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Victor Herbert – Ah! Sweet Mystery of Life Lyrics - Genius Ah! Sweet Mystery of Life
AH SWEET MYSTERY OF LIFE AT LAST IVE FOUND THEE AH I KNOW AT LAST THE SECRET OF IT ALL ALL THE LONGING, SEEKING, STRIVING, WAITING, YEARNING, THE BURNING HOPES, THE JOYSAND IDLE TEARS THAT FALL.
For 'tis love, and love alone, the world is seeking;
The Waterboys Lyrics These things you keep Now if you're feelin' weary Now you say you've got trouble Now I can see you wavering Now I hear there's a train Now you don't need no ticket Because that was the river that was the river that was the river that was the river river river river river river river Be... behold the sea!
WELL THAT WAS THE RIVER THIS IS THE SEA But that was the river
BECAUSE THAT WAS THE RIVER BUT THIS IS THE SEA THAT WAS THE RIVER THIS IS THE SEA THAT WAS THE RIVER THIS IS THE SEA THAT WAS THE RIVER RIVER RIVER RIVER RIVER RIVER RIVER ANDTHIS IS THE SEA BEHOLD THE SEA
Wilbur Smith 1993 Page 64 "...Out of the chaos and darkness of Nun rose Ammon-Ra, He- Who- Creates-Himself. I watched Ammon-Ra stroke his generative member, masturbating and spurting out his seminal seed in mighty waves that left the silver smear that we know as the Milky Way across the dark void. From this seed were generated Geb and Nut, the earth and the heaven. ' 'Bak-her!' a single voice broke the tremulous silence of the temple. 'Bak-her! Amen!' The old abbot had not been able to contain himself, and now he endorsed my vision of the creation. I was so astonished by his change of heart that I almost forgot my next line. After all, he had been my sternest critic up to that time. I had won him over completely, and my voice soared in triumph. 'Geb and Nut coupled and copulated, as man and women do, and from their dreadful union were born the gods Osiris and Seth, and the goddesses Isis and Nephthys.'..." Page 63 "...At the rear of the stage, hanging from floor to ceiling, were tightly stretched sheets of linen on which the artists from the necropolis had painted marvellous landscapes. In the half-light of the dusk and the flicker of the torches in their brackets the effect was so realistic as to transport the beholder into a different world in a distant time. There were other delights that I had prepared for Pharaoh's amusement, from cages of animals, birds and butterflies that would be released to simulate the creation of the world by the great god Ammon-Ra, to flares and torches that I had doctored with chemicals to bum with brilliant flames of crimson and green, and flood the stage with eerie light and smoke-clouds, like those of the underworld where the gods live. 'Mamose, son of Ra, may you be granted eternal life! We your loyal subjects, the citizens of Thebes, beg you to draw nigh and give your divine attention to this poor play that we dedicate to Your Majesty.' My Lord Intef concluded his address of welcome and resumed his seat. To a fanfare of hidden rams' horns, I stepped out from behind the pillar and faced the audience. They had endured discomfort and boredom on the hard flagstones, and by now were ripe for the entertainment to begin. A raucous cheer greeted my entrance and even Pharaoh smiled in anticipation. I held up both hands for silence, and only when it was total did I begin to speak my overture. 'While I walked in the sunlight, young and filled with the vigour of youth, I heard the fatal music the reeds by the bank of the Nile. I did not recognize the sound of this harp, and I had no fear, for I was in the full bloom of my manhood and secure in the affection of my beloved. 'The music was of surpassing beauty. Joyously I went to find the musician, and could not know that he was Death and that he played his harp to summon me alone.' We Egyptians are fascinated by death, and I had at once touched a deep chord within my audience. They sighed and shuddered. 