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Evokation
  
 
Index
  

 





+        -         O                                                   x         
Added to all, minus none, shared by everybody, multiplied in abundance.

 


 





+        -         O                                                   x         
Added to all, minus none, shared by everybody, multiplied in abundance.

 

THE MAGIC MOUNTAIN

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
T
=
2
-
3
THE
33
15
6
M
=
4
-
5
MAGIC
33
24
6
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
1
-
7

THE MAGIC MOUNTAIN
11
11
2
-
-
-
-
-
-
1+1
1+1
-
-
-
1
-
7

THE MAGIC MOUNTAIN
2
2
2

 

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
5
MAGIC
33
24
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
15
-
3

THE MAGIC MOUNTAIN
33
15
15
-
-
-
-
-
-
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
-
-
24
-
5

THE MAGIC MOUNTAIN
33
24
24
-
-
-
-
-
-
-
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
11
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
A
=
1
14
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
16
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
35
-
8
THE MAGIC MOUNTAIN
107
35
35
-
2
4
6
8
15
6
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
-
-
-
1+8
M
=
4
-
5
MAGIC
33
24
6
-
2
4
6
8
6
6
7
8
9
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16
THE MAGIC MOUNTAIN
173
74
20
-
2
4
6
8
6
6
7
8
9
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE MAGIC MOUNTAIN
11
11
2
-
2
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THEMAGIC MOUNTAIN
2
2
2
-
2
4
6
8
6
6
7
8
9

 

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
5
MAGIC
33
24
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
11
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
A
=
1
14
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
16
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
THE MAGIC MOUNTAIN
-
-
-
-
2
4
6
8
15
6
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
-
-
-
1+8
M
=
4
-
5
MAGIC
33
24
6
-
2
4
6
8
6
6
7
8
9
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16
THE MAGIC MOUNTAIN
173
74
20
-
2
4
6
8
6
6
7
8
9
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE MAGIC MOUNTAIN
11
11
2
-
2
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THEMAGIC MOUNTAIN
2
2
2
-
2
4
6
8
6
6
7
8
9

 

LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER

 

-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
5
MAGIC
33
24
6
-
-
-
-
-
-
-
-
-
-
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16

THE MAGIC MOUNTAIN
173
74
20
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
16

THE MAGIC MOUNTAIN
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=
1
14
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
11
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
M
=
4
9
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
12
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
16
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
6
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
15
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
THE MAGIC MOUNTAIN
-
-
-
-
2
4
6
8
15
6
7
8
18
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
1+5
-
-
-
1+8
M
=
4
-
5
MAGIC
33
24
6
-
2
4
6
8
6
6
7
8
9
M
=
4
-
8
MOUNTAIN
107
35
8
-
-
-
-
-
-
-
-
-
-
-
-
10
-
16
THE MAGIC MOUNTAIN
173
74
20
-
2
4
6
8
6
6
7
8
9
-
-
1+0
-
1+6
-
1+7+3
7+4
2+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE MAGIC MOUNTAIN
11
11
2
-
2
4
6
8
6
6
7
8
9
-
-
-
-
-
-
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THEMAGIC MOUNTAIN
2
2
2
-
2
4
6
8
6
6
7
8
9

 

SAPTARSHI A PAST RISHI SAPTARSHI

 

 

 

 

 

 

THE SUN BOAT OF RA. THE YEAR DOT

 

 

STRAIGHT FROM THE HORSES MOUTH 1978

How many times is seven mentioned in the bible

  1. 700 times
    • According to 2 sources
    If you’re short on time, here’s a quick answer to your question: the number 7 is mentioned in the Bible over 700 times across both the Old and New Testaments.

    How Many Times Is 7 Menti…

    christianwebsite.com
    In fact, we see seven appear over 700 times throughout the Bible. Jacob works seven years for Laban before marrying his daughter ( Genesis 29 ). On the other hand, it also doesn’t seem like we can escape the seven in Revelation in terms of seals, trumpe...

  2. List of Sevens in the Bible: Updated 08.17.2023

    Feb 27, 2012 · The number seven is also featured in the Book of Revelation (seven churches, seven angels, seven seals, seven trumpets, and seven stars). The Koran speaks of seven heavens and Muslim pilgrims walk around the Kaaba in Mecca (Islam’s most sacred site) seven times.

    • Leviticus

      Leviticus - List of Sevens in the Bible: Updated 08.17.2023

    • Entries Feed

      This one comes courtesy of Dean Izzard, who pointed out that in Leviticus 19, “I …

    • About

      This blog will attempt to feature all the times that “7” appears, but not only when …

    • Judges

      Judges - List of Sevens in the Bible: Updated 08.17.2023

    • Genesis

      Genesis - List of Sevens in the Bible: Updated 08.17.2023

    • Deuteronomy

      Deuteronomy - List of Sevens in the Bible: Updated 08.17.2023

    • Exodus

      Exodus - List of Sevens in the Bible: Updated 08.17.2023

    • Joshua

      Joshua - List of Sevens in the Bible: Updated 08.17.2023

    See results only from sevensinthebible.com

  3. How Many Times Is 7 Mentioned In The Bible?

    Jan 14, 2024 · If you’re short on time, here’s a quick answer to your question: the number 7 is mentioned in the Bible over 700 times across both the Old and New Testaments. In this comprehensive article, we will explore the many …

  5. The Number 7 in the Bible - Meaning and Importance - Bible Study …

    • Last updated: Dec 1, 2024
    • Estimated Reading Time: 6 mins
      • 2 Kings 5:10. 10 Elisha sent a messenger to say to him, “Go, wash yourself …
      • Deuteronomy 5:12. 12 “Observe the Sabbath day by keeping it holy, as the …
      • Exodus 22:30. 30 Do the same with your cattle and your sheep. Let them stay …
      • John 6:35. 35 Then Jesus declared, “I am the bread of life. Whoever comes to …

  6. Meaning of the Number 7 in the Bible - Bible Study

    • The English word "seven" for the number 7 appears 463 times in 391 King James Bible verses. 372 of its appearances show up in the Old Testament while 91 of them are written in the New Testament. Genesis, in the Old Testament, records the word the most (54 times) followed by the books of Leviticus and Numbers (46 each). The books of Revelation (54 t...
    See more on biblestudy.org

  7. Reference List - Seven - King James Bible Dictionary

    Seven is the number of sacrifice (2 Chronicles 29:21; Job 42:8), of purification and consecration (Leviticus 42:6, 17; 8:11, 33; 14:9, 51), of forgiveness (Matthew 18:21, 22; Luke 17:4), of reward …

  8. What Does the Number 7 Mean in the Bible?

    Mar 12, 2025 · How many times is the number 7 mentioned in the Bible? It depends on how you count, but at a minimum, the number 7 is mentioned nearly 500 times throughout the Old …

  9. People also ask

  10. What Does the Number 7 Mean in the Bible and Why is …

    Nov 19, 2024 · The number seven is especially prominent in the Bible, appearing over 700 times. From the seven days of Creation to the many “sevens” in Revelation, the number seven connotes such concepts as completion and …

  11. How many times is the numeral 7 mention in the bible? - Answers

    Nov 1, 2022 · In the King James version the number 7 appears in many forms - including hundreds and thousands - and appears as follows the word - seven - appears 463 times the word - …

  12. How many “sevens” in Revelation? - Creation Concept

    Jan 17, 2012 · The author of the book of Revelation has grouped many things into sevens. But how many times does the number "seven" occur? By counting links in the table below, and …

  13. How Many 7s Are There in The Bible? – Verse And …

    Feb 9, 2024 · The number 7 is mentioned in relation to the creation week, the flood, the seven days of the Feast of Unleavened Bread, the Sabbath, the seven seals, seven trumpets, and many other significant events and symbols …

  15. Some results have been removed

 

 

Image

 

THOMAS MANN ARTHUR KOESTLER ARTHUR SCHOPENHAUER

 

-
-
-
-
-
THOMAS MANN
-
-
-
T
=
2
-
6
THOMAS
76
22
4
M
=
4
-
4
MANN
42
15
6
-
-
6
-
10
THOMAS MANN
118
37
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ARTHURKOESTLER
-
-
-
A
=
1
-
6
ARTHUR
86
32
5
K
=
2
-
8
KOESTLER
105
33
6
-
-
3
-
14
ARTHURKOESTLER
191
65
11
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ARTHUR SCHOPENHAUER
-
-
-
A
=
1
-
6
ARTHUR
86
32
5
S
=
1
-
12
SCHOPENHAUER
133
61
7
-
-
2
-
18
ARTHURSCHOPENHAUER
219
93
12
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
10
THOMAS MANN
118
37
1
A
=
1
-
14
ARTHUR KOESTLER
191
65
2
A
=
1
-
18
ARTHUR SCHOPENHAUER
219
93
3
-
-
-
-
-
-
-
-
-
-
-
4
-
42
First Total
528
195
6
-
-
-
-
4+2
Add to Reduce
5+2+8
1+9+5
-
-
-
4
-
6
Second Total
15
15
6
-
-
-
-
-
Reduce to Deduce
1+5
1+5
-
-
-
4
-
6
Essence of Number
6
6
6

 

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https://transdisciplinarypsych.wordpress.com › arthur...
Arthur Koestler, Thomas Mann, and Arthur Schopenhauer’s Essay …

April 20, 2012 · He also expressed his admiration for the early novels of Thomas Mann, and how much spiritual and intellectual comfort they gave hihim while imprisoned. Even before returning …Arthur Koestler, Thomas Mann, and Arthur Schopenhauer’s Essay …
Apr 20, 2012 · The lives of Arthur Koestler (1905-1983) and Thomas Mann (1875-1955) intersected briefly in the summer of 1937 in Switzerland.

