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Evokation
  
 
Index
  

 

 

 

 

 

 

 

 

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

I
=
9
-
1
I
9
9
9
-
-
S
=
1
-
3
SEE
29
11
2
-
2
I
=
9
-
2
IT
29
11
2
-
2
A
=
1
-
3
ALL
25
7
7
-
7
N
=
5
-
3
NOW
52
16
7
-
7
S
=
1
-
4
SAID
33
15
6
-
6
T
=
2
-
3
THE
33
15
6
-
6
B
=
2
-
5
BLIND
41
23
5
-
-
M
=
4
-
3
MAN
28
10
1
-
-
-
-
34
4
27
First
279
117
45
4
30
-
-
3+4
-
2+7
Add
2+7+9
1+1+7
4+5
-
3+0
-
-
7
-
9
Second
18
9
9
-
3
-
-
-
-
-
Reduce
1+8
-
-
-
-
-
-
7
-
9
Essence
9
9
9
-
3

 

 

W
=
5
-
4
WHAT
52
16
7
O
=
6
-
3
ONE
34
16
7
W
=
5
-
5
WOULD
75
21
3
L
=
3
-
4
LOOK
53
17
8
F
=
6
-
3
FOR
30
21
3
T
=
2
-
9
THEREFORE
100
46
1
W
=
5
-
5
WOULD
75
21
3
B
=
2
-
2
BE
7
7
7
A
=
1
-
1
A
1
1
1
U
=
3
-
9
UNIVERSAL
121
40
4
L
=
3
-
8
LANGUAGE
68
32
5
-
-
41
4
53
First Total
616
238
49
-
-
4+1
-
5+3
Add to Reduce
6+1+6
2+3+8
4+9
-
-
5
-
8
Second Total
13
13
13
-
-
-
-
-
Reduce to Deduce
1+3
1+3
1+3
-
-
5
-
8
Essence of Number
4
4
4

 

 

T
=
2
-
3
THE
33
15
6
K
=
2
-
4
KIND
38
20
2
O
=
6
-
2
OF
21
12
3
L
=
3
-
8
LANGUAGE
68
32
5
T
=
2
-
4
THAT
49
13
4
W
=
5
-
5
WOULD
75
21
3
B
=
2
-
2
BE
7
7
7
C
=
3
-
14
COMPREHENSIBLE
144
72
9
T
=
2
-
2
TO
35
8
8
A
=
1
-
3
ANY
40
13
4
T
=
2
-
15
TECHNOLOGICALLY
161
71
8
A
=
1
-
2
ADVANCED
54
27
9
S
=
1
-
7
SOCIETY
96
33
6
I
=
9
-
2
IN
23
14
5
A
=
1
-
3
ANY
40
13
4
E
=
5
-
5
EPOCH
47
29
2
-
-
47
4
81
First Total
931
400
85
-
-
4+7
-
8+1
Add to Reduce
9+3+1
4+0+0
8+5
-
-
11
-
9
Second Total
13
4
13
-
-
1+5
-
-
Reduce to Deduce
1+3
-
1+3
-
-
2
-
9
Essence of Number
4
4
4

 

 

S
=
1
-
4
SUCH
51
15
6
L
=
3
-
9
LANGUAGES
87
33
6
A
=
1
-
3
ARE
24
15
6
F
=
6
-
3
FEW
34
16
7
A
=
1
-
3
AND
19
10
1
F
=
6
-
3
FAR
25
16
7
B
=
2
-
7
BETWEEN
74
29
2
B
=
2
-
3
BUT
43
7
7
M
=
4
-
11
MATHEMATICS
112
40
4
I
=
9
-
2
IS
28
10
1
O
=
6
-
3
ONE
34
16
7
O
=
6
-
2
OF
21
12
3
T
=
2
-
4
THEM
46
19
1
-
-
49
4
57
First Total
598
238
58
-
-
4+9
-
5+7
Add to Reduce
5+9+8
2+3+8
5+8
-
-
13
-
12
Second Total
22
13
13
-
-
1+3
-
1+2
Reduce to Deduce
2+2
1+3
1+3
-
-
3
-
3
Essence of Number
4
4
4

 

 

A
=
1
-
1
A
1
1
1
L
=
3
-
8
LANGUAGE
68
32
5
O
=
6
-
2
OF
21
12
3
L
=
3
-
7
LETTERS
99
27
9
A
=
1
-
3
AND
19
10
1
N
=
5
-
7
NUMBERS
73
28
1
-
-
19
4
28
First Total
299
110
20
-
-
1+9
-
2+8
Add to Reduce
2+9+9
1+1+0
2+0
-
-
10
-
10
Second Total
20
2
2
-
-
1+0
-
1+0
Reduce to Deduce
2+0
-
-
-
-
1
-
1
Essence of Number
2
2
2

 

MATHEMATICS A LANGUAGE OF LETTERS AND NUMBERS

 

W
=
5
-
4
WHAT
52
16
7
O
=
6
-
3
ONE
34
16
7
W
=
5
-
5
WOULD
75
21
3
L
=
3
-
4
LOOK
53
17
8
F
=
6
-
3
FOR
30
21
3
T
=
2
-
9
THEREFORE
100
46
1
W
=
5
-
5
WOULD
75
21
3
B
=
2
-
2
BE
7
7
7
A
=
1
-
1
A
1
1
1
U
=
3
-
9
UNIVERSAL
121
40
4
L
=
3
-
8
LANGUAGE
68
32
5
-
-
41
4
53
-
616
238
49
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
K
=
2
-
4
KIND
38
20
2
O
=
6
-
2
OF
21
12
3
L
=
3
-
8
LANGUAGE
68
32
5
C
=
3
-
4
THAT
144
72
9
T
=
2
-
5
WOULD
35
8
8
A
=
1
-
2
BE
40
13
4
T
=
2
-
14
COMPREHENSIBLE
161
71
8
A
=
1
-
2
TO
54
27
9
S
=
1
-
3
ANY
96
33
6
I
=
9
-
15
TECHNOLOGICALLY
23
14
5
A
=
1
-
2
ADVANCED
40
13
4
E
=
5
-
7
SOCIETY
48
29
2
T
=
2
-
2
IN
49
13
4
W
=
5
-
3
ANY
75
21
3
B
=
2
-
5
EPOCH
7
7
7
-
-
47
4
81
-
931
400
85
-
-
-
-
-
-
-
-
-
S
=
1
-
4
SUCH
51
15
6
L
=
3
-
9
LANGUAGES
87
33
6
A
=
1
-
3
ARE
24
15
6
F
=
6
-
3
FEW
34
16
7
A
=
1
-
3
AND
19
10
1
F
=
6
-
3
FAR
25
16
7
B
=
2
-
7
BETWEEN
74
29
2
B
=
2
-
3
BUT
43
7
7
M
=
4
-
11
MATHEMATICS
112
40
4
I
=
9
-
2
IS
28
10
1
O
=
6
-
3
ONE
34
16
7
O
=
6
-
2
OF
21
12
3
T
=
2
-
4
THEM
46
19
1
-
-
49
4
57
-
598
238
58
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
L
=
3
-
8
LANGUAGE
68
32
5
O
=
6
-
2
OF
21
12
3
L
=
3
-
7
LETTERS
99
27
9
A
=
1
-
3
AND
19
10
1
N
=
5
-
7
NUMBERS
73
28
1
-
-
19
4
28
-
299
110
20
-
-
-
-
-
-
-
-
-
-
-
156
-
219
First Total
2444
986
212
-
-
1+5+6
-
2+1+9
Add to Reduce
2+4+4+4
9+8+6
2+1+2
-
-
12
-
12
Second Total
14
23
5
-
-
1+2
-
1+2
Reduce to Deduce
1+4
2+3
-
-
-
3
-
3
Essence of Number
5
5
5

 

MATHEMATICS A LANGUAGE OF LETTER AND NUMBER

 

A
=
1
-
1
A
1
1
1
L
=
3
-
8
LANGUAGE
68
32
5
O
=
6
-
2
OF
21
12
3
L
=
3
-
6
LETTER
80
26
8
A
=
1
-
3
AND
19
10
1
N
=
5
-
6
NUMBER
73
28
1
S
-
19
4
26
First Total
261
108
18
-
-
1+9
-
2+6
Add to Reduce
2+6+1
1+0+8
1+8
-
-
10
-
8
Second Total
9
9
9
-
-
1+0
-
-
Reduce to Deduce
-
-
-
-
-
1
-
8
Essence of Number
9
9
9

 

 

0
-
Z
=
8
-
4
ZERO
64
28
1
1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
42
-
40
Add
522
225
45
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
9
-
-
-
6
-
4
Deduce
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

1
-
O
=
6
-
3
ONE
34
16
7
2
-
T
=
2
-
3
TWO
58
13
4
3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
6
-
S
=
1
-
3
SIX
52
16
7
7
-
S
=
1
-
5
SEVEN
65
20
2
8
-
E
=
5
-
5
EIGHT
49
31
4
9
-
N
=
5
-
4
NINE
42
24
6
45
-
-
-
34
-
36
Add
458
197
44
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
9
-
-
-
7
4
9
Deduce
17
17
8
-
-
-
-
-
-
-
Produce
1+7
1+7
-
9
-
-
-
7
-
9
Essence
8
8
8

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
34
-
36
Add
458
197
44
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
7
4
9
Deduce
17
17
8
-
1
4
3
8
5
18
14
8
9
-
-
-
-
-
-
-
Produce
1+7
1+7
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
9
Essence
8
8
8
-
1
4
3
8
5
9
5
8
9

 

 

0
-
4
ZERO
8
5
9
6
-
=
28
2+8
=
10
1+0
1
1
-
3
ONE
6
5
5
-
-
=
16
1+6
=
7
-
7
2
-
3
TWO
2
5
6
-
-
=
13
1+3
=
4
-
4
3
-
5
THREE
2
8
9
5
5
=
29
2+9
=
11
1+1
2
4
-
4
FOUR
6
6
3
9
-
=
24
2+4
=
6
-
6
5
-
4
FIVE
6
9
4
5
-
=
24
2+4
=
6
-
6
6
-
3
SIX
1
9
6
-
-
=
16
1+6
=
7
-
7
7
-
5
SEVEN
1
5
4
5
5
=
20
2+0
=
2
-
2
8
-
5
EIGHT
5
9
7
8
2
=
31
3+1
=
4
-
4
9
-
4
NINE
5
9
5
5
-
=
24
2+4
=
6
-
6
45
-
40
Add
42
70
58
43
12
-
225
-
-
63
-
45
4+5
-
4+0
-
4+2
7+0
5+8
4+3
1+2
-
2+2+5
-
-
6+3
-
4+5
9
-
4
Reduce
6
7
13
7
3
-
9
-
-
9
-
-
-
-
-
-
-
-
1+3
-
-
-
-
-
-
-
-
-
9
-
4
Deduce
6
7
4
7
3
-
9
-
-
9
-
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

A

MAZE

IN

ZAZAZA ENTER ZAZAZA

ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGIKALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

1234567891011121314151617181920212223242526262524232221201918171615141312111098765432

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
-
1+8
-
1+8
-
1+8
-
1+8
-
-
9
-
9
-
9
-
9
-
I
ME
I
ME
I
ME
I
ME
I
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
I

 

 

 





+        -         O                                                   x         
Added to all, minus none, shared by everybody, multiplied in abundance.

 


 





+        -         O                                                   x         
Added to all, minus none, shared by everybody, multiplied in abundance.

 

LOOK AT THE NINES LOOK AT THE NINES LOOK AT THE NINES THE NINES THE NINESS

1 2 3 4 5 6 7 8 9

LOOK AT THE FIVES LOOK AT THE FIVES LOOK AT THE FIVES THE FIVES THE FIVES

 

 

 

14
NINE NINE NINE
171
81
9
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
12
NINE NINE NINE
126
72
18
1+2
-
1+2+6
7+2
1+8
3
NINE NINE NINE
9
9
9

 

14
NINENINENINE
171
81
9
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
1
N
14
14
5
2
IN
23
14
5
1
E
5
5
5
12
NINENINENINE
126
72
45
1+2
-
1+2+6
7+2
4+5
3
NINENINENINE
9
9
9

 

14
NINENINENINE
171
81
9
1
N
14
5
5
1
I
9
9
9
1
N
14
5
5
1
E
5
5
5
1
N
14
5
5
1
I
9
9
9
1
N
14
5
5
1
E
5
5
5
1
N
14
5
5
1
I
9
9
9
2
N
14
5
5
1
E
5
5
5
12
NINENINENINE
126
72
45
1+2
-
1+2+6
7+2
4+5
3
NINENINENINE
9
9
9

 

14
NINENINENINE
171
81
9
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
3
N
14
5
5
2
NI
23
14
5
1
E
5
5
5
12
NINENINENINE
126
72
45
1+2
-
1+2+6
7+2
4+5
3
NINENINENINE
9
9
9

 

1234 5 6789

YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO

1234 5 6789

 

 

 

14
NINE NINE NINE
171
81
9
4
NINE
42
24
6
4
NINE
42
24
6
4
NINE
42
24
6
12
NINE NINE NINE
126
72
18
1+2
-
1+2+6
7+2
1+8
3
NINE NINE NINE
9
9
9

 

 

14
NINENINENINE
171
81
9
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
1
N
14
14
5
2
IN
23
14
5
1
E
5
5
5
12
NINENINENINE
126
72
45
1+2
-
1+2+6
7+2
4+5
3
NINENINENINE
9
9
9

 

 

14
NINENINENINE
171
81
9
1
N
14
5
5
1
I
9
9
9
1
N
14
5
5
1
E
5
5
5
1
N
14
5
5
1
I
9
9
9
1
N
14
5
5
1
E
5
5
5
1
N
14
5
5
1
I
9
9
9
2
N
14
5
5
1
E
5
5
5
12
NINENINENINE
126
72
45
1+2
-
1+2+6
7+2
4+5
3
NINENINENINE
9
9
9

 

 

14
NINENINENINE
171
81
9
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
2
NI
23
14
5
1
N
14
5
5
1
E
5
5
5
3
N
14
5
5
2
NI
23
14
5
1
E
5
5
5
12
NINENINENINE
126
72
45
1+2
-
1+2+6
7+2
4+5
3
NINENINENINE
9
9
9

