Untitled Document

THE NUCLEAR FAMILY 1969

THE

MAGICALALPHABET

..................

-	-	-	-	-	THE RAINBOW LIGHT	-	-	-
T	=	2	-	3	THE	33	15	6
R	=	9	-	7	RAINBOW	82	37	1
L	=	3	-	5	LIGHT	56	29	2
-	-	14	-	15	THE RAINBOW LIGHT	171	81	9
-	-	1+4	-	1+5	-	1+7+1	8+1	-
Q	-	5	-	6	THE RAINBOW LIGHT	9	9	9

MAZE

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

26	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	-	-	-	8	9	-	-	-	-	5	6	-	-	-	1	-	-	-	-	6	-	8	+	=	43	4+3	=	7	=	7	=	7
-	-	-	-	-	-	-	-	8	9	-	-	-	-	14	15	-	-	-	19	-	-	-	-	24	-	26	+	=	115	1+1+5	=	7	=	7	=	7
26	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z	-	-	-	-	-	-	-	-	-	-
-	1	2	3	4	5	6	7	-	-	1	2	3	4	-	-	7	8	9	-	2	3	4	5	-	7	-	+	=	83	8+3	=	11	1+1	2	=	2
-	1	2	3	4	5	6	7	-	-	10	11	12	13	-	-	16	17	18	-	20	21	22	23	-	25	-	+	=	236	2+3+6	=	11	1+1	2	=	2
26	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z	-	-	-	-	-	-	-	-	-	-
-	1	2	3	4	5	6	7	8	9	10	11	12	13	14	15	16	17	18	19	20	21	22	23	24	25	26	+	=	351	3+5+1	=	9	=	9	=	9
-	1	2	3	4	5	6	7	8	9	1	2	3	4	5	6	7	8	9	1	2	3	4	5	6	7	8	+	=	126	1+2+6	=	9	=	9	=	9
26	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z	-	-	-	-	-	-	-	-	-	-
-	1	-	-	-	-	-	-	-	-	1	-	-	-	-	-	-	-	-	1	-	-	-	-	-	-	-	+	=	1	occurs	x	3	=	3	=	3
-	-	2	-	-	-	-	-	-	-	-	2	-	-	-	-	-	-	-	-	2	-	-	-	-	-	-	+	=	2	occurs	x	3	=	6	=	6
-	-	-	3	-	-	-	-	-	-	-	-	3	-	-	-	-	-	-	-	-	3	-	-	-	-	-	+	=	3	occurs	x	3	=	9	=	9
-	-	-	-	4	-	-	-	-	-	-	-	-	4	-	-	-	-	-	-	-	-	4	-	-	-	-	+	=	4	occurs	x	3	=	12	1+2	3
-	-	-	-	-	5	-	-	-	-	-	-	-	-	5	-	-	-	-	-	-	-	-	5	-	-	-	+	=	5	occurs	x	3	=	15	1+5	6
-	-	-	-	-	-	6	-	-	-	-	-	-	-	-	6	-	-	-	-	-	-	-	-	6	-	-	+	=	6	occurs	x	3	=	18	1+8	9
-	-	-	-	-	-	-	7	-	-	-	-	-	-	-	-	7	-	-	-	-	-	-	-	-	7	-	+	=	7	occurs	x	3	=	21	2+1	3
-	-	-	-	-	-	-	-	8	-	-	-	-	-	-	-	-	8	-	-	-	-	-	-	-	-	8	+	=	8	occurs	x	3	=	24	2+4	6
-	-	-	-	-	-	-	-	-	9	-	-	-	-	-	-	-	-	9	-	-	-	-	-	-	-	-	+	=	9	occurs	x	2	=	18	1+8	9
26	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z	-	-	45	-	-	26	-	126	-	54
-	-	-	-	-	-	-	-	-	9	-	-	-	-	-	-	-	-	9	-	-	-	-	-	-	-	-	-	-	4+5	-	-	2+6	-	1+2+6	-	5+4
26	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z	-	-	9	-	-	8	-	9	-	9
-	1	2	3	4	5	6	7	8	9	1	2	3	4	5	6	7	8	9	1	2	3	4	5	6	7	8	-	-	-	-	-	-	-	-	-	-
26	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z	-	-	9	-	-	8	-	9	-	9

THE MAGIC MOUNTAIN
Thomas Mann.
1875 - 1955

Quote

"I tell them that if they will occupy themselves with the study of
mathematics
they will find in it the best remedy against the lusts of the flesh."

-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
A	=	1	-	5	ADDED	18	18	9	-	-	-	-	-	-	-	-	-	9
T	=	2	-	2	TO	35	8	8	-	-	-	-	-	-	-	-	8	-
A	=	1	-	3	ALL	25	7	7	-	-	-	-	-	-	-	7	-	-
M	=	4	-	5	MINUS	76	22	4	-	-	-	-	4	-	-	-	-	-
N	=	5	-	4	NONE	48	21	3	-	-	-	3	-	-	-	-	-	-
S	=	1	-	6	SHARED	55	28	1	-	1	-	-	-	-	-	-	-	-
B	=	2	-	2	BY	27	9	9	-	-	-	-	-	-	-	-	-	9
E	=	5	-	10	EVERYTHING	133	61	7	-	-	-	-	-	-	-	7	-	-
M	=	4	-	10	MULTIPLIED	121	49	4	-	-	-	-	4	-	-	-	-	-
I	=	9	-	2	IN	23	14	5	-	-	-	-	-	5	-	-	-	-
A	=	1	-	9	ABUNDANCE	65	29	2	-	-	2	-	-	-	-	-	-	-
-	-	35	-	58	First Total	626	266	59	-	1	2	3	8	5	6	14	8	18
-	-	3+5	-	5+8	Add to Reduce	6+2+6	2+6+6	5+9	-	-	-	-	-	-	-	1+4	-	1+8
-	-	8	-	13	Second Total	14	14	10	-	1	2	3	8	5	6	5	8	9
-	-	-	-	1+3	Reduce to Deduce	1+4	1+4	1+0	-	-	-	-	-	-	-	-	-	-
-	-	8	-	4	Essence of Number	5	5	5	-	1	2	3	8	5	6	5	8	9

-	GOOD	-	-	-
2	DO	19	10	1
4	GOOD	41	23	5
6	GOOD DO	60	33	6

2	GO	22	13	4
2	DO	19	10	1
4	GOOD	41	23	5
8	GOOD GO DO	82	46	10
-	-`	8+2	4+6	1+0
8	GOOD DO GO	10	10	1
-	-`	1+0	1+0	-
8	GOOD GO DO	1	1	1

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

Page 250

"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS

OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK BUT LANGUAGE HAS BEEN ENTIRELY

TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE

HEBREW ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE

SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED

THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"

....

THE LIGHT IS RISING NOW RISING IS THE LIGHT

THE JOURNEY MAN 1977

THE JOURNEY WOMAN 1978

SCULPTURE OF VIBRATIONS 1971

BIRTH OF THE HORUS

EHT NAMUH 1973

BY AND BY A BABY HAPPENED BY. 1973

NELSON MANDELA 1973

GLENN WILTSHIRE 1972

BALD HEADED BLIND MAN 1975

SISTERS IN WORSHIP 1976

YOU LOOK LIKE ME AND I LIKE YOU 1975

BEHOLD THE MAN IS1973

12	BEHOLD THE MAN	-	-	-
1	BEHOLD	46	28	1
-	THE	33	15	6
1	MAN	28	10	1
1	IS	28	19	1
11	BEHOLD THE MAN IS	126	72	9
1+2	-	1+2	7+2	-
3	BEHOLD THE MAN IS	9	9	9

THE WEDDING 1974

SANS AMOUR SANS MAMAN SANS EVERYTHING 1975

EHT NAMUH 1977

THE STARING MAN 1973

METAMORPHOSIS 1974

BIRTH OF AN IDEA 1975

GLENN WILTSHIRE 1976

RACIAL MEMORY 1975

THE SHAPE OF THINGS TO COME 1972

MAN EATING HIS OWN EYES 1972

-	-	-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
0	-	Z	=	8	1	4	ZERO	64	28	1	-	1	-	-	-	-	-	-	-	-
1	-	F	=	6	2	5	FIRST	72	27	9	-	-	-	-	-	-	-	-	-	9
2	-	S	=	1	3	6	SECOND	60	24	6	-	-	-	-	-	-	6	-	-	-
3	-	T	=	2	4	5	THIRD	59	32	5	-	-	-	-	-	5	-	-	-	-
4	-	F	=	6	5	6	FOURTH	88	34	7	-	-	-	-	-	-	-	7	-	-
5	-	F	=	6	6	5	FIFTH	49	31	4	-	-	-	-	4	-	-	-	-	-
6	-	S	=	1	7	5	SIXTH	80	26	8	-	-	-	-	-	-	-	-	8	-
7	-	S	=	1	8	7	SEVENTH	93	30	3	-	-	-	3	-	-	-	-	-	-
8	-	E	=	5	9	6	EIGHTH	57	39	3	-	-	-	3	-	-	-	-	-	-
9	-	N	=	5	10	5	NINTH	65	29	2	-	-	2	-	-	-	-	-	-	-
45	-	-	-	41	-	54	Add	687	300	48	-	1	2	6	4	5	6	7	8	9
4+5	-	-	-	4+1	-	5+4	Reduce	6+8+7	3+0+0	4+8	-	-	-	-	-	-	-	-	-	-
9	-	-	-	5	-	9	Deduce	21	3	12	-	1	2	6	4	5	6	7	8	9
-	-	-	-	-	-	-	Reduce	2+1	-	1+2	-	-	-	-	-	-	-	-	-	-
9	-	-	-	5	-	9	Essence	3	3	3	-	1	2	6	4	5	6	7	8	9

-	-	-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
0	-	Z	=	8	1	4	ZERO	64	28	1	-	1	-	-	-	-	-	-	-	-
9	-	N	=	5	10	5	NINTH	65	29	2	-	-	2	-	-	-	-	-	-	-
7	-	S	=	1	8	7	SEVENTH	93	30	3	-	-	-	3	-	-	-	-	-	-
8	-	E	=	5	9	6	EIGHTH	57	39	3	-	-	-	3	-	-	-	-	-	-
5	-	F	=	6	6	5	FIFTH	49	31	4	-	-	-	-	4	-	-	-	-	-
3	-	T	=	2	4	5	THIRD	59	32	5	-	-	-	-	-	5	-	-	-	-
2	-	S	=	1	3	6	SECOND	60	24	6	-	-	-	-	-	-	6	-	-	-
4	-	F	=	6	5	6	FOURTH	88	34	7	-	-	-	-	-	-	-	7	-	-
6	-	S	=	1	7	5	SIXTH	80	26	8	-	-	-	-	-	-	-	-	8	-
1	-	F	=	6	2	5	FIRST	72	27	9	-	-	-	-	-	-	-	-	-	9
45	-	-	-	41	-	54	Add	687	300	48	-	1	2	6	4	5	6	7	8	9
4+5	-	-	-	4+1	-	5+4	Reduce	6+8+7	3+0+0	4+8	-	-	-	-	-	-	-	-	-	-
9	-	-	-	5	-	9	Deduce	21	3	12	-	1	2	6	4	5	6	7	8	9
-	-	-	-	-	-	-	Reduce	2+1	-	1+2	-	-	-	-	-	-	-	-	-	-
9	-	-	-	5	-	9	Essence	3	3	3	-	1	2	6	4	5	6	7	8	9