 

YHWH

THE BOOK OF KNOWLEDGE:

THE KEYS OF ENOCH

J.J. Hurtak 1973

Page 578/9

I AM THAT I AM

Heb. " EHYEH ASHER EHYEH."

1The highest statement that a mortal can use in this world. It expresses the "covenant" between the human self and the Christed Overself, and a knowing of one's true identity, ones destiny and the keys to the higher thresholds. 2A/ holy mantra/salutation working with the holy Brotherhoods and Hierarchy of YHWH

 

15
EHYEH+ASHER+EHYEH
-
-
-
5
EHYEH
51
33
6
5
ASHER
51
24
6
5
EHYEH
51
33
6
15
EHYEH+ASHER+EHYEH
153
90
18
1+5
Add to reduce
1+5+3
9+0
1+8
6
Reduce to Deduce
9
9
9

 

 

15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-
-
-
8
-
-
8
-
-
1
8
-
-
-
-
8
-
-
8
+
=
41
4+1
5
  
5
FIVE
5
-
-
8
-
-
8
-
-
19
8
-
-
-
-
8
-
-
8
+
=
59
5+9
14
1+4
5
FIVE
5
15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-
-
5
8
25
5
8
-
1
19
8
5
18
-
5
8
25
5
8
+
=
153
1+5+3
9
-
9
NINE
9
-
5
8
7
5
8
-
1
1
8
5
9
-
5
8
7
5
8
+
=
90
9+0
9
-
9
NINE
9
15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
--
-
-
-
-
-
-
+
=
2
-
2
-
2
TWO
2
-
5
-
-
5
-
-
-
-
-
5
--
-
5
-
-
5
-
+
=
25
2+5
7
-
7
SEVEN
7
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
+
=
14
1+4
5
-
5
FIVE
5
-
-
8
-
-
8
-
-
-
8
-
-
-
-
8
-
-
8
+
=
40
4+0
4
-
4
FOUR
4
-
-
-
-
-
  
-
-
  
-
-
9
-
-
-
-
-
-
+
=
9
-
9
-
9
NINE
9
15
E
H
Y
E
H
-
A
S
H
E
R
-
E
H
Y
E
H
-
-
-
-
-
-
-
-
-

 

 

4
YHWH
-
-
-
-
Y
25
7
7
-
H
8
8
8
-
W
23
5
5
-
H
8
8
8
4
YHWH
64
28
28
 
6+4
2+8
2+8
4
YHWH
10
10
10
-
-
1+0
1+0
1+0
4
YHWH
1
1
1
-
-
-
-
-
-
-
-
-
-
4
ZION
-
-
-
-
Z
26
8
8
-
I
9
9
9
-
O
15
6
6
-
N
14
5
6
4
ZION
64
28
28
-
-
6+4
2+8
2+8
4
ZION
10
10
10
-
-
1+0
1+0
1+0
4
ZION
1
1
1
-
-
-
-
-
-
-
-
-
-
6
ISRAEL
-
-
-
-
I
9
9
9
-
S
19
10
1
-
R
18
9
9
-
AEL
18
9
9
6
ISRAEL
64
28
28
-
-
6+4
3+7
2+8
6
ISRAEL
10
10
10
-
-
1+0
1+0
1+0
6
ISRAEL
1
1
1
-
-
-
-
-
-
-
-
-
-
4
YHWH
64
28
1
4
ZION
64
28
1
6
ISRAEL
64
28
1

 

 

10
LOVE + EVOLVE
-
-
-
-
LOVE
-
-
-
-
L+O
27
9
9
-
V+E
27
9
9
-
EVOLVE
-
-
-
-
E+V
27
9
9
-
O+L
27
9
9
-
V+E
27
9
9
-
LOVE EVOLVE
-
-
-
-
-
-
-
-
-
-
-
-
-
10
LOVE + EVOLVE
135
45
9

 

99 NAMES OF GOD GOD OF NAMES 99

THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE

HOW GREAT THOU ART HOW GREAT THOU ART

 

4
WISE
67
13
4
6
W
23
5
5
4
I
9
9
9
4
S
19
1
1
6
E
5
5
5
4
WISE
56
20
20
-
-
5+6
2+0
2+0
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

4
WISE
67
13
4
6
W
23
5
5
4
IS
28
10
1
6
E
5
5
5
4
WISE
56
20
11
-
-
5+6
2+0
1+1
4
WISE
11
2
2
-
-
1+1
-
-
4
WISE
2
2
2

 

6
WISDOM
67
13
4
6
W
23
5
5
4
I
9
9
9
4
S
19
10
1
6
D
4
4
4
6
O
15
6
6
4
M
13
4
4
6
WISDOM
83
29
29
-
-
8+3
2+9
2+9
6
WISDOM
11
11
11
-
-
1+1
1+1
1+1
6
WISDOM
2
2
2

 

6
WISDOM
67
13
4
6
W
23
5
5
4
IS
28
10
1
6
D+O+M
32
14
5
6
WISDOM
83
29
11
-
-
8+3
2+9
1+1
6
WISDOM
11
11
2
-
-
1+1
1+1
-
6
WISDOM
2
2
2

 

6
WINNER
67
13
4
6
W
23
5
5
4
I
9
9
9
4
N
14
5
5
6
N
14
5
5
6
E
5
5
5
4
R
9
9
9
6
WINNER
83
38
38
-
-
8+3
3+8
3+8
6
WINNER
11
11
11
-
-
1+1
1+1
1+1
6
WINNER
2
2
2

 

 

 

Followed by 444 - 973-Eht-Namuh-973.com The Oracle Forum

MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS

MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
1
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
-
-
B
=
2
-
2
-
4
BORN
49
22
4
-
-
-
-
4
-
-
-
-
-
S
=
1
-
3
-
4
SONS
67
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
4
-
5
THOSE
67
22
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
5
-
5
PATENT
76
22
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
6
-
7
PATIENT
85
31
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
7
-
8
PATENTED
85
31
4
-
-
-
-
4
-
-
-
-
-
P
=
7
-
8
-
7
PATTERN
94
31
4
-
-
-
-
4
-
-
-
-
-
M
=
4
-
9
-
6
MAKERS
67
22
4
-
-
-
-
4
-
-
-
-
-
-
-
41
-
-
-
51
First Total
630
216
36
-
1
2
3
36
5
6
7
8
9
-
-
4+1
-
-
-
5+1
Add to Reduce
6+3+0
2+1+6
3+6
-
-
-
-
3+6
-
-
-
-
-
-
-
5
-
-
-
6
Second Total
9
9
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
6
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
1
-
4
MIND
40
22
4
-
1
2
3
4
5
6
7
8
9
B
=
2
-
2
-
4
BORN
49
22
4
-
1
2
3
4
5
6
7
8
9
S
=
1
-
3
-
4
SONS
67
13
4
-
1
2
3
4
5
6
7
8
9
T
=
2
-
4
-
5
THOSE
67
22
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
5
-
5
PATENT
76
22
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
6
-
7
PATIENT
85
31
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
7
-
8
PATENTED
85
31
4
-
1
2
3
4
5
6
7
8
9
P
=
7
-
8
-
7
PATTERN
94
31
4
-
1
2
3
4
5
6
7
8
9
M
=
4
-
9
-
6
MAKERS
67
22
4
-
1
2
3
4
5
6
7
8
9
-
-
41
-
-
-
51
First Total
630
216
36
-
1
2
3
36
5
6
7
8
9
-
-
4+1
-
-
-
5+1
Add to Reduce
6+3+0
2+1+6
3+6
-
-
-
-
3+6
-
-
-
-
-
-
-
5
-
-
-
6
Second Total
9
9
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
6
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