 

 

15

EHYEH ASHER EHYEH
153
90
9

14

PYRAMID PHARAOH
153
81
9

15

COSMIC RADIATION
153
72
9
14

ALBERT EINSTEIN
153
63
9
15

AUM-MANI-PADME-HUM
153
63
9
15

ELECTRICAL SPARK
153
63
9
13
HOUSE OF ISRAEL
153
63
9
14
JOHANNES KEPLER
153
63
9
13

THERMONUCLEAR
153
63
9
11

ANDROGYNOUS
153
54
9
13

ATOMIC NUMBERS
153
54
9
10

SIXTYTHREE
153
54
9
11

SOKAR OSIRIS
153
54
9
11

SOLMIZATION
153
54
9
10

IPSISSIMUS
153
45
9
12
MEASUREMENTS
153
45
9
10

PUREST LOVE
153
45
9
12

QUETZALCOATL
153
45
9
11

ZARATHUSTRA
153
45
9
-
-
-
-
-
-
-
-
-
-
14

CUBO-OCTAHEDRON
144
63
9
11
INSPIRATION
144
63
9
11
IOTA ORIONIS
144
63
9
11

SERENDIPITY
144
63
9
13

ANTI-CLOCKWISE
144
54
9
12

CRESENT MOON
144
54
9
12
EXAMINATIONS
144
54
9
9

FORTYFOUR
144
54
9
11

KING SOLOMON
144
54
9
11
NOTHINGNESS
144
54
9
12
POPOCATEPETL
144
54
9
11
RATIONALITY
144
54
9
9

YOM KIPPUR
144
54
9
10
ATUM OSIRIS
144
45
9
12
RELATIVE MASS
144
45
9
11

SAGITTARIUS
144
45
9
10

SEVENTYONE
144
45
9
11

TUTANKHAMUN
144
36
9
-
-
-
-
-
-
-
-
-
-
12

HIEROGLYPHIC
135
81
9
11

CRYPTOGENIC
135
63
9
11

LOVING LIGHT
135
63
9

11
LEGOMINISMS

135
54
9
12

WAVE PARTICLE
135
54
9
12
CITLALTEPETL
135
45
9
9

DIONYSIUS
135
45
9
9

NEUTRINOS
135
45
9
11
SELFISHNESS
135
45
9

8

NEUTRINOS
135
36
9

11

TUTANKHATEN
135
36
9
-
-
-
-
-
-
-
-
-
-

12

ANNIHILATION
126
63
9

9

SHEMSU HOR
126
63
9
9

EIGHTYSIX
126
54
9
9

FIFTYFOUR
126
54
9
9

FORTYFIVE
126
54
9
9

FORTYNINE
126
54
9
9
LIQUIDITY
126
54
9
10
NECROPOLIS
126
54
9
10

PENIS SPINE
126
54
9
9

ROSE-CROIX
126
54
9
11
SHEPHERDESS
126
54
9
10
SRI KRISHNA
126
54
9
13

WAVE MECHANICS
126
54
9
11
CATASTROPHE
126
45
9
11
EARTHQUAKES
126
45
9
10

ENERGY + MASS
126
45
9
9
NINSHUBUR
126
45
9
10

OESOPHAGUS
126
45
9
8
PROTOZOA
126
45
9
9
SHEMSU HOR
126
45
9
11

SOLAR FLARES
126
45
9
9
SPOTLIGHT
126
45
9
11
SELFISHNESS
126
36
9
8

DIONYSUS
126
36
9
9

LOST + FOUND
126
36
9
9
MOUNTAINS
126
36
9
9

MOVEMENTS
126
36
9
8

NEUTRONS
126
36
9
8
NUMINOUS
126
36
9
8
PLOTINUS
126
36
9
9
SUSTAINER
126
36
9
-
-
-
-
-
-
-
-
-
-
14

DENDERAH ZODIAC
117
72
9
11
SILICON CHIP
117
63
9
12
DISINCARNATE
117
54
9
10
DIVINATION
117
54
9
10
DIVINE LOVE
117
54
9
14

DOUBLE HELIX
117
54
9
12

THE HUMAN RACE
117
54
9
9

COMMUNION
117
45
9
9
COMPRISES
117
45
9
11
DVAPARA YUGA
117
45
9
8

HUMILITY
117
45
9
10

ISRAELITES
117
45
9
9
LIQUIDITY
117
45
9
10

MIND MATTER
117
45
9
9

POLYGONAL
117
45
9
10

RADIO WAVES
117
45
9
10

TACHYONICS
117
45
9
11
TEOTIHUACAN
117
45
9
8

XENOLOGY
117
45
9
9
DYNAMISMS
117
36
9
8
PIETISTS
117
36
9
7

PROTONS
117
36
9
9

THE COSMOS
117
36
9
7
TORTURE
117
36
9
8

CLUSTERS
117
27
9
8

CRYSTALS
117
27
9
8
NAUTILUS
117
27
9
7
SUNRAYS
117
27
9
-
-
-
-
-
-
-
-
-
-
10

ANNO-DOMINI
108
54
9
9
DERVISHER
108
54
9
9

EIGHTYONE
108
54
9
9

FIFTYFIVE
108
54
9
9

FIFTYNINE
108
54
9
11

GEOMETRICAL
108
54
9
10
HESPERIDES
108
54
9
10

THE LORD GOD
108
54
9
9

RELIGIONS
108
54
9
9

ACROPOLIS
108
45
9
9
BRIGHTEST
108
45
9
8

GEOMETRY
108
45
9
9
HOLOGRAMS
108
45
9
10

MELANCHOLY
108
45
9
9

MICROCOSM
108
45
9
8

NEOPHYTE
108
45
9
10

OPEN CLOSED
108
45
9
8

OSIRIS RA
108
45
9
9

PHOSPHATE
108
45
9
9
PRIBISLAU
108
45
9
11
RENAISSANCE
108
45
9
8

INSTINCT
108
36
9
8
MULTIPLE
108
36
9
6

SORROW
108
36
9
9

TANTALIZE
108
36
9

7

DYNASTY
108
27
9

10

MATSTSEBAH
108
27
9

7

MYSTICS
108
27
9

8

OCCULTUM
108
27
9

8

TANTALUS
108
18
9
-
-
-
-
-
-
-
-
-
-
10
ABORIGINES
99
54
9
12
ATOMIC CHANGE
99
54
9
9

CIVILIZED
99
54
9
9
CRYOGENIC
99
54
9
10

GEOCENTRIC
99
54
9
10
INVINCIBLE
99
54
9
10

RE HARAKHTI
99
54
9
8
CUNIFORM
99
45
9
8

EXOTERIC
99
45
9
8

FERMIONS
99
45
9
10

GODDESS GOD
99
45
9
9
ILLUMINED
99
45
9
10
KIRACOCHAS
99
45
9
9
LIBERTIES
99
45
9
9
PROPAGATE
99
45
9
8

REBIRTHS
99
45
9
9

THE FISHES
99
45
9
8
THEORIES
99
45
9
8
THEORISE
99
45
9
8

THIRTEEN
99
45
9
8
CUNIFORM
99
45
9
8

EXOTERIC
99
45
9
8

FERMIONS
99
45
9
10

GODDESS GOD
99
45
9
9
ILLUMINED
99
45
9
10
KIRACOCHAS
99
45
9
9
LIBERTIES
99
45
9
9
PROPAGATE
99
45
9
8

REBIRTHS
99
45
9
9

THE FISHES
99
45
9
8
THEORIES
99
45
9
8
THEORISE
99
45
9
8

THIRTEEN
99
45
9
9
ABYSSINIA
99
36
9
9

ASCENSION
99
36
9
10
BEELZEBUBS
99
36
9
8

CREATORS
99
36
9
7

CURRENT
99
36
9
7

FORTUNE
99
36
9
8

GOOD STAR
99
36
9
7
ISISTER
99
36
9
7

ISOTOPE
99
36
9
9
JUDGEMENT
99
36
9
7

JUPITER
99
36
9
11
KEBRA NAGAST
99
36
9
8

OMPHALOS
99
36
9
7

PHYSICS
99
36
9
8

PLUTARCH
99
36
9
10

SIDDHANTAS
99
36
9
7
SILENUS
99
36
9
8

SYCAMORE
99
36
9
7

THOUGHT
99
36
9
7
TRIPLES
99
36
9
8
VANITIES
99
36
9
7

ANSWERS
99
27
9
7

AQUEOUS
99
27
9
9
ATLANTICS
99
27
9
8
BAETYLOS
99
27
9
8

BOUSSARD
99
27
9
8

CONDUCTS
99
27
9
7

LETTERS
99
27
9
6

PUREST
99
27
9
8

RAMESSES
99
27
9
7
SILENUS
99
27
9
6
SYLPHS
99
27
9
10

TO-SA-PA-KA-NA
99
27
9
7
ZEALOUS
99
27
9
-
-
-
-
-
-
-
-
-
-

8

DROPIDES
90
54
9

9
INORGANIC
90
54
9

11
RABBI HILLEL
90
54
9
9
CHROMATIC
90
45
9
10

CONSCIENCE
90
45
9
8

CYLINDER
90
45
9
7
EMPEROR
90
45
9
8

FOREWARD
90
45
9
8

GARGOYLE
90
45
9
10

HAR-EM-AKHET
90
45
9
9

HOLY BIBLE
90
45
9
8

HORAKHTI
90
45
9
9

LIGHT +DARK
90
45
9
8
MERCURIC
90
45
9
7

MORNING
90
45
9
9

ALCHEMIST
90
36
9
9
CATHOLICS
90
36
9
7

EPSILON
90
36
9
8
EXAMINES
90
36
9
7
INSPIRE
90
36
9
8

KINETICS
90
36
9
8

KWA-OH-WAH
90
36
9
6
ORIONS
90
36
9
6

OXYGEN
90
36
9
9
PESHES KAF
90
36
9
7

POLARIS
90
36
9
9

PRANAYANA
90
36
9
6
PRIMUM
90
36
9
8
RATIONAL
90
36
9
7
REALITY
90
36
9
7

SEP TEPI
90
36
9
7

SPHERES
90
36
9
6

SPHINX
90
36
9
8

THE HUMAN
90
36
9
7

THUNDER
90
36
9
8

VERTICAL
90
36
9
8

CLAUDIUS
90
27
9
6
CRONUS
90
27
9
7

ELEUSIS
90
27
9
7

ILLNESS
90
27
9
5

LUXOR
90
27
9
7

MAQSURA
90
27
9
7

MATTHEW
90
27
9
6
SISTER
90
27
9
6

SOTHIS
90
27
9
6

SPERMS
90
27
9
7

TEMPLES
90
27
9

6

AUTUMN
90
18
9
-
-
-
-
-
-
-
-
-
-

9
BEGINNING
81
54
9
9

BENBENNET
81
45
9
7
DIVINER
81
45
9
10
FIBONACCI'S
81
45
9
8

FORCE KIN
81
45
9
9
GILGAMESH
81
45
9
8

HARMONIC
81
45
9
8
HESPERIA
81
45
9
7
ISHRAQI
81
45
9
9

MEDICINES
81
45
9
8

PHARISEE
81
45
9
7
ANOTHER
81
36
9
9

BABYLONIA
81
36
9
9
BLASPHEME
81
36
9
9

CARDINALS
81
36
9
6

CERVIX
81
36
9
6
GOVERN
81
36
9
5
IRONY
81
36
9
7
LEGIONS
81
36
9
8
NICHOLAS
81
36
9
6
ORIENT
81
36
9
9

PARACLETE
81
36
9
7

PROCYON
81
36
9
7

SERVICE
81
36
9
7

SILICON
81
36
9
10

TABERNACLE
81
36
9
7
THOUGHT
81
36
9
6

WIZARD
81
36
9
8
YAM NAHAR
81
36
9
6
ENTERS
81
27
9
6

EVOLVE
81
27
9
8

GOD SATAN
81
27
9
5

HORUS
81
27
9
5

HOURS
81
27
9
7
METAZOA
81
27
9
5
MOURN
81
27
9
7

MUHAMET
81
27
9
6

NETERS
81
27
9
5
OVARY
81
27
9
6
RITUAL
81
27
9
9
SADDUCEES
81
27
9
7

SEKHMET
81
27
9
6

SIRIUN
81
27
9
6

SODIUM
81
27
9
6

SOURCE
81
27
9
6

SQUARE
81
27
9
5

THINKS
81
27
9
4

YHYW
81
27
9
8
DAMASCUS
81
18
9
6
MASONS
81
18
9
5
MUMMU
81
18
9
7
SADNESS
81
18
9
6

SAMSON
81
18
9
6
SENSES
81
18
9
5
SPUNK
81
18
9
6

VACUUM
81
18
9
5

VENUS
81
18
9
-
-
-
-
-
-
-
-
-
-

9

I CHANGING
72
54
9
9
FEATHERED
72
45
9
8

GOG MAGOG
72
45
9
7

HOMINID
72
45
9
8
MARRIAGE
72
45
9
6

ORIGIN
72
45
9
9
CATHEDRAL
72
36
9
7

CENTRIC
72
36
9
7

CONCORD
72
36
9
8

DIAGRAMS
72
36
9
7
GENTILE
72
36
9
7

GOLIATH
72
36
9
7

HAFNIUM
72
36
9
7
HASHISH
72
36
9
6
ISHRAQ
72
36
9
7
ISHSHAH
72
36
9
7
ISMAILI
72
36
9
6

LIQUID
72
36
9
8
MACHINES
72
36
9
8

MAGNETIC
72
36
9
6

MICRON
72
36
9
8

MOHAMMED
72
36
9
6
REASON
72
36
9
6

REBORN
72
36
9
5

RIVER
72
36
9
7

SIDDHIS
72
36
9
6
TIMING
72
36
9
6

WEIGHT
72
36
9
7
CARBONS
72
27
9
7
DEAREST
72
27
9
6
DYNAMO
72
27
9
6
EUNUCH
72
27
9
6
GRAVES
72
27
9
7

HANUMAN
72
27
9
6
HOLMES
72
27
9
7

I AM THAT
72
27
9
9
KADASHMAN
72
27
9
6

MONDAY
72
27
9
6
PESHES
72
27
9
5
QUIET
72
27
9
6
RADIUS
72
27
9
6

REASON
72
27
9
6

ROCKET
72
27
9
5

ROUND
72
27
9
7
SCHEMES
72
27
9
7

THAT I AM
72
27
9
6

VERNAL
72
27
9
6

WHEELS
72
27
9
5

XENON
72
27
9
6
AIWASS
72
18
9
6

AMULET
72
18
9
6
EMMAUS
72
18
9
6
LESBOS
72
18
9
5
LOOKS
72
18
9
5

LUCKY
72
18
9
8

SABBATHS
72
18
9
7

SAMSARA
72
18
9
6

SESHAT
72
18
9
5
SEXES
72
18
9
5
SITES
72
18
9
6
STATIC
72
18
9
5
STILL
72
18
9
5
SWEET
72
18
9
5
ULTRA
72
18
9
5
VOTAN
72
18
9
-
-
-
-
-
-
-
-
-
-
8