-	-	-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
0	-	Z	=	8	-	4	ZERO	64	28	1	-	1	-	-	-	-	-	-	-	-
1	-	O	=	6	-	3	ONE	34	16	7	-	-	-	-	-	-	-	7	-	-
2	-	T	=	2	-	3	TWO	58	13	4	-	-	-	-	4	-	-	-	-	-
3	-	T	=	2	-	5	THREE	56	29	2	-	-	2	-	-	-	-	-	-	-
4	-	F	=	6	-	4	FOUR	60	24	6	-	-	-	-	-	-	6	-	-	-
5	-	F	=	6	-	4	FIVE	42	24	6	-	-	-	-	-	-	6	-	-	-
6	-	S	=	1	-	3	SIX	52	16	7	-	-	-	-	-	-	-	7	-	-
7	-	S	=	1	-	5	SEVEN	65	20	2	-	-	2	-	-	-	-	-	-	-
8	-	E	=	5	-	5	EIGHT	49	31	4	-	-	-	-	4	-	-	-	-	-
9	-	N	=	5	-	4	NINE	42	24	6	-	-	-	-	-	-	6	-	-	-
45	-	-	-	42	-	40	Add	522	225	45	-	1	4	3	8	5	18	14	8	9
4+5	-	-	-	4+2	-	4+0	Reduce	5+2+2	2+2+5	4+5	-	-	-	-	-	-	1+8	1+4	-	-
9	-	-	-	6	-	4	Deduce	9	9	9	-	1	4	3	8	5	9	5	8	9

-	-	-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
0	-	Z	=	8	1	4	ZERO	64	28	1	-	1	-	3	-	5	-	-	8	9
1	-	O	=	6	2	3	ONE	34	16	7	-	-	-	3	-	5	-	7	8	9
2	-	T	=	2	3	3	TWO	58	13	4	-	-	-	3	4	5	-	-	8	9
3	-	T	=	2	4	5	THREE	56	29	2	-	-	2	3	-	5	-	-	8	9
4	-	F	=	6	5	4	FOUR	60	24	6	-	-	-	3	-	5	6	-	8	9
5	-	F	=	6	6	4	FIVE	42	24	6	-	-	-	3	-	5	6	-	8	9
6	-	S	=	1	7	3	SIX	52	16	7	-	-	-	3	-	5	-	7	8	9
7	-	S	=	1	8	5	SEVEN	65	20	2	-	-	2	3	-	5	-	-	8	9
8	-	E	=	5	9	5	EIGHT	49	31	4	-	-	-	3	4	5	-	-	8	9
9	-	N	=	5	10	4	NINE	42	24	6	-	-	-	3	-	5	6	-	8	9
45	-	-	-	42	-	40	Add	522	225	45	-	1	4	3	8	5	18	14	8	9
4+5	-	-	-	4+2	-	4+0	Reduce	5+2+2	2+2+5	4+5	-	-	-	-	-	-	1+8	1+4	-	-
9	-	-	-	6	-	4	Deduce	9	9	9	-	1	4	3	8	5	9	5	8	9

-	-	-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
0	-	Z	=	8	1	4	ZERO	64	28	1	-	1	-	3	-	5	-	-	8	9
3	-	T	=	2	4	5	THREE	56	29	2	-	-	2	3	-	5	-	-	8	9
7	-	S	=	1	8	5	SEVEN	65	20	2	-	-	2	3	-	5	-	-	8	9
2	-	T	=	2	3	3	TWO	58	13	4	-	-	-	3	4	5	-	-	8	9
8	-	E	=	5	9	5	EIGHT	49	31	4	-	-	-	3	4	5	-	-	8	9
4	-	F	=	6	5	4	FOUR	60	24	6	-	-	-	3	-	5	6	-	8	9
5	-	F	=	6	6	4	FIVE	42	24	6	-	-	-	3	-	5	6	-	8	9
9	-	N	=	5	10	4	NINE	42	24	6	-	-	-	3	-	5	6	-	8	9
1	-	O	=	6	2	3	ONE	34	16	7	-	-	-	3	-	5	-	7	8	9
6	-	S	=	1	7	3	SIX	52	16	7	-	-	-	3	-	5	-	7	8	9
45	-	-	-	42	-	40	Add	522	225	45	-	1	4	3	8	5	18	14	8	9
4+5	-	-	-	4+2	-	4+0	Reduce	5+2+2	2+2+5	4+5	-	-	-	-	-	-	1+8	1+4	-	-
9	-	-	-	6	-	4	Deduce	9	9	9	-	1	4	3	8	5	9	5	8	9

-	-	-	-	-	-	-	-	-	-	-	-	1	2	4	6	7
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
0	-	Z	=	8	1	4	ZERO	64	28	1	-	1	-	-	-	-
3	-	T	=	2	4	5	THREE	56	29	2	-	-	2	-	-	-
7	-	S	=	1	8	5	SEVEN	65	20	2	-	-	2	-	-	-
2	-	T	=	2	3	3	TWO	58	13	4	-	-	-	4	-	-
8	-	E	=	5	9	5	EIGHT	49	31	4	-	-	-	4	-	-
4	-	F	=	6	5	4	FOUR	60	24	6	-	-	-	-	6	-
5	-	F	=	6	6	4	FIVE	42	24	6	-	-	-	-	6	-
9	-	N	=	5	10	4	NINE	42	24	6	-	-	-	-	6	-
1	-	O	=	6	2	3	ONE	34	16	7	-	-	-	-	-	7
6	-	S	=	1	7	3	SIX	52	16	7	-	-	-	-	-	7
45	-	-	-	42	-	40	Add	522	225	45	-	1	4	8	18	14
4+5	-	-	-	4+2	-	4+0	Reduce	5+2+2	2+2+5	4+5	-	-	-	-	1+8	1+4
9	-	-	-	6	-	4	Deduce	9	9	9	-	1	4	8	9	5

0	-	4	ZERO	8	5	9	6	-	=	28	2+8	=	10	1+0	1
1	-	3	ONE	6	5	5	-	-	=	16	1+6	=	7	-	7
2	-	3	TWO	2	5	6	-	-	=	13	1+3	=	4	-	4
3	-	5	THREE	2	8	9	5	5	=	29	2+9	=	11	1+1	2
4	-	4	FOUR	6	6	3	9	-	=	24	2+4	=	6	-	6
5	-	4	FIVE	6	9	4	5	-	=	24	2+4	=	6	-	6
6	-	3	SIX	1	9	6	-	-	=	16	1+6	=	7	-	7
7	-	5	SEVEN	1	5	4	5	5	=	20	2+0	=	2	-	2
8	-	5	EIGHT	5	9	7	8	2	=	31	3+1	=	4	-	4
9	-	4	NINE	5	9	5	5	-	=	24	2+4	=	6	-	6
45	-	40	Add	42	70	58	43	12	-	225	-	-	63	-	45
4+5	-	4+0	-	4+2	7+0	5+8	4+3	1+2	-	2+2+5	-	-	6+3	-	4+5
9	-	4	Reduce	6	7	13	7	3	-	9	-	-	9	-	-
-	-	-	-	-	-	1+3	-	-	-	-	-	-	-	-	-
9	-	4	Deduce	6	7	4	7	3	-	9	-	-	9	-	9

O	=	6	3	ONE	34	16	7
T	=	2	3	TWO	58	13	4
T	=	2	5	THREE	56	29	2
F	=	6	4	FOUR	60	24	6
F	+	6	4	FIVE	42	24	6
S	=	1	3	SIX	52	16	7
S	=	1	5	SEVEN	65	20	2
E	=	5	5	EIGHT	49	31	4
N	=	5	4	NINE	42	24	6
-	-	39	36	-	458	197	44
-	-	3+9	3+6	-	4+5+8	1+9+7	4+4
-	-	12	9	-	17	17	8
-	-	1+2	-	-	-	-	-
-	-	3	9	-	8	8	8

NUMBER

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Page 32

To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.

THE

BALANCING

ONE TWO THREE FOUR

FIVE

NINE EIGHT SEVEN SIX

666

999

O

=

15

-

3

ONE

34

16

7

-

1

T

=

20

-

3

TWO

58

13

4

-

2

T

=

20

-

5

THREE

56

29

2

-

3

F

=

6

-

4

FOUR

60

24

6

-

4

-

-

61

-

15

Add

208

82

19

-

10

-

-

6+1

-

1+5

Reduce

2+0+8

8+2

1+9

-

1+0

-

-

7

-

6

Deduce

10

10

10

-

1

-

-

-

-

-

Produce

1+0

1+0

1+0

-

-

-

-

7

-

6

Essence

1

1

1

-

1

N	=	14	-	4	NINE	42	24	6	-	9
E	=	5	-	5	EIGHT	49	31	4	-	8
S	=	19	-	5	SEVEN	65	20	2	-	7
S	=	19	-	3	SIX	52	16	7	-	6
-	-	57	-	17	Add	208	91	19	-	30
-	-	5+7	-	1+7	Reduce	2+0+8	9+1	1+9	-	3+0
-	-	12	-	8	Deduce	10	10	10	-	3
-	-	1+2	-	-	Produce	1+0	1+0	1+0	-	-
-	-	3	-	8	Essence	1	1	1	-	3

FIVE

15	ONE TWO THREE FOUR	208	82	1
4	FIVE	42	24	6
17	NINE EIGHT SEVEN SIX	208	91	1

3	ONE	34	16	7	-	3	SIX	52	16	7
3	TWO	58	13	4	-	5	SEVEN	65	20	2
5	THREE	56	29	2	-	5	EIGHT	49	31	4
4	FOUR	60	24	6	-	4	NINE	42	24	6
15	Add	208	82	19	-	17	Add	208	91	19
1+5	Reduce	2+0+8	8+2	1+9	-	1+7	Reduce	2+0+8	9+1	1+9
6	Deduce	10	10	10	-	8	Deduce	10	10	10
-	Produce	1+0	1+0	1+0	-	-	Produce	1+0	1+0	1+0
6	Essence	1	1	1	-	8	Essence	1	1	1

ALWAYS BALANCING IS THAT FIVE THAT FIVE IS BALANCING ALWAYS

ONE + TWO + THREE + FOUR = 208. 2+0+8 = 10 1+0 = 1

FIVE 5 FIVE

THE

BALANCING

FIVE 5 FIVE

SIX + SEVEN + EIGHT + NINE = 208. 2+0+8 = 10 1+0 = 1

1234 5 6789

ONE + TWO + THREE + FOUR = 208. 2+0+8 = 10 1+0 = 1

FIVE 5 FIVE

SIX + SEVEN + EIGHT + NINE = 208. 2+0+8 = 10 1+0 = 1

CIRCLE 50 CIRCLE

CIRCLE 32 CIRCLE

CIRCLE 5 CIRCLE

NUMBER = 534259 = 1 = 534259NUMBER

NUMBER = 234559 NUMBER

NUMBER = 534259 = 1 = 534259NUMBER

NUMBERS = 5342591 = 1 = 5342591NUMBERS

NUMBERS = 1234559 = NUMBER

NUMBERS = 5342591 = 1 = 5342591NUMBERS

Vedic Astrology and Numerology, ROHIT KR RAO

www.rohitkrrao.com/numerology.html‎

The history of numbers is as old as the recorded history of man. Numerology was in use in ancient Greece, Rome, Egypt, China and India and is to be found in ...