REAL REALITY REVEALED HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED

THAT

9 9 9 9 9 9 9 9 9 9 9 9

4

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
1
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
2
3
SAY
45
18
9
-
-
-
-
-
-
-
-
-
9
H
=
8
3
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
5
9
MENTIONED
99
45
9
-
-
-
-
-
-
-
-
-
9
G
=
7
6
4
GODS
45
18
9
-
-
-
-
-
-
-
-
-
9
D
=
4
7
6
DIVINE
63
36
9
-
-
-
-
-
-
-
-
-
9
T
=
2
8
7
THOUGHT
99
36
9
-
-
-
-
-
-
-
-
-
9
H
=
8
9
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
10
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
11
9
MENTIONED
99
45
9
-
-
-
-
-
-
-
-
-
9
T
=
2
12
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
Y
=
7
13
3
YET
50
14
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
74
-
56
First Total
648
288
108
-
1
2
3
4
5
6
7
8
99
-
-
7+4
-
5+6
Add to Reduce
6+4+8
2+8+8
1+0+8
-
-
-
-
-
-
-
-
-
9+9
-
-
11
-
11
Second Total
18
18
9
-
1
2
3
4
5
6
7
8
18
-
-
1+1
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
1+8
-
-
2
-
2
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
1
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
S
=
1
2
3
SAY
45
18
9
-
1
2
3
-
-
6
7
8
9
H
=
8
3
4
HAVE
36
18
9
-
1
2
3
-
-
6
7
8
9
I
=
9
4
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
M
=
4
5
9
MENTIONED
99
45
9
-
1
2
3
-
-
6
7
8
9
G
=
7
6
4
GODS
45
18
9
-
1
2
3
-
-
6
7
8
9
D
=
4
7
6
DIVINE
63
36
9
-
1
2
3
-
-
6
7
8
9
T
=
2
8
7
THOUGHT
99
36
9
-
1
2
3
-
-
6
7
8
9
H
=
8
9
4
HAVE
36
18
9
-
1
2
3
-
-
6
7
8
9
I
=
9
10
1
I
9
9
9
-
1
2
3
-
-
6
7
8
9
M
=
4
11
9
MENTIONED
99
45
9
-
1
2
3
-
-
6
7
8
9
T
=
2
12
4
THAT
49
13
4
-
1
2
3
4
-
6
7
8
-
Y
=
7
13
3
YET
50
14
5
-
1
2
3
-
5
6
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
74
-
56
First Total
648
288
108
-
1
2
3
4
5
6
7
8
99
-
-
7+4
-
5+6
Add to Reduce
6+4+8
2+8+8
1+0+8
-
-
-
-
-
-
-
-
-
9+9
-
-
11
-
11
Second Total
18
18
9
-
1
2
3
4
5
6
7
8
18
-
-
1+1
-
1+1
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
1+8
-
-
2
-
2
Essence of Number
9
9
9
-
1
2
3
4
5
6
7
8
9

 

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Arthur Koestler - Wikipedia

Along the way he had lunch with Thomas Mann, got drunk with Dylan Thomas, made friends with George Orwell, flirted with Mary McCarthy and lived in Cyril Connolly 's London flat. In 1940 …

 

 

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Arthur Koestler, Thomas Mann, and Arthur Schopenhauer’s Essay “On Death”: The Psychology of a Very Brief Encounter*
Henry Innes MacAdam

Look! For if you did, you’d see
life after life surging
like birds with powerful wings, more irresistibly
than raging fire,
to the sunset god’s edge of death.

-Sophocles, Oedipus Tyrranus lines 173-177(trans. Ahl, 2008)

The lives of Arthur Koestler (1905-1983) and Thomas Mann (1875-1955) intersected briefly in the summer of 1937 in Switzerland. Earlier that year Koestler had been released from a Spanish prison where he awaited a death sentence for his known communist party affiliation and his work as a journalist for the British anti-Fascist News Chronicle. It was during that “death row” episode (see Koestler’s first account in his Dialogue with Death, 1937; 1961) that he reflected on the mathematical perfection of Prime Numbers (see on this MacAdam 2009). He also expressed his admiration for the early novels of Thomas Mann, and how much spiritual and intellectual comfort they gave him while imprisoned. Even before returning to London, he wrote to Mann. The most detailed account of this appears in the second volume of Koestler’s autobiography, The Invisible Writing (1954; 1969):

During the first three weeks of solitary confinement, before I was allowed books from the prison library, my only intellectual nourishment had been the remembrance of books read in the past. In the course of these memory exercises, a certain passage from Buddenbrooks came back to me and gave me much spiritual comfort–so much so that at times when I felt particularly dejected, I would have recourse to that scene as it were a pain-soothing pill. The content of the passage, as I remembered it, was this. Consul Thomas Buddenbrook, though only in his late forties, knows that he is about to die. He was never given to any religious or metaphysical speculation, but now he falls under the spell of a book [Arthur Schopenhaurer’s essay On Death, and its Relation to the Indestructibility of our Essential Selves, which appears in Vol. 2 (a supplement to Book 4) of The World as Will and Representation] which for years has stood unread in his library, and in which he finds explained that death is nothing final, merely a transition to another, impersonal form of existence in the All-One…


The day after I was set free, I wrote Thomas Mann a letter (I knew that he lived in Zürich-Kuessnacht) in which I explained [my remembrance of Buddenbrooks] and thanked him for the spiritual comfort that I derived from his work. The title of [Schopenhauer’s essay] was expressly mentioned in my letter, which was dated from the Rock Hotel, Gibraltar, May 16 or 17, 1937. Thomas Mann’s answer reachedme a few days later in London. It was a handwritten letter which I lost, together with all my files, on my [escape] from France in 1940. I cannot, of course, remember its actual text, only its content which, for the sake of simplicity, I shall paraphrase in direct speech:

Dear Sir: Your letter arrived on May [23rd]. On the afternoon of that day I was sitting in my garden in Kuessnacht. I had read Schopenhauer’s essay [originally published in 1844 in the second volume of The World as Will] in 1897 or 1898, while I was writing Buddenbrooks, and I had never read it again as I did not want to weaken its original strong impact on me. On that afternoon, however, I felt a sudden impulse to re-read the essay after nearly forty years. I went indoors to my library to fetch the volume. At that moment the postman rang and brought me your letter ... (Koestler, 1969: 452-453).[Yours, etc. Thomas Mann]

Koestler’s letter to Mann, however, does still exist, and it allows us to correct a few dates and to grasp the sense of elation that Koestler felt shortly after his last-minute reprieve from the prison firing squad in Seville. That letter is reproduced in Christian Buckard’s Arthur Koestler: Ein Extremes Leben (2004). Strictu sensu this is not a biography of Koestler, but Buckard devoted three pages (140-143) to the Koestler-Mann episode described above. Koestler’s letter to Mann is in Mann’s archive. Buckard reproduced most of it (Koestler wrote it on 15 May) except (apparently) the greeting and an explicit reference to “On Death” (141-142). Buckard reproduces Mann’s diary entry recording his reception of Koestler’s letter on 23 May 1937 (142). I am grateful to Prof. Michael Scammell of Columbia University for bringing Buckard’s volume to my attention.

Koestler then goes on (in The Invisible Writing) to relate how his interview with Mann later that year (en route to an assignment to the Balkans for the News Chronicle) turned into a social disaster for which Koestler took a large share of the blame: “This was no doubt partly due to my paralysing timidity [there is an amusing reference in this recollection to the socially inept malapropisms of Frau Stöhr in The Magic Mountain] and gaucherie in the master’s presence; on the other hand Mann did nothing to put me at ease” (Koestler, 1969: 453-454). That allusion to Mann’s uneasiness regarding the media (even, in Koestler’s case, a German-speaking journalist) is hardly unique. In later years Mann was on several occasions impelled to write letters to the editors of journals (particularly the USA based Time magazine) to “explain” or “correct” certain statements he had made in the course of interviews. It may be instructive to note the parallel career of Mann’s cultural if not spiritual near-contemporary, German composer Walter Braunfels (1882-1950)–see a report on the revival of his 1920 opera Die Vögel (based on Aristophanes’ still relevant satiric comedy The Birds) in Tomassini (2009).

What is worth noting here is Koestler’s ambivalent appraisal of Mann, someone he admired for the early novels (especially Buddenbrooks, noted above) and non-fiction but found fault with for his seemingly waffling attitude to German political developments before and after 1933, as well as his (Mann’s) later literary output during his prolonged political and cultural exile. This is nearly if not exactly the critique made of Koestler’s own oeuvre during his peregrinations (initially prompted by WW II) to the U.K., to Israel, to the U.S.A, to France, and eventually and permanently back to the UK (on that diaspora theme see Cesarani, 1998). Since Mann was still alive when this volume of Koestler’s autobiography was published [1954] it may be worth reproducing excerpts from his assessment of Mann’s influence on German (and European) literature of the 20th century. I do not know if Mann might have read this critique of his own career before his death in 1955, and none of the biographies of Mann which I’ve consulted offer any insight:

Since that unhappy meeting, [i.e. between 1937- c.1953] I have re-read a substantial part of Thomas Mann’s early work. Much of it has lost its original impact on me, but it has retained its grandeur and subtlety, its poetic irony, its universal sweep and range. Most of his later work I find mannered to the point where it becomes unreadable. But Buddenbrooks and The Magic Mountain, the stories and essays (excluding the political essays), and indeed the major part of his work up to and including the last volume of Joseph [published in 1943; the fourth volume of a tetralogy] remain as a monument of the early twentieth century, and Germany’s most important single contribution to its [twentieth century?] culture. Thus personal disappointment did not diminish my admiration and gratitude for Mann’s work.