CHANGING
63
45
9
7
CHINESE
63
36
9
7
DEGREES
63
36
9
6

DIVINE
63
36
9
9

EL SHADDAI
63
36
9
7
FEATHER
63
36
9
6

FRIDAY
63
36
9
7

GENETIC
63
36
9
7

MERMAID
63
36
9
6
RECORD
63
36
9
5
RISHI
63
36
9
6

THRICE
63
36
9
7

ANIMATE
63
27
9
8

BACKWARD
63
27
9
6

BRAINS
63
27
9
8
CANNABIS
63
27
9
6

CARPET
63
27
9
7
CLIMATE
63
27
9
5
DEITY
63
27
9
6
DRAKON
63
27
9
7

DVAPARA
63
27
9
6

ELEVEN
63
27
9
6

FAITHS
63
27
9
5
FU HSI
63
27
9
5
GHOUL
63
27
9
5
HOPES
63
27
9
6
LOAMMI
63
27
9
5
MOTIF
63
27
9
6
NEBULI
63
27
9
5

OASIS
63
27
9
5
PARIS
63
27
9
5

PENIS
63
27
9
6

RE ATEM
63
27
9
5

SPINE
63
27
9
5

WHOLE
63
27
9
5

WITCH
63
27
9
4

YHVW
63
27
9
4

YONI
63
27
9
6

AVATAR
63
18
9
7
BUBBLES
63
18
9
6

CLOCKS
63
18
9
6
DEJA VU
63
18
9
5
ELVES
63
18
9
4

FLUX
63
18
9
4
JAZZ
63
18
9
5
JOULE
63
18
9
5

KISWA
63
18
9
5

KRSNA
63
18
9
6

MEDUSA
63
18
9
4
MUON
63
18
9
3

NYX
63
18
9
5

PLANT
63
18
9
4

RAYS
63
18
9
5

SAINT
63
18
9
7

SCARABS
63
18
9
5

SKIES
63
18
9
5
SMOKE
63
18
9
4

SOON
63
18
9
5
STARE
63
18
9
5

TEARS
63
18
9
4

THOT
63
18
9
5

WEEKS
63
18
9

4

SETS

63
9
9

5

TALKS
63
9
9

4

SETS

63
9
9

5

TALKS
63
9
9
-
-
-
-
-
-
-
-
-
-
7
AHAZIAH
54
36
9
8

CHEMICAL
54
36
9
6

DELPHI
54
36
9
7

GABRIEL
54
36
9
5
HIPPE
54
36
9
6

ARCTIC
54
27
9
9

BEELZEBUB
54
27
9
6

BODIES
54
27
9
6

BREATH
54
27
9
6
CHINA'S
54
27
9
5
CHOIS
54
27
9
9

DALAI LAMA
54
27
9
6
ELISHA
54
27
9
5
EMMER
54
27
9
7
ESAGILA
54
27
9
7
ESCENCE
54
27
9
6

EUCLID
54
27
9
6
GEBURA
54
27
9
6

HEALTH
54
27
9
6
NICKEL
54
27
9
6

ORACLE
54
27
9
4
PION
54
27
9
5
QOMAH
54
27
9
4
SHRI
54
27
9
5
TRIBE
54
27
9
6

VAGINA
54
27
9
5
VOICE
54
27
9
5

AEONS
54
18
9
4
AZZA
54
18
9
6
BODMAS
54
18
9
5

CHESS
54
18
9
5
ENUMA
54
18
9
4

EYES
54
18
9
5

ISLAM
54
18
9
4

LOVE
54
18
9
4

ORBS
54
18
9
3

OUR
54
18
9
5
PETAL
54
18
9
5
SAUDI
54
18
9
5
SHAFT
54
18
9
6
STADIA
54
18
9
5

THETA
54
18
9
6
TOMBAC
54
18
9
4

TONE
54
18
9
3

TYI
54
18
9
4
YOMA
54
18
9
4

YUGA
54
18
9
3

SUN
54
9
9
5

TRIBE
54
9
9
4

TS'AN
54
9
9
4
TULA
54
9
9
-
-
-
-
-
-
-
-
-
-
6
CEPHID
45
36
9
7

ALADDIN
45
27
9
7
AL QAIDA
45
27
9
5
ANGER
45
27
9
6
ARAMIC
45
27
9
5
ARIEL
45
27
9
5
CERNE
45
27
9
6
DANIEL
45
27
9
6

DHARMA
45
27
9
6
EFFECT
45
27
9
6

ELIJAH
45
27
9
5

ENOCH
45
27
9
5
FAKIR
45
27
9
4

IRAQ
45
27
9
4
ISHI
45
27
9
6
JACHIN
45
27
9
6
KHALID
45
27
9
6
LEADER
45
27
9
4
MERI
45
27
9
6
NAILED
45
27
9
5

NIOBE
45
27
9
4
SHII
45
27
9
5

ABOVE
45
18
9
7
AKAPANA
45
18
9
5
AKHET
45
18
9
4
APIS
45
18
9
5
FABLES
45
18
9
4

GODS
45
18
9
4

IOTA
45
18
9
5

KAPPA
45
18
9
4

KITE
45
18
9
5
LEAVE
45
18
9
5
MATCH
45
18
9
4
MILK
45
18
9
4
MUCH
45
18
9
4
PATH
45
18
9
4

PTAH
45
18
9
4
SAIP
45
18
9
3
TIP
45
18
9
3
ZEN
45
18
9
4

EAST
45
9
9
6

SABBAT
45
9
9
3
SAY
45
9
9
4

TALL
45
9
9
-
-
-
-
-
-
-
-
-
-
4

BI PI
36
27
9
5
CHILD
36
27
9
6
DIADEM
36
27
9
5
FIELD
36
27
9
4

HAIR
36
27
9
4

HARI
36
27
9
3

IRI
36
27
9
6

MAGEIA
36
27
9
5
ACIDS
36
18
9
3

ARQ
36
18
9
4
COME
36
18
9
4

EDFU
36
18
9
5
FATAH
36
18
9
4
FEET
36
18
9
4

GATH
36
18
9
3

GON
36
18
9
4

HALO
36
18
9
4

HAVE
36
18
9
3
HIS
36
18
9
3

IHS
36
18
9
4

IMAM
36
18
9
3
ISH
36
18
9
3
IVE
36
18
9
7
KABALAH
36
18
9
5

MAGNA
36
18
9
3

MER
36
18
9
3

MIN
36
18
9
4
NAIL
36
18
9
4

NEBO
36
18
9
4

PARA
36
18
9
4
PAEN
36
18
9
4

REAL
36
18
9
3

REM
36
18
9
3

SHI
36
18
9
4
ANAT
36
9
9
3

ANU
36
9
9
5

ASANA
36
9
9
4

FEET
36
9
9
4
JUDA
36
9
9
3

LAW
36
9
9
2

OU
36
9
9
3

TAO
36
9
9
-
-
-
-
-
-
-
-
-
-
4

ACRE
27
18
9
4
CAIN
27
18
9
4

CHAO
27
18
9
5

DALAI
27
18
9
3
DIN
27
18
9
3

DOH
27
18
9
3

EGO
27
18
9
3
GEO
27
18
9
4

HALF
27
18
9
4
HAND
27
18
9
3
HOD
27
18
9
4

INCA
27
18
9
3
OFF
27
18
9
4

RACE
27
18
9
3

RED
27
18
9
4

BALL
27
9
9
3

FAT
27
9
9
3

GAS
27
9
9
4

LAMA
27
9
9
3

MAM
27
9
9
3

OAK
27
9
9
4

SAFA
27
9
9
-
-
-
-
-
-
-
-
-
-
3

ADDED
18
9
9
3
BIG
18
18
9
3
CAN
18
9
9
3

DIE
18
18
9
4

HEAD
18
18
9
2

EM
18
9
9
4

GAIA
18
9
9
3
KAF
18
9
9
3
MAD
18
9
9
2

ME
18
9
9
-
-
-
-
-
-
-
-
-
-
3

ACE
9
9
9
3

ADD
9
9
9
3
AGA
9
9
9
3

DAD
9
9
9
2
ED
9
9
9
2

HA
9
9
9
1

I
9
9
9
-
-
-
-
-
-
-
-
-
-
8
NAMES OF GOD
99
45
9

 

 

 

 

0
-
4
ZERO
8
5
9
6
-
=
28
2+8
=
10
1+0
1
1
-
3
ONE
6
5
5
-
-
=
16
1+6
=
7
-
7
2
-
3
TWO
2
5
6
-
-
=
13
1+3
=
4
-
4
3
-
5
THREE
2
8
9
5
5
=
29
2+9
=
11
1+1
2
4
-
4
FOUR
6
6
3
9
-
=
24
2+4
=
6
-
6
5
-
4
FIVE
6
9
4
5
-
=
24
2+4
=
6
-
6
6
-
3
SIX
1
9
6
-
-
=
16
1+6
=
7
-
7
7
-
5
SEVEN
1
5
4
5
5
=
20
2+0
=
2
-
2
8
-
5
EIGHT
5
9
7
8
2
=
31
3+1
=
4
-
4
9
-
4
NINE
5
9
5
5
-
=
24
2+4
=
6
-
6
45
-
40
Add
42
70
58
43
12
-
225
-
-
63
-
45
4+5
-
4+0
-
4+2
7+0
5+8
4+3
1+2
-
2+2+5
-
-
6+3
-
4+5
9
-
4
Reduce
6
7
13
7
3
-
9
-
-
9
-
-
-
-
-
-
-
-
1+3
-
-
-
-
-
-
-
-
-
9
-
4
Deduce
6
7
4
7
3
-
9
-
-
9
-
9

 

 

SOUL SO U LIVE
SOUL SO U LEARN
SOUL SO U LOVE

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
PROBLEMS
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
8
9
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
PROBLEMS
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
8
9
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
9
-
-
-
-
-
PROBLEMS
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
L
=
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
9
-
-
37
-
8
PROBLEMS
100
46
37
-
1
2
3
4
5
6
7
9
-
-
3+7
-
-
1+0+0
4+6
3+7
-
-
-
-
-
-
-
-
-
-
10
-
8
PROBLEMS
1
10
10
-
1
2
3
4
5
6
7
9
-
-
1+0
-
-
-
1+0
1+0
-
-
-
-
-
-
-
-
-
-
1
-
8
PROBLEMS
1
1
1
-
1
2
3
4
5
6
7
9

 

 

-
FOURTEEN
-
-
-
1
F
6
6
6
2
OU
36
9
9
1
R
18
18
9
4
TEEN
44
17
8
8
FOURTEEN
104
50
32
-
-
1+0+4
5+0
3+2
8
FOURTEEN
5
5
5

 

 

-
-
-
-
-
FOURTEEN
-
-
-
-
-
-
-
-
14 1+4 = 5
-
-
-
-
-
-
-
-
FOURTEEN
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
FOURTEEN
-
-
-
F
=
6
-
4
FOUR
60
24
6
T
=
2
-
4
TEEN
44
17
8
-
-
8
-
8
FOURTEEN
104
41
14
-
-
-
-
-
-
1+0+4
4+1
1+4
-
-
8
-
8
FOURTEEN
5
5
5

 

 

5
DREAM
41
23
5
8
FOURTEEN
104
41
5

 

 

DAILY MAIL

Thursday, February 7,2008

By Laura Clark

Education Correspondent

"I think therefore I'm five"

PHILOSOPHY CLASSES FOR YOUNGSTERS

 

 

O
=
6
3
ONE
34
16
7
T
=
2
3
TWO
58
13
4
T
=
2
5
THREE
56
29
2
F
=
6
4
FOUR
60
24
6
F
+
6
4
FIVE
42
24
6
S
=
1
3
SIX
52
16
7
S
=
1
5
SEVEN
65
20
2
E
=
5
5
EIGHT
49
31
4
N
=
5
4
NINE
42
24
6
-
-
39
36
-
458
197
44
-
-
3+9
3+6
-
4+5+8
1+9+7
4+4
-
-
12
9
-
17
17
8
-
-
1+2
-
-
-
-
-
-
-
3
9
-
8
8
8

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Page 32

5


To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.