What are the Numbers?

The most familiar form of numbers are natural numbers 0, 1, 2, 3, 4 5, 6, 7, 8, 9.

The numbers 1 to 9 can be called as unit numbers and the numbers from 10 onwards (up to 99) can be called as double-digit numbers which denotes the fusion of two numbers however these can still be reduced to unit numbers, eg; 24 (2+4=6) is reduced to 6. Then, there are Master Numbers such as 11, 22, 33, 44 and so on which are never reduced to a unit number as they carry their own intensified vibration and potency.

Every number expresses its qualities in the form of strengths and challenges. Therefore, no number is good or bad, lucky or unlucky and auspicious or inauspicious as each and every number is equally necessary and important, and each gives strength to the next one and takes what it needs from the one before. Numbers have two aspects viz; exoteric or external and esoteric or inner. In a nut shell, every number possesses its own unique quality and power.

Our ancient seers believed that numbers symbolize divinity and however our mathematicians believed that study of numbers can possibly reveal the principles of creation and laws of time & space. Numbers can be seen as fundamental in art, poetry, architecture, music, and so on.

“The World is built upon the power of Numbers” ...Pythagoras – 6th century BC.

What is Numerology? top

The word Numerology comes from the Latin word "Numerus," which means number, and the Greek word "Logos," which means word, thought, and expression.

Numerology, based upon the sacred science of numbers, is an advanced offshoot of the melodious rhythm of the mathematical precision that controls all creation. It influences every aspect of our life unconsciously or consciously whether we are aware of this or not.

Numerology is the science and philosophy of numbers (1 to 9) where each numbers has its own strength, potential and challenge. The whole idea behind this is to know the hidden expression contained in these numbers so as to understand their relationship and progression in our numerology chart. This can help us in knowing the difficulties we may have experienced in the past or under present circumstances and then working towards doing some inner work in our life for bringing harmony, peace and joy.
The belief in Numerology is easier to understand when we put it into a context with realizing how the entire world revolves around numbers and mathematical equations.

What is the origin and history of Numerology?

The history of numbers is as old as the recorded history of man. Numerology was in use in ancient Greece, Rome, Egypt, China and India and is to be found in the ancient books of wisdom, such as the Hebrew Kabala. Most commonly used system for Numerology were developed by the Chaldeans, the Hindus, the Mayans, the Hebrews (Kabala), the Chinese (Book of Changes), and the work of Pythagoras, to name a few. The basic intent behind these systems originally was to understand the relationship between man and his god.

Pythagoras, the old master philosopher and mathematician, who lived in the sixth century BC, propounded the theory that nothing in the universe could exist without numbers. He established a Mystery School in Italy when he was 52 years old. He was born in Greece and lived between 582 and 507 BC, much of his life spent in study and travel. His Mystery School taught esoteric knowledge, which included the secret of number and vibration. The knowledge was passed down by word of mouth and a few manuscripts. The academic teaching rested on a foundation of Mathematics, Music and Astronomy. Much of Pythagoras' background in Egyptian philosophy and religion was based upon Number and Kabalistic principle. He postulated that the triangle was particularly important, as it was the first complete shape, and constituted a blueprint. Thus form is preceded by a blueprint, and each stage of this process is measured through numbers, hence nothing exists without numbers.

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

DAILY MAIL

Tuesday, July 12, 2006

ANSWERS TO CORRESPONDENTS

Compiled by James Black and Charles Legge

Page 48

QUESTION When was the Star of David first used as a symbol?

ACCORDING to research undertaken by Christopher Knight and Robert Lomas fot their book The Hiram Key, which studies the history of Freemasonry, the origins of the hexagram are ancient Egyptian. The design is made up from two pyramids, the upward pointing one is the symbol of the power of the king; its base on the earth and its point reaching up to heaven.
The other pyramid represents the power of the priest, being based in heaven and pointing down to earth. Conjoined they form the Star of David.

The two pyramids came to represent the double Messiah; the kingly and the priestly messiahs.

As such, it is the true sign of Jesus who saw himself as a both priestly (he was a rabbi) and kingly (royal House of David) Messiah - the living 'star of David'.
The star of David does not appear in ancient Jewish books other than as one of many decorations, having no special significance to Jews at that time. It was used in Europe on buildings erected by the Knights Templar and on Christian churches in the Middle-Ages.
In the 19th century the mostly non-Jewish architects who designed synagogues wanted a symbol which was as important as the
Cross was to Christianity or the crescent was to Islam. Searching around, they settled on the hexagram, so its use as the symbol of Judaism is relatively modern"

James Morris Leighton Buzzard, Beds:

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

NUMBER
9
The Search for the Sigma Code
Cecil Balmond

Page 5

"One…two…three….My eye went over the figures. Suddenly I saw something. There were hidden patterns; the old man's story about secret num-bers came back to me and I became curious. I started to look into these simple ideas and the more I searched the more fascinated I became. Something was indeed going on underneath the surface of arithmetic and what appeared as a unique calculation to the outside

/ Page 6 /

world was something quite different when viewed from below. Looked at another way, six and six was not necessarily twelve but something much more exciting - the number 3, of a secret code…"

Page 5

"…The thing to do is to follow the path until all the clues are in place and let your mind run free. It is only then that you find what the young master saw: the fixed points in the wind."
     "…it is in this spirit I dedicate the journey to you. Follow the clues, build up the jigsaw piece by piece and make your own investigations; become part of the search.
      Go back in time and let the free spirit in you enter. Talk to it, play ask the strangest questions.
      Start to count again in the simplest of ways,

      one, two, three, four…up to nine.

Page 45

"From ancient times number nine was seen as a full complement;
it was the cup of special promise that brimmed over"

At this most critical moment in the now of our passing. The Zed AlizZed took time out to address yon companies
goodly mix of striven souls. And in manner gentle, this incantation sold. Dearest of dear friends,

The GOD of the THAT, iz the GOD of MIND.
THAT MIND
hath always sparkling point with thee.

.THAT mind of thine, and THAT sparkle point of the THAT,
iz the number
NINE, and its dynastic progeny. NINE
iz the number of the THAT. Listen to the call of thy
GOD

Holy Bible
Scofield References
Jeremiah B.C. 590

Page 809  8 x 9 + 72  7 + 2 = 9
Chapter 33  Verse 3  x  33 = 99

              "Call unto me, and I will answer thee, and shew thee great and mighty things which thou know-est not."

THE RECURRENT DREAM

	A	B	C	D	E	F	G	H	I	J	K	L	M	N	O	P	Q	R	S	T	U	V	W	X	Y	Z
	1	2	3	4	5	6	7	8	9	10	11	12	13	14	15	16	17	18	19	20	21	22	23	24	25	26

1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Again, the far yonder scribe watched in some amaze the Zed AliZed, in swift repeat scatter the nine numbers amongst the letters of their progress.

At the throw of the ninth arm when in conjunction set, the far yonder scrib made record of the fall.

A	+B	+C	+D	+E	+F	+G	+H	+I	+J	+K	+L	+M	+N	+O	+P	+Q	+R	+S	+T	+U	+V	+W	+X	+Y	+Z
1	2	3	4	5	6	7	8	9	10	11	12	13	14	15	16	17	18	19	20	21	22	23	24	25	26

+ - ÷ x
Added to all, minus none, shared by everybody, multiplied in abundance.

9/14/52/9/14

Quote

Post by ONE » 04 Oct 2024 22:08

Hello,
My name is ONE az in 1.
9 have been trying to figure out something out of the website since 9 discovered it by “chance” about 9 months ago,Since It would be outlandish to say that 9 have figured out the true key or meaning behind it,It did change me on a personal level 9 only wished for on so many levels.
9 swam and drowned through forum and the millions”?” Of words Mr.D was so kind to let us fidget with on our free t9mes and to be honest “WE” are sure glad he did right?
9 can’t help but ask,Since I’ve lost many restless nights thinking about the couple users claiming to have figured out the ultimate truth or key to Mr.D’s starship but 9 can’t really seem to comprehend it no matter how hard 9 try and dig through the endless piles of books/words 9 have at my disposal.
To be quite frank,This could be my subconscious requesting backup through my conscious just so 9 can finally rest from thinking about thinking about trying to think a way through the “key” of this magnificent website.
Not to make this longer than it should be,9 want to sincerely thank Mr.D and all of “US” for really being part of the extraordinary collection of brilliant minds that in my modest opinion outweigh the Library Of Alexandria by 99 times.
Regards,
ONE

F A T 1 Z M P I L Q
O 2 I 5 N A X W 8 C
V M H Y T A 9 H T D
E W 3 G I M W A K 6
K A S 0 T U P M 7 B

Postmaster@Imperial.ac,uk 1/2/ 1999 9:14 pm

Sir I would greatly appreciate it if this and the following e-mail could please be forwarded to Professor Steve Jones.
Yours sincerely
David Denison.

Steve Jones

Sir,
Do you recall towards the end of the year 1999 being bombarded with images and text, by a former prison officer. That work was sent to you under great creative duress and I hope it did not give offence.

The work resulting from that frenetic beginning is now drawing toward fruition and is presently posted on the internet.

I have no academic contacts and write to you once more to ask if you would be kind enough to read the messages contained in these two e-mails.
If your commitments prevent this I would appreciate the information being made available to someone who may be able to help evaluate its content.

This is in the main to do with links between language and number.

For example, HAFNIUM has the atomic number 72.
If that word is transcribed into number via the position each letter occupies within the context of the English Alphabet. ie A = 1 and Z = 26 the word Hafnium initially adds up to 72 numerologically this is then condensed becoming 36, finally 3+6 is added to reveal a root number for the word Hafnium of 9.

If the same criteria is applied to the Greek word IOTA which is the ninth letter of the Greek alphabet. The final
distillation of the transposed letters we arrive at number 9.

ADD TO REDUCE REDUCE TO DEDUCE

JUPITER the largest of the planets reduces as follows

Jupiter = 99
Jupiter = 36
Jupiter = 9

The root number of the 3 lettered word SUN is also 9

The root number of the 4 lettered word MOON is 57 reducing initially to 21 and then to 3

The root number of the 5 lettered word EARTH is 52 reducing via 25 to 7

Add to reduce reduce to deduce. That is the key revealing the numerical language links contained within this hidden Magikalalphabet. Coincidental? patterns in abundance

Further examples.
The reference to self, as expressed in the letter I is a constant reiteration of the symbol indicating the 9th position occupied by that letter in the English Alphabet. And that particular language is the conduit that reveals further understanding of those refracted patterns of energies we consider our reality.
The web site contains a mass of information, including hundreds of transcribed words, I believe it suggests another way to read reality. Through a glass sparkly.

Me = 18 then 9

Ego = 27 then 18 and 9

Conscience = 90 then 45 finally 9

Self = 42 = 15 = 6

Reality the word itself is 90 = 36 = 9

Think of the binary system numerical sequencing used in computer communications, and the curiousity exited by certain transposed words like LIVEEVIL LIVEDDEVIL.

EARTH HEART THERA and Abrahams fathers name Terah

There is another way of looking at language and number.