It did seem to provide, however, an explanation for a certain aspect of Mann’s art which has always puzzled me: I mean the absence of human kindness. There has perhaps never been a great novelist so completely lacking the Dostoievskian touch of sympathy for the poor and humble. In Mann’s universe, charity is replaced by irony which is sometimes charitable, sometimes not; his attitude to his characters, even at its most sympathetic, has a mark of Olympian condescension …

The only exception to this is Mann’s treatment of children and dogs; perhaps because here condescension, the gesture of bending down, is implicit in the situation. The title of his only story about dogs is, revealingly: Herr und Hund. which does not prevent it, however, from being a masterpiece (Koestler, 1954, republished 1969: 455-456).Koestler then moves on to criticism of Mann in political/ideological terms, an assessment not always noted by Mann biographers who didn’t live through the convoluted era of c. 1930-l945 or who do not see Koestler from the perspective of a committed communist who eventually lost faith and promoted leftist violence as the correct response to fascism (on this see Bance, 2002: 116). It is worth noting that Mann himself expressed such sentiments, although in a very muted way. In his diary entry for 2 March, 1954 Mann wrote that he hoped someone would assassinate U.S. Senator Joseph McCarthy and end the anti-communist witch hunt (which included an FBI file on Mann after he visited East Germany on several occasions) begun by that demagogue in 1949 (Reed, 2002:15).

Koestler’s summary of Mann’s literary influence concludes with these thoughts:The result [of Mann’s philosophy through his publications] is a humanism without the cement of affection for the individual human brick, a grandiose, but unsound edifice which was never proof against the nasty gales and currents of the times. This may explain a series of episodes in Mann’s public career which were exploited by his opponents and embarrassed his admirers–such as his support of Prussian imperialism in the first World War; his hesitant and belated break with the Nazis; his silent endorsement of the new despotism in Eastern Germany [after 1949], and his acceptance of the Goethe Prize [also in 1949] from a régime which banned and burned the books of his compatriots and fellow-authors …

… They do not affect Mann’s greatness as an artist, but they have defeated his claim to the cultural leadership of the German nation. It is impossible to be angry with Picasso for believing that Stalin was the greatest benefactor of mankind, for one feels that his error is the result of a naïve and warmhearted passion. But it is not so easy to forgive the moral faux pas of the ironically dispassionate Olympian (Koestler, 1969: 456).

There is a distinct psychological dimension to the brief encounter of Koestler and Mann. It may be due in part to the fact that Schopenhauer’s nearly two-century long reputation rests as much on his psychological insights as it does on his philosophical or spiritual convictions. Puzzling to me is Koestler’s lack of comment on Mann’s extraordinary novel Death in Venice (1912) and its haunting depiction of the acceptance of death as a consequence of obsessional desire. In the classical world the Greek concept of Tychê and the Roman concept of Fatum (loosely translated as “Luck” and “Destiny” respectively) were compared and contrasted (especially by the Stoics) to determine if possible which played a greater role in human affairs.

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Perhaps the best illustration of that disturbing, dramatic, psychological tension is the very different treatment of the “two faces” of Oedipus Tyrannus/Rex in Greek (Sophocles) and Roman (Seneca) stage tragedy–on this see most recently Ahl (2008). Koestler and Mann also appreciated that same dynamic “fate” and/or “fortune” tension in the human psyche, but for them expressed more directly by Schopenhauer than by Sophocles. It is to Koestler’s credit that he could subject Mann to equal portions of criticism and praise. Certainly he appreciated, as did Mann, the role of coincidence not just in general, but as an active aspect of how they met each other.

In Koestler’s much later work, The Roots of Coincidence (1973), he again pays tribute to Schopenhauer through a long quotation from The World as Will. This includes Schopenhauer’s verbal image of “mapping” coincident events:

Coincidence is the simultaneous occurrence of causally unconnected events … If we visualize each causal chain progressing in time as a meridian on the globe, then we may represent simultaneous events by the parallel circles of latitude…” That both kinds of connection exist simultaneously, and the self-same event, although a link in two totally different chains, nevertheless falls into place, so that the fate of one individual invariably fits the fate of the other … this is something that surpasses our powers of comprehension, and can only be conceived as possible by virtue of the most wonderful pre-established harmony ... (Koestler, 1973: 107-108–italics mine). Thus coincidence, for Schopenhauer, is the random “intersection” of persons and/or events on lines of longitude and latitude at a moment in time. With that as the context, and with an earlier reference to Schopenhauer’s influence on Freud and Jung, Koestler then summarizes his own thoughts on coincidence:

The classical theories of ESP proposed by Carington, Tyrrell, Hardy and others were variations on the same theme–a “psychic ether” or group-mind or collective unconscious, serving as a subterranean pool which individual minds can tap, and through which they can communicate.The dominant concept is Unity in Diversity–all all is.

One and One is all. It echoes through the writings of Christian mystics, and is the keynote in Buddhism and Taoism. It provides the parallels of latitude on Schopenhauer’s globe, and ties coincidence in the universal scheme of things. According to Jung, all divinatory practices, from looking at tea-leaves to the complicated oracular methods of the I-Ching, are based on the idea that random events are minor mysteries which can be read as pointers towards the one central mystery (Koestler, 1973: 108–on Carl Jung see the Nota Bene below).

At that point, perhaps, Koestler has come full circle: he has combined the randomness of a coincident universe with the randomness of Prime Numbers–a mystery of of unexplained perfection.

Additional Notes:

While this article was in press Michael Scammell’s definitive biography Koestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic was published in December 2009 by Random House in the USA and by Faber & Faber in the UK. In it he not only refers to the Koestler-Mann interview in the summer of 1937 but translates most of the text of Koestler’s letter to Mann that Buckard (2004: 141-142) reproduced from among Mann’s archived correspondence. At the end of it Koestler summarized his reasons for writing to Mann at such a critical point in his (Koestler’s) career:

Ich glaube, ich habe es Ihnen zu danken dass ich noch am Leben bin; zumindest, dass ich noch bei Verstand bin … Ich hätte es früher niemals für möglich gehalten, dass Kunst eine derartigen, drastischen Einfluss auf das Leben gewinnen kann (Buckard, 2004: 141).

To put it baldly, I believe I have you to thank for the fact that I’m still alive, or, at least, that I still have my wits about me … I would never have thought it possible that art could exercise such a drastic influence on my life (Scammell, 2009: 142).

As a coda I might add that Mann’s letter to Koestler may still exist. Many of Koestler’s typescript books and private papers were taken from his Paris apartment during raids by the anti-communist French police, the Deuxième Bureau, between the outbreak of WW II in September 1939 and the Nazi occupation of France the following spring. Koestler always believed that these losses were irretrievable. But in e-mail correspondence with Michael Scammell I learned that he saw some of this material in what had been the former KGB archives in Moscow during a visit there in 1994.The Nazis took to Berlin what they seized in Paris, and in turn the Soviets took the Nazi archives to Moscow after they occupied Berlin in the spring of 1945.

Scammell was particularly eager to discover if the German original typescript of Darkness at Noon (translation by Daphne Hardy, published in 1941) was among Koestler’s effects, but found instead three original German typescripts of The Gladiators (translation by Edith Simon, published in 1939). Not realizing that all other copies of the German original of The Gladiators had either been lost or discarded, Scammell did not try to obtain a microfilm or photocopy. He did note that Koestler’s working title for the novel had been Der Sklavenkrieg (The Slave War–see Scammell, 2009: 164 and note #1) not, as I and others had assumed, Die Gladiatoren (see Burkard, 2004: 162). Scammell failed to find a copy of the German original of Darkness at Noon, a portion of which Koestler somehow recovered in the U.K. after WW II.

Mann’s handwritten letter in reply to Koestler’s lengthy and philosophical missive of May, 1937 may be within the Koestler files in Moscow or in Paris if those files were repatriated to France since the fall of the Soviet Empire. Certainly Mann did not make a copy of it before posting the original to Koestler or it would be among the extensive correspondence collection in the Thomas Mann archive. I have tried to make contact with the Directorate of the Russian Federation State Military Archive regarding Koestler’s typescripts and personal papers, but so far to no avail.