 

 

THE

BALANCING

ONE TWO THREE FOUR

FIVE

NINE EIGHT SEVEN SIX

O
=
15
ONE
3
-
34
16
7
-
1
T
=
20
TWO
3
-
58
13
4
-
2
T
=
20
THREE
5
-
56
29
2
-
3
F
=
6
FOUR
4
-
60
24
6
-
4
-
-
61
Add
15
-
208
82
19
-
10
-
-
6+1
Reduce
-
-
2+0+8
8+2
1+9
-
1+0
-
-
7
Reduce
6
-
10
10
10
-
1
-
-
-
Deduce
-
-
1+0
1+0
1+0
-
-
-
-
7
Essence
6
-
1
1
1
-
1

N
=
14
NINE
4
-
42
24
6
-
9
E
=
5
EIGHT
5
-
49
31
4
-
8
S
=
19
SEVEN
5
-
65
20
2
-
7
S
=
19
SIX
3
-
52
16
7
-
6
-
-
57
Add
17
-
208
91
19
-
30
-
-
5+7
Reduce
1+7
-
2+0+8
9+1
1+9
-
3+0
-
-
12
Reduce
8
-
10
10
10
-
3
-
-
1+2
Deduce
-
-
1+0
1+0
1+0
-
-
-
-
3
Essence
8
-
1
1
1
-
3

 

4
FIVE
42
24
6

 

1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1

 

15
ONE TWO THREE FOUR
208
82
1
4
FIVE
42
24
6
17
NINE EIGHT SEVEN SIX
208
91
1

 

3
ONE
34
16
7
-
3
SIX
52
16
7
3
TWO
58
13
4
-
5
SEVEN
65
20
2
5
THREE
56
29
2
-
5
EIGHT
49
31
4
4
FOUR
60
24
6
-
4
NINE
42
24
6
15
Add
208
82
19
-
17
Add
208
91
19
1+5
Reduce
2+0+8
8+2
1+9
-
1+7
Reduce
2+0+8
9+1
1+9
6
Reduce
10
10
10
-
8
Reduce
10
10
10
-
Deduce
1+0
1+0
1+0
-
-
Deduce
1+0
1+0
1+0
6
Essence
1
1
1
-
8
Essence
1
1
1

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
8
-
-
6
-
6
5
-
-
-
-
6
-
-
8
-
-
-
-
-
6
-
-
-
-
9
-
-
-
1
9
6
-
1
-
-
-
5
-
-
9
-
8
-
-
5
9
5
-
26
-
-
15
-
15
14
-
-
-
-
15
-
-
8
-
-
-
-
-
15
-
-
-
-
9
-
-
-
19
9
24
-
19
-
-
-
14
-
-
9
-
8
-
-
14
9
14
-
Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
-
5
9
-
-
-
-
5
-
2
5
-
-
2
-
9
5
5
-
6
-
3
9
-
6
-
4
5
-
-
-
-
-
-
5
4
5
-
-
5
-
7
-
2
-
-
-
-
5
-
5
18
-
-
-
-
5
-
20
23
-
-
20
-
18
5
5
-
6
-
21
18
-
6
-
22
5
-
-
-
-
-
-
5
22
5
-
-
5
-
7
-
20
-
-
-
-
5
Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
26
5
18
15
-
15
14
5
-
20
23
15
-
20
8
18
5
5
-
6
15
21
18
-
6
9
22
5
-
19
9
24
-
19
5
22
5
14
-
5
9
7
8
20
-
14
9
14
5
8
5
9
6
-
6
5
5
-
2
5
6
-
2
8
9
5
5
-
6
6
3
9
-
6
9
4
5
-
1
9
6
-
1
5
4
5
5
-
5
9
7
8
2
-
5
9
5
5
Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
5
-
-
5
-
-
-
-
-
5
5
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
5
5
-
5
-
-
-
-
-
5
-
5
5
-
-
-
6
-
6-
-
-
-
-
-
6
-
-
-
-
-
-
-
6
6
-
-
-
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
9
-
-
-
-
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
-
-
Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
9
-
-
-
-
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
-
-
Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E
8
5
9
6
-
6
5
5
-
2
5
6
-
2
8
9
5
5
-
6
6
3
9
-
6
9
4
5
-
1
9
6
-
1
5
4
5
5
-
5
9
7
8
2
-
5
9
5
5
Z
E
R
O
-
O
N
E
-
T
W
O
-
T
H
R
E
E
-
F
O
U
R
-
F
I
V
E
-
S
I
X
-
S
E
V
E
N
-
E
I
G
H
T
-
N
I
N
E

 

5 X 14

 

1
occurs
x
2
=
2
-
-
2
2
occurs
x
3
=
6
-
-
6
3
occurs
x
1
=
3
-
-
3
4
occurs
x
2
=
8
-
-
8
5
occurs
x
14
=
70
7+0
=
7
6
occurs
x
7
=
42
4+2
=
6
7
occurs
x
1
=
7
-
-
7
8
occurs
x
3
=
24
2+4
=
6
9
occurs
x
7
=
63
6+3
=
9
45
Add
-
40
-
225
-
-
54
4+5
Reduce
-
4+0
-
2+2+5
-
-
5+4
9
Deduce
-
4
-
9
-
-
9

 

 

0
-

4

 ZERO

64

28
1
1
-
3

ONE
34
16
7
2
-
3

TWO
58
13
4
3
-
5

THREE
56
29
2
4
-
4

FOUR
60
24
6
5
-
4

FIVE
42
24
6
6
-
3

SIX
52
16
7
7
-
5

SEVEN
65
20
2
8
-
5

EIGHT
49
31
4
9
-
4

NINE
42
24
6
45
-
40
-
522
225
45
4+5
-
4+0
-
5+2+2
2+2+5
4+5
9
-
4
-
9
9
9

 

THE MAGIC MOUNTAIN

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
T
=
2
-
3
THE
33
15
6
M
=
4
-
5
MAGIC
33
24
6
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
1
-
7

THE MAGIC MOUNTAIN
11
11
2
-
-
-
-
-
-
1+1
1+1
-
-
-
1
-
7

THE MAGIC MOUNTAIN
2
2
2

 

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
5
MAGIC
33
24
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
3

THE MAGIC MOUNTAIN
33
15
15
-
-
-
-
-
-
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
-
24
-
5

THE MAGIC MOUNTAIN
33
24
24
-
-
-
-
-
-
-
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
11
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
A
=
1
14
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
16
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
35
-
8
THE MAGIC MOUNTAIN
107
35
35
-
2
4
6
8
15
6
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
-
-
-
1+8
M
=
4
-
5
MAGIC
33
24
6
-
2
4
6
8
6
6
7
8
9
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16
THE MAGIC MOUNTAIN
173
74
20
-
2
4
6
8
6
6
7
8
9
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE MAGIC MOUNTAIN
11
11
2
-
2
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THEMAGIC MOUNTAIN
2
2
2
-
2
4
6
8
6
6
7
8
9

 

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
5
MAGIC
33
24
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
11
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
A
=
1
14
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
16
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
THE MAGIC MOUNTAIN
-
-
-
-
2
4
6
8
15
6
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
-
-
-
1+8
M
=
4
-
5
MAGIC
33
24
6
-
2
4
6
8
6
6
7
8
9
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16
THE MAGIC MOUNTAIN
173
74
20
-
2
4
6
8
6
6
7
8
9
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE MAGIC MOUNTAIN
11
11
2
-
2
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THEMAGIC MOUNTAIN
2
2
2
-
2
4
6
8
6
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
5
MAGIC
33
24
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
14
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
11
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
16
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
THE MAGIC MOUNTAIN
-
-
-
-
2
4
6
8
15
6
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
-
-
-
1+8
M
=
4
-
5
MAGIC
33
24
6
-
2
4
6
8
6
6
7
8
9
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16
THE MAGIC MOUNTAIN
173
74
20
-
2
4
6
8
6
6
7
8
9
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE MAGIC MOUNTAIN
11
11
2
-
2
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THEMAGIC MOUNTAIN
2
2
2
-
2
4
6
8
6
6
7
8
9

 

SAPTARSHI A PAST RISHI SAPTARSHI

 

 

 

REMBRANDT FORGERY 1972

 

 

 

THE SUN BOAT OF RA. THE YEAR DOT

 

 

STRAIGHT FROM THE HORSES MOUTH 1978

How many times is seven mentioned in the bible

  1. 700 times
    • According to 2 sources
    If you’re short on time, here’s a quick answer to your question: the number 7 is mentioned in the Bible over 700 times across both the Old and New Testaments.

    How Many Times Is 7 Menti…

    christianwebsite.com
    In fact, we see seven appear over 700 times throughout the Bible. Jacob works seven years for Laban before marrying his daughter ( Genesis 29 ). On the other hand, it also doesn’t seem like we can escape the seven in Revelation in terms of seals, trumpe...

  2. List of Sevens in the Bible: Updated 08.17.2023

    Feb 27, 2012 · The number seven is also featured in the Book of Revelation (seven churches, seven angels, seven seals, seven trumpets, and seven stars). The Koran speaks of seven heavens and Muslim pilgrims walk around the Kaaba in Mecca (Islam’s most sacred site) seven times.

    • Leviticus

      Leviticus - List of Sevens in the Bible: Updated 08.17.2023

    • Entries Feed

      This one comes courtesy of Dean Izzard, who pointed out that in Leviticus 19, “I …

    • About

      This blog will attempt to feature all the times that “7” appears, but not only when …

    • Judges

      Judges - List of Sevens in the Bible: Updated 08.17.2023

    • Genesis

      Genesis - List of Sevens in the Bible: Updated 08.17.2023

    • Deuteronomy

      Deuteronomy - List of Sevens in the Bible: Updated 08.17.2023

    • Exodus

      Exodus - List of Sevens in the Bible: Updated 08.17.2023

    • Joshua

      Joshua - List of Sevens in the Bible: Updated 08.17.2023

    See results only from sevensinthebible.com

  3. How Many Times Is 7 Mentioned In The Bible?

    Jan 14, 2024 · If you’re short on time, here’s a quick answer to your question: the number 7 is mentioned in the Bible over 700 times across both the Old and New Testaments. In this comprehensive article, we will explore the many …

  5. The Number 7 in the Bible - Meaning and Importance - Bible Study …

    • Last updated: Dec 1, 2024
    • Estimated Reading Time: 6 mins
      • 2 Kings 5:10. 10 Elisha sent a messenger to say to him, “Go, wash yourself …
      • Deuteronomy 5:12. 12 “Observe the Sabbath day by keeping it holy, as the …
      • Exodus 22:30. 30 Do the same with your cattle and your sheep. Let them stay …
      • John 6:35. 35 Then Jesus declared, “I am the bread of life. Whoever comes to …

  6. Meaning of the Number 7 in the Bible - Bible Study

    • The English word "seven" for the number 7 appears 463 times in 391 King James Bible verses. 372 of its appearances show up in the Old Testament while 91 of them are written in the New Testament. Genesis, in the Old Testament, records the word the most (54 times) followed by the books of Leviticus and Numbers (46 each). The books of Revelation (54 t...
    See more on biblestudy.org

  7. Reference List - Seven - King James Bible Dictionary

    Seven is the number of sacrifice (2 Chronicles 29:21; Job 42:8), of purification and consecration (Leviticus 42:6, 17; 8:11, 33; 14:9, 51), of forgiveness (Matthew 18:21, 22; Luke 17:4), of reward …

  8. What Does the Number 7 Mean in the Bible?

    Mar 12, 2025 · How many times is the number 7 mentioned in the Bible? It depends on how you count, but at a minimum, the number 7 is mentioned nearly 500 times throughout the Old …

  9. People also ask

  10. What Does the Number 7 Mean in the Bible and Why is …

    Nov 19, 2024 · The number seven is especially prominent in the Bible, appearing over 700 times. From the seven days of Creation to the many “sevens” in Revelation, the number seven connotes such concepts as completion and …

  11. How many times is the numeral 7 mention in the bible? - Answers

    Nov 1, 2022 · In the King James version the number 7 appears in many forms - including hundreds and thousands - and appears as follows the word - seven - appears 463 times the word - …

  12. How many “sevens” in Revelation? - Creation Concept

    Jan 17, 2012 · The author of the book of Revelation has grouped many things into sevens. But how many times does the number "seven" occur? By counting links in the table below, and …

  13. How Many 7s Are There in The Bible? – Verse And …

    Feb 9, 2024 · The number 7 is mentioned in relation to the creation week, the flood, the seven days of the Feast of Unleavened Bread, the Sabbath, the seven seals, seven trumpets, and many other significant events and symbols …

  15. Some results have been removed

 

 

Image

 

THOMAS MANN ARTHUR KOESTLER ARTHUR SCHOPENHAUER

 

-
-
-
-
-
THOMAS MANN
-
-
-
T
=
2
-
6
THOMAS
76
22
4
M
=
4
-
4
MANN
42
15
6
-
-
6
-
10
THOMAS MANN
118
37
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ARTHURKOESTLER
-
-
-
A
=
1
-
6
ARTHUR
86
32
5
K
=
2
-
8
KOESTLER
105
33
6
-
-
3
-
14
ARTHURKOESTLER
191
65
11
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ARTHUR SCHOPENHAUER
-
-
-
A
=
1
-
6
ARTHUR
86
32
5
S
=
1
-
12
SCHOPENHAUER
133
61
7
-
-
2
-
18
ARTHURSCHOPENHAUER
219
93
12
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
10
THOMAS MANN
118
37
1
A
=
1
-
14
ARTHUR KOESTLER
191
65
2
A
=
1
-
18
ARTHUR SCHOPENHAUER
219
93
3
-
-
-
-
-
-
-
-
-
-
-
4
-
42
First Total
528
195
6
-
-
-
-
4+2
Add to Reduce
5+2+8
1+9+5
-
-
-
4
-
6
Second Total
15
15
6
-
-
-
-
-
Reduce to Deduce
1+5
1+5
-
-
-
4
-
6
Essence of Number
6
6
6

 

Global web icon wordpress.com
https://transdisciplinarypsych.wordpress.com › arthur...
Arthur Koestler, Thomas Mann, and Arthur Schopenhauer’s Essay …

April 20, 2012 · He also expressed his admiration for the early novels of Thomas Mann, and how much spiritual and intellectual comfort they gave hihim while imprisoned. Even before returning …Arthur Koestler, Thomas Mann, and Arthur Schopenhauer’s Essay …
Apr 20, 2012 · The lives of Arthur Koestler (1905-1983) and Thomas Mann (1875-1955) intersected briefly in the summer of 1937 in Switzerland.

 

YHWH

THE BOOK OF KNOWLEDGE:

THE KEYS OF ENOCH

J.J. Hurtak 1973

Page 578/9

I AM THAT I AM

Heb. " EHYEH ASHER EHYEH."