'Death seized me and bore me up in his skeletal arms towards Ammon-Ra, the sun god, and I was become one with the white light of his being. At a great distance I heard my beloved weep, but I could not see her and all the days of my life were as though they had never been.' This was the first public recitation of my prose, and I knew almost at once that I had them, their faces were fascinated and intent. There was not a sound in the temple. 'Then Death set me down in a high place from which I could see the world like a shining round shield in the blue sea of the heavens. I saw all / Page 64 / men and all creatures who have ever lived. Like a mighty river, time ran backwards before mine eyes. For a hundred thousand years I watched their strivings and their deaths. I watched all men go from death and old age to infancy and birth. Time became more and more remote, going back until the birth of the first man and the first woman. I watched them at the moment of their birth and then before. At last there were no men upon the earth and only the gods existed. 'Yet still the river of time flowed back beyond the time of the gods into Nun, into the time of darkness and primordial chaos. The river of time could flow no further back and so reversed itself. Time began to run forward in the manner that was familiar to me from my days of life upon the earth, and I watched the passion of the gods played out before me.' My audience were all of them well versed in the theology of our pantheon, but none of them had ever heard the mysteries presented in such a novel fashion. They sat silent and enthralled as I went on. 'Out of the chaos and darkness of Nun rose Ammon-Ra, He- Who- Creates-Himself. I watched Ammon-Ra stroke his generative member, masturbating and spurting out his seminal seed in mighty waves that left the silver smear that we know as the Milky Way across the dark void. From this seed were generated Geb and Nut, the earth and the heaven. ' 'Bak-her!' a single voice broke the tremulous silence of the temple. 'Bak-her! Amen!' The old abbot had not been able to contain himself, and now he endorsed my vision of the creation. I was so astonished by his change of heart that I almost forgot my next line. After all, he had been my sternest critic up to that time. I had won him over completely, and my voice soared in triumph. 'Geb and Nut coupled and copulated, as man and women do, and from their dreadful union were born the gods Osiris and Seth, and the goddesses Isis and Nephthys.' I made a wide gesture and the linen curtains were drawn slowly aside to reveal the fantasy world that I had created. Nothing like this had ever been seen in Egypt before and the audience gasped with amazement. With measured tread I withdrew, and my place upon the stage was taken by the god Osiris. The audience recognized him instantly by the tall, bottle-shaped head-dress, by his arms crossed over his chest and by the crook and the flail he held before him. Every household kept his statuette in the family shrine. A droning cry of reverence went up from every throat, and indeed the sedative that I had administered to Tod glittered weirdly in his eyes and gave him a strange, unearthly presence that was convincingly godlike. With the crook and the flail Osiris made mystical gestures and declaimed in sonorous tones, 'Behold Atur, the river!' ..."
THE RIVER GOD Wilbur Smith 1993 "...Now came that action of the play that had given me, the author, considerable pause, for how could I contrive fecundity without a stout peg to hang it on? We had just seen Osiris forcefully deprived of his. In the end I was forced to stoop to that tired old theatrical device that I so scorned in the work of other playwrights, namely the intervention of the gods and their supernatural powers.
Wilbur Smith 1993 Page 47 "If I had known then how close my words would turn out to being the truth, I think I should have placed a live coal on my tongue before I spoke them."
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Return to the Beginning Page 283 'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . . I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .' Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Page 282 Map What can it be that was put in Rostau? What hidden thing with fire about it? And where in darkness does it lie?
