used for diagnostics and treatment.

Infrasound
See also: Perception of infrasound
Infrasound is sound waves with frequencies lower than 20 Hz. Although sounds of such low frequency are too low for humans to hear as a pitch, these sound are heard as discrete pulses (like the 'popping' sound of an idling motorcycle). Whales, elephants and other animals can detect infrasound and use it to communicate. It can be used to detect volcanic eruptions and is used in some types of music.[35]

 

3
THE
33
15
6
11
STIMULATION
153
45
9
2
OF
21
12
3
10
SENSATIONS
135
36
9

 

THE

STIMULATION

OF

SENSATIONS

 

-
SENSATIONS
-
-
-
6
S+E+N+S+A+T
78
15
6
1
I
9
9
9
3
O+N+S
48
12
3
10
SENSATIONS
135
36
18
1+0
-
1+3+5
3+6
1+8
1
SENSATIONS
9
9
9

 

5
MUSIC
65
20
2

 

 

-
5
M
U
S
I
C
-
-
-
-
-
-
-
-
-
-
-
-
1
9
-
+
=
10
1+0
=
1
=
1
-
-
-
-
19
9
-
+
=
28
2+8
=
10
1+0
1
-
5
M
U
S
I
C
-
-
-
-
-
-
-
-
-
-
4
3
-
-
3
+
=
10
1+0
=
1
=
1
-
-
13
21
-
-
12
+
=
37
3+7
=
10
1+0
1
-
5
M
U
S
I
C
-
-
-
-
-
-
-
-
-
-
13
21
19
9
3
+
=
65
6+5
=
11
1+1
2
-
-
4
3
1
9
3
+
=
20
2+0
=
2
=
2
-
5
M
U
S
I
C
T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
3
-
-
3
-
-
3
occurs
x
2
=
6
-
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
--
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
--
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
28
5
M
U
S
I
C
-
-
17
-
-
5
-
20
2+8
-
-
-
-
9
-
-
-
1+7
-
-
-
-
2+0
10
5
M
U
S
I
C
-
-
8
-
-
5
-
2
1+0
-
4
3
1
9
3
-
-
-
-
-
-
-
-
1
5
M
U
S
I
C
-
-
8
-
-
5
-
2

 

 

5
M
U
S
I
C
-
-
-
-
-
-
-
-
-
-
-
1
9
-
+
=
10
1+0
=
1
=
1
-
-
-
19
9
-
+
=
28
2+8
=
10
1+0
1
5
M
U
S
I
C
-
-
-
-
-
-
-
-
-
4
3
-
-
3
+
=
10
1+0
=
1
=
1
-
13
21
-
-
12
+
=
37
3+7
=
10
1+0
1
5
M
U
S
I
C
-
-
-
-
-
-
-
-
-
13
21
19
9
3
+
=
65
6+5
=
11
1+1
2
-
4
3
1
9
3
+
=
20
2+0
=
2
=
2
5
M
U
S
I
C
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
1
=
1
-
-
3
-
-
3
-
-
3
occurs
x
2
=
6
-
4
-
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
5
M
U
S
I
C
-
-
17
-
-
5
-
20
-
-
-
-
9
-
-
-
1+7
-
-
-
-
2+0
5
M
U
S
I
C
-
-
8
-
-
5
-
2
-
4
3
1
9
3
-
-
-
-
-
-
-
-
5
M
U
S
I
C
-
-
8
-
-
5
-
2

 

 

T
=
2
-
3
THE
33
15
6
M
=
4
-
7
MUSICAL
78
24
6
S
=
1
-
5
SCALE
40
13
4
S
-
7
4
15
Add to Reduce
151
52
16
-
-
-
-
1+5
Reduce to Deduce
1+5+1
5+2
1+6
-
-
7
-
6
Essence of Number
7
7
7

 

 

7
MUSICAL
78
24
6
5
SCALE
40
13
4
12
First Total
118
37
10
1+2
Add to Reduce
1+1+8
3+7
1+0
3
Second Total
10
10
1
-
Reduce to Deduce
1+0
1+0
-
3
Essence of Number
1
1
1

 

5
SEVEN
65
20
2
5
NOTES
73
19
1
10
First Total
138
39
3
1+0
Add to Reduce
1+3+8
3+9
-
1
Second Total
12
12
3
-
Reduce to Deduce
1+2
1+2
-
1
Essence of Number
3
3
3

 

 

3
THE
33
15
6
5
SEVEN
65
20
2
5
NOTES
73
19
1
13
Add to Reduce
171
54
9
1+3
Reduce to Deduce
1+7+1
5+4
-
4
Essence of Number
9
9
9

 

 

12
TRANSCENDANT
133
43
7
5
CHORD
48
30
3
17
First Total
181
73
10
1+7
Add to Reduce
1+8+1
7+3
1+0
8
Second Total
10
10
1
-
Reduce to Deduce
1+0
1+0
-
8
Essence of Number
1
1
1

 

 

12
TRANSCENDANT
133
43
7
6
CHORDS
67
31
4
18
First Total
200
74
11
1+8
Add to Reduce
2+0+0
7+4
1+1
9
Second Total
2
11
2
-
Reduce to Deduce
-
1+1
-
9
Essence of Number
2
2
2

 

5
SOUND
73
19
1

 

-
5
S
O
U
N
D
-
-
-
-
-
-
-
-
--
-
1
6
-
5
-
+
=
12
1+2
=
3
=
3
-
-
19
15
-
14
-
+
=
48
4+8
=
12
1+2
3
-
5
S
O
U
N
D
-
-
-
-
-
-
-
-
-
-
-
-
3
-
4
+
=
7
-
=
7
=
7
-
-
-
-
21
-
4
+
=
25
2+5
=
7
=
7
-
5
S
O
U
N
D
-
-
-
-
-
-
-
-
-
-
19
15
21
14
4
+
=
73
7+3
=
10
1+0
1
-
-
1
6
3
5
4
+
=
19
1+9
=
10
1+0
1
-
5
S
O
U
N
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
26
5
S
O
U
N
D
-
-
19
-
-
5
-
19
2+6
-
-
-
-
-
-
-
-
1+9
-
-
-
-
1+9
8
5
S
O
U
N
D
-
-
10
-
-
5
-
10
-
-
1
6
3
5
4
-
-
1+0
-
-
-
-
1+0
8
5
S
O
U
N
D
-
-
1
-
-
5
-
1

 

 

5
S
O
U
N
D
-
-
-
-
-
-
-
-
-
1
6
-
5
-
+
=
12
1+2
=
3
=
3
-
19
15
-
14
-
+
=
48
4+8
=
12
1+2
3
5
S
O
U
N
D
-
-
-
-
-
-
-
-
-
-
-
3
-
4
+
=
7
-
=
7
=
7
-
-
-
21
-
4
+
=
25
2+5
=
7
=
7
5
S
O
U
N
D
-
-
-
-
-
-
-
-
-
19
15
21
14
4
+
=
73
7+3
=
10
1+0
1
-
1
6
3
5
4
+
=
19
1+9
=
10
1+0
1
5
S
O
U
N
D
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
5
S
O
U
N
D
-
-
19
-
-
5
-
19
-
-
-
-
-
-
-
-
1+9
-
-
-
-
1+9
5
S
O
U
N
D
-
-
10
-
-
5
-
10
-
1
6
3
5
4
-
-
1+0
-
-
-
-
1+0
5
S
O
U
N
D
-
-
1
-
-
5
-
1

 

 

5
SENSE
62
17
8
6
SENSES
81
18
9
9
SENSATION
116
35
8
8
SENSORIA
100
37
1
7
SENSORY
115
34
7

 

 

-
SENSES
-
-
-
1
S
19
10
1
1
E
5
5
5
1
N
14
5
5
1
S
19
10
1
1
E
5
5
5
1
S
19
10
1
6
SENSES
81
45
18
-
-
8+1
4+5
1+8
6
SENSES-
9
9
9

 

 

6
COMMON
73
28
1
5
SENSE
62
17
8
11
Add to Reduce
135
45
9
1+1
Reduce to Deduce
1+3+5
4+5
-
2
Essence of Number
9
9
9

 

Musica universalis - Wikipedia
https://en.wikipedia.org/wiki/Musica_universalis
Musica universalis (literally universal music), also called Music of the spheres or Harmony of the Spheres, is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of musica (the Medieval Latin term for music).

 

music of the spheres - The William Herschel Society
www.williamherschel.org.uk/wp-content/uploads/.../Harmony-of-the-Spheres.doc

Its founder, Pythagoras (532-497? BC), was probably the first person to associate strictly music and astronomy. He used the word “cosmos” to describe a ...