1The highest statement that a mortal can use in this world. It expresses the "covenant" between the human self and the Christed Overself, and a knowing of one's true identity, ones destiny and the keys to the higher thresholds. 2A/ holy mantra/salutation working with the holy Brotherhoods and Hierarchy of YHWH

 

15
EHYEH+ASHER+EHYEH
-
-
-
5
EHYEH
51
33
6
5
ASHER
51
24
6
5
EHYEH
51
33
6
15
EHYEH+ASHER+EHYEH
153
90
18
1+5
Add to reduce
1+5+3
9+0
1+8
6
Reduce to Deduce
9
9
9

 

 

15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-
-
-
8
-
-
8
-
-
1
8
-
-
-
-
8
-
-
8
+
=
41
4+1
5
  
5
FIVE
5
-
-
8
-
-
8
-
-
19
8
-
-
-
-
8
-
-
8
+
=
59
5+9
14
1+4
5
FIVE
5
15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-
-
5
8
25
5
8
-
1
19
8
5
18
-
5
8
25
5
8
+
=
153
1+5+3
9
-
9
NINE
9
-
5
8
7
5
8
-
1
1
8
5
9
-
5
8
7
5
8
+
=
90
9+0
9
-
9
NINE
9
15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
--
-
-
-
-
-
-
+
=
2
-
2
-
2
TWO
2
-
5
-
-
5
-
-
-
-
-
5
--
-
5
-
-
5
-
+
=
25
2+5
7
-
7
SEVEN
7
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
+
=
14
1+4
5
-
5
FIVE
5
-
-
8
-
-
8
-
-
-
8
-
-
-
-
8
-
-
8
+
=
40
4+0
4
-
4
FOUR
4
-
-
-
-
-
  
-
-
  
-
-
9
-
-
-
-
-
-
+
=
9
-
9
-
9
NINE
9
15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-

 

 

4
YHWH
-
-
-
-
Y
25
7
7
-
H
8
8
8
-
W
23
5
5
-
H
8
8
8
4
YHWH
64
28
28
 
6+4
2+8
2+8
4
YHWH
10
10
10
-
-
1+0
1+0
1+0
4
YHWH
1
1
1
-
-
-
-
-
-
-
-
-
-
4
ZION
-
-
-
-
Z
26
8
8
-
I
9
9
9
-
O
15
6
6
-
N
14
5
6
4
ZION
64
28
28
-
-
6+4
2+8
2+8
4
ZION
10
10
10
-
-
1+0
1+0
1+0
4
ZION
1
1
1
-
-
-
-
-
-
-
-
-
-
6
ISRAEL
-
-
-
-
I
9
9
9
-
S
19
10
1
-
R
18
9
9
-
AEL
18
9
9
6
ISRAEL
64
28
28
-
-
6+4
3+7
2+8
6
ISRAEL
10
10
10
-
-
1+0
1+0
1+0
6
ISRAEL
1
1
1
-
-
-
-
-
-
-
-
-
-
4
YHWH
64
28
1
4
ZION
64
28
1
6
ISRAEL
64
28
1

 

 

10
LOVE + EVOLVE
-
-
-
-
LOVE
-
-
-
-
L+O
27
9
9
-
V+E
27
9
9
-
EVOLVE
-
-
-
-
E+V
27
9
9
-
O+L
27
9
9
-
V+E
27
9
9
-
LOVE EVOLVE
-
-
-
-
-
-
-
-
-
-
-
-
-
10
LOVE + EVOLVE
135
45
9

 

99 NAMES OF GOD GOD OF NAMES 99

THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE

HOW GREAT THOU ART HOW GREAT THOU ART

 

4
WISE
67
13
4
6
W
23
5
5
4
I
9
9
9
4
S
19
1
1
6
E
5
5
5
4
WISE
56
20
20
-
-
5+6
2+0
2+0
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

4
WISE
67
13
4
6
W
23
5
5
4
IS
28
10
1
6
E
5
5
5
4
WISE
56
20
11
-
-
5+6
2+0
1+1
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

6
WISDOM
67
13
4
6
W
23
5
5
4
I
9
9
9
4
S
19
10
1
6
D
4
4
4
6
O
15
6
6
4
M
13
4
4
6
WISDOM
83
29
29
-
-
8+3
2+9
2+9
6
WISDOM
11
11
11
-
-
1+1
1+1
1+1
6
WISDOM
2
2
2

 

6
WISDOM
67
13
4
6
W
23
5
5
4
IS
28
10
1
6
D+O+M
32
14
5
6
WISDOM
83
29
11
-
-
8+3
2+9
1+1
6
WISDOM
11
11
2
-
-
1+1
1+1
-
6
WISDOM
2
2
2

 

6
WINNER
67
13
4
6
W
23
5
5
4
I
9
9
9
4
N
14
5
5
6
N
14
5
5
6
E
5
5
5
4
R
9
9
9
6
WINNER
83
38
38
-
-
8+3
3+8
3+8
6
WINNER
11
11
11
-
-
1+1
1+1
1+1
6
WINNER
2
2
2

 

 

 

Followed by 444 - 973-Eht-Namuh-973.com The Oracle Forum

MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS

MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
1
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
2
-
4
BORN
49
22
4
-
-
-
-
4
-
-
-
-
-
S
=
1
-
3
-
4
SONS
67
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
4
-
5
THOSE
67
22
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
5
-
5
PATENT
76
22
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
6
-
7
PATIENT
85
31
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
7
-
8
PATENTED
85
31
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
8
-
7
PATTERN
94
31
4
-
-
-
-
4
-
-
-
-
-
M
=
4
-
9
-
6
MAKERS
67
22
4
-
-
-
-
4
-
-
-
-
-
-
-
41
-
-
-
51
First Total
630
216
36
-
1
2
3
36
5
6
7
8
9
-
-
4+1
-
-
-
5+1
Add to Reduce
6+3+0
2+1+6
3+6
-
-
-
-
3+6
-
-
-
-
-
-
-
5
-
-
-
6
Second Total
9
9
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
6
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
1
-
4
MIND
40
22
4
-
1
2
3
4
5
6
7
8
9
B
=
2
-
2
-
4
BORN
49
22
4
-
1
2
3
4
5
6
7
8
9
S
=
1
-
3
-
4
SONS
67
13
4
-
1
2
3
4
5
6
7
8
9
T
=
2
-
4
-
5
THOSE
67
22
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
5
-
5
PATENT
76
22
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
6
-
7
PATIENT
85
31
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
7
-
8
PATENTED
85
31
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
8
-
7
PATTERN
94
31
4
-
1
2
3
4
5
6
7
8
9
M
=
4
-
9
-
6
MAKERS
67
22
4
-
1
2
3
4
5
6
7
8
9
-
-
41
-
-
-
51
First Total
630
216
36
-
1
2
3
36
5
6
7
8
9
-
-
4+1
-
-
-
5+1
Add to Reduce
6+3+0
2+1+6
3+6
-
-
-
-
3+6
-
-
-
-
-
-
-
5
-
-
-
6
Second Total
9
9
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
6
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

REAL REALITY REVEALED HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED

THAT

9 9 9 9 9 9 9 9 9 9 9 9

4

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
1
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
2
3
SAY
45
18
9
-
-
-
-
-
-
-
-
-
9
H
=
8
3
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
5
9
MENTIONED
99
45
9
-
-
-
-
-
-
-
-
-
9
G
=
7
6
4
GODS
45
18
9
-
-
-
-
-
-
-
-
-
9
D
=
4
7
6
DIVINE
63
36
9
-
-
-
-
-
-
-
-
-
9
T
=
2
8
7
THOUGHT
99
36
9
-
-
-
-
-
-
-
-
-
9
H
=
8
9
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
11
9
MENTIONED
99
45
9
-
-
-
-
-
-
-
-
-
9
T
=
2
12
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
Y
=
7
13
3
YET
50
14
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
74
-
56
First Total
648
288
108
-
1
2
3
4
5
6
7
8
99
-
-
7+4
-
5+6
Add to Reduce
6+4+8
2+8+8
1+0+8
-
-
-
-
-
-
-
-
-
9+9
-
-
11
-
11
Second Total
18
18
9
-
1
2
3
4
5
6
7
8
18
-
-
1+1
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
1+8
-
-
2
-
2
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
1
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
S
=
1
2
3
SAY
45
18
9
-
1
2
3
-
-
6
7
8
9
H
=
8
3
4
HAVE
36
18
9
-
1
2
3
-
-
6
7
8
9
I
=
9
4
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
M
=
4
5
9
MENTIONED
99
45
9
-
1
2
3
-
-
6
7
8
9
G
=
7
6
4
GODS
45
18
9
-
1
2
3
-
-
6
7
8
9
D
=
4
7
6
DIVINE
63
36
9
-
1
2
3
-
-
6
7
8
9
T
=
2
8
7
THOUGHT
99
36
9
-
1
2
3
-
-
6
7
8
9
H
=
8
9
4
HAVE
36
18
9
-
1
2
3
-
-
6
7
8
9
I
=
9
10
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
M
=
4
11
9
MENTIONED
99
45
9
-
1
2
3
-
-
6
7
8
9
T
=
2
12
4
THAT
49
13
4
-
1
2
3
4
-
6
7
8
-
Y
=
7
13
3
YET
50
14
5
-
1
2
3
-
5
6
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
74
-
56
First Total
648
288
108
-
1
2
3
4
5
6
7
8
99
-
-
7+4
-
5+6
Add to Reduce
6+4+8
2+8+8
1+0+8
-
-
-
-
-
-
-
-
-
9+9
-
-
11
-
11
Second Total
18
18
9
-
1
2
3
4
5
6
7
8
18
-
-
1+1
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
1+8
-
-
2
-
2
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

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Wikipedia
https://en.wikipedia.org › wiki › Arthur_Koe…
Arthur Koestler - Wikipedia

Along the way he had lunch with Thomas Mann, got drunk with Dylan Thomas, made friends with George Orwell, flirted with Mary McCarthy and lived in Cyril Connolly 's London flat. In 1940 …

 

 

Image

 

Arthur Koestler, Thomas Mann, and Arthur Schopenhauer’s Essay “On Death”: The Psychology of a Very Brief Encounter*
Henry Innes MacAdam

Look! For if you did, you’d see
life after life surging
like birds with powerful wings, more irresistibly
than raging fire,
to the sunset god’s edge of death.

-Sophocles, Oedipus Tyrranus lines 173-177(trans. Ahl, 2008)

The lives of Arthur Koestler (1905-1983) and Thomas Mann (1875-1955) intersected briefly in the summer of 1937 in Switzerland. Earlier that year Koestler had been released from a Spanish prison where he awaited a death sentence for his known communist party affiliation and his work as a journalist for the British anti-Fascist News Chronicle. It was during that “death row” episode (see Koestler’s first account in his Dialogue with Death, 1937; 1961) that he reflected on the mathematical perfection of Prime Numbers (see on this MacAdam 2009). He also expressed his admiration for the early novels of Thomas Mann, and how much spiritual and intellectual comfort they gave him while imprisoned. Even before returning to London, he wrote to Mann. The most detailed account of this appears in the second volume of Koestler’s autobiography, The Invisible Writing (1954; 1969):

During the first three weeks of solitary confinement, before I was allowed books from the prison library, my only intellectual nourishment had been the remembrance of books read in the past. In the course of these memory exercises, a certain passage from Buddenbrooks came back to me and gave me much spiritual comfort–so much so that at times when I felt particularly dejected, I would have recourse to that scene as it were a pain-soothing pill. The content of the passage, as I remembered it, was this. Consul Thomas Buddenbrook, though only in his late forties, knows that he is about to die. He was never given to any religious or metaphysical speculation, but now he falls under the spell of a book [Arthur Schopenhaurer’s essay On Death, and its Relation to the Indestructibility of our Essential Selves, which appears in Vol. 2 (a supplement to Book 4) of The World as Will and Representation] which for years has stood unread in his library, and in which he finds explained that death is nothing final, merely a transition to another, impersonal form of existence in the All-One…


The day after I was set free, I wrote Thomas Mann a letter (I knew that he lived in Zürich-Kuessnacht) in which I explained [my remembrance of Buddenbrooks] and thanked him for the spiritual comfort that I derived from his work. The title of [Schopenhauer’s essay] was expressly mentioned in my letter, which was dated from the Rock Hotel, Gibraltar, May 16 or 17, 1937. Thomas Mann’s answer reachedme a few days later in London. It was a handwritten letter which I lost, together with all my files, on my [escape] from France in 1940. I cannot, of course, remember its actual text, only its content which, for the sake of simplicity, I shall paraphrase in direct speech:

Dear Sir: Your letter arrived on May [23rd]. On the afternoon of that day I was sitting in my garden in Kuessnacht. I had read Schopenhauer’s essay [originally published in 1844 in the second volume of The World as Will] in 1897 or 1898, while I was writing Buddenbrooks, and I had never read it again as I did not want to weaken its original strong impact on me. On that afternoon, however, I felt a sudden impulse to re-read the essay after nearly forty years. I went indoors to my library to fetch the volume. At that moment the postman rang and brought me your letter ... (Koestler, 1969: 452-453).[Yours, etc. Thomas Mann]

Koestler’s letter to Mann, however, does still exist, and it allows us to correct a few dates and to grasp the sense of elation that Koestler felt shortly after his last-minute reprieve from the prison firing squad in Seville. That letter is reproduced in Christian Buckard’s Arthur Koestler: Ein Extremes Leben (2004). Strictu sensu this is not a biography of Koestler, but Buckard devoted three pages (140-143) to the Koestler-Mann episode described above. Koestler’s letter to Mann is in Mann’s archive. Buckard reproduced most of it (Koestler wrote it on 15 May) except (apparently) the greeting and an explicit reference to “On Death” (141-142). Buckard reproduces Mann’s diary entry recording his reception of Koestler’s letter on 23 May 1937 (142). I am grateful to Prof. Michael Scammell of Columbia University for bringing Buckard’s volume to my attention.

Koestler then goes on (in The Invisible Writing) to relate how his interview with Mann later that year (en route to an assignment to the Balkans for the News Chronicle) turned into a social disaster for which Koestler took a large share of the blame: “This was no doubt partly due to my paralysing timidity [there is an amusing reference in this recollection to the socially inept malapropisms of Frau Stöhr in The Magic Mountain] and gaucherie in the master’s presence; on the other hand Mann did nothing to put me at ease” (Koestler, 1969: 453-454). That allusion to Mann’s uneasiness regarding the media (even, in Koestler’s case, a German-speaking journalist) is hardly unique. In later years Mann was on several occasions impelled to write letters to the editors of journals (particularly the USA based Time magazine) to “explain” or “correct” certain statements he had made in the course of interviews. It may be instructive to note the parallel career of Mann’s cultural if not spiritual near-contemporary, German composer Walter Braunfels (1882-1950)–see a report on the revival of his 1920 opera Die Vögel (based on Aristophanes’ still relevant satiric comedy The Birds) in Tomassini (2009).