Prof. Scammell shared the above information with me via e-mails between late 2008 and mid-2009 (see Scammell, 1998 esp. p. 28 for his visit to the Moscow KGB and Comintern archives where he discovered a copy each of Koestler’s two letters of resignation from the German Communist Party).The irony is that after WW II both novels were back-translated into German, The Gladiators from the translation done by Edith Simon, and Darkness at Noon from the translation done by Daphne Hardy (who had fled from German-occupied Paris with Koestler in early 1940).

My thanks to Prof. Scammell for his gracious assistance in this and several other matters during the preparation of this article. Grateful thanks also to Brent Shaw of Princeton University for making Buckard’s volume available and for patiently allowing me to expound on the subject of this essay in person over several lunches, and via e-mail correspondence.

 

THE MAGIC MOUNTAIN

A Novel by Thomas Mann

 

 

THE MAGIC MOUNTAIN

Post by hope » 17 Dec 2018 10:19

THE MAGIC MOUNTAIN
Page 1 of 1

hope

THE MAGIC MOUNTAIN


The Magic Mountain by Thomas Mann


This novel was first published in 1924 after 12 years of labour, a story of the self development of
the 'hero' ,Hans Castorp ,being just a simple young man but focuses much on of the other characters within the story.

It is made clear that Mann did not intend for the readers to take the 'hero's' simplicity at face value, for
almost nobody is really simple or remains so for long if intelligently observed, the simplifications of reality as
Hans Castorp encounters them through the book are the object of Mann's irony.

The Magic Mountain is also a novel about disease, not merely of individuals but also of a whole age, where disease
appears as the necessary of spiritual growth, the theme of 'spirit & life, Mann concerns himself to attempt
"to see the real in spiritual and the spiritual in the real"

Time is both the medium and the subject of the Novel, as to whether time can be narrated or not, since the
book is basically about Hans Castorp's range of experience, time is conceived solely as a correlative of his
experience, by taking part in the 'hero's" real life experiences, the reader becomes the true centre of the novel,
this is what Mann wanted to achieve.

The 20-8-5=15 = 6
Magic. 13-1-7-9-3=
4-1-7-9-3=6
Mountain. 13-16-2-14-20-1-9-14=
4-7-2-5-2-1-9-5=35=8
668=2

Throughout the book there are countless recurring variations on the theme of time and as a newcomer,Hans,
is exposed, first of all to the thin air of Berghof and the bizarre silhouettes of dense forests and snow capped
mountains surrounding it, Mann uses nature to evoke new & unfamiliar feelings in Hans, feelings of
vagueness and timelessness-feelings which will be intensified as he ventures higher into the regions of
external snow and ice.
Besides using nature to introduce the newcomer to the sanatorium Mann also use Joachim Ziemseen,Castorp's
cousin ,unknowingly Joachim has taken on some of the characteristics of the mode of life at the Berghof,
and one thing in particular which confuses Hans about Joachim is the latter' concept of time,it strikes him that
Joachim 's sense of time is very haphazard,in fact their conversation soon dwells on the nature of time, so
treasured in the 'real world' below and so meaningless 'up here' where there is little to demand it observance
except the routine of taking ones own temperature,these reflections on the static quality of duration soon,
however Mann will be concerned with the linear and circular aspects of time in the course of Castorp's growing ok
awareness.
I don't want to ruin the suspense of the novel but this book is so worth reading , the seance scene about half way
through the book is disturbing,especially concerning Elly, Brand a young Danish girl whose talents as a medium
are ruthlessly exploited by the doctor,Dr Krokowski, also with Han's cousin Joachim.
This is a book I will read and read again over the years , The Magic Mountain is said to be one of the greatest
novels ever written and an essential purchase for every sickbed in winter.....?

NOTA BENA

The Magic Mountain by Thomas Mann

Page 147 of the novel all the names on that page add up to 147..
also all the names with 7 letters in are mentioned 7 times ..
Behrens, Castorp, Joachim, and Marusja.


I don't want to ruin the suspense of the novel but this book is so worth reading , the seance scene about half way
through the book is disturbing,especially concerning Elly, Brand a young Danish girl whose talents as a medium
are ruthlessly exploited by the doctor,Dr Krokowski, also with Han's cousin Joachim.

ELLY BRAND

ELLIE BLAND


Disturbing News -Daily Mail Monday March 22nd 2010

Girl age 4 dies in car horror on holiday beach..

A British girl, Ellie Bland was killed by a car as she walked along a popular beach on Florida's east coast, although police said the vechicle was driving within the 10mph speed limit the girl,was sent flying, horrified witnesses screamed as the car halted but before they could reach Ellie the driver,Barbara Worley 66 panicked and hit the accelerator surging forward, killing the girl. Ellie's parents who were at home in Nottingham flew to Florida heard about their daughters death by phone. Florida police said that Worley would face charges....


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THE MAGIC MOUNTAIN

Thomas Mann 1824-1955

MOUNTING MISGIVINGS

Page 147 Quoted in full

"other he mentally summoned up various people, the thought of whom might serve him as some sort of mental support.
 There was the good, the upright Joachim, firm as a rock-yet whose eyes in these past months had come to hold such a tragic Shadow, and who had never used to shrug his shoulders, as he did so often now. Joachim, with the "Blue Peter" in his pocket, as Frau Stohr called the receptacle. When Hans Castorp thought of her hard, crabbed face it made him shiver. Yes, there was Joa-chim - who kept constandy at Hofrat Behrens to let him get away and go down to the longed-for service in the " plain "- the " flat-land," as the healthy, normal world was called up here, with a faint yet perceptible nuance of contempt. Joachim served the cure single-mindedly, to the end that he might arrive sooner at his goal and save some of the time which "those up here " so wantonly flung away; served it unquestioningly for the sake of speedy recovery - but also, Hans Castorp detected, for the sake of the cure itself, which, after all, was a service, like another; and was not duty duty, wherever performed? Joachim invatiably went upstairs after only a quarter-hour in the drawing-rooms; and this military precision of his was a crop to the civilian laxity of his cousin, who would otherwise be likely to loiter unprofitably below, with his eye on the company in the small salon. But Hans Castorp was con-vinced there was another and private reason why Joachim with-drew so early; he had known it since the time he saw his cousin's face take on the mottleled pallor, and his mouth assume the pathetic twist. He perfectly understood. For Marusja was almost always there in the evening -laughter-loving Marusja, with the little ruby on her charming hand, the handkerchief with the orange scent, and the swelling bosom, tainted within - Hans Castorp com-prehended that it. was her presence which drove Joachim away, precisely because it so strongly, so fearfully drew him toward her.
Was Joachim too "immured " - and even worse off than himself, in that, he had five times a day to sit at the same table with Marusja and her orange-scented handkerchief? However that might be, it was clear that Joachim was preoccupied with his own troubles; the thought of him could afford his cousin no mental support. That he took refuge in daily flight was a credit to him; but that he had to flee was anything but reassuring to Hans Castorp, who even began to feel that Joachim's good example of faithful service of the cure and the initiation which he owed to his cousin's experience might have also their bad side.
Hans Castorp had not been up here three weeks. But it seemed longer; and the daily routine which Joachim so piously observed"

 

BEHRENS 7

occurs

x

 1 =

7
--

7
CASTORP 7

occurs

x

6

=

42

4+2

6
JOACHIM 7

occurs

x

11

 =

77

7+7

5
MARUSJA 7

occurs

x

3

 =

21

2+1

3
-
28
-
-
21
-
147
-
21
-
2+8
-
-
2+1
-
1+4+7
-
2+1
-
10
-
-
3
-
12
-
3
-
1+0
-
-
-
1+2
-
-
-
1
-
-
3
-
3
-
3

 

Page 147 containing seven lettered names of characters

Page147 Penguin edition 1979 contains 43 lines

Joachim x 10

Joachim's x1

 

7
 BEHRENS
71
35
8
7
 CASTORP
92
29
2
7
 JOACHIM
59
32
5
7
 MARUSJA
83
20
2
28
 First Total
305
116
17
2+8
 Add to Deduce
3+0+5
1+1+6
1+7
10
 Second Total
8
8
8
1+0
 Reduce to Deduce
-
-
-
1
 Essence of Number
8
8
8

 

305 + 1 = 306

THE APOSTROPHE'S

JOACHIM'S

?