 

MUSIC OF THE SPHERES

 

-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
5
MUSIC
65
29
2
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SPHERES
90
54
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
1
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
3
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
5
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
20
-
5
-
65
29
20
-
-
-
-
-
-
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
7
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
-
12
-
2
-
21
123
12
-
-
-
-
-
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
9
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
10
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
15
-
3
-
33
15
15
-
-
-
-
-
-
-
-
-
-
S
=
1
11
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
P
=
7
12
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
13
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
15
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
16
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
17
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
36
-
7
-
90
547
36
-
3
2
6
4
15
12
7
16
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+5
1+2
-
1+6
1+8
-
-
83
-
17
MUSIC
65
29
2
-
3
2
6
4
6
3
7
7
9
-
-
8+3
-
1+7
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
-
-
11
-
8
THE
33
15
6
-
3
2
6
4
6
3
7
7
9
-
-
1+1
-
-
SPHERES
90
54
9
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
First Total
209
110
20
-
3
2
6
4
6
3
7
7
9
-
-
-
-
-
Add to Reduce
2+0+9
1+1+0
2+0
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Second Total
11
2
2
-
3
2
6
4
6
3
7
7
9
-
-
-
-
-
Reduce to Deduce
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
2
2
9
-
3
2
6
4
6
3
7
7
9

 

 

-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
5
MUSIC
65
29
2
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SPHERES
90
54
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
1
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
3
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
5
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
7
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
9
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
10
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
11
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
P
=
7
12
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
13
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
15
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
16
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
17
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
2
6
4
15
12
7
16
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+5
1+2
-
1+6
1+8
-
-
83
-
17
MUSIC
65
29
2
-
3
2
6
4
6
3
7
7
9
-
-
8+3
-
1+7
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
-
-
11
-
8
THE
33
15
6
-
3
2
6
4
6
3
7
7
9
-
-
1+1
-
-
SPHERES
90
54
9
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
First Total
209
110
20
-
3
2
6
4
6
3
7
7
9
-
-
-
-
-
Add to Reduce
2+0+9
1+1+0
2+0
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Second Total
11
2
2
-
3
2
6
4
6
3
7
7
9
-
-
-
-
-
Reduce to Deduce
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
2
2
9
-
3
2
6
4
6
3
7
7
9

 

 

-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
5
MUSIC
65
29
2
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SPHERES
90
54
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
3
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
11
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
17
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
C
=
3
5
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
1
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
10
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
16
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
7
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
P
=
7
12
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
9
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
13
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
15
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
3
2
6
4
15
12
7
16
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+5
1+2
-
1+6
1+8
-
-
83
-
17
MUSIC
65
29
2
-
3
2
6
4
6
3
7
7
9
-
-
8+3
-
1+7
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
-
-
11
-
8
THE
33
15
6
-
3
2
6
4
6
3
7
7
9
-
-
1+1
-
-
SPHERES
90
54
9
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
First Total
209
110
20
-
3
2
6
4
6
3
7
7
9
-
-
-
-
-
Add to Reduce
2+0+9
1+1+0
2+0
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Second Total
11
2
2
-
3
2
6
4
6
3
7
7
9
-
-
-
-
-
Reduce to Deduce
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
2
2
9
-
3
2
6
4
6
3
7
7
9

 

 

-
-
-
17
MUSIC OF THE SPHERES
S
=
1
--
S
19
10
1
-
-
-
--
S
19
10
1
-
-
-
--
S
19
10
1
T
=
2
-
T
20
2
2
U
=
3
-
U
21
3
3
C
=
-
-
C
3
3
3
M
=
4
-
M
13
4
4
E
=
5
-
E
5
5
5
-
-
-
-
E
5
5
5
-
-
-
-
E
5
5
5
O
=
6
-
O
15
6
6
F
-
-
-
F
6
6
6
P
=
7
-
P
16
7
7
H
=
8
-
H
8
8
8
-
-
-
-
H
8
8
8
I
=
9
-
I
9
9
9
-
-
-
-
R
18
9
9
9
-
45
-
MUSIC OF THE SPHERES
-
-
-
-
-
4+5
-
-
-
-
-
9
-
9
17
MUSIC OF THE SPHERES
-
-
-

 

 

T
=
2
-
3
THE
33
15
6
N
=
5
-
9
NUMERICAL
96
42
6
S
=
1
-
5
SCALE
40
13
4
-
-
8
4
17
First Total
169
70
16
-
-
-
-
1+7
Add to Reduce
1+6+9
7+0
1+6
-
-
8
-
8
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
8
Essence of Number
7
7
7

 

themindunleashed.org › Ancient Structures & History

15 Sep 2015 - The American Federation of Musicians had already accepted the A440 as ... “This [A=432 Hz] tuning was unanimously approved at the Congress of Italian ..... ... [iii] Mark Brewer, Music of the Spheres: A Case for A=432Hz,
Brendan D. Murphy, Guest

GA=440Hz: Not Quite Music to My Ears

The A=432 Hz Frequency: DNA Tuning and the ...
themindunleashed.org › Ancient Structures & History
15 Sep 2015 - The American Federation of Musicians had already accepted the A440 as ... “This [A=432 Hz] tuning was unanimously approved at the Congress of Italian .....Humankind is the largely unwitting victim of a frequency war on our consciousness that has been waged for decades, if not millennia. The goal has clearly been to keep us as gullible and subservient as possible, through multifarious means.

In modern history in particular, there has been what Dr. Len Horowitz has referred to as the strategic “militarization” of music. This happened in 1939 when the tuning of the note ‘A above Middle C’ to 440 Hz was adopted in the world of music. In 1910 an earlier push to effect the same change was met with limited success. Three decades later, the British Standards Institute (BSI) adopted the A=440Hz standard following staunch promotion by the Rockefeller-Nazi consortium—“at the precise time WWII preparations were being finalized by the petrochemical-pharmaceutical war financiers.”[i] This was the year that A=440 became the international standard.

The American Federation of Musicians had already accepted the A440 as standard pitch in 1917, and the U.S. government followed suit in 1920.[ii] One must surely ask why Nazi propaganda minister, Joseph Goebbels, argued for this odd intrusion into musical creativity, persuading Hitler’s supposed enemies in Britain to adopt this “superior” standard tuning for the “Aryan/Master Race.” What did the Nazis (and their secretive by well-documented US financiers) have to gain from this?

It is interesting, also, to note that in October 1953, despite the British and Nazi push for the arbitrary A=440 standard (which is “disharmonic” vis à vis the physico-acoustic laws of creation governing reality), a referendum of 23,000 French musicians voted overwhelmingly in favour of A=432Hz.[iii] Many, many musicians, through recent centuries have expressed their strong preference for the A=432 reference pitch.

The Vibration of Sound

According to preliminary research, analysis, and professional discussions by Walton, Koehler, Reid, et al., on the web, A=440Hz frequency music conflicts with human energy centers (i.e., chakras) from the heart to the base of the spine [the lower four]. Alternatively, chakras above the heart are stimulated. Theoretically, the vibration stimulates ego and left-brain function, suppressing the “heart-mind,” intuition and creative inspiration.[v]

Interestingly, the difference between 440 and 741 Hz is known in musicology as the Devil’s Interval.

For maximum suppression of human consciousness, the frequencies we naturally resonate with, and which are the most biologically and psycho-spiritually enhancing, must be maximally suppressed. Ancient Egyptian and Greek instruments have reportedly been found to be tuned to 432 Hz. As far as many guitarists are concerned, A=432 Hz seems to be the most practical, optimal, and most bio-friendly resonant tuning we have, although many musicians have also favoured A=444. (A=444 Hz belongs to a different scale, where

But there’s more: the cochlea, the part of the inner ear that converts acoustic impulses into electrical signals, has a seashell-like spiral shape. A bilateral cross-section of the cochlea is mathematically describable through the Fibonacci series (the Golden Ratio/Phi as manifested in nature). [vi] According to Chas Stoddard inA Short History of Tuning and Temperament, this fractality/recursiveness allows octaves to be decoded at the same point in each layer of the spiral, and may therefore be why we can discern octaves at all (meaning, that without this cochlea design, we would just hear pitch rising or lowering, we would not be able to identify that, for example, 256 Hz is C, as is 512 Hz also C).[vii] The octave concept would be almost meaningless and sonically undetectable to us.

Somehow, Austrian genius visionary Rudolph Steiner (1861-1925) was on to all of this. He said:

“Music based on C=128hz (C note in concert A=432hz) will support humanity on its way towards spiritual freedom. The inner ear of the human being is built on C=128 hz.”

The fact that Phi/Golden Ratio is so key in morphogenesis (the biological process that causes an organism to develop its shape) in humans and throughout nature suggests that there may be an interesting yet little-known relationship between the galactic harmonic of 432 that shows up in our solar system and the Golden Ratio.
To return to the main thrust now. Maria Renold, in her book Intervals Scales Tones and the Concert Pitch C=128hz, claims conclusive evidence that A=440Hz tuning (above scientific “C” Prime=128/256/512 Hz, where A=432 Hz) “disassociates the connection of consciousness to the body and creates anti-social conditions in humanity.” Modern “Equal Temperament (ET)” tuning was supposedly the excuse for musicians to play consonance, but, according to researcher Brian T. Collins (who strongly endorses Renold’s book), it actually diminishes perception of tone and resonant harmony.[viii]

Many people appear to endorse the view that, while A=440 music is more exciting (or aggressive, for some), it is more mind-oriented and disconnected from the human feeling centres, particularly the heart (which has by far the largest EM field of all bodily organs, including the brain, which it can actually entrain). Disconnecting the heart from the brain is — as history (and our present condition) shows us — catastrophic on a planetary scale; for many reasons, but fundamentally, it disconnects us from our innate wisdom and compassion as sentient beings, thus disconnecting us from each other and the other intelligent beings we share this planet with (not to mention the planet itself which is a living intelligence).