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Return to the Beginning Page 283 "Is it possible that men and women of great wisdom and learning cast a 'glamour' over the Giza necropolis at some point in the distant /Page 284/ past? Were they the possessors of as yet unguessed-at secrets that they wished to hide here? And did they succeed in concealing those secrets almost in plain view? For thousands of years, in other words, has the ancient Egyptian royal cemetary at Giza veiled the presence of something else — something of vastly greater significance for the story of Mankind? Such was all-knowing Hermes, who saw all things, and seeing understood, and understanding had the power both to disclose and to give explanation. For what he knew, he graved on stone; yet though he graved them onto stone he hid them mostly . . . The sacred symbols of the cosmic elements [he] hid away hard by the secrets of Osiris . . . keeping sure silence, that every younger age of cosmic time might seek for them.' The text then tells us that before he 'returned to Heaven' Hermes invoked a spell on the secret writings and knowledge that he had hidden: Page 287 "Looking at the awe inspiring scale and precision of the monuments we feel, too, that the purpose of the ancient master-builders was sublime, and that they did indeed find a way to initiate those who would come after - thousands of years in the future - by making use of the universal language of the stars. They found a way to send a message across the ages in a code so simple and so self explanatory that it might rightly be described as an anti-cipher. Perhaps the time has come to listen to that clear, compelling signal that beckons us out of the darkness of prehistory. Perhaps the time /Page 288/ has come to seek the buried treasure of our forgotten genesis and destiny: Stars fade like memory the instant before dawn. Low in the east the sun appears, golden as an opening eye. That which can be named must exist. That which is named can be written. That which is written shall be remembered. That which is remembered lives. In the land of Egypt Osiris breathes . . .6" Conclusion The quotation is from the Normandi Ellis's translation of the Ancient Egyptian Book of the Dead, Awakening Osiris, and is drawn from Chapter XV of the Ancient Egyptian Book of the Dead, Papyrus of Ani.
!Re: Dear members And yes, I have dived deep into the site and done my own personal assessments and interpretations. For example, the symbolism "973", -or better ... The Pied Piper This is mostly a 973-eht-namuh-973 appreciation post. However I wanted to share with you the story of the pied piper as well,maybe share some of my personal hints along the way as well. Who knows? On my break from 973 I tried not to think about the website much until I couldn’t help myself and wonder not about its undeniably underlaying mystery! Oh no my friends. I pondered my days through up until this moment not on this website. To demonstrate how much this man is a genius. Verily,Verily;my friends without falsehood most certainly true,we must declare! My friends if I have the right to nickname the architect;I would've declared this man as the PIED PIPER. This man has the right to be on every hall of fame. Still the facts lay true without question. I in no way shape or form imply that I solved anything nor that I believe “SOMETHING” here is to be solved cause that’s my biggest conspiracy theory,give me a tinfoil hat IDC. All Im saying is,give due to this man. Image “Once more he stepped into the street and to his lips again laid his long pipe of smooth straight cane. Before he blew three notes (so sweet and soft, and yet so cunning), there was a rustling that seemed like a bustling of merry crowds justling at pitching and hustling. Small feet were pattering, wooden shoes clattering, little hands clapping and little tongues chattering, and, like fowls on a farm when barley is scattering, out came the children running.” ONE,
The Antikythera Mechanism Ancient Secrets unlocked | WordlessTech
Unlocking the Past: Antikythera Mechanism Ingenious Secrets Jun 13, 2025 · In the heart of the Aegean Sea, a shipwreck from the ancient world held within its grasp a treasure more astonishing than gold: the Antikythera Mechanism. Discovered in 1901 …