 

14
PLACET EXPERIRI
la
-
-
-
P+L
29
10
1
-
A+C+E
9
9
9
-
T+E+X+P+E
70
25
7
-
R
18
9
9
-
I
9
9
9
-
R
18
9
9
-
I
9
9
9
14
PLACET EXPERIRI
-
-
-

 

 

-
PLACET EXPERIRI
-
-
-
2
P+L
28
10
1
3
A+C+E
9
9
9
1
T
20
2
2
4
E+X+P+E
50
23
5
1
R
18
9
9
1
I
9
9
9
1
R
18
9
9
1
I
9
9
9
14
PLACET EXPERIRI
161
80
53
1+4
-
1+6+1
9+0
5+3
5
PLACET EXPERIRI
8
8
8

 

 

THE MAGIC MOUNTAIN

Thomas Mann

1875 1955

Page 711

"These were the moments when the "Seven-Sleeper," not knowing what had happened, was slowly stirring himself in the grass, before he sat up, rubbed his eyes - yes, let us carry the figure to the end, in order to do justice to the movement of our hero's mind: he drew up his legs, stood up, looked about him. He saw himself released, freed from enchantment -not of his own motion; he was fain to confess, but by the operation of exterior powers' of whose activities his own liberation was a minor incident Indeed! Yet though his tiny destiny fainted to nothing in the face of the general, was there not some hint of a personal mercy and grace for him, a manifestation of divine goodness and justice? Would Life receive again her erring and " delicate " child-not by a cheap and easy slipping back to her arms, but sternly, solemnly, penentially - perhaps not even among the living, but only with three salvoes fired over the grave of him a sinner? Thus might he return. He sank on his knees, raising face and hands to a heaven that howsoever dark and sulphurous was no longer the gloomy grotto of his state of sin."

 
THIRTYFOUR
6
THIRTY
100
37
1
4
FOUR
60
24
6
10
THIRTYFOUR
160
61
7
1+0
-
1+6+0
6+1
-
1
THIRTYFOUR
7
7
7

 
THIRTYFOUR
2
TH
28
10
1
1
I
9
9
9
1
R
18
9
9
2
TY
45
9
9
1
F
6
6
6
2
OU
36
9
9
1
R
18
9
9
10
THIRTYFOUR
160
61
43
1+0
-
1+6+0
6+1
 4+3
1
THIRTYFOUR
7
7
7

 
THIRTYFOUR
2
TH
28
10
1
1
IR
27
18
9
2
TY
45
9
9
1
F
6
6
6
2
OUR
54
18
9
10
THIRTYFOUR
160
61
34
1+0
-
1+6+0
6+1
3+4
1
THIRTYFOUR
7
7
7

 

 
THIRTYFOUR
2
TH
28
10
1
1
IR
27
18
9
2
TY
45
9
9
1
F
6
6
6
2
OUR
54
18
9
10
THIRTYFOUR
160
61
34
1+0
-
1+6+0
6+1
 3+4
1
THIRTYFOUR
7
7
7

 

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Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central …

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Is This The Oldest Woman In The World? - Radio Free …
Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central …

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Is Sakhan dosova the oldest woman in the world?
Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central Kazakhstan,

'Oldest woman in the world' about to turn 130
Officials in Kazakhstan claim to have have a found the world's oldest person - a woman who will this week celebrate her 130th birthday.

If their records are correct, Sakhan Dosova is 16 years older than the oldest known human currently living.

The mother of ten, whose birth date is said to be March 27 1879, attributes her longevity to staying away from sweets, and the doctor. However, she is a fan of cheese and yoghurt, and says her sense of humour has kept her young at heart.

 

Nailya Dosayeva, head of social and demographical department of Karaganga regional statistics bureau, said there is no doubt that her claim is authentic.

"Sakhan Dosova was found during our census held in February and March. She has an old passport and documents which are genuine, and based on these we can judge her age as being correct."

If Sakhan's year of birth is accurate, it means she was born when Queen Victoria still had 22 more years to rule in Britain and Benjamin Disraeli was prime minister.

It was the year that Stalin and Einstein were born, the Anglo-Zulu war started, and Sir Arthur Conan Doyle published his first story.

The year 1879 also saw Edison present his new invention - the light bulb - while the ill-fated last tsar of Russia was just 11 years old.
Read entire article at Telegraph (UK)

A woman thought to be the world's oldest person at 130 has died after slipping on the bathroom floor of her new flat. Sakhan Dosova broke her hip in a fall last month and never recovered.
'World's oldest woman' dies at 130... after slipping in bathroom of n…
www.dailymail.co.uk/news/article-1180580/Worlds-oldest-woman-dies-130--slipping-bathroom-new-flat-given-celebrate-age.html



Times of India
https://timesofindia.indiatimes.com › world › uk › Worlds-oldest-woma…
World's oldest woman dead - Times of India
May 12, 2009 · Sakhan Dosova never recovered from her fall which broke her hip slipping on the bathroom floor of her new flat gifted to her by local authorities who had found her living in …

LONDON: The world's oldest woman has died at the age of 130..

'World's oldest woman' dies at 130... after slipping in bathroom of …

May 11, 2009 · Sakhan Dosova broke her hip in a fall last month and never recovered. She had been given the flat by officials in Kazakhstan who were embarrassed she was living in poverty

The 'oldest woman' dies at 130; ACCIDENT. - Free Online Library

May 12, 2009 · She died at the weekend, a month after slipping on the bathroom floor of the flat awarded to her by the authorities in Kazakhstan. A neighbour said: "She broke her hip in the fall …

 

-
-
-
-
12

SAKHAN DOSOVA
-
-
-
S
=
1
-
6
SAKHAN
54
18
9
D
=
4
-
6
DOSOVA
76
22
4
-
-
5
-
12

SAKHAN DOSOVA
130
40
13
-
-
-
-
1+2
-
1+3+0
4+0
1+3
-
-
5
-
3

SAKHAN DOSOVA
4
4
4

Global web icon
Radio Free Europe/Radio Liberty
https://www.rferl.org › Is_This_The_Oldest_Woman_In_The_World
Is This The Oldest Woman In The World? - Radio Free …
Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central

Nailya Dosayeva, head of social and demographical department of Karaganga regional statistics bureau, said there is no doubt that her claim is authentic.

"Sakhan Dosova was found during our census held in February and March. She has an old passport and documents which are genuine, and based on these we can judge her age as being correct."

If Sakhan's year of birth is accurate, it means she was born when Queen Victoria still had 22 more years to rule in Britain and Benjamin Disraeli was prime minister.

It was the year that Stalin and Einstein were born, the Anglo-Zulu war started, and Sir Arthur Conan Doyle published his first story.

The year 1879 also saw Edison present his new invention - the light bulb - while the ill-fated last tsar of Russia was just 11 years old.
Read entire article at Telegraph (UK)

A woman thought to be the world's oldest person at 130 has died after slipping on the bathroom floor of her new flat. Sakhan Dosova broke her hip in a fall last month and never recovered.
'World's oldest woman' dies at 130... after slipping in bathroom of n…
www.dailymail.co.uk/news/article-1180580/Worlds-oldest-woman-dies-130--slipping-bathroom-new-flat-given-celebrate-age.html

Times of India
https://timesofindia.indiatimes.com › world › uk › Worlds-oldest-woma…
World's oldest woman dead - Times of India
May 12, 2009 · Sakhan Dosova never recovered from her fall which broke her hip slipping on the bathroom floor of her new flat gifted to her by local authorities who had found her living in …

LONDON: The world's oldest woman has died at the age of 130

Global web icon
Radio Free Europe/Radio Liberty
https://www.rferl.org › Is_This_The_Oldest_Woman_In_The_World
Is This The Oldest Woman In The World? - Radio Free …
Mar 25, 2009 · Is This The Oldest Woman In The World? A Kazakh lady, Sakhan Dosova, will mark her 130th birthday on March 27. Dosova lives in a small town of Prishakhtinsk, in central …

Times of India
https://timesofindia.indiatimes.com › world › uk › Worlds-oldest-woma…
World's oldest woman dead - Times of India
May 12, 2009 · Sakhan Dosova never recovered from her fall which broke her hip slipping on the bathroom floor of her new flat gifted to her by local authorities who had found her living in …

LONDON: The world's oldest woman has died at the age of 130..

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Singularity Hub
https://singularityhub.com › just-like-that-s…
Explore this image
Just Like That, Sakhan Dosova No Longer World’s …
May 18, 2009 · Now, in one of life's strange twists of irony, Sakhan Dosova has apparently broken her hip and died after a freak fall in her new flat. With the …


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http://www.curiousread.com

'World's oldest woman' dies at 130... after slipping in bath
Sakhan Dosova broke her hip in a fall last month and never recovered. She had been given the flat by officials in Kazakhstan who were embarrassed she was living in overcrowded conditions …

She had been given the flat by officials in Kazakhstan who were embarrassed she was living in overcrowded conditions with her impoverished family.

Granddaughter Gaukhar Kanieva, 42, said: "We think laughter and a good mood helped her live so long."