Ancient tuning practices employed the “Just Intonation” system of tuning. It featured “pure intervals between every note that were mathematically related by ratios of small whole numbers leading to a much purer sound.” From about the 16th century onwards, “Twelve-Tone Equal Temperament” tuning, according to Joachim Ernst-Berendt, commenced the mistuning of all consonant intervalsexcept the octave.[ix]

As a guitarist(who writes music primarily on an electric guitar, I prefer to tune up to A=444/C=528 rather than further down-tuning to 432 (I already drop a full step down on the electric and one of my acoustics and don’t want to lower string tension any further). 528 derives from the ancient Solfeggio scale, as re-discovered by Dr. Joseph Puleo, a co-researcher and co-author with Dr. Len Horowitz of the well-researched and confronting book Healing Codes for the Biological Apocalypse. At A=444 I can feel the resonance almost on a cellular level—the vibrations go right through me, and the guitar feels almost like a part of me. The tone is beautiful and bright; highly resonant. This is not the case when I use 440 Hz (standard Western tuning). Electric guitars, lacking a resonant cavity, don’t make the distinction as easy, however, that doesn’t mean that our cells don’t appreciate the subtle difference.

I will discuss more on the Solfeggio scale and why 528 is so important in a coming article.

The Curious Case of 432

We see above an interesting relationship between the 432 and the number of completion arising as we look at this material below. The numbers suggest that the “universal” or solar constant of 432 has to do with the “completion” (or completeness) of the manifest material world.

Diameter of sun = 864,000 miles (432 x 2)
•Interestingly 8+6+4 = 18 (1+ 8) = 9 the number of completion

Diameter of moon = 2,160 miles (5 x 432 = 2,160)
•2+1+6+0 resolves to a 9, as does 4+3+2 = 9 and 5 x 9 = 45 and 4 + 5 = 9 as well.

Precession of the Equinoxes of Earth = 25,920 years (60 x 432) [x]
•2+5+9+2+0 also equals 9, while 6 x 9 = 54 and 5 + 4 = 9 also.

Interestingly, the leading acoustician in Beethoven’s time was Ernst Chladni (1756-1827), the godfather of cymatics. His music theory textbook explicitly defined C as 256/512 Hz, the “scientific” tuning. (The A above middle C in this standard scale is 432 Hz.)

Perhaps this is to do with 432 squared — 186,624 (1+8+6+6+2+4 = 9) — being within 1 percent accuracy of the speed of light, (186,282 miles per second, which also resolves to a 9!). The square root of the measured speed of light is 431.6(!) By deductive reasoning, we might speculate that “notes tuned relative to A432 harmonize directly with the light body [auric fields] allowing the vibrations to penetrate, and through entrainment, bring your energetic essence into balance. Entrainment is the tendency for a strong vibration to influence a weaker vibration.”[xi]

Inversely, A=440 tuning may produce a dissonant or “agitative” effect on the aura/mind — and anything that disrupts/disturbs DNA will create contraindications in the aura due to DNA’s innate sound-light translation mechanism. The human aura, of course, is the closest thing we have yet been able to point to as “consciousness” or “mind” in the manifest measurable world, as I demonstrate in The Grand Illusion : a Synthesis of Science & Spirituality.

Using 256Hz as the reference for C (where A=432), all occurrences of C are a power of 2. Interestingly, the Schumann resonance — earth’s electromagnetic “heartbeat” existing within the atmosphere between the earth’s surface and our ionisphere — ranges from about 7.83 to 8 Hz on average — very close to (and even the same as) 23. This isn’t terribly surprising if you consider the frequency of earth’s axial rotation: “Earth’s ‘pitch’ (cycles per second/Hertz) as it rotates is G, a fourth below the theoretical C that lies 24 octaves below middle C, when C=256Hz. So C=256/A=432 is in tune with the Earth’s rotation,”[xii] which is “in tune” with the speed of light, which is “in tune” with the diameter of the sun, which is “in tune” with the diameter of the moon, which is “in tune” with the precession of the equinoxes!

That’s a lot of harmony, which is exactly what we should expect from a holofractal (scaled) plasma-based universe

 

6
DECODE
-
-
-
-
D+E
9
9
9
1
C+O
18
9
9
-
D+E
9
9
9
6
DECODE
36
27
27
-
-
3+6
2+7
2+7
6
DECODE
9
9
9

 

 

-
SIGNAL
--
--
--
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
SIGNAL
62
35
26
-
-
6+2
3+5
2+6
7
SIGNAL
8
8
8

 

 

-
SIGNALS
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
1
S
19
10
1
7
SIGNALS
81
45
27
-
-
8+1
4+5
2+7
7
SIGNALS
9
9
9

 

-
A SIGNAL
-
-
-
1
A
1
1
1
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
A SIGNAL
63
36
27
-
-
6+3
3+6
2+7
7
A SIGNAL
9
9
9

 

 

5
SENSE
62
17
8
6
SENSES
81
18
9

 

 

-
6
S
E
N
S
E
S
-
-
-
-
-
--
-
-
-
-
-
-
1
-
5
1
-
1
+
=
8
-
=
8
=
8
=
8
-
-
19
-
14
19
-
19
+
=
71
7+1
=
8
=
8
=
8
-
6
S
E
N
S
E
S
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
-
5
-
+
=
10
1+0
=
1
=
1
=
1
-
-
-
5
-
-
5
-
+
=
10
1+0
=
1
=
1
=
1
-
6
S
E
N
S
E
S
-
-
-
-
-
--
-
-
-
-
-
-
19
5
14
19
5
19
+
=
81
8+1
=
9
=
9
=
9
-
-
1
5
5
1
5
1
+
=
18
1+8
=
9
=
9
=
9
-
6
S
E
N
S
E
S
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
1
-
-
1
occurs
x
3
=
3
=
3
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
5
-
5
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
39
6
S
E
N
S
E
S
-
-
6
-
-
6
-
18
-
9
3+9
-
1
-
-
1
-
1
-
1
-
-
-
-
-
1+8
-
-
12
6
S
E
N
S
E
S
-
-
6
-
-
6
-
9
-
9
1+2
-
1
5
5
1
5
1
-
1
-
-
-
-
-
-
-
-
3
6
S
E
N
S
E
S
-
-
6
-
-
6
-
9
-
9

 

 

6
S
E
N
S
E
S
-
-
-
-
-
--
-
-
-
-
-
1
-
5
1
-
1
+
=
8
-
=
8
=
8
=
8
-
19
-
14
19
-
19
+
=
71
7+1
=
8
=
8
=
8
6
S
E
N
S
E
S
-
-
-
-
-
--
-
-
-
-
-
-
5
-
-
5
-
+
=
10
1+0
=
1
=
1
=
1
-
-
5
-
-
5
-
+
=
10
1+0
=
1
=
1
=
1
6
S
E
N
S
E
S
-
-
-
-
-
--
-
-
-
-
-
19
5
14
19
5
19
+
=
81
8+1
=
9
=
9
=
9
-
1
5
5
1
5
1
+
=
18
1+8
=
9
=
9
=
9
6
S
E
N
S
E
S
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
1
-
-
1
occurs
x
3
=
3
=
3
-
-
5
5
-
5
-
-
-
5
occurs
x
3
=
15
1+5
6
6
S
E
N
S
E
S
-
-
6
-
-
6
-
18
-
9
-
1
-
-
1
-
1
-
1
-
-
-
-
-
1+8
-
-
6
S
E
N
S
E
S
-
-
6
-
-
6
-
9
-
9
-
1
5
5
1
5
1
-
1
-
-
-
-
-
-
-
-
6
S
E
N
S
E
S
-
-
6
-
-
6
-
9
-
9

 

 

3
HOW
46
19
1
4
MANY
53
17
8
6
SENSES
81
18
9
13
Add to Reduce
180
54
18
1+3
Reduce to Deduce
1+8+0
5+4
1+8
4
Essence of Number
9
9
9

 

 

4
FIVE
42
24
6
6
SENSES
81
18
9
10
Add to Reduce
123
42
15
1+0
Reduce to Deduce
1+2+3
4+2
1+5
1
Essence of Number
6
6
6

 

 

S
=
1
5
SOUND
73
19
1
T
=
2
5
TOUCH
67
22
4
T
=
2
5
TASTE
65
11
2
S
=
1
5
SMELL
61
16
7
S
=
1
5
SIGHT
63
27
9
-
-
7
25
First Total
329
95
23
-
-
-
2+5
Add to Reduce
3+2+9
9+5
2+3
Q
-
7
7
Second Total
14
14
5
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
7
7
Essence of Number
5
5
5

5
SENSE
62
17
8
6
SENSES
81
18
9

 

 

4
FIVE
42
24
6
6
SENSES
81
18
9
10
Add to Reduce
123
42
15
1+0
Reduce to Deduce
1+2+3
4+2
1+5
1
Essence of Number
6
6
6

 

 

T
=
2
-
3
THE
33
15
6
F
=
6
-
4
FIVE
42
24
6
S
=
1
-
6
SENSES
81
18
9
-
-
9
4
13
First
156
57
21
-
-
-
-
1+3
Add
1+5+6
5+7
2+1
-
-
9
-
4
Second
12
12
3
-
-
-
-
-
Reduce
1+2
1+2
-
-
-
9
-
4
Essence
3
3
3

 

 

S
=
1
-
5
SIGHT
63
27
9
S
=
1
-
5
SOUND
73
19
1
S
=
1
-
5
SMELL
61
16
7
T
=
2
-
5
TASTE
65
11
2
T
=
2
-
5
TOUCH
67
22
3
-
-
7
4
25
First
329
95
23
-
-
-
-
2+5
Add
3+2+9
9+5
2+3
-
-
7
-
7
Second
14
14
14
-
-
-
-
-
Reduce
1+4
1+4
-
-
-
7
-
7
Essence
5
5
5