Arithmetical formulae secretly resident within the ENGLISH ALPHABETS CAPITAL LETTERS
H I N O S X Z
and the numbers 1 and 8

It can be seen that if these letters and numbers are inverted they remain visually the samehe same examples of this affecting the whole word are,

ONION, SIN, ZION, NIXON.

Words like Phoenix and Sphinx, or Magician Magic and Magi also contain the revolving symbols. Hereuponin other patterns begin to appear.

There are 9 planets
There are seven openings in the human head and two in the body 9 in all. (ignoring design appendages)
There are seven capital letters remain the same when inverted and two numbers, again 9.

Creative patterns can be observed that begin to tell a different story about the nature of realities intelligent living creativity, from that which is generally available unto our obscured I.

Thank you.

The review below may throw some light on previous communications.

A Ra in bow of good wishes wings its way to you

David Denison
dave@denizen7.freeserve.co.uk
www.973-eht-namuh-973.com
SUNDAY TIMES
July 24th 1977
Page 16

IMAGE OF THE WEEK: SURREALIST

"Where are the good painters of the 1970s In quite surprising places, very likely. One of them is in a West Yorkshire school for prison officers (of whom he is one) giving classes in first-aid. David Denison, who has a current exhibition at Ilkley Manor House, Yorkshire, is almost ,entirely self-taught. As a result he I has learned an astonishing skill
of a highly personal kind. He is a natural surrealist - a breed that is commoner in England than in more rational countries, but is very rare even here.
His imagining has a sardonic poetry of its own. His Study of a Head, for example (right),(image omitted) builds spectacjes and dentures into the structur of a skull. Each eye- socket contains minutely glitter- ing machinery like a watch. Denison is great on eyes. In another picture, a bushy insect likeness of himself sits down to make a meal of a pair of eyeballs.
'A reflective painter will often discern something cannibal in the way an artist consumes his experience and himself, but here, the arched brows and the clown- like red nose have the look of a Prime Minister of Mirth. The hilarity resides in the fantastic
human mix - the very combina- tion of ebullience and decrepi- tude that you can recognise in any pension queue. It is the living flesh of our time, shabbily facetious and libidinous but decayed and dependent on spare parts.
Other Denison pictures are more sombre, poetic, or hor-rendous. Even in their farthest extremity there is often a quality of the real from which fantastic art is usually protected. One can sense that the painter is familiar with rigoursand incongruities that are by no means imaginary. A first-aid prison officer sees vio-lence and self-mutilation, and looks aggression and despair in the face - no painter can know better the constraints from which imagination is literally the only escape. Denison's best pictures have a quality of serious need.
At 37 this remarkable painter is still little known, but Sir Roland Penrose reports that when Max Ernst came to England it was Denison that he wanted to hear about. In a year or two Denison will be famous and we shall ; wonder how we managed to neglect him.
David Denison's work will be on show at IIkley Manor House, Yorkshire until Yorkshire, until August 17."
Lawrence Gowing .

IN
THE
NAME OF GOD
THE COMPASSIONATE THE
MERCIFUL
THE
LORD BLESS THEE AND KEEP THEE THE LORD
MAKE HIS FACE TO SHINE UPON
THEE AND BE GRACIOUS UNTO THEE
THE
LORD
LIFT UP HIS COUNTENANCE UPON
THEE AND GIVE THEE
PEACE
973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA 973
ISISISISISISISISISISISIS 919919919919 ISISISISISISISISISISISIS
999181818181818181818 AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999
999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999
122333444455555666666777777788888888999999999888888887777777666666555554444333221

BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED

IN
THE
BEGINNING
GOD
CREATED THE HEAVEN AND THE EARTH

2
AND THE EARTH WAS WITHOUT FORM AND VOID
AND DARKNESS WAS UPON THE FACE OF THE DEEP AND THE SPIRIT OF GOD
MOVED UPON THE FACE OF THE WATERS

3
AND GOD SAID LET THEIR BE LIGHT AND THERE WAS LIGHT

I
AM
ALPHA AND OMEGA
WITHOUT BEGINNING WITHOUT END
I AM THAT THAT THAT AM I

AFRICAN NIGHTMARE SPECTRE OF FAMINE 1972

THE SCULPTURE OF VIBRATIONS 1971

FIRST CONTACT 1980

GREETINGS
O
NAMUH

7/18/2000 at 12:06

Dear Richard,
Here as promised contained the Denizen email address.
It was a great pleasure to meet you and i'am indebted to your faither and my brudder Micheal for making the arrangements also of course to wah son Matthew who acted as coordinator exrodinaire i was much encouraged by your initial response and to say i'am magog and agog to hear from you would be an understatement.
Nevertheless i do feel you should think carefully before commiting yourself.
I believe it to be a most exciting project but would expect that having entered into it we see it through to fruition.
Best wishes
Dave Denizen

973-eht-namuh-973.com

973ARCHIVE973IN

A DIVINE MESSAGE THE BLESSED PEOPLES OF PERU

"THE GREAT WORK" 1 of 2

mcarden@pucp.edu.pe; kmakows@pucp.edu.pe;
SENT 9/9/2004 8:54

From: david denison
Sent: Thursday, To: mcarden@pucp.edu.pe ; kmakows@pucp.edu.pe
Subject: Mercedes CÁRDENAS MARTÍN and Krzysztof MAKOWSKI HANULA

A DIVINE MESSAGE THE BLESSED PEOPLES OF PERU

"THE GREAT WORK" 2 of 2

September 9, 2004 8:56 PM

8/30/2004 at 3:49 pm
Fw:Number 9 The search for the Sigma Code. " The Great Work"
r.a.lomas@bradford.ac.uk<r.a.lomas@bradford.ac.uk>;Paul@pauldevereux.co.uk<Paul@pauldevereux.co.uk>;
webmaster@cheniere.org<webmaster@cheniere.org>;info@inst.riba.org<info@inst.riba.org>;
trollface@itookmyprozac.com<trollface@itookmyprozac.com>;pam@telepet.demon.co.uk<pam@telepet.demon.co.uk>;
donations@erowid.org<donations@erowid.org>;enquiries@gurdjieff.org.uk<enquiries@gurdjieff.org.uk>
maya777@terra.es<maya777@terra.es>;bklyce@panspermia.org<bklyce@panspermia.org>;
ightnet@iae.nl<lightnet@iae.nl>;brucelc@ihug.co.nz<brucelc@ihug.co.nz>;
ohhdl@gov.tibet.net<ohhdl@gov.tibet.net>;mystery@bubble.com<mystery@bubble.com>;
Webmaster@Seti.org<Webmaster@Seti.org>;starvlingb@aol.com<starvlingb@aol.com>;S
unspotUK@aol.com<SunspotUK@aol.com>;KKammah@link.net<KKammah@link.net>;DWHauck@alchemylab.com
<DWHauck@alchemylab.com>;ChrisR@canterbury-cathedral.org<ChrisR@canterbury-cathedral.org>;tingley@erols.com
<tingley@erols.com>;graham@grahamhancock.com<graham@grahamhancock.com>;
S.W.Hawking@damtp.cam.ac.uk<S.W.Hawking@damtp.cam.ac.uk>;john grigsby<merlin@grahamhancock.com>
richard.dawkins@new.ox.ac.uk<richard.dawkins@new.ox.ac.uk>;jbmorgan@umich.edu<jbmorgan@umich.
edu>;webmaster@cbcew.org.uk<webmaster@cbcew.org.uk>;

rom: david denison
Sent: Wednesday, July 28, 2004 10:02 AM
To: pam@telepet.demon.co.uk
Subject: Fw: ISISIS (Terence Mc Kenna

LET PEACE DESCEND UPON THE EARTH AND GOOD WILL ASCEND UPON ALL SENTIENT BEINGS

Dedicated To The Memory
Of
Terence Mc Kenna

Let peace descend upon the earth and goodwill ascend upon all sentient beings.
Bless you Terence we came as fast as we could neither an aeon too soon nor a moment too late
Silver and gold have I none but such az I have give I thee

David Denison
dave@denizen7.freeserve.co.uk

973-eht-namuh-973.com

From: david denison
Sent: Wednesday, July 28, 2004 9:47 AM
To: pam@telepet.demon.co.uk
Subject: ISISIS (Terence McKenna)

Dear Rupert Sheldrake,
Thank you for your valuable inspirational work.
I appreciate your comments regarding lengthy e-mails. Such a one follows this message, I hope you will forgive me, and that its contents will outweigh inconvenience.

With all good wishes David Denison

Hawkin1. Doc

Dear Steven Hawking,

Hello Sir

Sharp intake of breath, thinks

Oh no not another crank

Hm, be that as it may, this is the most important letter I’ve ever written. You are I know an eminent thinker and your time is precious. I apologise most humbly for trespassing on your life in this way and hope you eventually consider your time to have been well spent. In some small measure I can thank you by giving you images of my work. I hope you like them.

I have just stopped for my umpteenth coffee

Dave gerron wi it, were not interested, you’ve only just started

Reight then. The page I have included, which contains comments on my work and a brief history. I include not to impress, but to assure you of my utmost sincerity, and the veracity of this letter. It serves also to illustrate direction and continuity, in my quest for some understanding of the nature of things, of the human condition. In that Steve we are kith and kin. I hope it gives you some idea about me, that I am not a disembodied voice, a ghost writer. Everyone is a stranger to some one, somewhere, friends are first strangers. I know that you are a seeker like me, looking for answers to the seeming enigma of existence.

I have spent a great deal of my life in institutions of one kind or another, serving three years in the Air Force 1958-61. I am fifty six years old, retired from the Prison Service, for whom I had apparently worked twenty eight years. For eighteen of those years, amazingly, I was able to paint whilst at work. I was a prison hospital officer and the jobs that I did over that period of time, were positions fairly carefree, and with virtual total autonomy.

I hope this is not a total ball ache for you Steve but honest injun, I am to pardon the pun, trying to put you in the picture, this biographical ephemera might help. Whilst in the RAF in 1958, I started copying old master drawings. Then in 1963 I started to paint and have done so until the last few years, during which I have travelled pretty extensively. I was married briefly, I have three grown up kids, one son, two daughters. I have lived on my own nearly all my adult life. For a few months I have had two girls living with me, who have been working abroad and go back in February. I mention this because they are featured in the tapes. One of the girls was a personal friend who has a dog which I have looked after for eighteen months, the dog unfortunately has split into three, so I’ve now got three dogs from none.

For as long as I can remember, the koan bone I have worried has been

Ah sweet mystery of life

At last I’ve found you

We walk the same road, I was destined to walk it, thoughtfully, but thus far alone. Formal education for me finished at fifteen and may account for the somewhat idiosyncratic way I have of expressing myself, although I am trying to keep it ordered, so please bare with me.

Meanwhile back at the ranch.

Look abroad through natures range

Natures mighty law is changed

Thank you for that one dear Robbie

I started to paint in 1963, I had never done so before and cannot recall much of an interest whilst at school. I have never received any lessons, that I think was important. In 1966 I prepared the surface of a piece of hardboard and primed it with white emulsion paint. It was perhaps thirty six by thirty inches. This was maybe the seventh attempt at a painting, nothing much. After drawing a huge head, I simply divided it into segments, painted, thickly and quickly in different colours.