GAUKHAR = 67-31-4

KANIEVA = 63-27-9

GAUKHAR KANIEVA = 130-58-13-4

SAKHAN DOSOVA DIED AGED 130 YEARS

 

-
-
-
-
12

SAKHAN DOSOVA
-
-
-
S
=
1
-
6
SAKHAN
54
18
9
D
=
4
-
6
DOSOVA
76
22
4
-
-
5
-
12

SAKHAN DOSOVA
130
40
13
-
-
-
-
1+2
-
1+3+0
4+0
1+3
-
-
5
-
3

SAKHAN DOSOVA
4
4
4

 

SAKHAN DOSOVA ALPHABETICAL NUMERICAL VALUE = 130 - 40 - 13 - 4

SAKHAN DOSOVA DIED AGED 130

 

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z
11

SERENDIPITY
144
63
9
6

CHANCE
34
25
7
11

COINCIDENCE
84
57
3

 

At length, as no one seemed able to settle, Hans Castorp, with his finger on the glass, supporting his cheek on his fist, said he would like to know what was to be / Page 665 / the actual length of his stay up here, instead of the three weeks originally fixed.
     Very well since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated then pushed off. It spelled out something very queer, which none of them succeeded in fathoming, it made the word , or the syllable Go, and then the word Slanting and then something about Hans Castorp's room. That was to say, through number thirty-four. What was the sense of that"      

 

The Complete
Fortune Teller
Francis x King

Page 166

"...Again the totals of the four perpendicular, four, four horizontal, and two diagonal rows add up to
340, which reduces to  7 ( 3 + 4 + 0), a number which has, for millenia, been thought to possess mystical properties.



Re-read this wah scribe said ZedAliz and having re-read it re-gurgitate This the scribe did, writing

The Magic Mountain
Thomas Mann.  
Quote  "I tell them  that if they will occupy themselves with
the study of mathematics they will find in it the best remedy against the lusts of the flesh."

 

The Magic Mountain
Thomas Mann 1924
Penguin Modern Classics

Page 10

Chapter 1
"...Number  34..."

The Zed AlizZed out of curiosity, began to count the first seven un-numbered pages of the Magic Mountain,
counting the front cover as page one, two sides to each page. The Foreword starts on the front of page
seven, with the words  
                "The story of Hans Castorp, which we would here set forth,"
and  continues on the rear of page seven as follows
                      
                "We shall tell it at length, thoroughly, in detail - for when did
              a narrative seem too long or too short by reason of the actual time
              or space it took up? We do not fear being called meticulous,in-
              clining as we do to  the view that only the exhaustive can be truly interesting
                  Not all in a minute, then, will the narrator be finished with the
              story of our Hans. The seven days of a week will not suffice, no,
              nor seven months either. Best not too soon make too plain how
              much mortal time must pass over his head while he sits spun round
              in his spell. Heaven forbid it should be seven years!
                 And now we begin.!"  
  
If each side had been accounted a page number, these would have been 13, and 14.
But it aint necessarily so in other editions writ the scribe



seven days     Three sevens are twenty one said Alizzed, noting that there are twenty one days in three weeks
seven  months
seven  years

The Magic Mountain
Thomas Mann 1924
Chapter one

'Arrival'
First three lines

Page 3  "...An unassuming young man was travelling, in midsummer,from
                   his native city of Hamburg to Davos-Platz in the Canton of the
                   Grisons, on a three week visit."



Page 4       "...With as much impatience as lay
                   in his temperament to feel, he had discounted the next three weeks;"



Page 6  "...When?"
                 "... Why in three weeks"
                      "Oh yes, you are already back home in your
thoughts" answered Joachim. "Wait a bit. You've only just come.  
"Three weeks are nothing at all, to us up here - they look like a lot
of time to you, because you are only up here on a visit,and three
weeks is all you have. Get acclimatized first - it isnt so easy,
you'll see. And the climate isn't the only thing about us.
You're going to see some things you've never dreamed of - just /
Page 7      /  wait. About me - it isn't such smooth sailing as you think, you
with your'going home in three weeks.'that's the class of ideas
                    you have down below..."
"...Oh time - !" said Joachim, and nodded repeatedly, straight
in front of him, paying his cousin's honest indignation no heed.
"They make pretty free with a human being's idea of time, up
     here.You woudnt believe it. Three weeks are just like a day to
     them.You'll learn all about it," he said and added: "One's ideas get changed."

Page Nine        End of Chapter1 writ the scribe

Then  ZedAlizZed a spot o' magic did The scribe writ tops

Three weeks. These words by time constrained, occur 7 times in Chapter 1 within 4 pages


Page 3.             'three weeks' x 1                                       3  x  7  x  1 =  2 1            2 +  1 =  3
Page 4.             'three weeks' x 1                                       3  x  7  x  1 =  2 1            2 +  1 =  3
Page 6.             'three weeks' x 3                                       3  x  7  x  3 =  6 3            6 +  3 =  9
Page 7              'three weeks' x 2                                       3  x  7  x  2 =  4 2            4 +  2 =  6
        20                                     7                                                      7    147           14 + 7 = 21

Zed Aliz Zed said there are 5 letters in three and 5 in weeks 10 in all!
Now scribe just for't laugh times that ten by the seven that occur in Chapter One .entitled 'Arrival'
The scribe writ there are seven letters in ' Arrival'


Reight wah scribe said Alizzed.    Three weeks iz 21 days, x 7 strikes, iz 147.  
Reight said Zed Aliz, saying
Reight agin'
Turn to page 147 of The Magic Mountain and inscribe scribe.

There are a total of 43 lines of text on this page. 4 + 3 being 7 added the scribe
The second line from the bottom of this page reads

             "Hans Castorp had not been up here three weeks."    

This page is now quoted in full.

Page 147 /

"...other he mentally summed up various people, the thought of whom might serve him
As some sort of mental support.
    There was the good, the upright Joachim, firm as a rock - yet whose eyes in these past months had come to
hold such a tragic shadow, and who had never used to shrug his shoulders, as he did so often now. Joachim,
with the "Blue Peter" in his pocket, as Frau Stohr called the receptacle. When Hans Castorp thought of her
hard crabbed face it made him shiver.yes there was Joa-chim who - who kept constantly at Hofrat Behrens
to let him get away and go down to the longed for service in the "plain"the "flat-land," - as the healthy, normal
world was called up here, with a faint yet perceptible nuance of contempt. Joachim served the cure single-
mindedly, to the end that he might arrive sooner at his goal and save some of the time which "those up here"
so wantonly flung away; served it unquestioningly for the sake of speedy re-covery - but also, Hans Castorp
detected, for the sake of the cure itself, which, after all was a service, like another; and was not duty duty, wherever performed? Joachim invariably went upstairs after only a quarter-hour in the drawing-rooms; and this military precision of his was a prop to the civilian laxity of his cousin, who would otherwise be likely to loiter unprofitably below, with his eye on the company in the small salon. But Hans Castorp was con-vinced there was another and private reason why Joachim with-drew so early; he had known it since the time he saw his cousin's face take on the mottled pallor, and his mouth assume the pathetic twist. He perfectly understood. For Marusja was almost always there in the evening - laughter-loving Marusja, with the little ruby on her charming hand, the handkerchief with the orange scent, and the swelling bosom, tainted within - Hans Castorp com-prehended that it was her presence which drove Joachim away, precisely because it so bly, so fearfully drew him towards her. Was Joachim too "immured" -  and even worse off than him-self, in that he had five times a day to sit at the same table with Marusja and her orange-scented handkerchief? However that might be, it was clear that Joachim was preoccupied with his own troubles; the thought of him could afford his cousin no mental support. That he took refuge in daily flight was a credit to him; but that he had to flee was anything but reassuring to Hans Ca-storp, who even began to feel that Joachim's good example of faithful service of the cure and the initiation which he owed to his cousin's experience might also have there bad side.
Hans Castorp had not been up here three weeks. But it seemed longer; and the daily routine which Joachim so piously observed  



Using the seven as your yard stick scribe count the multiplication of  names containing seven letters What about the apostrophe said the scribe in an aside. We are lucking for patterns scribe, coincidental patterns we are pattern finding, be thou not side tracked.  
When-feeling this way out the Alizzed would brook no opposition

And so, that oh so far yonder scribe writ
Joachim     x     11   =   77
Castorp      x      6    =   42
Behrens      x      1    =    7
Marusja     x      3    =   21
                         21    = 147
"Hans Castorp had not been up here three weeks."  3 x 7 iz 21

Page 42 

 "There were seven tables, all but two of them standing length-
wise of the room.They were good-sized, seating each ten persons
Yon scribe writ 7 x 10 iz 70



And said Alizzed there are seven chapters contained in the ascent of The Magic Mountain.
And 43 lines to the average page The scribe writ 4 + 3 iz 7

The Magic Mountain
Thomas Mann 1924

Page 10

Chapter 1
"...Number  34..." 