 

5
SENSE
62
17
8
6
COMMON
73
28
1
6
COMMON
73
28
1
5
SENSE
62
17
8

 

 

6
COMMON
73
28
1
5
SENSE
62
17
8
11
Add to Reduce
135
45
9
1+1
Reduce to Deduce
1+1
1+1
-
2
Essence of Number
2
2
9

 

 

S
=
1
5
SIXTH
80
26
8
S
=
1
5
SENSE
62
17
8
G
=
7
3
GOD
26
17
8

 

 

SIGHT SEE LIGHT LIGHT SEE SIGHT

 

5
SOUND
73
19
1

 

7
STIMULI
103
31
4
8
STIMULUS
134
26
8
11
STIMULATION
153
45
9
9
STIMULATE
120
30
3
10
STIMULATES
139
31
4
10
STIMULATED
124
34
7

 

11
STIMULATION
153
45
9

 

3
THE
33
15
6
11
STIMULATION
153
45
9
2
OF
21
12
3
10
SENSATIONS
135
36
9

 

-
SENSATIONS
-
-
-
6
S+E+N+S+A+T
78
15
6
1
I
9
9
9
3
O+N+S
48
12
3
10
SENSATIONS
135
36
18
1+0
-
1+3+5
3+6
1+8
1
SENSATIONS
9
9
9

 

IN SEARCH OF EXTRA TERRESTRIALS

Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth

Alan Landsburg 1976

Page 79

" The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."

 

 

W
=
5
-
8
WEPWAWET
116
35
8
O
=
6
-
6
OPENER
73
37
1
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
W
=
5
-
4
WAYS
68
14
5
-
-
24
4
23
Add to Reduce
311
113
23
-
-
2+4
-
2+3
Reduce to Deduce
3+1+1
1+1+3
2+3
-
-
6
-
5
Essence of Number
5
5
5

 

 

WEPWAWET OSIRIS WENNEFER

 

 

Results 1 - 10 of about 152 for Wepwawet Osiris Wennefer. (0.22 seconds)

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The Egyptian Book of the Dead: The Book of Going Forth by Day - Google Books Result by Raymond O. Faulkner, Dr. Ogden Goelet, Carol ... - 2008 - History - 174 pages
I have given the sweet breath of the north wind to Osiris Wennefer as when ... this my name of Wepwawet; I have given praise and have made homage to Osiris ... books.google.com/books?isbn=0811864898

 

... - Wadjet, Wepwawet Jump to Wesir/Osiris.‎: Also sometimes Wennefer (Gr: Onnophris) which means "the eternally good being" or "the perfect one". Wesir/Osiris has been ...
www.philae.nu/akhet/NetjeruW.html - Cached - Similar

 

-Osiris, Anhur, Onuris, Wesir Also sometimes Wennefer (Gr: Onnophris) which means "the eternally good being" or "the perfect one". Wesir/Osiris has been called "Lord of the Duat ... www.philae.nu/akhet/NetjeruO.html - Cached - Similar

 

-Ikhernofret's Description of the Osiris Passion Play at Abydos I organized the going forth of Wepwawet when he proceeded to avenge his father; ... I avenged Wennefer that day of the great fight; I overthrew all his ... www.touregypt.net/passionplay.htm - Cached - Similar


-The origins of theater in ancient Greece and beyond: from ritual ... - Google Books Result by Eric Csapo, Margaret Christina Miller - 2007 - Performing Arts - 440 pages I repulsed the attackers of the w^wrt-bark,26 felling the foes of Osiris. ... and I protected Wennefer (= Osiris) on that day of the Great Battle, ... books.google.com/books?isbn=0521836824


... - Kheruef ; TT192 ; TT 192 ; tombe Egypte (5) ... in the presence of Wennefer (the fully regenerated Osiris), for the ka of . ... "An offering which the king gives to Wepwawet of Upper Egypt, .... Osiris, Geb, Nut, Isis and Nephthys, Anubis, as well as to Wepwawet of Upper Egypt. ... www.osirisnet.net/tombes/nobles/kheru/e_kherouef_05.htm


- Cached -OSIRIS - REALM OF THE GODS One of these is, "Wennefer" which means "eternally good" or "eternally ... procession of Osiris`s barque (neshmet) which followed the jackal-god, Wepwawet. ...
gtae.users.btopenworld.com/godsOtoR.htm - Cached - Similar


-A Protective Measure at Abydos in the Thirteenth Dynasty of Abydos for his father Wepwawet, lord of the necropolis, like that which Horus did for his father Osiris Wennefer ,d forbiddinge (3) anyone to trespassf ... www.jstor.org/stable/3821898 - by A Leahy - 1989 - Cited by 5 - Related articles


Oriental Institute | Highlights from the Collection: Mummies 7 Feb 2007 ... Two images of the jackal god Wepwawet, protector of the necropolis, decorate the upper ... Lord of Shechet, and Wennefer (a form of Osiris), ... oi.uchicago.edu › Museum › Highlights from the Collections - Cached - Similar


-[PPT] The Origins of Drama and Theatre File Format: Microsoft Powerpoint - View as HTML
Ikhernofret's Description of the Osiris "Passion Play" at Abydos. “I organized the going forth of Wepwawet when he proceeded to avenge his father; ... I avenged Wennefer that day of the great fight; I overthrew all his enemies upon the ... www.drama.uwaterloo.ca/origins.ppt

 

WHEREVER WHATEVER WHENEVER WENNEFER WENNEFER WHENEVER WHATEVER WHEREVER

 

WENNEFER WEPWAWET WENNEFER

 

-
-
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WEPWAWET
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W
23
5
5
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E
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5
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1
E
5
5
5
-
5
P
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-
1
P
16
7
7
-
-
W
=
5
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1
W
23
5
5
-
5
A
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1
A
1
1
1
-
-
W
=
5
-
1
W
23
5
5
-
5
E
=
5
-
1
E
5
5
5
-
5
T
=
2
-
1
T
20
2
2
-
-
-
-
-
-
-
WEPWAWET
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
WENNEFER
-
-
-
-
-
W
=
5
-
1
W
23
5
5
-
5
E
=
5
-
1
E
5
5
5
-
5
N
=
5
-
1
N
14
5
5
-
5
N
=
5
-
1
N
14
5
5
-
5
E
=
5
-
1
E
5
5
5
-
5
F
=
6
-
1
F
6
6
6
-
-
E
=
5
-
1
E
5
5
5
-
5
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
WENNEFER
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
W
=
5
-
8
WEPWAWET
116
35
8
-
8
W
=
5
-
8
WENNEFER
90
45
9
-
9
-
-
10
-
16
-
206
80
17
-
17
-
-
1+0
-
1+6
-
2+0+6
8+0
1+7
-
1+7
-
-
1
-
7
-
8
8
8
-
8

 

WENNEFER WEPWAWET WENNEFER

55555F5R 55P5A55T 55555F5R

WENNEFER WEPWAWET WENNEFER

 

 

-
OPENER OF THE WAYS
-
-
-
6
OPENER
73
37
1
2
OF
21
12
3
3
THE
33
15
6
4
WAYS
68
14
5
15
OPENER OF THE WAYS
195
78
15
1+5
-
1+9+5
7+8
1+5
6
OPENER OF THE WAYS
15
15
6
-
-
1+5
1+5
-
6
OPENER OF THE WAYS
6
6
6

 

WHEREVER WHATEVER WHENEVER WENNEFER WENNEFER WHENEVER WHATEVER WHEREVER

 

W
=
5
-
8
WEPWAWET
116
35
8
W
=
5
-
8
WENNEFER
90
45
9
-
-
10
-
16
-
206
80
17
-
-
1+0
-
1+6
-
2+0+6
8+0
1+7
-
-
1
-
7
-
8
8
8

 

G
=
7
-
4
GONE
41
23
5
W
=
5
-
4
WEST
67
13
4
S
-
9
4
8
Add to Reduce
108
36
9
-
-
-
-
-
Reduce to Deduce
1+0+8
7+2
-
S
-
9
4
8
Essence of Number
9
9
9

 

 

N
=
5
-
7
NUMBERS
92
29
2
A
=
1
-
3
AND
19
10
1
L
=
3
-
9
LANGUAGES
87
33
6
S
-
9
4
19
Add to Reduce
198
72
9
-
-
-
-
1+9
Reduce to Deduce
1+9+8
7+2
-
S
-
9
4
10
Add to Reduce
18
9
9
-
-
-
-
1+0
Reduce to Deduce
1+8
-
-
-
-
9
-
1
Essence of Number
9
9
9

 

 

3
THE
33
15
6
7
QUANTUM
107
26
8
4
MIND
40
22
4
14
Add to Reduce
180
63
18
1+4
Reduce to Deduce
1+8+0
6+3
1+8
5
Essence of Number
9
9
9

 

RA QUANTUM QUANTUM RA

 

THE EGYPT CODE

Robert Bauval 1988

Page 30

"It is quite natural, therefore, that the divine tutors of Time and and Calendar should be Thoth, God of Science, and Seshat, Goddess of Writings and Annals.47