This is the situation, I was working at Wakefield Prison, working horrendous hours, hours that would have killed an hoss, overtime was totally compulsory and could be detailed at a moments notice. Personally I was frustrated, there were not many to whom I could talk. Staff, friends and inmates everywhere, and not a drop to think.

The painting. The frustration engendered by this simplistic image, I can recall feeling stumped and stymied, redundant in its presence. What am I trying to do anyway? So the pressure continued to build, as I chopped and changed, eventually the head was covered in numerous coats of paint. Something then happened which was rather wonderful. One day staring at the painting, a different state of consciousness took over. I attacked the geometrical precision of the image, physically with my bare fingers. Each succeeding coat of paint had dried at different rates. The one nearest the emulsion was the driest because of the unsealed capillary action of the hardboard, the paint had become very pliable, almost plasticine like. The technique depended on the pressure exerted by the finger nails, dragging across the surface, perhaps through four layers of paint in various stages of drying and it depended on that for its effect. Evocation Van Gough.

It is now 5.30 am in the morning, I’m sorry about my voice, it seems to be going, I’ll try and buck up.

Suddenly was engendered a multi-coloured shorn head, on powerful shoulders, rising out of a sea of blue. The creative experience. I have been fortunate enough to experience such magic many times since then. It is categorised in every case as follows: a build up of some kind of mental turmoil, great frustration, impatience and inner anguish. Then becomes the image, as much a surprise to this seeing eye as anybody that sees it. Herein the success of it. Images you haven’t seen before, but having seen them, seem as if they should always have been. The mind boggles.

If our Norah, my mother, who is eighty five were present, when you are listening to this she’d say,

Oh do you know that Mr. Hawking is a lovely man, so patient int he Michael. Michael ask him if he can play chess. I’ll get you a cup of tea and a sandwich. Mm...

It was at that point, half eight in the morning, I were jiggered, so I went to bed. It’s now twelve o’clock, I’ve just looked outside the back door, it’s absolutely sileing down. Raining dogs and cats, in fact I think three of em’s run in here, would you believe it. My friend Deborah has called, as usual, dispensing peace and tranquillity.

Dave I’m off to f-ing park, are you coming

No Deborah I must get this finished

You lazy, idle git

The outwardly facile draughtsman, I have shunned, I am still vergo intacto. In the light of experience I believe such a discipline would for me have been an interference in the process. False starts there may be, but once the fixation occurs, the concentration seems fairly absolute, with no effort, lock on is total. Then, and only then, does appear that which is a stranger to both you and I, it is then simply a matter of qualifying that which has exteriorised. Generally it just seems to appear of its own free will. Finally it is very difficult to disengage from the work, often continuing, sometimes even painting another picture. I suppose you only need paint one picture, or write one poem. Eventually letting go, but knowing you have paid in some way you are unaware of, paid dearly for the experience, in a currency of which you know not the value, hence how much you have to spend.

I began to understand that what occurred was a struggle of sorts, often ferocious, I don’t want to intentionally introduce anything which might mislead you. You have shown me a great courtesy by reading thus far. My words are my truth. The lead up to the conflict, part of what happens, fills me with apprehension, dread even. I think it is the intensity and integrity of commitment and effort I know is necessary. It is pushing a large snowball up a hill blind fold, you only know you are at the summit as it goes away from you. You may not know who or what is arriving until the train pulls in, then you know

Dave, it’s just inspiration, all creative people get it

The question is, what is it.

In 1990 following five years of inner turmoil, during which I didn’t experience that magic process at all. Fifteen months ago I met one, a language assistant teacher at Wakefield College, in England for nine months sabbatical from the University of Aachen. We formed a close friendship, she stimulated my mind wonderfully, at last I had somebody that I could talk to. Perhaps the following may illustrate the totality of my mental isolation, cos apart from this, and speaking to Ursula, I never really spoke in or around this subject to anyone. The odd conversation with my brother, otherwise it’s only been explored whilst painting, in painting. Anyway, I said to her, I said ‘Ursula, where have you been all mi life. I have waited fifty six years for you to make your entrance.’ Before leaving England she encouraged me to write down whatever I wanted to communicate, this I could include when sending her a letter. I had previously written very little, apart from the odd letter and a few poems, I wrote in 1967-69, herein early evidence of a quest. About the fifth letter I wrote to Ursula, I did in the usual way, as the letter progressed I realised what had happened, the painting experience was being replicated. It had simply transferred to writing, as was usual, preceded in this case by more inner turmoil than ever before. The paintings created in the singular way I have described, the audio tape, and written work is my first sound painting in mime, and was, for me the key to explain these images.

I don’t wonder I get confused, neighbours are in and out like blue arsed flies.

Why do you like painting then Dave

Well it’s where mind and matter overlap

Is it

What I think happened, every time a painting evolved in that particular way, is that it has repeatedly been asking the same question, this sound painting is the answer. When I was writing, I did so quickly, in my usual untidy, hard to decipher scrawl. Over seventy pages without pause. It was like taking down dictation, the principle, enunciated, written down complete, out of the blue, the mending of a broken circle. The culmination of ruminations over all those years, which couldn’t have ripened earlier.

In the latter part of the letter, your name came into my mind regularly, with increasing confidence and insistence.

Mother, our David’s hearing voices

Oh that’s nice, he’s got someone to talk to at last

The process described, is more or less the same each time, image or images evolving in what seems to be an abstracted fashion, seemingly impersonal, isolated from other image making means. Any exhumed residue is the proving of the alchemy of that process.

Having heard the accompanying tapes, and had chance to ponder, it maybe that the door that I have passed through, is in your judgement perceived as an illusion, then so be it. I can only offer you the fruits of my labour as an indication of my total sincerity and genuine response to all this. I know your workload must be a very heavy burden, I am very loathe to add to it, but I have felt under great time constraint to get this off to you. I can’t understand why that should be. Apart from my friend in Germany, you are the only person I have tried to contact in respect of this.

I don’t believe certain coincidental phenomena occurs in isolation. Maybe when the wheat is sorted from the chaff, you may make certain connections. Please so that I can rest easy, give this work the once over. The nearer it is to finishing, the happier, more peaceful I will feel. I hope you’re not saying the same thing.

Perhaps what seems to me a self evident truth, is just that, if I am misguided, it isn’t for lack of effort

It’s the way, you tell em Dave

It’s strange also, I felt I had to send it in complete form, with all its imperfections, knowing the demands I am placing on you, and your various commitments. The tapes themselves, I think you’ll enjoy. I would also have sent written copy, but apart from my sister-in-law, who was going to do it, she has two young children and it would have taken ages. Remember I feel a sense of urgency and will do so until this particular hologram is passed on. My friend Ursula is fully appraised of what I am doing, that I must send it to you and is in agreement with this.

I’ve just been in kitchen, had another moment of satori, it must be all the pots I usually have to wash up.

It must mean that I’ve been a messenger, a messenger boy all this time. I wish I’d known, ee, what a humbling experience, hm it’s all serendipity.

It’s 10.35 pm at night, and I’m still at it. Thank god I’m near end

He’ll have to get of Mr. Hawking, he’s got some more dragons to slay, haven’t yeh Dave

As Ken Keasy said, when he were Jack Nicholson, at least I’ve tried.

Well you see, you might as well have asked me. What is mind, it doesn’t matter. What is matter never mind

Thank you, Bertrand Russell, will you step down please. Aye Mr. Russell stop fighting, somebody restrain him

I’m sorry, I’m sorry about that. Now Sir on behalf of Wakefield Pensioners Forum, I’ll ask you the same question, what is matter

Matter is the means by which mind proves itself, they are indivisible. Because we too are at one with this principle, we should understand how this is achieved, this I have called the Imaginative, Imitative, Need Imperative.

From: david denison
Sent: Tuesday, November 11, 2003 8:29 AM
To: S.W.Hawking@damtp.cam.ac.uk
Subject: 2 of 2: The Message

To
S.W. Hawkins.

With a rainbow of good wishes
David Denison

dave@denizen7.freeserve.co.uk
www.973-eht-namuh-973.com

-----Original Message-----
From: Professor Hawking
Sent: Wednesday, June 9, 2004 12:47 AM
To: dave@denizen7.freeserve.co.uk
Subject: Your recent email to Professor Hawking.

**Automatic Reply**

Your email regarding "THE HOURS OF HORUS" has been received.

Professor Hawking very much regrets that due to the huge amount of mail he
receives, it may take some time for him to send a reply. Please be
patient, as all mail is read.

Please see the website http://www.hawking.org.uk for more information
about Professor Hawking, his life and his work.

Yours faithfully

Tom Pelly

Graduate Assistant to
Professor S W Hawking CH CBE FRS

Department of Applied Mathematics and Theoretical Physics,
University of Cambridge,
Cambridge,
CB3 0WA.
United Kingdom.

http://www.hawking.org.uk

From: david denison
Sent: Tuesday, November 11, 2003 8:26 AM
To: S.W.Hawking@damtp.cam.ac.uk
Subject: 1 of 2: The Pictures

S.W. Hawkins.
Sir
Having experienced certain of the fruits of your own creative work, you may find the following of interest.
David Denison
dave@denizen7.freeserve.co.uk

========================================
Message Received: Apr 01 2011, 11:16 AM
From: "Dave Denison"
To: "Dave Denison"
Cc:
Subject: ******EXPRESSIONIST FANTASTIQUE

Dave Denison - Expressionism Fantastique - More Information
194.159.250
After checkin his gob was clear, on his back. Not breathing. ... the thick glass rims that have ensured he's done no painting for the last decade or so. As a compartively unknown artist, Dave Denison can boast some impressive credentials. ... but rather the sullen angry voices of men hungry for their liberty. ...
194.159.250.235/denison/autobiography.htm

autobiography

In 1996, the Yorkshire-based Denison began writing a letter to the famous scientist and author of ‘A Brief History of Time’, Stephen Hawkins.

"Sir," it begins. "In presuming to write to as learned a gentleman as yourself, I am cognisant of the time constraints placed upon you by your work and other commitments...."

By page five, however, we’ve reached the following:

"Having been present at three hangings in my prison work and given mouth to mouth resucitation in training on numerous occasions, only once in F Wing Med Obs Brixton was I successful. This way to suck-cess. One summer afternoon all those on observation were, as it were, banged up on F3 landing. Along with other staff I'd been to the mess, made a good tea of sardines on toast, had me seven slices of bread an jam, pinta milk. Returned by the clock to the rock. Relieved colleagues for late tea break, 6pm. Two cleaners, allowed out over staff break periods.

"Boss, boss!"

This highly-skilled operative, me, sez:

"What the fuck’s up with him?"

"Boss, quick..."

Lithe and panther-quick up the stairs. Nosy cleaner had put down the observation hatch of a 19-year-old. Topped off with beddin sheets. "Farkin ell boss, is dead."

The wharramedics swung into action. Cut down or what, dunno.

"Get to it Dave, tha’s specialist at this sorta thing. See how tha frames thiself."

Four quick puffs. After checkin his gob was clear, on his back. Not breathing. Three or four watching, staff plus cleaners. Nobody volunteered to help. Encouragement though:

"Hey up George, get yourself up here. Dave’s sticking t‘lips on one’er cons"

"Fucking hell, let’s ‘ar look."

"Yer a fucking glutton, Denison, you will fuck owt."