    
Page 660

"... A small and a mixed product of conscious, half-conscious, and un-conscious elements,
                                                                                  9          4          9                 2          9
                                                                                                     9 + 4 + 9 + 2 + 9
                                                                                                                33
                                                                                                              3 x 3
                                                                                                                 9
H   O   L  G   E   R
8    6    3   7   5    9      


The Tibetan Book of the Dead
Edited by W.Y. Evans-Wentz
" III. The Esoteric Significance Of the Forty-Nine Days Of The Bardo"

Page 6

" Turning now to our text itself, we find that structurally it is founded upon the symbolic number Forty-nine, the square of the sacred number Seven; for, according to occult teachings common to Northern Buddhism and to that Higher Hinduism which the Hindu-born Bodhisattva Who became the Buddha

Gautama, the Reformer of the Lower Hinduism and the codifier of the secret Lore, never repudiated,there
are seven worlds or seven degrees of Maya 2 within the sangsara, 3  con-stituted as seven globes of a
planetery chain. On each globe there are seven rounds of evolution, making the forty-nine (seven times seven)
stations of active existence. As in the

/  Page 7   /

embryonic state in the human species the foetus passes through every form of organic structure
from the amoeba to man, the highest mammal, so in the after-death state, the embryonic
state of the psychic world, the Knower or principle of con-sciousness, anterior to its re-emergence in gross matter, ana-logously experiences purely psychic conditions. In other words, in both these interdependent embryonic processes - the one physical , the other psychical - the evolutionary and the involutionary attainments, corresponding to the forty-nine stations of existence, are passed through.
      Similarly, the forty-nine days of the Bardo may also be Symbolical of the Forty and Nine Powers of the Mystery of the Seven Vowels. In Hindu mythology, whence much of the Bardo symbolism originated, these Vowels were the Mystery of the Seven Fires and their forty-nine subdivisional
fires or aspects. They are also represented by the Svastika signs upon the crowns of the seven heads of the Serpent of Eternity of the Northern Buddhist Mysteries, originating in ancient India. In Hermetic writings they are the seven zones of after-death, or Bardo , experiences, each symbolizing the eruption in the Intermediate State of a particular seven-fold element of the complex principle of consciousness, thus giving the consciousness-principle forty-nine aspects, or fires, or fields of manifestation 1.
      The number seven has long been a sacred number among Aryan and other races. Its use in the Revelation of John illustrates this, as does the conception of the seven day being regarded as holy. In Nature, the number seven governs the periodicity and phenomena of life,as, for example, in the series of chemical elements, in the physics of sound and colour, and it is upon the number forty-nine, or seven times seven, that the Bardo Thodol is thus scientifically based."  



On page 6, said Alizzed   seven  occurs   seven  times  7 x 7 which iz  49
                                  and,        
on page 7,  speaks to us  ten  times10 x 7           10 + 7
                                                              70                 17
                                                            7 + 0             1 x 7  
                                                               7                   7
Don't look like that scribe, said ZedAliz, our path is littered with sevens. Seven iz our guide and at this particular moment in the now of our time seven iz our nine.
 
The scribe writ, as required, and then writ    forty-nine.
and then out of interest further writ                 40 x 9 iz  360

Before starting, having already started, said Zed Aliz to the accompanying shadow, si,thi,read this.

 

Apr 21, 2025

Pope Francis has died aged 88, the Vatican has announced.

He died at his residence in the Vatican's Casa Santa Marta on Easter Monday morning, the Vatican news service added.

His death comes a day after he appeared in St Peter's Square to wish "Happy Easter" to thousands of worshippers.

 

-
-
-
-
11

POPE FRANCIS
-
-
-
P
=
7
-
4
POPE
52
25
7
F
=
6
-
7
FRANCIS
70
34
7
-
-
13
-
11

POPE FRANCIS
122
59
14
-
-
1+3
-
1+1
-
1+2+2
5+9
1+4
-
-
4
-
2

POPE FRANCIS
5
14
5
-
-
-
-
-
-
-
1+4
-
-
-
4
-
2

POPE FRANCIS
5
5
5

 

H
8
4
HOLY
60
24
6
S
1
6
SPIRIT
91
37
1
-
9
10
-
151
61
7
-
-
1+0
-
1+5+1
6+1
-
-
9
1
-
7
7
7

 

Ah! Sweet Mystery Of Life
Song by
Jeanette MacDonald, Nelson Eddy


Ah, sweet mystery of life
At last I've found thee
Ah, I know at last the secret of it all
All the longing, seeking, striving, waiting, yearning
The burning hopes, the joy and idle tears that fall
For 'tis love and love alone, the world is seeking
And 'tis love and love alone that can repay
'Tis the answer, 'tis the end and all of living
For it is love alone that rules for aye
Love and love alone, the world is seeking
For 'tis love and love alone that can repay
'Tis the answer, 'tis the end and all of living
For it is love alone that rules for aye

 

 

 

 

 

NUCLEAR FAMILY 1969

 

 

 

 

FIRST YOU SEE ME THEN YOU DONTT

SOMETIME NEVER

 

 

 

 

 

 

SAVE ALL YOUR DISHES FOR ME

 

 

THE NUCLEAR FAMILY 1969

 

WAY OF THE PEACEFUL WARRIOR

A

BOOK THAT CHANGES LIVES

Dan Millman 1980

Page 44

"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 /

"Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a say­ing of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."

 

The Love Song of J. Alfred Prufrock

"I AM LAZARUS, COME FROM THE DEAD, COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL"

 

THE LURE AND ROMANCE OF ALCHEMY.

A history of the secret link between magic and science

1990
C. J. S.Thompson

Page# 31 / 32

note 1 Julius Ruska ,Tabula Smaragdini 1926

"THE EMERALD TABLE OF HERMES: "

"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb,the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."

 

 

Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

I

SAY

IS THIS THE OTHER SIDE OF THE GREAT DIVIDE

?

NO ITS OVER THERE

I

HAVE JUST BEEN OVER THERE AND THEY SAID ITS OVER HERE

 

Did Spacemen Colonise the Earth?

Robin Collyns 1974

Page 206

"FINIS"

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

THE THUNDERBOLT

Page 715

"There is our friend, there is Hans Castorp! We recognize him at a distance, by the little beard he assumed 'while sitting at the " bad" Russian table. Like all the others, he is wet through and glowing. He is running, his feet heavy with mould, the bayonet swinging in his, hand. Look! He treads on the hand of a fallen comrade; with his hobnailed boot he treads the hand deep into the slimy, branch-strewn ground. But it is he. What, singing? As one sings, unaware, staring stark ahead, yes, thus. he spends his hurrying breath, to sing half soundlessly:

"And loving words I've carven
Upon its branches fair-"

He stumbles, No, he has flung himself down, a hell-hound is coming howling, a huge explosive shell, a disgusting sugar-loaf from the infernal regions. He lies with his face in the cool mire, legs. sprawled out, feet twisted, heels turned down. The product of a perverted science, laden with death, slopes earthward thirty paces in front of him and buries its nose in the ground; explodes inside there, with hideous expense of power, and raises up a fountain high as a house, of mud, fire, iron, molten metal, scattered fragments of humanity. Where it fell, two youths had lain, friends who in their need flung themselves down together - now they are scattered, commingled and gone.
Shame of our shadow-safety! Away! No more!-But our friend? Was he hit? He thought so, for the moment. A great clod of earth struck him on the shin, it hurt, but he smiles at it. Up he gets, and staggers on, limping on his earth-bound feet, all unconsciously singing:

"Its waving branches whiispered
A message in my ear -"

and thus, in the tumult, in the rain, in the dusk, vanishes out of our sight.
Farewell, honest Hans Castorp, farewell, Life's delicate child!
Your tale is told. We have told it to the end, and it was neither short nor long, but hermetic. We have told it for its own sake, not for yours, for you were simple. But after all, it was your story, it befell you, you must have more in you than we thought; we will not disclaim the pedagogic weakness we conceived for / Page 716 / you in the telling; which could even lead us to press a finger delicately to our eyes at the thought that we shall see you no more, hear you no more for ever.
Farewell - and if thou livest or diest! Thy prospects are poor. The desperate dance, in which thy fortunes are caught up, will last yet many a sinful year; we should not care to set a high stake on thy life by the time it ends. We even confess that it is without great concern we leave the question open. Adventures of the flesh and in the spirit, while enhancing thy simplicity, granted thee to know in the spirit what in the flesh thou scarcely couldst have done. Moments there were, when out of death, and the rebellion of the flesh, there came to thee, as thou tookest stock of thyself, a dream of love. Out of this universal feast of death, out of this extremity of fever, kindling. the rain-washed evening sky to a fiery glow, may it be that Love one day shall mount?

FINIS OPERIS

 

 
 
 
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