Page 31

"It is generally agreed by Egyptologists that the king's first jubilee (or heb-sed festival, as it called by the ancients) was celebrated in the thirtieth year of his reign. But some others are of the opinion that the 30- year period was calendrical, i.e. that it fell in cycles of 30 years irrespective of the number of years the king had reigned. At any rate, it is evident from the text quoted by Budge that the term 'thirty-year festivals' is a euphemism for royal jubilees. Also the mention of the 'Thirty-Years periods' alongside the term 'years of Ra' should affirm to us that the computations of this period had something to do with the sun or rather its yearly cycle, and thus, by extension, the solar calendar. Such an association with the sky and Seshat's royal duties is also evident in the 'stretching of the cord' ceremony, since, as we shall see, this entailed observing the motion and position of the circumpolar stars. Indeed, because of this last role / Page 32 / Seshat was also called 'Lady of Builders', 'Goddess of Cnstruction', 'Founder of Architecture' and perhaps more aptly, 'Lady of the Stars'. To be concise, we can think of Seshat as the royal librarian, the royal scribe, the royal astronomer, the royal architect, the royal engineer, the royal herald and perhaps even the royal adviser all rolled into one" — a sort of Condoleeza Rice to the pharaohs.
It is well established that the 'stretching of the cord' ceremony was practised from at least the Second Dynasty (e. 2900 Bc). As Egyptologist George Hart further explains: 'As early as Dynasty II she (Seshat) a::,sisted the monarch . . . in hammering boundary oles into the ground for the ceremony of "stretching the cord". This is a crucial part of a temple foundation
To be precise, it is fair to say that much of the knowledge we have about the 'stretching of the cord'
remony comes from very late inscriptions, mostly trom the temples at -Edfu and Dendera. Earlier evidence of the ceremony is found only in drawing form, without any explanatory captions. Nonetheless, A s I.E.S. Edwards correctly argued:
in spite of the relative late date of the inscriptions referring to the episodes of the foundation ceremonies, there is no reason to doubt that they preserved an ancient tradition. Some indication that similar ceremonies were already current in the Pyramid Age is provided by a fragmentary relief found in the Vth Dynasty sun-temple of Niuserre, which shows the king and a priestess impersonating Seshat, each holding a mallet and a stake to which a measuring cord is attached. The scene is in complete agreement with
32
the text in the temple at Edfu which represents the king saying: take the stake and I hold the handle of the mallet. I hold the cord with Seshat' .51
In the many depictions of the ceremony found all over Egypt, Seshat always faces the king and each is seen carrying a peg in one hand and a mallet in the other. A short cord is looped between the two pegs, and it is evident from this scene that the protagonists are aligning the axis of a temple or pyramid by stretching cord and aiming it at a distant object, and then fixing the alignment by hammering the two pegs into the ground. Here are some of the inscriptions from the temples at Edfu and Dendera which describe the scene:
[The king says:] I hold the peg. I grasp the handle of the mallet and grip the measuring-cord with Seshat. I turn my eyes to the movements of the stars. I direct my gaze
towards the bull's thigh [niesichetiu; Plough]. . . I make - firm the corners of the temple . .52 -
[A priest says:] The king stretches joyously the cord, having turned his head towards the bull's thigh and establishes the temple in the manner of ancient times.53
[The king saysl I grasp the peg and the mallet; I stretch the cord with Seshat; I observed the trajectory of the stars with my eye which is fixed on the bull's thigh; I have been the god who indicates Time with the Merkhet instrument. I have established the- four corners of the temple.54
33

 

 

 

EHT NAMUH 1973

 

DAILY MAIL

Friday, July 6, 2007

Colin Wilson

Page 15

"ALL THE SEVENS Just why is tomorrow's date (7-7-07 said to be so special ? OR THOSE of the marrying disposition, tomorrow is the most auspicious day to wed for decades. Gamblers should also find their luck is in.
Anyone with a birthday can hope to be kissed by good chance. And the rest of us? Well, fortune should be smiling on us too. The reason for all this bounty lies in the fact that tomorrow, Saturday, happens to fall on the seventh day of the seventh month of the seventh year of the millennium. Throughout history, seven has been regarded as a perfect number. So what date could be more special than 7/07/07 - except perhaps the seventh of July 1977? Modern man long ago forgot why seven has always been so blessed. But he still evokes that ancient knowledge when he uses the phrase 'being in the seventh heaven'. The number seven runs throughout world mythology, magic and religion and symbolises completeness and perfection. There are seven seas, seven virtues, Seven Wonders of the World. Seven colours of the rainbow as well as repeated references in the Bible - the seven days of Creation, the seven deadly sins, and the blessing- of the seventh day which makes Sunday a day of rest. Of course, July 7, 2005 is i remembered as one the most tragic events in recent British history - the London tube and bus bombings. But it cannot be denied that the notion of seven being a special number goes way back beyond Biblical times, extending to our remotest ancestors. The proof lies in the group of stars known as the Pleiades, or Seven Sisters. The acclaimed British anthropologist Stan Gooch discovered that they are the only constellation named by every culture on Earth, past and present, and going back at least 40,000 years.
The Greek legend of the Pleiades says they are six maidens and their mother, who were pursued through the forest by Orion the Hunter, until Zeus took pity on them and changed them into stars.
The Australian Aborigines call them the hunter Wurunna. The Wyoming Indians have the seven maidens pursued by a bear And they also play an important part in the legends of the Aztecs, the Incas, the Polynesians, the Chinese, the Masai and the Kikuyu of Kenya, the Hindus and the ancient Egyptians. They are important to all these ancient peoples because they symbolise the number seven.

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

T
=
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-
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THE
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15
6
A
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AGE
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13
4
O
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-
2
OF
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12
3
E
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-
13
ENLIGHTENMENT
146
65
2
-
-
21
-
21
Add to Reduce
213
105
15
-
=
2+2
=
2+2
Reduce to Deduce
2+1+3
1+0+5
1+5
-
-
4
-
4
Essence of Number
6
6
6

 

 

A
=
1
-
3
AGE
13
13
4
O
=
6
-
2
OF
21
12
3
E
=
5
-
13
ENLIGHTENMENT
146
65
2
-
-
21
-
21
Add to Reduce
180
90
9
-
=
2+2
=
2+2
Reduce to Deduce
1+8+0
9+0
-
-
-
4
-
4
Essence of Number
9
9
9

 

 

A
=
-
1
9
ASTROLOGY
132
42
6
T
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-
2
3
THE
33
15
6
S
=
-
1
6
STARRY
101
29
2
L
=
-
3
4
LOGO
49
22
4
-
-
-
7
22
Add to Reduce
315
108
18
-
=
=
-
2+2
Reduce to Deduce
3+1+5
1+0+8
1+8
-
-
-
7
4
Essence of Number
9
9
9

 

 

-
=
=
=
-
ASTROLOGY
-
=
=
A
=
1
-
1
A
1
1
1
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=
1
-
1
S
19
10
1
T
=
2
-
1
T
20
2
2
R
=
9
-
1
R
18
9
9
O
=
6
-
1
O
15
6
6
L
=
3
-
1
L
12
3
3
O
=
6
-
1
O
15
6
6
G
=
7
-
1
G
7
7
7
Y
=
7
-
1
Y
25
7
7
-
-
42
-
9
ASTROLOGY
132
51
42
-
=
4+2
=
-
=
1+3+2
5+1
4+2
-
-
6
-
9
ASTROLOGY
6
6
6

 

 

Astrology is a range of divinatory practices, recognized as pseudoscientific since the 18th century,[1][2] that propose that information about human affairs and terrestrial events may be discerned by studying the apparent positions of celestial objects.[3][4][5][6][7] Different cultures have employed forms of astrology since at least the 2nd millennium BCE, these practices having originated in calendrical systems used to predict seasonal shifts and to interpret celestial cycles as signs of divine communications.[8]

Most, if not all, cultures have attached importance to what they observed in the sky, and some—such as the Hindus, Chinese, and the Maya—developed elaborate systems for predicting terrestrial events from celestial observations. Western astrology, one of the oldest astrological systems still in use, can trace its roots to 19th–17th century BCE Mesopotamia, from where it spread to Ancient Greece, Rome, the Islamic world, and eventually Central and Western Europe. Contemporary Western astrology is often associated with systems of horoscopes that purport to explain aspects of a person's personality and predict significant events in their lives based on the positions of celestial objects; the majority of professional astrologers rely on such systems.[9]

Throughout its history, astrology has had its detractors, competitors and skeptics who opposed it for moral, religious, political, and empirical reasons.[10][11][12] Nonetheless, prior to the Enlightenment, astrology was generally considered a scholarly tradition and was common in learned circles, often in close relation with astronomy, meteorology, medicine, and alchemy.[13] It was present in political circles and is mentioned in various works of literature, from Dante Alighieri and Geoffrey Chaucer to William Shakespeare, Lope de Vega, and Pedro Calderón de la Barca. During the Enlightenment, however, astrology lost its status as an area of legitimate scholarly pursuit.[14][15]

Following the end of the 19th century and the wide-scale adoption of the scientific method, researchers have successfully challenged astrology on both theoretical[16][17] and experimental grounds,[18][19] and have shown it to have no scientific validity or explanatory power.[20] Astrology thus lost its academic and theoretical standing in the western world, and common belief in it largely declined, until a continuing resurgence starting in the 1960s.[21]

Etymology

Marcantonio Raimondi engraving, 15th century
The word astrology comes from the early Latin word astrologia,[22] which derives from the Greek ἀστρολογία—from ἄστρον astron ("star") and -λογία -logia, ("study of"—"account of the stars"). The word entered the English language via Latin and medieval French, and its use overlapped considerably with that of astronomy (derived from the Latin astronomia). By the 17th century, astronomy became established as the scientific term, with astrology referring to divinations and schemes for predicting human affairs.[23]