THE ANTIKYTHERA MECHANISM The Antikythera mechanism, as it is now known, was probably the world's first 'analog computer'—a sophisticated device for calculating the motions of stars and planets. From Wikipedia, the free encyclopedia The Antikythera mechanism (fragment A – front and rear); visible is the largest gear in the mechanism, about 13 cm (5 in) in diameter. Type Analogue computer The Antikythera mechanism (/ˌæntɪkɪˈθɪərə/ AN-tik-ih-THEER-ə, US also /ˌæntaɪkɪˈ-/ AN-ty-kih-)[1][2] is an Ancient Greek hand-powered orrery (model of the Solar System). It is the oldest known example of an analogue computer.[3][4][5] It could be used to predict astronomical positions and eclipses decades in advance.[6][7][8] It could also be used to track the four-year cycle of athletic games similar to an Olympiad, the cycle of the ancient Olympic Games.[9][10][11] The artefact was among wreckage retrieved from a shipwreck off the coast of the Greek island Antikythera in 1901.[12][13] In 1902, during a visit to the National Archaeological Museum in Athens, it was noticed by Greek politician Spyridon Stais as containing a gear,[14] prompting the first study of the fragment by his cousin, Valerios Stais, the museum director. The device, housed in the remains of a wooden-framed case of (uncertain) overall size 34 cm × 18 cm × 9 cm (13.4 in × 7.1 in × 3.5 in),[15][16] was found as one lump, later separated into three main fragments which are now divided into 82 separate fragments after conservation efforts. Four of these fragments contain gears, while inscriptions are found on many others.[15][16] The largest gear is about 13 cm (5 in) in diameter and originally had 223 teeth.[17] All these fragments of the mechanism are kept at the National Archaeological Museum, Athens, along with reconstructions and replicas,[18][19] to demonstrate how it may have looked and worked.[20]
WorldAtlas World History Encyclopedia
ADVENT 286 ADVENT AVATAR 1 AVATAR
Re: Dear members And yes, I have dived deep into the site and done my own personal assessments and interpretations. For example, the symbolism "973", -or better ... The Pied Piper This is mostly a 973-eht-namuh-973 appreciation post. However I wanted to share with you the story of the pied piper as well,maybe share some of my personal hints along the way as well. Who knows? On my break from 973 I tried not to think about the website much until I couldn’t help myself and wonder not about its undeniably underlaying mystery! Oh no my friends. I pondered my days through up until this moment not on this website. To demonstrate how much this man is a genius. Verily,Verily;my friends without falsehood most certainly true,we must declare! My friends if I have the right to nickname the architect;I would've declared this man as the PIED PIPER. This man has the right to be on every hall of fame. Still the facts lay true without question. I in no way shape or form imply that I solved anything nor that I believe “SOMETHING” here is to be solved cause that’s my biggest conspiracy theory,give me a tinfoil hat IDC. All Im saying is,give due to this man. Image “Once more he stepped into the street and to his lips again laid his long pipe of smooth straight cane. Before he blew three notes (so sweet and soft, and yet so cunning), there was a rustling that seemed like a bustling of merry crowds justling at pitching and hustling. Small feet were pattering, wooden shoes clattering, little hands clapping and little tongues chattering, and, like fowls on a farm when barley is scattering, out came the children running.” ONE,
THE BACCHUS 1973
NINETYNINE NAMES OF GOD GOD OF NAMES NINETY NINE 9 x 11 = 99 99 = 11 x 9
METRO Tuesday, August 23, 2005 David Harding Front Page "DROWNING MOTHER'S DYING CALL OF LOVE"
THE HOLY BIBLE JEREMIAH Page 809 C 33 V 3 CALL UNTO ME AND I WILL ANSWER THEE AND SHEW THEE GREAT AND MIGHTY THINGS THAT THOU KNOWEST NOT
THE HOLY BIBLE SAINT LUKE Scofield References The crucifixion Page 1110 C 23 V33 "And when they were come to the place, which is called Calvary there they crucified him, and the malefactors, one on the right hand, and he other on the left"
CRUCIFIED
ALL IN ALL THE ONLY WAY TO DIE
THE HOLY BIBLE SAINT JOHN Scofield References Page 1117 C 3 V 3 JESUS ANSWERED AND SAID UNTO HIM VERILY VERIL I SAY UNTO YOU UNLESS A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD 6 THAT WHICH IS BORN OF THE FLESH IS FLESH AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT 7 MARVEL NOT THAT I SAID UNTO THEE YE MUST BE BORN AGAIN 8 THE WIND BLOWETH WHERE IT LISTETH AND THOU HEAREST THE SOUNDS THEREOF BUT CANST NOT TELL WHENCE IT COMETH AND WHITHER IT GOETH SO IS EVERYONE BORN OF THE SPIRIT
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