He had no heartbeat……

Hawkins has yet to receive this letter, since it is still growing, and at the last count was well over 1,000 pages long, give or take the odd 24 hours-worth of unedited musings into a dictaphone. It’s an amorphous creature, cut any limb off and it would lumber forward regardless.

What Hawkins will finally make of it depends, to some extent, on how brief time turns out to be.

Why? What for? Well, only Dave seems to know.

The point, he asserts, concerns what he calls ‘The Imiginative Imitative Need Imperative’.

11	IMAGINATIVE	-	-	-
-	I	9	9	9
-	M+A+G	21	12	3
-	I	9	9	9
-	N+A+T	35	8	8
-	I	9	9	9
-	V+E	27	9	9
11	IMAGINATIVE	-	-	-

11	IMAGINATIVE	-	-	-
-	I	9	9	9
-	M+A+G	21	12	3
-	I	9	9	9
-	N+A+T	35	8	8
-	I	9	9	9
-	V+E	27	9	9
11	IMAGINATIVE	110	56	47
1+1	-	1+1+0	5+6	4+7
2	IMAGINATIVE	2	11	11
-	-	-	1+1	1+1
2	IMAGINATIVE	2	2	2

‘The Imiginative Imitative Need Imperative’.

T	=	2	-	3	THE	33	15	6
I	=	9	-	11	IMAGINATIVE	110	56	2
I	=	9	-	9	IMITATIVE	108	45	9
N	=	5	-	4	NEED	28	19	1
I	=	9	-	10	IMPERATIVE	118	55	1
S	-	34	4	37	First Total	397	190	19
-	-	3+4	-	3+7	Add to Reduce	3+9+7	1+9+0	1+9
S	-	7	4	10	Second Total	19	10	10
-	-	-	-	1+0	Reduce to Deduce	1+9	1+0	1+0
-	-	7	-	1	Third Total	10	1	1
-	-	-	-	-	Reduce to Deduce	1+0	-	-
-	-	7	-	1	Essence of Number	1	1	1

Mention the concept of editing and his eyes begin to narrow supsiciously behind the thick glass rims that have ensured he’s done no painting for the last decade or so.

As a compartively unknown artist, Dave Denison can boast some impressive credentials. Like being the only person Max Ernst wanted to meet on his last visit to the UK, and having had most of his major pieces snapped up by shrewd collectors, significantly the late Roland Penrose, mentor to anyone who has shaped 20th century art, including Picasso and Henry Moore.

Dave is self-taught, and spent the bulk of his working life in roles related in one capacity or another - largely medical - to the HM Prisons Service. Around 1977 he was invited by the Home Office to have a one man show in London to coincide with the "Arthur Koestler Awards" for creative work by inmates in the Prison Sytem, and sponsored by the eminent writer. There he met Arthur Koestler who's interest in his work was further encouragement.

Richard Seddon art critic of the Yorkshire Post remarked in an early review that the only conceivable obstacle in Dave’s path towards serious esteem was that much of his work was of a similar size, he failed to understand that most of the paintings were being executed on A 3 size canvases in the filing cabinet in the Medical Room at the Prison Officers Training School where he was stationed as the Hospital Officer and First Aid Instructor living on the premises.

"....Denison’s voluntary enclosure in the walls (sic) of HM Prisons has provided him with the isolation necessary to the development of his fantasy,"

Roland Penrose wrote in 1980. "The terrors that have surrounded him for years are not the menacing howlings of famished beasts, but rather the sullen angry voices of men hungry for their liberty. Denison has found unexpectedly in his choice of suroundings, usually considered as hopelessly inappropriate for an artist, his own ladder of escape, of which each rung is formed by the tension created by the crime and punishment that has been the cause of the assemblage of his companions."

This does little to convey the reality of being surrounded by cages with all those keys, the smells of disinfectant and bodily waste, the gallows humour, the cold huff of the yard and the endless hours immobile on bunks, the first squalid, botched suicide, syringes in private parts….

When pressed, Dave has plenty of stories. Wakefield Prison, let’s remember, has housed most of those capable of the extremes of horror which have shaped the last 50 years since World War 2 - bombers, mafisoi, psychos, rippers, panthers, foxes and the rest.

One of Dave’s charges was Archibald Hall, ‘The Butler’, an opportunist mass murderer with impeccable manners who made the news every night for months in the late 70s until the BBC sudenly realised it was probably impossible for someone to be on their 299th day of hunger strike.

These kind of things could warp your vision....

Dave’s paintings sometimes aren’t as easy to like as they are to admire, particularly now. They're both pre-PC and pre-the neutral, media-friendly gloss which has shaped much UK art in the last 20 years. In addition, his exteriors are all composed of interiors somehow: faces of gristle and bone and organs. The heart on his sleeve would be trailing gore and severed entrails.

In terms of attention to detail and mastery of the traditional mediums though, he’s on a par with anyone you might care to name.

In an excitable piece in the Sunday Times in June 1977, the art critic and Slade professor Lawrence Gowig came closest to capturing the essence of Dave’s work.

"His imagining has a sardonic poetry of its own," he said. "His Study of a Head, for example, builds spectacles and dentures into the structure of the skull. Each eye-socket contains minutely glittering machinery like a watch. Denison is great on eyes. In another picture, a bushy insect likeness of himself sits down to make a meal of a pair of eyeballs.

"A reflective painter will often discern something cannibal in the way an artist consumes his experience and himself, but here, the arched eyebrows and the clownlike red nose have the look of a Prime Minister of Mirth. The hilarity resides in the fantastic human mix - the very combination of ebullience and decrepitude that you can recognise in any pension queue. It is the living flesh of our time, shabbily facetious and libidinous, but decayed and dependent on spare parts.

"In a year or two," Gowing concludes, "Denison will be famous and we shall wonder how we managed to neglect him."

Another critic, John Hewitt, went further.

"I believe this Wakefield prison officer and self-taught painter is probably the most brilliant artist produced in Yorkshire since David Hockney," he said.
But that was in 1977, and Dave’s last major exhibition was in 1984.
So what happened?
Well, needless to say, there’s been a lot of alcohol under the bridge since then. It’s a familiar story. Working class lad with an unnatural talent and the world at his feet can only find what he really needs at the bottom of a glass.
A combination of the booze, the prison and a turbulent personal life threatened to tip Dave over the edge at one stage.
But that’s history too, now. Pensioned out of the prison service, he’s got the drinking moderately under control. Most of his paintings are in private collections, and I suppose he’s resigned to the fact that the major retrospective will only happen once he pops his clogs. It will probably be later than they think.
Meanwhile, there's that small matter of the 1,000+ page letter to Stephen Hawking.....
Extract from page 90:
Energy of life and energy of death discarded as waste or changed energy, what is happening? You, as I, are a part of a reality which proceeds from ignorance to enlightenment, it is a series of rationalisations by the living conscious intelligence as expressed as the Imaginative Imitative Need Imperative.
Text by Adrian Wilson: adrianw@aol.com
Back to main gallery page

Best matches for DAVE DENISON. MAN WITH NO GOB "
After checkin his gob was clear, on his back. Not breathing.
the thick glass rims that have ensured he's done no painting for the last decade or so. As a compartively unknown artist, Dave Denison can boast some impressive credentials. ...
but rather the sullen angry voices of men hungry for their liberty

STRANGERS IN THE LIGHT

WENT LOOKING FOR THIS I. THOUGHT IT MIGHT BE OF INTEREST. I HAVEN'T SEEN THESE IN QUITE A WHILE. SEEMS NOW AS IF IT WAS SOMEONE ELSE. THERE ARE OTHER ARTICLES ELSWHERE, AND AN INTRODUCTION TO A ONE MAN SHOW AT BRADFORD BY ROLAND PENROSE. A FRIEND AND BIOGRAPHER OF PICASSO AND THE MAN WHO INTRODUCED SURREALISM INTO THIS COUNTRY. BEFORE HE DIED. HE OWNED AROUND 10 IMAGES AND HIS SON TONY I THINK AROUND 12. SO IT GOES.

THE LAST PUBLIC EXHIBITION OF THE WORK, WAS AROUND 1989. AT WAKEFIELD COLLEGE OVER 100 WORKS.

----- Original Message -----

To: Dave Denison
Sent: Sunday, September 18, 2011 10:30 PM
Subject: expressionism

thanks for the link to emil nolde, i've never heard of him before.

i like his red and purple skies that let your eyes go into a trance.

i've often wondered why artists paint flowers. they're already beautiful. you could say the same about skies. THE WONDER IS THAT IT IS NOT THE SKY. BUT AN IMAGE OF THE SKY TRANSMUTED VIA HUMAN SENSIBILITIES. AS IN MAGRITTE AND HIS PAINTING OF A PIPE IN WHICH HE INCLUDES THE WORDS "THIS IS NOT A PIPE"

why do we replicate beauty? isn’t it enough? BE BEAUTIFUL B DUTIFUL
what does it mean to be an artist?

PAINT AND HUMAN SENSIBILITIES. WHERE MIND AND MATTER MEET. UNIVERSAL MIND AND THE ATOMIC STRUCTURE OF COLORED PAINTS. AND LOOK WE SHALL SEE WHAT WE SHALL SEE.

THANKS FOR ASKING ABOUT THE PAINTING.

One Man Exhibitions

1970. Manor House Public Art Gallery, Ilkley

1971. Goole Museum and Art Gallery

1972. Wakefield Museum and Art Gallery

1973. Leeds City Gallery

1973. Doncaster Art Gallery

1974. Wakefield Art Gallery

1977. Manor House Public Art Gallery, Ilkley

1977. Arthur Koestler Exhibition, London

1980. Cartwright Hall, Bradford (65 paintings)

1982. Atkinson Art Gallery, Lord Street, Southport (2 - 30 August)

1983. Angela Flowers Gallery, London (22 June)

1984. Grundy Art Gallery, Queen Street, Blackpool (August and September)

1984. Turnpike Gallery, Leigh, Greater Manchester (April - 4 weeks)

1989. Wakefield College

Group Shows

1972. Yorkshire Artists, Wakefield

1973. Yorkshire Artists, Skipton

1974. Yorkshire Artists, Skipton

1975. Artists For-Democracy, London

1976. Bradford and District Artists, Keighley

1977. Bradford and District Artists, Keighley

1977. The Obelisk, London

1978. Paintings included in Surrealism Unlimited

1968 - 1978, Camden Arts Centre, London

1979. Bradford and District Arts, Cartwright Hall, Bradford

1980. Pimlico London

Interviews

1980 Yorkshire Television. Interviewed about life and works.

BBC Television. Interviewed about life and works.

Work purchased by Public and Private Collections.

EXCERPTS FROM RELEVANT ARTICLES

"Denison's painting is developing means of interpretation which make it important beyond the importance of its subject theme."

J Firth

Lecturer in Art History Doncaster College of Art 1974

"I believe this Wakefield Prison Officer and self-taught painter is probably the most brilliant artist produced in Yorkshire since David Hockney."

John Hewitt

Art Critic Bradford Telegraph and Argus 11 July 1977

"He has learned an astonishing skill of a highly personal kind. He is a natural surrealist.

At 37 this remarkable painter is still little known, but Sir Roland Penrose reports that when Max Ernst came to England it was Denison that he wanted to hear about.

In a year or two, Denison will be famous and we shall wonder how we managed to neglect him."