History
Main article: History of astrology

The Zodiac Man, a diagram of a human body and astrological symbols with instructions explaining the importance of astrology from a medical perspective. From a 15th-century Welsh manuscript
Many cultures have attached importance to astronomical events, and the Indians, Chinese, and Maya developed elaborate systems for predicting terrestrial events from celestial observations. A form of astrology was practised in the Old Babylonian period of Mesopotamia, c. 1800 BCE.[24][8] Vedāṅga Jyotiṣa is one of earliest known Hindu texts on astronomy and astrology (Jyotisha). The text is dated between 1400 BCE to final centuries BCE by various scholars according to astronomical and linguistic evidences. Chinese astrology was elaborated in the Zhou dynasty (1046–256 BCE). Hellenistic astrology after 332 BCE mixed Babylonian astrology with Egyptian Decanic astrology in Alexandria, creating horoscopic astrology. Alexander the Great's conquest of Asia allowed astrology to spread to Ancient Greece and Rome. In Rome, astrology was associated with "Chaldean wisdom". After the conquest of Alexandria in the 7th century, astrology was taken up by Islamic scholars, and Hellenistic texts were translated into Arabic and Persian. In the 12th century, Arabic texts were imported to Europe and translated into Latin. Major astronomers including Tycho Brahe, Johannes Kepler and Galileo practised as court astrologers. Astrological references appear in literature in the works of poets such as Dante Alighieri and Geoffrey Chaucer, and of playwrights such as Christopher Marlowe and William Shakespeare.

Throughout most of its history, astrology was considered a scholarly tradition. It was accepted in political and academic contexts, and was connected with other studies, such as astronomy, alchemy, meteorology, and medicine.[13] At the end of the 17th century, new scientific concepts in astronomy and physics (such as heliocentrism and Newtonian mechanics) called astrology into question. Astrology thus lost its academic and theoretical standing, and common belief in astrology has largely declined.[21]

Ancient world
Ancient applications

Further information: Babylonian astrology and Worship of heavenly bodies
Astrology, in its broadest sense, is the search for meaning in the sky.[25] Early evidence for humans making conscious attempts to measure, record, and predict seasonal changes by reference to astronomical cycles, appears as markings on bones and cave walls, which show that lunar cycles were being noted as early as 25,000 years ago.[26] This was a first step towards recording the Moon's influence upon tides and rivers, and towards organising a communal calendar.[26] Farmers addressed agricultural needs with increasing knowledge of the constellations that appear in the different seasons—and used the rising of particular star-groups to herald annual floods or seasonal activities.[27] By the 3rd millennium BCE, civilisations had sophisticated awareness of celestial cycles, and may have oriented temples in alignment with heliacal risings of the stars.[28]

Scattered evidence suggests that the oldest known astrological references are copies of texts made in the ancient world. The Venus tablet of Ammisaduqa is thought to have been compiled in Babylon around 1700 BCE.[29] A scroll documenting an early use of electional astrology is doubtfully ascribed to the reign of the Sumerian ruler Gudea of Lagash (c. 2144 – 2124 BCE). This describes how the gods revealed to him in a dream the constellations that would be most favourable for the planned construction of a temple.[30] However, there is controversy about whether these were genuinely recorded at the time or merely ascribed to ancient rulers by posterity. The oldest undisputed evidence of the use of astrology as an integrated system of knowledge is therefore attributed to the records of the first dynasty of Babylon (1950–1651 BCE). This astrology had some parallels with Hellenistic Greek (western) astrology, including the zodiac, a norming point near 9 degrees in Aries, the trine aspect, planetary exaltations, and the dodekatemoria (the twelve divisions of 30 degrees each).[31] The Babylonians viewed celestial events as possible signs rather than as causes of physical events.[31]

The system of Chinese astrology was elaborated during the Zhou dynasty (1046–256 BCE) and flourished during the Han dynasty (2nd century BCE to 2nd century CE), during which all the familiar elements of traditional Chinese culture – the Yin-Yang philosophy, theory of the five elements, Heaven and Earth, Confucian morality – were brought together to formalise the philosophical principles of Chinese medicine and divination, astrology, and alchemy.[32]

The ancient Arabs that inhabited the Arabian Peninsula before the advent of Islam used to profess a widespread belief in fatalism (ḳadar) alongside a fearful consideration for the sky and the stars, which they held to be ultimately responsible for every phenomena that occurs on Earth and for the destiny of humankind.[33] Accordingly, they shaped their entire lives in accordance with their interpretations of astral configurations and phenomena.[33]

From Wikipedia, the free encyclopedia
This article is about the divinatory pseudoscience and is not to be confused with Astronomy, the scientific study of celestial objects. For other uses, see Astrology

 

Astrology is a range of divinatory practices, recognized as pseudoscientific since the 18th century,[1][2] that propose that information about human affairs and terrestrial events may be discerned by studying the apparent positions of celestial objects.[3][4][5][6][7] Different cultures have employed forms of astrology since at least the 2nd millennium BCE, these practices having originated in calendrical systems used to predict seasonal shifts and to interpret celestial cycles as signs of divine communications.[8]

Most, if not all, cultures have attached importance to what they observed in the sky, and some—such as the Hindus, Chinese, and the Maya—developed elaborate systems for predicting terrestrial events from celestial observations. Western astrology, one of the oldest astrological systems still in use, can trace its roots to 19th–17th century BCE Mesopotamia, from where it spread to Ancient Greece, Rome, the Islamic world, and eventually Central and Western Europe. Contemporary Western astrology is often associated with systems of horoscopes that purport to explain aspects of a person's personality and predict significant events in their lives based on the positions of celestial objects; the majority of professional astrologers rely on such systems.[9]

Throughout its history, astrology has had its detractors, competitors and skeptics who opposed it for moral, religious, political, and empirical reasons.[10][11][12] Nonetheless, prior to the Enlightenment, astrology was generally considered a scholarly tradition and was common in learned circles, often in close relation with astronomy, meteorology, medicine, and alchemy.[13] It was present in political circles and is mentioned in various works of literature, from Dante Alighieri and Geoffrey Chaucer to William Shakespeare, Lope de Vega, and Pedro Calderón de la Barca. During the Enlightenment, however, astrology lost its status as an area of legitimate scholarly pursuit.[14][15]

Following the end of the 19th century and the wide-scale adoption of the scientific method, researchers have successfully challenged astrology on both theoretical[16][17] and experimental grounds,[18][19] and have shown it to have no scientific validity or explanatory power.[20] Astrology thus lost its academic and theoretical standing in the western world, and common belief in it largely declined, until a continuing resurgence starting in the 1960s.[21]

Etymology

Marcantonio Raimondi engraving, 15th century
The word astrology comes from the early Latin word astrologia,[22] which derives from the Greek ἀστρολογία—from ἄστρον astron ("star") and -λογία -logia, ("study of"—"account of the stars"). The word entered the English language via Latin and medieval French, and its use overlapped considerably with that of astronomy (derived from the Latin astronomia). By the 17th century, astronomy became established as the scientific term, with astrology referring to divinations and schemes for predicting human affairs.[23]

History
Main article: History of astrology

The Zodiac Man, a diagram of a human body and astrological symbols with instructions explaining the importance of astrology from a medical perspective. From a 15th-century Welsh manuscript
Many cultures have attached importance to astronomical events, and the Indians, Chinese, and Maya developed elaborate systems for predicting terrestrial events from celestial observations. A form of astrology was practised in the Old Babylonian period of Mesopotamia, c. 1800 BCE.[24][8] Vedāṅga Jyotiṣa is one of earliest known Hindu texts on astronomy and astrology (Jyotisha). The text is dated between 1400 BCE to final centuries BCE by various scholars according to astronomical and linguistic evidences. Chinese astrology was elaborated in the Zhou dynasty (1046–256 BCE). Hellenistic astrology after 332 BCE mixed Babylonian astrology with Egyptian Decanic astrology in Alexandria, creating horoscopic astrology. Alexander the Great's conquest of Asia allowed astrology to spread to Ancient Greece and Rome. In Rome, astrology was associated with "Chaldean wisdom". After the conquest of Alexandria in the 7th century, astrology was taken up by Islamic scholars, and Hellenistic texts were translated into Arabic and Persian. In the 12th century, Arabic texts were imported to Europe and translated into Latin. Major astronomers including Tycho Brahe, Johannes Kepler and Galileo practised as court astrologers. Astrological references appear in literature in the works of poets such as Dante Alighieri and Geoffrey Chaucer, and of playwrights such as Christopher Marlowe and William Shakespeare.