What is worth noting here is Koestler’s ambivalent appraisal of Mann, someone he admired for the early novels (especially Buddenbrooks, noted above) and non-fiction but found fault with for his seemingly waffling attitude to German political developments before and after 1933, as well as his (Mann’s) later literary output during his prolonged political and cultural exile. This is nearly if not exactly the critique made of Koestler’s own oeuvre during his peregrinations (initially prompted by WW II) to the U.K., to Israel, to the U.S.A, to France, and eventually and permanently back to the UK (on that diaspora theme see Cesarani, 1998). Since Mann was still alive when this volume of Koestler’s autobiography was published [1954] it may be worth reproducing excerpts from his assessment of Mann’s influence on German (and European) literature of the 20th century. I do not know if Mann might have read this critique of his own career before his death in 1955, and none of the biographies of Mann which I’ve consulted offer any insight:

Since that unhappy meeting, [i.e. between 1937- c.1953] I have re-read a substantial part of Thomas Mann’s early work. Much of it has lost its original impact on me, but it has retained its grandeur and subtlety, its poetic irony, its universal sweep and range. Most of his later work I find mannered to the point where it becomes unreadable. But Buddenbrooks and The Magic Mountain, the stories and essays (excluding the political essays), and indeed the major part of his work up to and including the last volume of Joseph [published in 1943; the fourth volume of a tetralogy] remain as a monument of the early twentieth century, and Germany’s most important single contribution to its [twentieth century?] culture. Thus personal disappointment did not diminish my admiration and gratitude for Mann’s work.

It did seem to provide, however, an explanation for a certain aspect of Mann’s art which has always puzzled me: I mean the absence of human kindness. There has perhaps never been a great novelist so completely lacking the Dostoievskian touch of sympathy for the poor and humble. In Mann’s universe, charity is replaced by irony which is sometimes charitable, sometimes not; his attitude to his characters, even at its most sympathetic, has a mark of Olympian condescension …

The only exception to this is Mann’s treatment of children and dogs; perhaps because here condescension, the gesture of bending down, is implicit in the situation. The title of his only story about dogs is, revealingly: Herr und Hund. which does not prevent it, however, from being a masterpiece (Koestler, 1954, republished 1969: 455-456).Koestler then moves on to criticism of Mann in political/ideological terms, an assessment not always noted by Mann biographers who didn’t live through the convoluted era of c. 1930-l945 or who do not see Koestler from the perspective of a committed communist who eventually lost faith and promoted leftist violence as the correct response to fascism (on this see Bance, 2002: 116). It is worth noting that Mann himself expressed such sentiments, although in a very muted way. In his diary entry for 2 March, 1954 Mann wrote that he hoped someone would assassinate U.S. Senator Joseph McCarthy and end the anti-communist witch hunt (which included an FBI file on Mann after he visited East Germany on several occasions) begun by that demagogue in 1949 (Reed, 2002:15).

Koestler’s summary of Mann’s literary influence concludes with these thoughts:The result [of Mann’s philosophy through his publications] is a humanism without the cement of affection for the individual human brick, a grandiose, but unsound edifice which was never proof against the nasty gales and currents of the times. This may explain a series of episodes in Mann’s public career which were exploited by his opponents and embarrassed his admirers–such as his support of Prussian imperialism in the first World War; his hesitant and belated break with the Nazis; his silent endorsement of the new despotism in Eastern Germany [after 1949], and his acceptance of the Goethe Prize [also in 1949] from a régime which banned and burned the books of his compatriots and fellow-authors …

… They do not affect Mann’s greatness as an artist, but they have defeated his claim to the cultural leadership of the German nation. It is impossible to be angry with Picasso for believing that Stalin was the greatest benefactor of mankind, for one feels that his error is the result of a naïve and warmhearted passion. But it is not so easy to forgive the moral faux pas of the ironically dispassionate Olympian (Koestler, 1969: 456).

There is a distinct psychological dimension to the brief encounter of Koestler and Mann. It may be due in part to the fact that Schopenhauer’s nearly two-century long reputation rests as much on his psychological insights as it does on his philosophical or spiritual convictions. Puzzling to me is Koestler’s lack of comment on Mann’s extraordinary novel Death in Venice (1912) and its haunting depiction of the acceptance of death as a consequence of obsessional desire. In the classical world the Greek concept of Tychê and the Roman concept of Fatum (loosely translated as “Luck” and “Destiny” respectively) were compared and contrasted (especially by the Stoics) to determine if possible which played a greater role in human affairs.

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Perhaps the best illustration of that disturbing, dramatic, psychological tension is the very different treatment of the “two faces” of Oedipus Tyrannus/Rex in Greek (Sophocles) and Roman (Seneca) stage tragedy–on this see most recently Ahl (2008). Koestler and Mann also appreciated that same dynamic “fate” and/or “fortune” tension in the human psyche, but for them expressed more directly by Schopenhauer than by Sophocles. It is to Koestler’s credit that he could subject Mann to equal portions of criticism and praise. Certainly he appreciated, as did Mann, the role of coincidence not just in general, but as an active aspect of how they met each other.

In Koestler’s much later work, The Roots of Coincidence (1973), he again pays tribute to Schopenhauer through a long quotation from The World as Will. This includes Schopenhauer’s verbal image of “mapping” coincident events:

Coincidence is the simultaneous occurrence of causally unconnected events … If we visualize each causal chain progressing in time as a meridian on the globe, then we may represent simultaneous events by the parallel circles of latitude…” That both kinds of connection exist simultaneously, and the self-same event, although a link in two totally different chains, nevertheless falls into place, so that the fate of one individual invariably fits the fate of the other … this is something that surpasses our powers of comprehension, and can only be conceived as possible by virtue of the most wonderful pre-established harmony ... (Koestler, 1973: 107-108–italics mine). Thus coincidence, for Schopenhauer, is the random “intersection” of persons and/or events on lines of longitude and latitude at a moment in time. With that as the context, and with an earlier reference to Schopenhauer’s influence on Freud and Jung, Koestler then summarizes his own thoughts on coincidence:

The classical theories of ESP proposed by Carington, Tyrrell, Hardy and others were variations on the same theme–a “psychic ether” or group-mind or collective unconscious, serving as a subterranean pool which individual minds can tap, and through which they can communicate.The dominant concept is Unity in Diversity–all all is.

One and One is all. It echoes through the writings of Christian mystics, and is the keynote in Buddhism and Taoism. It provides the parallels of latitude on Schopenhauer’s globe, and ties coincidence in the universal scheme of things. According to Jung, all divinatory practices, from looking at tea-leaves to the complicated oracular methods of the I-Ching, are based on the idea that random events are minor mysteries which can be read as pointers towards the one central mystery (Koestler, 1973: 108–on Carl Jung see the Nota Bene below).

At that point, perhaps, Koestler has come full circle: he has combined the randomness of a coincident universe with the randomness of Prime Numbers–a mystery of of unexplained perfection.

Additional Notes:

While this article was in press Michael Scammell’s definitive biography Koestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic was published in December 2009 by Random House in the USA and by Faber & Faber in the UK. In it he not only refers to the Koestler-Mann interview in the summer of 1937 but translates most of the text of Koestler’s letter to Mann that Buckard (2004: 141-142) reproduced from among Mann’s archived correspondence. At the end of it Koestler summarized his reasons for writing to Mann at such a critical point in his (Koestler’s) career:

Ich glaube, ich habe es Ihnen zu danken dass ich noch am Leben bin; zumindest, dass ich noch bei Verstand bin … Ich hätte es früher niemals für möglich gehalten, dass Kunst eine derartigen, drastischen Einfluss auf das Leben gewinnen kann (Buckard, 2004: 141).

To put it baldly, I believe I have you to thank for the fact that I’m still alive, or, at least, that I still have my wits about me … I would never have thought it possible that art could exercise such a drastic influence on my life (Scammell, 2009: 142).

As a coda I might add that Mann’s letter to Koestler may still exist. Many of Koestler’s typescript books and private papers were taken from his Paris apartment during raids by the anti-communist French police, the Deuxième Bureau, between the outbreak of WW II in September 1939 and the Nazi occupation of France the following spring. Koestler always believed that these losses were irretrievable. But in e-mail correspondence with Michael Scammell I learned that he saw some of this material in what had been the former KGB archives in Moscow during a visit there in 1994.The Nazis took to Berlin what they seized in Paris, and in turn the Soviets took the Nazi archives to Moscow after they occupied Berlin in the spring of 1945.

Scammell was particularly eager to discover if the German original typescript of Darkness at Noon (translation by Daphne Hardy, published in 1941) was among Koestler’s effects, but found instead three original German typescripts of The Gladiators (translation by Edith Simon, published in 1939). Not realizing that all other copies of the German original of The Gladiators had either been lost or discarded, Scammell did not try to obtain a microfilm or photocopy. He did note that Koestler’s working title for the novel had been Der Sklavenkrieg (The Slave War–see Scammell, 2009: 164 and note #1) not, as I and others had assumed, Die Gladiatoren (see Burkard, 2004: 162). Scammell failed to find a copy of the German original of Darkness at Noon, a portion of which Koestler somehow recovered in the U.K. after WW II.

Mann’s handwritten letter in reply to Koestler’s lengthy and philosophical missive of May, 1937 may be within the Koestler files in Moscow or in Paris if those files were repatriated to France since the fall of the Soviet Empire. Certainly Mann did not make a copy of it before posting the original to Koestler or it would be among the extensive correspondence collection in the Thomas Mann archive. I have tried to make contact with the Directorate of the Russian Federation State Military Archive regarding Koestler’s typescripts and personal papers, but so far to no avail.

Prof. Scammell shared the above information with me via e-mails between late 2008 and mid-2009 (see Scammell, 1998 esp. p. 28 for his visit to the Moscow KGB and Comintern archives where he discovered a copy each of Koestler’s two letters of resignation from the German Communist Party).The irony is that after WW II both novels were back-translated into German, The Gladiators from the translation done by Edith Simon, and Darkness at Noon from the translation done by Daphne Hardy (who had fled from German-occupied Paris with Koestler in early 1940).

My thanks to Prof. Scammell for his gracious assistance in this and several other matters during the preparation of this article. Grateful thanks also to Brent Shaw of Princeton University for making Buckard’s volume available and for patiently allowing me to expound on the subject of this essay in person over several lunches, and via e-mail correspondence.

 

THE MAGIC MOUNTAIN

A Novel by Thomas Mann

 

 

THE MAGIC MOUNTAIN

Post by hope » 17 Dec 2018 10:19

THE MAGIC MOUNTAIN
Page 1 of 1

hope

THE MAGIC MOUNTAIN


The Magic Mountain by Thomas Mann


This novel was first published in 1924 after 12 years of labour, a story of the self development of
the 'hero' ,Hans Castorp ,being just a simple young man but focuses much on of the other characters within the story.

It is made clear that Mann did not intend for the readers to take the 'hero's' simplicity at face value, for
almost nobody is really simple or remains so for long if intelligently observed, the simplifications of reality as
Hans Castorp encounters them through the book are the object of Mann's irony.

The Magic Mountain is also a novel about disease, not merely of individuals but also of a whole age, where disease
appears as the necessary of spiritual growth, the theme of 'spirit & life, Mann concerns himself to attempt
"to see the real in spiritual and the spiritual in the real"

Time is both the medium and the subject of the Novel, as to whether time can be narrated or not, since the
book is basically about Hans Castorp's range of experience, time is conceived solely as a correlative of his
experience, by taking part in the 'hero's" real life experiences, the reader becomes the true centre of the novel,
this is what Mann wanted to achieve.

The 20-8-5=15 = 6
Magic. 13-1-7-9-3=
4-1-7-9-3=6
Mountain. 13-16-2-14-20-1-9-14=
4-7-2-5-2-1-9-5=35=8
668=2

Throughout the book there are countless recurring variations on the theme of time and as a newcomer,Hans,
is exposed, first of all to the thin air of Berghof and the bizarre silhouettes of dense forests and snow capped
mountains surrounding it, Mann uses nature to evoke new & unfamiliar feelings in Hans, feelings of
vagueness and timelessness-feelings which will be intensified as he ventures higher into the regions of
external snow and ice.
Besides using nature to introduce the newcomer to the sanatorium Mann also use Joachim Ziemseen,Castorp's
cousin ,unknowingly Joachim has taken on some of the characteristics of the mode of life at the Berghof,
and one thing in particular which confuses Hans about Joachim is the latter' concept of time,it strikes him that
Joachim 's sense of time is very haphazard,in fact their conversation soon dwells on the nature of time, so
treasured in the 'real world' below and so meaningless 'up here' where there is little to demand it observance
except the routine of taking ones own temperature,these reflections on the static quality of duration soon,
however Mann will be concerned with the linear and circular aspects of time in the course of Castorp's growing ok
awareness.
I don't want to ruin the suspense of the novel but this book is so worth reading , the seance scene about half way
through the book is disturbing,especially concerning Elly, Brand a young Danish girl whose talents as a medium
are ruthlessly exploited by the doctor,Dr Krokowski, also with Han's cousin Joachim.
This is a book I will read and read again over the years , The Magic Mountain is said to be one of the greatest
novels ever written and an essential purchase for every sickbed in winter.....?

NOTA BENA

The Magic Mountain by Thomas Mann

Page 147 of the novel all the names on that page add up to 147..
also all the names with 7 letters in are mentioned 7 times ..
Behrens, Castorp, Joachim, and Marusja.


I don't want to ruin the suspense of the novel but this book is so worth reading , the seance scene about half way
through the book is disturbing,especially concerning Elly, Brand a young Danish girl whose talents as a medium
are ruthlessly exploited by the doctor,Dr Krokowski, also with Han's cousin Joachim.

ELLY BRAND

ELLIE BLAND


Disturbing News -Daily Mail Monday March 22nd 2010

Girl age 4 dies in car horror on holiday beach..

A British girl, Ellie Bland was killed by a car as she walked along a popular beach on Florida's east coast, although police said the vechicle was driving within the 10mph speed limit the girl,was sent flying, horrified witnesses screamed as the car halted but before they could reach Ellie the driver,Barbara Worley 66 panicked and hit the accelerator surging forward, killing the girl. Ellie's parents who were at home in Nottingham flew to Florida heard about their daughters death by phone. Florida police said that Worley would face charges....