Lawrence Gowing (Slade Professor of Fine Art) Sunday Times Colour Supplement. 27 July 1977

"Given his technical skill, the images pack a disturbing punch that reveals the inner world of the Freudian unconscious. They occupy the same art chanel as those of Salvador Dali but their capacity to repel as images and attract as beauti- ful colours and painting make Dali seem merely jolly fun in comparison."

London Galleries

Richard Seddon Yorkshire Post. October 1977

"These images stem strongly from his constantly reflective and questioning intellectual life, they come without artifice or contrivance. They take realism where neither sketchbook nor camera can enquire and he manages to treat the most extraordinary events as communicable, intelligibla experience containing within the rational cloak of painting the most startling deviant behaviour."

Stephen Chaplin

Lecturer in Fine Art Leeds University. 7 January 1979

Rene Passeron

Director ot Research CNRS

Director of the Institute aesthetics

University of Paris December 1983

"I take much pleasure in, and greatly esteem, the work ot David Denison - the modern expressionist. fantastique."

Rene Passeron

ART REVIEW

The Human Face of Surrealism Paintings by David Denison Cartwright Hall, Bradford.

"Prison Officer David Denison is a direct descendant of the long line of inventive surrealists wending back to Hieronymous Bosch and Arcimboldli, and is one of the most promising artists the North has thrown up in recent years. Promising is unfair. He is already producins works of jnngling power. Obssively he turns to the glistening fascination of internal organs Which might be pearls, and the olive green of decay. Heads dissolve into skulls; faces contain a myriad of other faces.

A self-taught artist, he finds himself outside the mainstream aesthetic of modern art. The roots for his inspiration lie in his appreciation of mortality and an acute consciousness of the darkness in the world. Though, in other hnnds, the subject matter would be unalloyed horror, Denison's paintines have a quality which enables the viewer to revel in their juicy vitality.

John Hewitt

Art Critic 20 Jun 1980

SUNDAY TIMES

LIFESPAN ARTS IMAGE OF THE WEEK

SURREALIST

24th July 1977

Pages 16/17

His imagining has a sardonic poetry of its own. His Study of a Head, for example (right), builds spectacles and dentures into a skull. Each eye socket contains minutely glittering machinery like a watch. Denison is great on eyes. In another picture, a bushy insect likeness of himself sits down to make a meal of a pair of eyeballs.

A reflective painter will often discern something cannibal in the way an artist consumes his experience and himself, but here the arched brows and the clown-like red nose have a look of a Prime minister of Mirth, The hilarity resides in the fantastic human mix - the very combination of ebullience and decreptitude that you can recognise in any pension queue. It is the living flesh of our time, shabbily facetious and libidinous but decayed and dependent on spare parts.

Other Denison pictures are more sombre, poetic, or horrendous. Even in their farthest extremity there is a often a quality of the real from which fantastic art is usually protected. One can sense that the painter is familiar with rigours and incongruites that are by no means imaginary. A first-aid officer sees violence and self-mutilation, and looks aggression and despair in the face - no painter can know better the constraints from which imagination is literally the only escape. Denisons best pictures have a quality of serious need. At 37 this remarkable painter is still little known, but Sir Roland Penrose reports that when Max Ernst came to England it was Denison that he wanted to hear about. In a year or two Denison will be famous and we shall wonder how we managed to neglect him.

David Denison's work will be on show at Ilkley Manor House Yorkshire until August 17. Lawrence Gowing

SUNDAY TIMES

LIFESPAN ARTS

24th July 1977

Pages 16/17

Science Fiction: an inter-galactic trip among the paper backs

Review Alan Brien

"...It turns out to be a donkey, a fearsome sight to a visitor from a planet without animals.

Perhaps ESP has been at work, for almost the same incident occurs in Arthur Clarke's Imperial Earth (Pan 75p) where Duncan, another moon- man, this time from Saturn's satellite Titan, visits the home- land of Terra, from which his ancestors had emigrated to con- quer new frontiers. He too has never seen an animal before, here a giant Percheron cart-horse.

A mild, gentle eye, which from this distance seemed about as large as a fist, looked straight at Duncan, who started to laugh a little hysterically as the ap-parition withdrew. . . .. Look at it from my point of view. I've just met my first Monster from Outer Space. Thank God, it was friendly."

The usual SF situations continue to be reversed with neat, mild wit as when Duncan cowers inwardly.at the thought that he might even be obliged to eat meat and is kept awake by the un- Titanly noises and, worse, smells of this weird place, at once primeval and decadent. Clarke is by no means a political innocent. As ever, he logically thinks out all the implications of his speculative fictions but his ' attitude remains Olympian..."

"Sir Arthur Clarke

"Leslie's House, 25 Barnes Place, Colombo 7. Sri Lanka.

27-11-2001

Sir, you may find the attached of interest

With every good wish

Dave Denison"

"Dear Mr Denison,

Thanks!

Ive written an article 'SEPT 11" but it hasn't been placed yet

All good wishes Arthur Clarke 3 Dec 2001"

Reverse of Letter

"THE FOUNTAINS OF PARADISE"

ARTHUR C. CLARKE

The Fountains of Paradise

1979

"NIRVANA PRAPTO BHUYAT"

OF TIME AND STARS

Arthur C. Clarke 1972

The Sentinel

"I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but wait.

I do not think we will have to wait for long."

----- Original Message -----

From: david denison

To: Webmaster@Seti.org

Sent: Wednesday, December 03, 2003 5:25 PM

Subject: Frank Drake SETI-INSTITUTE- 1 of 2 The Pictures

----- Original Message -----

From: david denison

To: Webmaster@Seti.org

Sent: Wednesday, December 03, 2003 5:29 PM

Subject: Frank Drake SETI-iNSTITUTE- 1 of 2 The Pictures

Subject: Fw: 2 of 2: The Message

For the attention of Frank Drake

(Message omitted)

With a Ra-in-bow of good wishes

David Denison

----- Original Message -----

From: david denison

To: Webmaster@Seti.org

Sent: Thursday, January 01, 2004 12:10 PM

Subject: FRANK DRAKE IMAGINE THERE'S A HEAVEN

----- Original Message -----

From: david denison

To: Webmaster@Seti.org

Sent: Thursday, January 01, 2004 12:22 PM

Subject: Fw:Frank Drake.Sir,Consider, The Root numbers forI=9 Me=9 Ego=9 conscience=9 Jupiter=9 Sun =9 Oxygen =9 Physics9 Albert Einstein9 Satan+God=9 Serendipity = 9 ?

OF TIME AND STARS

Arthur C. Clarke
1972

Page 68

Into the Comet "Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to

999,999,999,999
- or could be divided into separate sections where several independent calculations could be carried out simultaneously."

REACH FOR TOMORROW
Arthur C. Clarke 1956
Introduction to 1989 Edition

"However I have made some interesting discoveries; for instance, on the very first page of the first story, I see the number 9000. Ive no idea why I selected it again for HALs serial number 20 years later. . .

"OF TIME AND STARS
Arthur C. Clarke 1972
FOREWORD

'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

Page 15

The Nine Billion Names of God
'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

I = 9 9 = I
R = 9 9 = R

OF
T9ME AND STA9S

A9thu9 C. Cla9ke,1972

Page 15

THE N9NE B9LL9ON NAMES OF GOD

'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'

'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'

'9 dont qu9te unde9stand…'

'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t

'Natu9ally.'

'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'

'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'

'And you have been do9ng th9s for three centu99es?

'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'

'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?

'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.

'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'

9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'

'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'

'Th9ee? Su9ely you mean two.'

'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'

'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'

'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"

OF TIME AND STARS
Arthur C. Clarke 1972

Page 68

Into the Comet

"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

DECIPHER
MANKIND HAD 1200 YEARS YEARS
TO CRACK THE CODE WE HAVE
ONE WEEK LEFT
Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly inter vals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

THE MAGIC MOUNTAIN
Thomas Mann 1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement.

AND THIS BY A FRIEND ADA WILSON FOR THE YORKSHIRE ARTS ASSOCIATION WEB SITE.

In 1996, the Yorkshire-based Denison began writing a letter to the famous scientist and author of ‘A Brief History of Time’, Stephen Hawkins.

"Sir," it begins. "In presuming to write to as learned a gentleman as yourself, I am cognisant of the time constraints placed upon you by your work and other commitments...."

By page five, however, we’ve reached the following:

"Having given mouth to mouth resucitation on numerous occasions, only once in F Wing Med Obs Brixton was I successful. This way to suck-cess. One summer afternoon all those on observation were, as it were, banged up. F3 landing. Along with other staff I'd been to the mess, made a good tea of sardines on toast, had me seven slices of bread an jam, pinta milk. Returned by the clock to the rock. Relieved colleagues for late tea break, 6pm. Two cleaners, allowed out over staff break periods.

"Boss, boss!"

This highly-skilled operative, me, sez:

"What the fuck’s up with him?"

"Boss, quick..."

Lithe and panther-quick up the stairs. Nosy cleaner had put down the observation hatch of a 19-year-old. Topped off with beddin sheets. "Farkin ell boss, is dead."

The wharramedics swung into action. Cut down or what, dunno.

"Get to it Dave, tha’s specialist at this sorta thing. See how tha frames thiself."

Four quick puffs. After checkin his gob was clear, on his back. Not breathing. Three or four watching, staff plus cleaners. Nobody volunteered to help. Encouragement though:

"Hey up George, get yourself up here. Dave’s sticking t‘lips on one’er cons"

"Fucking hell, let’s ‘ar look."

"Yer a fucking glutton, Denison, you will fuck owt."

He had no heartbeat……

What Hawkins will finally make of it depends, to some extent, on how brief time turns out to be.

Why? What for? Well, only Dave seems to know.

The point, he asserts, concerns what he calls ‘The Imiginative Imitative Need Imperative’.

Mention the concept of editing and his eyes begin to narrow supsiciously behind the thick glass rims that have ensured he’s done no painting for the last decade or so.

Dave is self-taught, and spent the bulk of his working life in roles related in one capacity or another - largely medical - to the HM Prisons Service. When the late Arthur Koestler remarked in an early review that the only conceivable obstacle in Dave’s path towards serious esteem was that much of his work was of a similar size, he failed to understand that most of the paintings were being executed on canvases stowed in the locker of a prison officer’s rest room.

"....Denison’s voluntary enclosure in the walls (sic) of HM Prisons has provided him with the isolation necessary to the development of his fantasy," Roland Penrose wrote in 1980. "The terrors that have surrounded him for years are not the menacing howlings of famished beasts, but rather the sullen angry voices of men hungry for their liberty. Denison has found unexpectedly in his choice of suroundings, usually considered as hopelessly inappropriate for an artist, his own ladder of escape, of which each rung is formed by the tension created by the crime and punishment that has been the cause of the assemblage of his companions."

One of Dave’s stories was about Archibald Hall, ‘The Butler’, an opportunist mass murderer with impeccable manners who made the news every night for months in the late 70s until the BBC sudenly realised it was probably impossible for someone to be on their 299th day of hunger strike.

These kind of things could warp your vision....

In terms of attention to detail and mastery of the traditional mediums though, he’s on a par with anyone you might care to name.

In an excitable piece in the Sunday Times in June 1977, the art critic and Slade professor Lawrence Gowig came closest to capturing the essence of Dave’s work.