Throughout most of its history, astrology was considered a scholarly tradition. It was accepted in political and academic contexts, and was connected with other studies, such as astronomy, alchemy, meteorology, and medicine.[13] At the end of the 17th century, new scientific concepts in astronomy and physics (such as heliocentrism and Newtonian mechanics) called astrology into question. Astrology thus lost its academic and theoretical standing, and common belief in astrology has largely declined.[21]

Ancient world
Ancient applications
Further information: Babylonian astrology and Worship of heavenly bodies
Astrology, in its broadest sense, is the search for meaning in the sky.[25] Early evidence for humans making conscious attempts to measure, record, and predict seasonal changes by reference to astronomical cycles, appears as markings on bones and cave walls, which show that lunar cycles were being noted as early as 25,000 years ago.[26] This was a first step towards recording the Moon's influence upon tides and rivers, and towards organising a communal calendar.[26] Farmers addressed agricultural needs with increasing knowledge of the constellations that appear in the different seasons—and used the rising of particular star-groups to herald annual floods or seasonal activities.[27] By the 3rd millennium BCE, civilisations had sophisticated awareness of celestial cycles, and may have oriented temples in alignment with heliacal risings of the stars.[28]

Scattered evidence suggests that the oldest known astrological references are copies of texts made in the ancient world. The Venus tablet of Ammisaduqa is thought to have been compiled in Babylon around 1700 BCE.[29] A scroll documenting an early use of electional astrology is doubtfully ascribed to the reign of the Sumerian ruler Gudea of Lagash (c. 2144 – 2124 BCE). This describes how the gods revealed to him in a dream the constellations that would be most favourable for the planned construction of a temple.[30] However, there is controversy about whether these were genuinely recorded at the time or merely ascribed to ancient rulers by posterity. The oldest undisputed evidence of the use of astrology as an integrated system of knowledge is therefore attributed to the records of the first dynasty of Babylon (1950–1651 BCE). This astrology had some parallels with Hellenistic Greek (western) astrology, including the zodiac, a norming point near 9 degrees in Aries, the trine aspect, planetary exaltations, and the dodekatemoria (the twelve divisions of 30 degrees each).[31] The Babylonians viewed celestial events as possible signs rather than as causes of physical events.[31]

The system of Chinese astrology was elaborated during the Zhou dynasty (1046–256 BCE) and flourished during the Han dynasty (2nd century BCE to 2nd century CE), during which all the familiar elements of traditional Chinese culture – the Yin-Yang philosophy, theory of the five elements, Heaven and Earth, Confucian morality – were brought together to formalise the philosophical principles of Chinese medicine and divination, astrology, and alchemy.[32]

The ancient Arabs that inhabited the Arabian Peninsula before the advent of Islam used to profess a widespread belief in fatalism (ḳadar) alongside a fearful consideration for the sky and the stars, which they held to be ultimately responsible for every phenomena that occurs on Earth and for the destiny of humankind.[33] Accordingly, they shaped their entire lives in accordance with their interpretations of astral configurations and phenomena.[33]

Ancient objections

The Roman orator Cicero objected to astrology.
The Hellenistic schools of philosophical skepticism criticized astrology, alongside all other beliefs.[34] Criticism of astrology by academic skeptics such as Carneades,[10] Cicero,[35] and Favorinus;[36] Pyrrhonists such as Sextus Empiricus;[37] and neoplatonists such as Plotinus,[38][39] has been preserved.

Carneades argued that belief in fate denies free will and morality; that people born at different times can all die in the same accident or battle; and that contrary to uniform influences from the stars, tribes and cultures are all different.[40]

Cicero, in De Divinatione, leveled a critique of astrology that some modern philosophers consider to be the first working definition of pseudoscience and the answer to the demarcation problem.[35] The philosopher of science Massimo Pigliucci, building on the work of the historian of science, Damian Fernandez-Beanato, argues that Cicero outlined a "convincing distinction between astrology and astronomy that remains valid in the twenty-first century."[41] Cicero stated the twins objection (that with close birth times, personal outcomes can be very different), later developed by Augustine.[42] He argued that since the other planets are much more distant from the Earth than the Moon, they could have only very tiny influence compared to the Moon's.[43] He also argued that if astrology explains everything about a person's fate, then it wrongly ignores the visible effect of inherited ability and parenting, changes in health worked by medicine, or the effects of the weather on people.[44] The historian Stefano Rapisarda notes that the text is formally "equally balanced between pro and contra, and no final or definite answer is given."[45]

 

 

From Wikipedia, the free encyclopedia

ASTROBIOLOGY

Astrobiology"Exobiology" redirects here; not to be confused with Bioastronautics or Xenobiology.
"Xenology" redirects here. For other uses, see Xenology (disambiguation).
This article is one of a series on:
Life in the universe

Outline
Planetary habitability in the Solar System
VenusEarthMarsEuropaEnceladusTitan

Life outside the Solar System
Habitable zonePotentially habitable exoplanetsGalactic habitable zone
Habitability of...
Binary star systemsNatural satellitesNeutron star systemsRed dwarf systemsK-type main-sequence star systemsYellow dwarf systemsF-type main-sequence star systems
vte

Nucleic acids may not be the only biomolecules in the universe capable of coding for life processes.[1]
Astrobiology (also xenology or exobiology) is a scientific field within the life and environmental sciences that studies the origins, early evolution, distribution, and future of life in the universe by investigating its deterministic conditions and contingent events.[2] As a discipline, astrobiology is founded on the premise that life may exist beyond Earth.[3]

Research in astrobiology comprises three main areas: the study of habitable environments in the Solar System and beyond, the search for planetary biosignatures of past or present extraterrestrial life, and the study of the origin and early evolution of life on Earth.

The field of astrobiology has its origins in the 20th century with the advent of space exploration and the discovery of exoplanets. Early astrobiology research focused on the search for extraterrestrial life and the study of the potential for life to exist on other planets.[2] In the 1960s and 1970s, NASA began its astrobiology pursuits within the Viking program, which was the first US mission to land on Mars and search for signs of life.[4] This mission, along with other early space exploration missions, laid the foundation for the development of astrobiology as a discipline.

Regarding habitable environments, astrobiology investigates potential locations beyond Earth that could support life, such as Mars, Europa, and exoplanets, through research into the extremophiles populating austere environments on Earth, like volcanic and deep sea environments. Research within this topic is conducted utilising the methodology of the geosciences, especially geobiology, for astrobiological applications.

The search for biosignatures involves the identification of signs of past or present life in the form of organic compounds, isotopic ratios, or microbial fossils. Research within this topic is conducted utilising the methodology of planetary and environmental science, especially atmospheric science, for astrobiological applications, and is often conducted through remote sensing and in situ missions.

Astrobiology also concerns the study of the origin and early evolution of life on Earth to try to understand the conditions that are necessary for life to form on other planets.[5] This research seeks to understand how life emerged from non-living matter and how it evolved to become the diverse array of organisms we see today. Research within this topic is conducted utilising the methodology of paleosciences, especially paleobiology, for astrobiological applications.

Astrobiology is a rapidly developing field with a strong interdisciplinary aspect that holds many challenges and opportunities for scientists. Astrobiology programs and research centres are present in many universities and research institutions around the world, and space agencies like NASA and ESA have dedicated departments and programs for astrobiology research.

Overview
The term astrobiology was first proposed by the Russian astronomer Gavriil Tikhov in 1953.[6] It is etymologically derived from the Greek ἄστρον, "star"; βίος, "life"; and -λογία, -logia, "study". A close synonym is exobiology from the Greek Έξω, "external"; βίος, "life"; and -λογία, -logia, "study", coined by American molecular biologist Joshua Lederberg; exobiology is considered to have a narrow scope limited to search of life external to Earth.[7] Another associated term is xenobiology, from the Greek ξένος, "foreign"; βίος, "life"; and -λογία, "study", coined by American science fiction writer Robert Heinlein in his 1954 work The Star Beast;[8] xenobiology is now used in a more specialised sense, referring to 'biology based on foreign chemistry', whether of extraterrestrial or terrestrial (typically synthetic) origin.[9]

While the potential for extraterrestrial life, especially intelligent life, has been explored throughout human history within philosophy and narrative, the question is a verifiable hypothesis and thus a valid line of scientific inquiry;[10][11] planetary scientist David Grinspoon calls it a field of natural philosophy, grounding speculation on the unknown in known scientific theory.[12]

The modern field of astrobiology can be traced back to the 1950s and 1960s with the advent of space exploration, when scientists began to seriously consider the possibility of life on other planets. In 1957, the Soviet Union launched Sputnik 1, the first artificial satellite, which marked the beginning of the Space Age. This event led to an increase in the study of the potential for life on other planets, as scientists began to consider the possibilities opened up by the new technology of space exploration. In 1959, NASA funded its first exobiology project, and in 1960, NASA founded the Exobiology Program, now one of four main elements of NASA's current Astrobiology Program.[13] In 1971, NASA funded Project Cyclops,[14] part of the search for extraterrestrial intelligence, to search radio frequencies of the electromagnetic spectrum for interstellar communications transmitted by extraterrestrial life outside the Solar System. In the 1960s-1970s, NASA established the Viking program, which was the first US mission to land on Mars and search for metabolic signs of present life; the results were inconclusive.

In the 1980s and 1990s, the field began to expand and diversify as new discoveries and technologies emerged. The discovery of microbial life in extreme environments on Earth, such as deep-sea hydrothermal vents, helped to clarify the feasibility of potential life existing in harsh conditions. The development of new techniques for the detection of biosignatures, such as the use of stable isotopes, also played a significant role in the evolution of the field.

The contemporary landscape of astrobiology emerged in the early 21st century, focused on utilising Earth and environmental science for applications within comparate space environments. Missions included the ESA's Beagle 2, which failed minutes after landing on Mars, NASA's Phoenix lander, which probed the environment for past and present planetary habitability of microbial life on Mars and researched the history of water, and NASA's Curiosity rover, currently probing the environment for past and present planetary habitability of microbial life on Mars.

Theoretical foundations
Planetary habitability
Main article: Planetary habitability
Astrobiological research makes a number of simplifying assumptions when studying the necessary components for planetary habitability.