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http://www.973-eht-namuh-973.com/Alchem ... IN%201.htm

 

THE MAGIC MOUNTAIN

Thomas Mann 1824-1955

MOUNTING MISGIVINGS

Page 147 Quoted in full

"other he mentally summoned up various people, the thought of whom might serve him as some sort of mental support.
 There was the good, the upright Joachim, firm as a rock-yet whose eyes in these past months had come to hold such a tragic Shadow, and who had never used to shrug his shoulders, as he did so often now. Joachim, with the "Blue Peter" in his pocket, as Frau Stohr called the receptacle. When Hans Castorp thought of her hard, crabbed face it made him shiver. Yes, there was Joa-chim - who kept constandy at Hofrat Behrens to let him get away and go down to the longed-for service in the " plain "- the " flat-land," as the healthy, normal world was called up here, with a faint yet perceptible nuance of contempt. Joachim served the cure single-mindedly, to the end that he might arrive sooner at his goal and save some of the time which "those up here " so wantonly flung away; served it unquestioningly for the sake of speedy recovery - but also, Hans Castorp detected, for the sake of the cure itself, which, after all, was a service, like another; and was not duty duty, wherever performed? Joachim invatiably went upstairs after only a quarter-hour in the drawing-rooms; and this military precision of his was a crop to the civilian laxity of his cousin, who would otherwise be likely to loiter unprofitably below, with his eye on the company in the small salon. But Hans Castorp was con-vinced there was another and private reason why Joachim with-drew so early; he had known it since the time he saw his cousin's face take on the mottleled pallor, and his mouth assume the pathetic twist. He perfectly understood. For Marusja was almost always there in the evening -laughter-loving Marusja, with the little ruby on her charming hand, the handkerchief with the orange scent, and the swelling bosom, tainted within - Hans Castorp com-prehended that it. was her presence which drove Joachim away, precisely because it so strongly, so fearfully drew him toward her.
Was Joachim too "immured " - and even worse off than himself, in that, he had five times a day to sit at the same table with Marusja and her orange-scented handkerchief? However that might be, it was clear that Joachim was preoccupied with his own troubles; the thought of him could afford his cousin no mental support. That he took refuge in daily flight was a credit to him; but that he had to flee was anything but reassuring to Hans Castorp, who even began to feel that Joachim's good example of faithful service of the cure and the initiation which he owed to his cousin's experience might have also their bad side.
Hans Castorp had not been up here three weeks. But it seemed longer; and the daily routine which Joachim so piously observed"

 

BEHRENS 7

occurs

x

 1 =

7
--

7
CASTORP 7

occurs

x

6

=

42

4+2

6
JOACHIM 7

occurs

x

11

 =

77

7+7

5
MARUSJA 7

occurs

x

3

 =

21

2+1

3
-
28
-
-
21
-
147
-
21
-
2+8
-
-
2+1
-
1+4+7
-
2+1
-
10
-
-
3
-
12
-
3
-
1+0
-
-
-
1+2
-
-
-
1
-
-
3
-
3
-
3

 

Page 147 containing seven lettered names of characters

Page147 Penguin edition 1979 contains 43 lines

Joachim x 10

Joachim's x1

 

7
 BEHRENS
71
35
8
7
 CASTORP
92
29
2
7
 JOACHIM
59
32
5
7
 MARUSJA
83
20
2
28
 First Total
305
116
17
2+8
 Add to Deduce
3+0+5
1+1+6
1+7
10
 Second Total
8
8
8
1+0
 Reduce to Deduce
-
-
-
1
 Essence of Number
8
8
8

 

305 + 1 = 306

THE APOSTROPHE'S

JOACHIM'S

?

 

14
PLACET EXPERIRI
la
-
-
-
P+L
29
10
1
-
A+C+E
9
9
9
-
T+E+X+P+E
70
25
7
-
R
18
9
9
-
I
9
9
9
-
R
18
9
9
-
I
9
9
9
14
PLACET EXPERIRI
-
-
-

 

 

-
PLACET EXPERIRI
-
-
-
2
P+L
28
10
1
3
A+C+E
9
9
9
1
T
20
2
2
4
E+X+P+E
50
23
5
1
R
18
9
9
1
I
9
9
9
1
R
18
9
9
1
I
9
9
9
14
PLACET EXPERIRI
161
80
53
1+4
-
1+6+1
9+0
5+3
5
PLACET EXPERIRI
8
8
8

 

 

THE MAGIC MOUNTAIN

Thomas Mann

1875 1955

Page 711

"These were the moments when the "Seven-Sleeper," not knowing what had happened, was slowly stirring himself in the grass, before he sat up, rubbed his eyes - yes, let us carry the figure to the end, in order to do justice to the movement of our hero's mind: he drew up his legs, stood up, looked about him. He saw himself released, freed from enchantment -not of his own motion; he was fain to confess, but by the operation of exterior powers' of whose activities his own liberation was a minor incident Indeed! Yet though his tiny destiny fainted to nothing in the face of the general, was there not some hint of a personal mercy and grace for him, a manifestation of divine goodness and justice? Would Life receive again her erring and " delicate " child-not by a cheap and easy slipping back to her arms, but sternly, solemnly, penentially - perhaps not even among the living, but only with three salvoes fired over the grave of him a sinner? Thus might he return. He sank on his knees, raising face and hands to a heaven that howsoever dark and sulphurous was no longer the gloomy grotto of his state of sin."

 
THIRTYFOUR
6
THIRTY
100
37
1
4
FOUR
60
24
6
10
THIRTYFOUR
160
61
7
1+0
-
1+6+0
6+1
-
1
THIRTYFOUR
7
7
7

 
THIRTYFOUR
2
TH
28
10
1
1
I
9
9
9
1
R
18
9
9
2
TY
45
9
9
1
F
6
6
6
2
OU
36
9
9
1
R
18
9
9
10
THIRTYFOUR
160
61
43
1+0
-
1+6+0
6+1
 4+3
1
THIRTYFOUR
7
7
7

 
THIRTYFOUR
2
TH
28
10
1
1
IR
27
18
9
2
TY
45
9
9
1
F
6
6
6
2
OUR
54
18
9
10
THIRTYFOUR
160
61
34
1+0
-
1+6+0
6+1
3+4
1
THIRTYFOUR
7
7
7

 

 
THIRTYFOUR
2
TH
28
10
1
1
IR
27
18
9
2
TY
45
9
9
1
F
6
6
6
2
OUR
54
18
9
10
THIRTYFOUR
160
61
34
1+0
-
1+6+0
6+1
 3+4
1
THIRTYFOUR
7
7
7

 

THE MAGIC MOUNTAIN - 973-Eht-Namuh-973.com The Oracle Forum

 

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-Is This The Oldest Woman In The World? - Radio Free …
Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central …

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https://www.rferl.org › Is_This_The_Oldest_Woman_In_The_World
Is This The Oldest Woman In The World? - Radio Free …
Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central …

People also ask
Is Sakhan dosova the oldest woman in the world?
Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central Kazakhstan,

'Oldest woman in the world' about to turn 130
Officials in Kazakhstan claim to have have a found the world's oldest person - a woman who will this week celebrate her 130th birthday.

If their records are correct, Sakhan Dosova is 16 years older than the oldest known human currently living.

The mother of ten, whose birth date is said to be March 27 1879, attributes her longevity to staying away from sweets, and the doctor. However, she is a fan of cheese and yoghurt, and says her sense of humour has kept her young at heart.

 

Nailya Dosayeva, head of social and demographical department of Karaganga regional statistics bureau, said there is no doubt that her claim is authentic.

"Sakhan Dosova was found during our census held in February and March. She has an old passport and documents which are genuine, and based on these we can judge her age as being correct."

If Sakhan's year of birth is accurate, it means she was born when Queen Victoria still had 22 more years to rule in Britain and Benjamin Disraeli was prime minister.

It was the year that Stalin and Einstein were born, the Anglo-Zulu war started, and Sir Arthur Conan Doyle published his first story.

The year 1879 also saw Edison present his new invention - the light bulb - while the ill-fated last tsar of Russia was just 11 years old.
Read entire article at Telegraph (UK)

A woman thought to be the world's oldest person at 130 has died after slipping on the bathroom floor of her new flat. Sakhan Dosova broke her hip in a fall last month and never recovered.
'World's oldest woman' dies at 130... after slipping in bathroom of n…
www.dailymail.co.uk/news/article-1180580/Worlds-oldest-woman-dies-130--slipping-bathroom-new-flat-given-celebrate-age.html



Times of India
https://timesofindia.indiatimes.com › world › uk › Worlds-oldest-woma…
World's oldest woman dead - Times of India
May 12, 2009 · Sakhan Dosova never recovered from her fall which broke her hip slipping on the bathroom floor of her new flat gifted to her by local authorities who had found her living in …

LONDON: The world's oldest woman has died at the age of 130..

'World's oldest woman' dies at 130... after slipping in bathroom of …

May 11, 2009 · Sakhan Dosova broke her hip in a fall last month and never recovered. She had been given the flat by officials in Kazakhstan who were embarrassed she was living in poverty

The 'oldest woman' dies at 130; ACCIDENT. - Free Online Library

May 12, 2009 · She died at the weekend, a month after slipping on the bathroom floor of the flat awarded to her by the authorities in Kazakhstan. A neighbour said: "She broke her hip in the fall …

 

-
-
-
-
12

SAKHAN DOSOVA
-
-
-
S
=
1
-
6
SAKHAN
54
18
9
D
=
4
-
6
DOSOVA
76
22
4
-
-
5
-
12

SAKHAN DOSOVA
130
40
13
-
-
-
-
1+2
-
1+3+0
4+0
1+3
-
-
5
-
3

SAKHAN DOSOVA
4
4
4

Global web icon
Radio Free Europe/Radio Liberty
https://www.rferl.org › Is_This_The_Oldest_Woman_In_The_World
Is This The Oldest Woman In The World? - Radio Free …
Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central

Nailya Dosayeva, head of social and demographical department of Karaganga regional statistics bureau, said there is no doubt that her claim is authentic.

"Sakhan Dosova was found during our census held in February and March. She has an old passport and documents which are genuine, and based on these we can judge her age as being correct."

If Sakhan's year of birth is accurate, it means she was born when Queen Victoria still had 22 more years to rule in Britain and Benjamin Disraeli was prime minister.

It was the year that Stalin and Einstein were born, the Anglo-Zulu war started, and Sir Arthur Conan Doyle published his first story.

The year 1879 also saw Edison present his new invention - the light bulb - while the ill-fated last tsar of Russia was just 11 years old.
Read entire article at Telegraph (UK)

A woman thought to be the world's oldest person at 130 has died after slipping on the bathroom floor of her new flat. Sakhan Dosova broke her hip in a fall last month and never recovered.
'World's oldest woman' dies at 130... after slipping in bathroom of n…
www.dailymail.co.uk/news/article-1180580/Worlds-oldest-woman-dies-130--slipping-bathroom-new-flat-given-celebrate-age.html

Times of India
https://timesofindia.indiatimes.com › world › uk › Worlds-oldest-woma…
World's oldest woman dead - Times of India
May 12, 2009 · Sakhan Dosova never recovered from her fall which broke her hip slipping on the bathroom floor of her new flat gifted to her by local authorities who had found her living in …

LONDON: The world's oldest woman has died at the age of 130

Global web icon
Radio Free Europe/Radio Liberty
https://www.rferl.org › Is_This_The_Oldest_Woman_In_The_World
Is This The Oldest Woman In The World? - Radio Free …
Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central …

Times of India
https://timesofindia.indiatimes.com › world › uk › Worlds-oldest-woma…
World's oldest woman dead - Times of India
May 12, 2009 · Sakhan Dosova never recovered from her fall which broke her hip slipping on the bathroom floor of her new flat gifted to her by local authorities who had found her living in …

LONDON: The world's oldest woman has died at the age of 130..

Global web icon
Singularity Hub
https://singularityhub.com › just-like-that-s…
Explore this image
Just Like That, Sakhan Dosova No Longer World’s …
May 18, 2009 · Now, in one of life's strange twists of irony, Sakhan Dosova has apparently broken her hip and died after a freak fall in her new flat. With the …


curiousread.com
http://www.curiousread.com

'World's oldest woman' dies at 130... after slipping in bath
Sakhan Dosova broke her hip in a fall last month and never recovered. She had been given the flat by officials in Kazakhstan who were embarrassed she was living in overcrowded conditions …

She had been given the flat by officials in Kazakhstan who were embarrassed she was living in overcrowded conditions with her impoverished family.

Granddaughter Gaukhar Kanieva, 42, said: "We think laughter and a good mood helped her live so long."

GAUKHAR = 67-31-4

KANIEVA = 63-27-9

GAUKHAR KANIEVA = 130-58-13-4

SAKHAN DOSOVA DIED AGED 130 YEARS

 

-
-
-
-
12

SAKHAN DOSOVA
-
-
-
S
=
1
-
6
SAKHAN
54
18
9
D
=
4
-
6
DOSOVA
76
22
4
-
-
5
-
12

SAKHAN DOSOVA
130
40
13
-
-
-
-
1+2
-
1+3+0
4+0
1+3
-
-
5
-
3

SAKHAN DOSOVA
4
4
4

 

SAKHAN DOSOVA ALPHABETICAL NUMERICAL VALUE = 130 - 40 - 13 - 4

SAKHAN DOSOVA DIED AGED 130

 

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z
11

SERENDIPITY
144
63
9
6

CHANCE
34
25
7
11

COINCIDENCE
84
57
3

 

At length, as no one seemed able to settle, Hans Castorp, with his finger on the glass, supporting his cheek on his fist, said he would like to know what was to be / Page 665 / the actual length of his stay up here, instead of the three weeks originally fixed.
     Very well since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated then pushed off. It spelled out something very queer, which none of them succeeded in fathoming, it made the word , or the syllable Go, and then the word Slanting and then something about Hans Castorp's room. That was to say, through number thirty-four. What was the sense of that"      

 

The Complete
Fortune Teller
Francis x King

Page 166

"...Again the totals of the four perpendicular, four, four horizontal, and two diagonal rows add up to
340, which reduces to  7 ( 3 + 4 + 0), a number which has, for millenia, been thought to possess mystical properties.