Carbon and Organic Compounds: Carbon is the fourth most abundant element in the universe and the energy required to make or break a bond is at just the appropriate level for building molecules which are not only stable, but also reactive. The fact that carbon atoms bond readily to other carbon atoms allows for the building of extremely long and complex molecules. As such, astrobiological research presumes that the vast majority of life forms in the Milky Way galaxy are based on carbon chemistries, as are all life forms on Earth.[15][16] However, theoretical astrobiology entertains the potential for other organic molecular bases for life, thus astrobiological research often focuses on identifying environments that have the potential to support life based on the presence of organic compounds.

Liquid water: Liquid water is a common molecule that provides an excellent environment for the formation of complicated carbon-based molecules, and is generally considered necessary for life as we know it to exist. Thus, astrobiological research presumes that extraterrestrial life similarly depends upon access to liquid water, and often focuses on identifying environments that have the potential to support liquid water.[17][18] Some researchers posit environments of water-ammonia mixtures as possible solvents for hypothetical types of biochemistry.[19]

Environmental stability: Where organisms adaptively evolve to the conditions of the environments in which they reside, environmental stability is considered necessary for life to exist. This presupposes the necessity of a stable temperature, pressure, and radiation levels; resultantly, astrobiological research focuses on planets orbiting Sun-like red dwarf stars.[20][16] This is because very large stars have relatively short lifetimes, meaning that life might not have time to emerge on planets orbiting them; very small stars provide so little heat and warmth that only planets in very close orbits around them would not be frozen solid, and in such close orbits these planets would be tidally locked to the star;[21] whereas the long lifetimes of red dwarfs could allow the development of habitable environments on planets with thick atmospheres.[22] This is significant as red dwarfs are extremely common. (See also: Habitability of red dwarf systems).

Energy source: It is assumed that any life elsewhere in the universe would also require an energy source. Previously, it was assumed that this would necessarily be from a Sun-like star, however with developments within extremophile research contemporary astrobiological research often focuses on identifying environments that have the potential to support life based on the availability of an energy source, such as the presence of volcanic activity on a planet or moon that could provide a source of heat and energy.

It is important to note that these assumptions are based on our current understanding of life on Earth and the conditions under which it can exist. As our understanding of life and the potential for it to exist in different environments evolves, these assumptions may change.

 

ASTRONOMY

From Wikipedia, the free encyclopedia

This article is about the divinatory pseudoscience and is not to be confused with Astronomy, the scientific study of celestial objects. For other uses, see Astrology

Astrology is a range of divinatory practices, recognized as pseudoscientific since the 18th century,[1][2] that propose that information about human affairs and terrestrial events may be discerned by studying the apparent positions of celestial objects.[3][4][5][6][7] Different cultures have employed forms of astrology since at least the 2nd millennium BCE, these practices having originated in calendrical systems used to predict seasonal shifts and to interpret celestial cycles as signs of divine communications.[8]

Most, if not all, cultures have attached importance to what they observed in the sky, and some—such as the Hindus, Chinese, and the Maya—developed elaborate systems for predicting terrestrial events from celestial observations. Western astrology, one of the oldest astrological systems still in use, can trace its roots to 19th–17th century BCE Mesopotamia, from where it spread to Ancient Greece, Rome, the Islamic world, and eventually Central and Western Europe. Contemporary Western astrology is often associated with systems of horoscopes that purport to explain aspects of a person's personality and predict significant events in their lives based on the positions of celestial objects; the majority of professional astrologers rely on such systems.[9]

Throughout its history, astrology has had its detractors, competitors and skeptics who opposed it for moral, religious, political, and empirical reasons.[10][11][12] Nonetheless, prior to the Enlightenment, astrology was generally considered a scholarly tradition and was common in learned circles, often in close relation with astronomy, meteorology, medicine, and alchemy.[13] It was present in political circles and is mentioned in various works of literature, from Dante Alighieri and Geoffrey Chaucer to William Shakespeare, Lope de Vega, and Pedro Calderón de la Barca. During the Enlightenment, however, astrology lost its status as an area of legitimate scholarly pursuit.[14][15]

Following the end of the 19th century and the wide-scale adoption of the scientific method, researchers have successfully challenged astrology on both theoretical[16][17] and experimental grounds,[18][19] and have shown it to have no scientific validity or explanatory power.[20] Astrology thus lost its academic and theoretical standing in the western world, and common belief in it largely declined, until a continuing resurgence starting in the 1960s.[21]

Etymology

Marcantonio Raimondi engraving, 15th century
The word astrology comes from the early Latin word astrologia,[22] which derives from the Greek ἀστρολογία—from ἄστρον astron ("star") and -λογία -logia, ("study of"—"account of the stars"). The word entered the English language via Latin and medieval French, and its use overlapped considerably with that of astronomy (derived from the Latin astronomia). By the 17th century, astronomy became established as the scientific term, with astrology referring to divinations and schemes for predicting human affairs.[23]

History
Main article: History of astrology

The Zodiac Man, a diagram of a human body and astrological symbols with instructions explaining the importance of astrology from a medical perspective. From a 15th-century Welsh manuscript
Many cultures have attached importance to astronomical events, and the Indians, Chinese, and Maya developed elaborate systems for predicting terrestrial events from celestial observations. A form of astrology was practised in the Old Babylonian period of Mesopotamia, c. 1800 BCE.[24][8] Vedāṅga Jyotiṣa is one of earliest known Hindu texts on astronomy and astrology (Jyotisha). The text is dated between 1400 BCE to final centuries BCE by various scholars according to astronomical and linguistic evidences. Chinese astrology was elaborated in the Zhou dynasty (1046–256 BCE). Hellenistic astrology after 332 BCE mixed Babylonian astrology with Egyptian Decanic astrology in Alexandria, creating horoscopic astrology. Alexander the Great's conquest of Asia allowed astrology to spread to Ancient Greece and Rome. In Rome, astrology was associated with "Chaldean wisdom". After the conquest of Alexandria in the 7th century, astrology was taken up by Islamic scholars, and Hellenistic texts were translated into Arabic and Persian. In the 12th century, Arabic texts were imported to Europe and translated into Latin. Major astronomers including Tycho Brahe, Johannes Kepler and Galileo practised as court astrologers. Astrological references appear in literature in the works of poets such as Dante Alighieri and Geoffrey Chaucer, and of playwrights such as Christopher Marlowe and William Shakespeare.

Throughout most of its history, astrology was considered a scholarly tradition. It was accepted in political and academic contexts, and was connected with other studies, such as astronomy, alchemy, meteorology, and medicine.[13] At the end of the 17th century, new scientific concepts in astronomy and physics (such as heliocentrism and Newtonian mechanics) called astrology into question. Astrology thus lost its academic and theoretical standing, and common belief in astrology has largely declined.[21]

Ancient world
Ancient applications
Further information: Babylonian astrology and Worship of heavenly bodies
Astrology, in its broadest sense, is the search for meaning in the sky.[25] Early evidence for humans making conscious attempts to measure, record, and predict seasonal changes by reference to astronomical cycles, appears as markings on bones and cave walls, which show that lunar cycles were being noted as early as 25,000 years ago.[26] This was a first step towards recording the Moon's influence upon tides and rivers, and towards organising a communal calendar.[26] Farmers addressed agricultural needs with increasing knowledge of the constellations that appear in the different seasons—and used the rising of particular star-groups to herald annual floods or seasonal activities.[27] By the 3rd millennium BCE, civilisations had sophisticated awareness of celestial cycles, and may have oriented temples in alignment with heliacal risings of the stars.[28]

Scattered evidence suggests that the oldest known astrological references are copies of texts made in the ancient world. The Venus tablet of Ammisaduqa is thought to have been compiled in Babylon around 1700 BCE.[29] A scroll documenting an early use of electional astrology is doubtfully ascribed to the reign of the Sumerian ruler Gudea of Lagash (c. 2144 – 2124 BCE). This describes how the gods revealed to him in a dream the constellations that would be most favourable for the planned construction of a temple.[30] However, there is controversy about whether these were genuinely recorded at the time or merely ascribed to ancient rulers by posterity. The oldest undisputed evidence of the use of astrology as an integrated system of knowledge is therefore attributed to the records of the first dynasty of Babylon (1950–1651 BCE). This astrology had some parallels with Hellenistic Greek (western) astrology, including the zodiac, a norming point near 9 degrees in Aries, the trine aspect, planetary exaltations, and the dodekatemoria (the twelve divisions of 30 degrees each).[31] The Babylonians viewed celestial events as possible signs rather than as causes of physical events.[31]

The system of Chinese astrology was elaborated during the Zhou dynasty (1046–256 BCE) and flourished during the Han dynasty (2nd century BCE to 2nd century CE), during which all the familiar elements of traditional Chinese culture – the Yin-Yang philosophy, theory of the five elements, Heaven and Earth, Confucian morality – were brought together to formalise the philosophical principles of Chinese medicine and divination, astrology, and alchemy.[32]

The ancient Arabs that inhabited the Arabian Peninsula before the advent of Islam used to profess a widespread belief in fatalism (ḳadar) alongside a fearful consideration for the sky and the stars, which they held to be ultimately responsible for every phenomena that occurs on Earth and for the destiny of humankind.[33] Accordingly, they shaped their entire lives in accordance with their interpretations of astral configurations and phenomena.[33]

 

 

 

 

 
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