Re-read this wah scribe said ZedAliz and having re-read it re-gurgitate This the scribe did, writing

The Magic Mountain
Thomas Mann.  
Quote  "I tell them  that if they will occupy themselves with
the study of mathematics they will find in it the best remedy against the lusts of the flesh."

 

The Magic Mountain
Thomas Mann 1924
Penguin Modern Classics

Page 10

Chapter 1
"...Number  34..."

The Zed AlizZed out of curiosity, began to count the first seven un-numbered pages of the Magic Mountain,
counting the front cover as page one, two sides to each page. The Foreword starts on the front of page
seven, with the words  
                "The story of Hans Castorp, which we would here set forth,"
and  continues on the rear of page seven as follows
                      
                "We shall tell it at length, thoroughly, in detail - for when did
              a narrative seem too long or too short by reason of the actual time
              or space it took up? We do not fear being called meticulous,in-
              clining as we do to  the view that only the exhaustive can be truly interesting
                  Not all in a minute, then, will the narrator be finished with the
              story of our Hans. The seven days of a week will not suffice, no,
              nor seven months either. Best not too soon make too plain how
              much mortal time must pass over his head while he sits spun round
              in his spell. Heaven forbid it should be seven years!
                 And now we begin.!"  
  
If each side had been accounted a page number, these would have been 13, and 14.
But it aint necessarily so in other editions writ the scribe



seven days     Three sevens are twenty one said Alizzed, noting that there are twenty one days in three weeks
seven  months
seven  years

The Magic Mountain
Thomas Mann 1924
Chapter one

'Arrival'
First three lines

Page 3  "...An unassuming young man was travelling, in midsummer,from
                   his native city of Hamburg to Davos-Platz in the Canton of the
                   Grisons, on a three week visit."



Page 4       "...With as much impatience as lay
                   in his temperament to feel, he had discounted the next three weeks;"



Page 6  "...When?"
                 "... Why in three weeks"
                      "Oh yes, you are already back home in your
thoughts" answered Joachim. "Wait a bit. You've only just come.  
"Three weeks are nothing at all, to us up here - they look like a lot
of time to you, because you are only up here on a visit,and three
weeks is all you have. Get acclimatized first - it isnt so easy,
you'll see. And the climate isn't the only thing about us.
You're going to see some things you've never dreamed of - just /
Page 7      /  wait. About me - it isn't such smooth sailing as you think, you
with your'going home in three weeks.'that's the class of ideas
                    you have down below..."
"...Oh time - !" said Joachim, and nodded repeatedly, straight
in front of him, paying his cousin's honest indignation no heed.
"They make pretty free with a human being's idea of time, up
     here.You woudnt believe it. Three weeks are just like a day to
     them.You'll learn all about it," he said and added: "One's ideas get changed."

Page Nine        End of Chapter1 writ the scribe

Then  ZedAlizZed a spot o' magic did The scribe writ tops

Three weeks. These words by time constrained, occur 7 times in Chapter 1 within 4 pages


Page 3.             'three weeks' x 1                                       3  x  7  x  1 =  2 1            2 +  1 =  3
Page 4.             'three weeks' x 1                                       3  x  7  x  1 =  2 1            2 +  1 =  3
Page 6.             'three weeks' x 3                                       3  x  7  x  3 =  6 3            6 +  3 =  9
Page 7              'three weeks' x 2                                       3  x  7  x  2 =  4 2            4 +  2 =  6
        20                                     7                                                      7    147           14 + 7 = 21

Zed Aliz Zed said there are 5 letters in three and 5 in weeks 10 in all!
Now scribe just for't laugh times that ten by the seven that occur in Chapter One .entitled 'Arrival'
The scribe writ there are seven letters in ' Arrival'


Reight wah scribe said Alizzed.    Three weeks iz 21 days, x 7 strikes, iz 147.  
Reight said Zed Aliz, saying
Reight agin'
Turn to page 147 of The Magic Mountain and inscribe scribe.

There are a total of 43 lines of text on this page. 4 + 3 being 7 added the scribe
The second line from the bottom of this page reads

             "Hans Castorp had not been up here three weeks."    

This page is now quoted in full.

Page 147 /

"...other he mentally summed up various people, the thought of whom might serve him
As some sort of mental support.
    There was the good, the upright Joachim, firm as a rock - yet whose eyes in these past months had come to
hold such a tragic shadow, and who had never used to shrug his shoulders, as he did so often now. Joachim,
with the "Blue Peter" in his pocket, as Frau Stohr called the receptacle. When Hans Castorp thought of her
hard crabbed face it made him shiver.yes there was Joa-chim who - who kept constantly at Hofrat Behrens
to let him get away and go down to the longed for service in the "plain"the "flat-land," - as the healthy, normal
world was called up here, with a faint yet perceptible nuance of contempt. Joachim served the cure single-
mindedly, to the end that he might arrive sooner at his goal and save some of the time which "those up here"
so wantonly flung away; served it unquestioningly for the sake of speedy re-covery - but also, Hans Castorp
detected, for the sake of the cure itself, which, after all was a service, like another; and was not duty duty, wherever performed? Joachim invariably went upstairs after only a quarter-hour in the drawing-rooms; and this military precision of his was a prop to the civilian laxity of his cousin, who would otherwise be likely to loiter unprofitably below, with his eye on the company in the small salon. But Hans Castorp was con-vinced there was another and private reason why Joachim with-drew so early; he had known it since the time he saw his cousin's face take on the mottled pallor, and his mouth assume the pathetic twist. He perfectly understood. For Marusja was almost always there in the evening - laughter-loving Marusja, with the little ruby on her charming hand, the handkerchief with the orange scent, and the swelling bosom, tainted within - Hans Castorp com-prehended that it was her presence which drove Joachim away, precisely because it so bly, so fearfully drew him towards her. Was Joachim too "immured" -  and even worse off than him-self, in that he had five times a day to sit at the same table with Marusja and her orange-scented handkerchief? However that might be, it was clear that Joachim was preoccupied with his own troubles; the thought of him could afford his cousin no mental support. That he took refuge in daily flight was a credit to him; but that he had to flee was anything but reassuring to Hans Ca-storp, who even began to feel that Joachim's good example of faithful service of the cure and the initiation which he owed to his cousin's experience might also have there bad side.
Hans Castorp had not been up here three weeks. But it seemed longer; and the daily routine which Joachim so piously observed  



Using the seven as your yard stick scribe count the multiplication of  names containing seven letters What about the apostrophe said the scribe in an aside. We are lucking for patterns scribe, coincidental patterns we are pattern finding, be thou not side tracked.  
When-feeling this way out the Alizzed would brook no opposition

And so, that oh so far yonder scribe writ
Joachim     x     11   =   77
Castorp      x      6    =   42
Behrens      x      1    =    7
Marusja     x      3    =   21
                         21    = 147
"Hans Castorp had not been up here three weeks."  3 x 7 iz 21

Page 42 

 "There were seven tables, all but two of them standing length-
wise of the room.They were good-sized, seating each ten persons
Yon scribe writ 7 x 10 iz 70



And said Alizzed there are seven chapters contained in the ascent of The Magic Mountain.
And 43 lines to the average page The scribe writ 4 + 3 iz 7

The Magic Mountain
Thomas Mann 1924

Page 10

Chapter 1
"...Number  34..." 

    
Page 660

"... A small and a mixed product of conscious, half-conscious, and un-conscious elements,
                                                                                  9          4          9                 2          9
                                                                                                     9 + 4 + 9 + 2 + 9
                                                                                                                33
                                                                                                              3 x 3
                                                                                                                 9
H   O   L  G   E   R
8    6    3   7   5    9      


The Tibetan Book of the Dead
Edited by W.Y. Evans-Wentz
" III. The Esoteric Significance Of the Forty-Nine Days Of The Bardo"

Page 6

" Turning now to our text itself, we find that structurally it is founded upon the symbolic number Forty-nine, the square of the sacred number Seven; for, according to occult teachings common to Northern Buddhism and to that Higher Hinduism which the Hindu-born Bodhisattva Who became the Buddha

Gautama, the Reformer of the Lower Hinduism and the codifier of the secret Lore, never repudiated,there
are seven worlds or seven degrees of Maya 2 within the sangsara, 3  con-stituted as seven globes of a
planetery chain. On each globe there are seven rounds of evolution, making the forty-nine (seven times seven)
stations of active existence. As in the

/  Page 7   /

embryonic state in the human species the foetus passes through every form of organic structure
from the amoeba to man, the highest mammal, so in the after-death state, the embryonic
state of the psychic world, the Knower or principle of con-sciousness, anterior to its re-emergence in gross matter, ana-logously experiences purely psychic conditions. In other words, in both these interdependent embryonic processes - the one physical , the other psychical - the evolutionary and the involutionary attainments, corresponding to the forty-nine stations of existence, are passed through.
      Similarly, the forty-nine days of the Bardo may also be Symbolical of the Forty and Nine Powers of the Mystery of the Seven Vowels. In Hindu mythology, whence much of the Bardo symbolism originated, these Vowels were the Mystery of the Seven Fires and their forty-nine subdivisional
fires or aspects. They are also represented by the Svastika signs upon the crowns of the seven heads of the Serpent of Eternity of the Northern Buddhist Mysteries, originating in ancient India. In Hermetic writings they are the seven zones of after-death, or Bardo , experiences, each symbolizing the eruption in the Intermediate State of a particular seven-fold element of the complex principle of consciousness, thus giving the consciousness-principle forty-nine aspects, or fires, or fields of manifestation 1.
      The number seven has long been a sacred number among Aryan and other races. Its use in the Revelation of John illustrates this, as does the conception of the seven day being regarded as holy. In Nature, the number seven governs the periodicity and phenomena of life,as, for example, in the series of chemical elements, in the physics of sound and colour, and it is upon the number forty-nine, or seven times seven, that the Bardo Thodol is thus scientifically based."  



On page 6, said Alizzed   seven  occurs   seven  times  7 x 7 which iz  49
                                  and,        
on page 7,  speaks to us  ten  times10 x 7           10 + 7
                                                              70                 17
                                                            7 + 0             1 x 7  
                                                               7                   7
Don't look like that scribe, said ZedAliz, our path is littered with sevens. Seven iz our guide and at this particular moment in the now of our time seven iz our nine.
 
The scribe writ, as required, and then writ    forty-nine.
and then out of interest further writ                 40 x 9 iz  360

Before starting, having already started, said Zed Aliz to the accompanying shadow, si,thi,read this.

 

The word PHYSICS = 99 then 9+9 =18 and 1+8 = 9


The names of the holy family when expressed in the order

JOSEPH - root numerical value 1. . .6 letters in the word JOSEPH . . . 1+6 = 7

JESUS - root numerical value 2 . . . 5 letters in the word JESUS . . . 2 + 5 = 7

MARY - root numerical value 3 . . . 4 letters in the word MARY . . . 3 + 4 = 7

1 + 2 + 3 + 4 + 5 + 6 = 21. . . 2 +1 = 3

 

Apr 21, 2025

Pope Francis has died aged 88, the Vatican has announced.

He died at his residence in the Vatican's Casa Santa Marta on Easter Monday morning, the Vatican news service added.

His death comes a day after he appeared in St Peter's Square to wish "Happy Easter" to thousands of worshippers.

 

-
-
-
-
11

POPE FRANCIS
-
-
-
P
=
7
-
4
POPE
52
25
7
F
=
6
-
7
FRANCIS
70
34
7
-
-
13
-
11

POPE FRANCIS
122
59
14
-
-
1+3
-
1+1
-
1+2+2
5+9
1+4
-
-
4
-
2

POPE FRANCIS
5
14
5
-
-
-
-
-
-
-
1+4
-
-
-
4
-
2

POPE FRANCIS
5
5
5

 

H
8
4
HOLY
60
24
6
S
1
6
SPIRIT
91
37
1
-
9
10
-
151
61
7
-
-
1+0
-
1+5+1
6+1
-
-
9
1
-
7
7
7

 

Ah! Sweet Mystery Of Life
Song by
Jeanette MacDonald, Nelson Eddy


Ah, sweet mystery of life
At last I've found thee
Ah, I know at last the secret of it all
All the longing, seeking, striving, waiting, yearning
The burning hopes, the joy and idle tears that fall
For 'tis love and love alone, the world is seeking
And 'tis love and love alone that can repay
'Tis the answer, 'tis the end and all of living
For it is love alone that rules for aye
Love and love alone, the world is seeking
For 'tis love and love alone that can repay
'Tis the answer, 'tis the end and all of living
For it is love alone that rules for aye

 

 

 

 

 

NUCLEAR FAMILY 1969

 

 

 

 

FIRST YOU SEE ME THEN YOU DONTT

SOMETIME NEVER

 

 

 

 

 

 

SAVE ALL YOUR DISHES FOR ME

 

 

THE NUCLEAR FAMILY 1969

 

WAY OF THE PEACEFUL WARRIOR

A

BOOK THAT CHANGES LIVES

Dan Millman 1980

Page 44

"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 /

"Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a say­ing of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."

 

The Love Song of J. Alfred Prufrock

"I AM LAZARUS, COME FROM THE DEAD, COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL"

 

THE LURE AND ROMANCE OF ALCHEMY.

A history of the secret link between magic and science

1990
C. J. S.Thompson

Page# 31 / 32

note 1 Julius Ruska ,Tabula Smaragdini 1926

"THE EMERALD TABLE OF HERMES: "

"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."

 

 

Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

I

SAY

IS THIS THE OTHER SIDE OF THE GREAT DIVIDE

?

NO ITS OVER THERE

I

HAVE JUST BEEN OVER THERE AND THEY SAID ITS OVER HERE

 

Did Spacemen Colonise the Earth?

Robin Collyns 1974

Page 206

"FINIS"

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

THE THUNDERBOLT

Page 715

"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:

"And loving words I've carven
Upon its branches fair-"

He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:

"Its waving branches whiispered
A message in my ear -"

and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?

FINIS OPERIS

 

 

VIETNAM MADONNA 1970

 

 
 
 
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