"In a year or two," Gowing concludes, "Dension will be famous and we shall wonder how we managed to neglect him."

Another critic, John Hewitt, went further.

"I believe this Wakefield prison officer and self-taught painter is probably the most brilliant artist produced in Yorkshire since David Hockney," he said.

But that was in 1977, and Dave’s last major exhibition was in 1984.

So what happened?

Well, needless to say, there’s been a lot of alcohol under the bridge since then. It’s a familiar story. Working class lad with an unnatural talent and the world at his feet can only find what he really needs at the bottom of a glass.

A combination of the booze, the prison and a turbulent personal life threatened to tip Dave over the edge at one stage.

But that’s history too, now. Pensioned out of the prison service, he’s got the drinking moderately under control. Most of his paintings are in private collections, and I suppose he’s resigned to the fact that the major retrospective will only happen once he pops his clogs. It will probably be later than they think.

Meanwhile, there's that small matter of the 1,000+ page letter to Stephen Hawking.....

Extract from page 90:

Energy of life and energy of death discarded as waste or changed energy, what is happening? You, as I, are a part of a reality which proceeds from ignorance to enlightenment, it is a series of rationalisations by the living conscious intelligence as expressed as the Imaginative Imitative Need Imperative.

Text by Adrian Wilson: adrianw@aol.com

"Jayson Duff"

Dave-

I give you my most sincere apologies about the tardiness in my reply. You see, unfortunately I am not in England at all, nor am I an Englishman, but rather an American living in a monastery in Tibet. Because of my living situation, I have access to a computer but once a month, when I am able to make the pilgrimage to mainland China and try to figure out the Cantonese keyboard. Not to mention having to sneak around Chinese internet security to send a message to England.

I can see you sitting near a cathedral, with your coffee and work, and I truly am disappointed that I can not share a proper chat with you. I have, actually, your website directory, compiled to manuscript format and printed out so that I may read during my leisure at the monastery.

I do not know Adrian Wilson personally, although I wish I did.

All this to say, keep up what you are doing. I have shown your work to my colleagues, and we are all reading and enjoying it here. We have many great correspondences of our own to record, but like your new paintings, they remain locked within the mind.

As I have taken an oath of ascetic life, I am afraid that I can not travel out to meet you, and that I will also not be able to email you for at least a year, as I am to live out in the wilderness for a while. I give you my deepest blessings, and wish you the best of luck, and feel free to email me anything you wish knowing that it will be read with great interest.

-Jayson

On Wed, Aug 1, 2012 at 4:24 PM, Dave Denison <dave@denizen7.freeserve.co.uk> wrote:

JAYSON. FURTHER TO THE LAST MESSAGE.
I HAVE TAKEN A SHORT TIME OUT TO ANSWER YOUR E-MAIL.

ALSO IF YOU SEE ME AT COSTA YOU R WELCOME TO MAKE YOURSELF KNOWN. HAVE A CHAT. I NEVER STOP WORKING THOUGH! SO ALWAYS WRITING.

YOUR MESSAGE IS ENCOURAGING.
AND MARK THESE WORDS.

MAGIC IS AS MAGIC DOES.

AH THE STUFF AS DREAMS R MADE ON.
EVERY GOOD WISH.
DAVE D.
========================================
Message Received: Jul 29 2012, 05:47 AM
From: "Jayson Duff"
To: david@denizen7.freeserve.co.uk
Cc:
Subject: Letter to Stephen Hawking, etc.

Dear Mr. Denison,

First of all, I am a great admirer of your work, and over the past months, I have been studying everything on 973-eht-numah-973. Not only that, but as a fellow painter, I find your paintings to be most inspiring. THANK YOU. I NO LONGER PAINT, BUT MAKE MANIFEST THE SIGHT WITHIN!

I send you this email to ask but a few questions:

-Will you ever publish or show your letter that you wrote/are writing to Stephen Hawking? I THINK THE TEXT IS SOMEWHERE ON THE SITE. IF NOT THE INTENTION IS TO MAKE AVAILABLE ALL THE CORRESPONDENCE TO DO WITH THIS SIGHT OF SITES. AND THERE IS A GREAT DEAL OF WHICH MR HAWKINS LETTER WAS ONE.

I am very much eager to see its contents and have only been able to squeeze a few measly paragraphs out of Adrian Wilson. DO YOU KNOW ADA PERSONALLY?

-Can you tell me or publish any stories from your time spent as a prison officer? Again, I have only heard a little bit, specifically about Archibald Hall from Adrian Wilson, and would love to know more. PLENTY TO SAY JAYSON. BUT TIME IS OF THE ESSENCE.

-Finally, I have noticed that your domain expires the 14th of August, and I would like to know if you will be renewing it? This is important to me most of all, so I know whether or not to try and print it all out beforehand in hopes of continuing my studies. JAYSON IT IS MOST IMPORTANT THAT THIS WORK IS A RESTATEMENT OF THE ANCIENT WISDOM. EXPRESSED AS AS PART OF THE GREAT WORK. OR ENLIGHTENMENT. IMPERATIVE THESE TRUTHS R NOT LOST AGAIN TO THE MIND OF HUMAN KIND. IT IS KEY TO THE REVELATION PRESENTLY UNFOLDING. REAL REALITY REVEALED.
ON THE SAFE SIDE DOWNLOAD THE WHOLE SITE ON AN EXTERNAL HARD DRIVE.
I AM SEVENTY THREE. AND SEEK KNOT TO SECOND GUESS THE GREAT CREATORS DIVINE THOUGHTS. I HAVE MADE CONTINGENCY PLANS WITH THE FAMILY TO MAINTAIN THE STATUS QUO.. BE THAT AS IT MAY. THE WORKS SURVIVAL IS PARAMOUNT.

THE DOMAIN IS AUTOMATICALLY RENEWED. THERE IS ALSO ANOTHER SITE MIRRORED IMAGE CALLED THE WHITE RABBITZ
http://973-eht-namuh-973.com/

I understand if you do not respond to this email, as I am sure you are a very busy man. However, if you do decide to respond, your words will fall onto very attentive ears.

Thank you for reading this, THANK YOU FOR WRITING. YOUR WORDS R APPRECIATED.

Jayson

S = 1 - 7 SOMEONE 86 32 5
W = 5 - 3 WHO 46 19 2
K = 2 - 5 KNOWS 82 19 1
S = 1 - 9 SOMETHING 110 47 2
- - 9 - 24 Add to Reduce 324 27 18
- - - - 2+4 Reduce to Deduce 3+2+4 2+7 1+8
- - 9 - 6 Essence of Number 9 9 9

A = 1 - 1 A 1 1 1
M = 4 - 10 MYSTERIOUS 164 47 2
V = 4 - 3 VOICE 54 27 9
I = 9 - 2 IN 23 14 5
T = 2 - 5 THE 33 15 6
N = 5 - 5 NIGHT 58 31 4
- - 25 - 26 Add to Reduce 333 135 27
- - 2+5 - 2+6 Reduce to Deduce 3+3+3 1+3+5 2+7
- - 7 - 8 Essence of Number 9 9 9

I'M FATE I'M FATE FOR A VERY IMPORTANT DATE KNOW TIME TO SAY HELLO GOODBYE I'M FATE I'M FATE I'M FATE

Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made

The Tempest Act 4, scene 1, William Shakespeare

Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep.

William Shakespeare ( 26 April 1564 (baptised) – 23 April 1616)
was an English poet and playwright, widely regarded as the greatest writer in the English ...

W = 5 - 2 WE 28 10 1
A = 1 - 3 ARE 24 15 6
S = 1 - 4 SUCH 51 15 6
S = 1 - 5 STUFF 72 18 9
A = 1 - 2 AS 20 2 2
D = 4 - 6 DREAMS 60 24 6
A = 1 - 3 ARE 24 15 6
M = 4 - 4 MADE 23 14 5
O = 6 - 2 ON 15 6 6
A = 1 - 3 AND 19 10 1
O = 6 - 3 OUR 54 18 9
L = 3 - 6 LITTLE 78 24 6
L = 3 - 4 LIFE 32 23 5
I = 9 - 2 IS 28 10 1
R = 9 - 7 ROUNDED 81 36 9
W = 5 - 4 WITH 60 24 6
A = 1 - 1 A 1 1 1
S = 1 - 5 SLEEP 57 21 3
- - 62 - 66 First Total 741 291 84
- - 6+2 - 6+6 Add to Reduce 7+4+1 2+9+1 8+4
- - 8 - 12 Second Total 12 12 12
- - - - 1+2 Reduce to Deduce 1+2 1+2 1+2
- - 8 - 3 Essence of Number 3 3 3

The Four Quartets

Burnt Norton

T. S. Eliot

"Time present and time past
Are both perhaps present in time future
And time future contained in time past."

T = 2 - 4 TIME 47 20 2
P = 7 - 7 PRESENT 97 34 7
A = 1 - 3 AND 19 10 1
T = 2 - 4 TIME 47 20 2
P = 7 - 4 PAST 56 11 2
A = 1 - 3 ARE 24 15 6
M = 4 - 4 BOTH 45 18 9
O = 6 - 7 PERHAPS 83 38 2
P = 7 - 7 PRESENT 97 34 7
I = 9 - 2 IN 23 14 5
T = 2 - 4 TIME 47 20 2
F = 6 - 6 FUTURE 91 28 1
A = 1 - 3 AND 19 10 1
T = 2 - 4 TIME 47 20 2
F = 6 - 6 FUTURE 91 28 1
C = 3 - 9 CONTAINED 85 40 4
I = 9 - 2 IN 23 14 5
T = 2 - 4 TIME 47 20 2
P = 7 - 4 PAST 56 11 2
- - 83 - 87 First Total 1044 405 63
- - 8+3 - 8+7 Add to Reduce 1+0+4+4 4+0+5 6+3
- - 11 - 15 Second Total 9 9 9
- - 1+1 - 1+5 Reduce to Deduce - - -
- - 2 - 6 Essence of Number 9 9 9

autobiography

In 1996, the Yorkshire-based Denison began writing a letter to the famous scientist and author of ‘A Brief History of Time’, Stephen Hawkins.

"Sir," it begins. "In presuming to write to as learned a gentleman as yourself, I am cognisant of the time constraints placed upon you by your work and other commitments...."

By page five, however, we’ve reached the following:

"Boss, boss!"

This highly-skilled operative, me, sez:

"What the fuck’s up with him?"

"Boss, quick..."

Lithe and panther-quick up the stairs. Nosy cleaner had put down the observation hatch of a 19-year-old. Topped off with beddin sheets. "Farkin ell boss, is dead."

The wharramedics swung into action. Cut down or what, dunno.

"Get to it Dave, tha’s specialist at this sorta thing. See how tha frames thiself."

Four quick puffs. After checkin his gob was clear, on his back. Not breathing. Three or four watching, staff plus cleaners. Nobody volunteered to help. Encouragement though:

"Hey up George, get yourself up here. Dave’s sticking t‘lips on one’er cons"

"Fucking hell, let’s ‘ar look."

"Yer a fucking glutton, Denison, you will fuck owt."

He had no heartbeat……

What Hawkins will finally make of it depends, to some extent, on how brief time turns out to be.

Why? What for? Well, only Dave seems to know.

The point, he asserts, concerns what he calls ‘The Imiginative Imitative Need Imperative’.

Mention the concept of editing and his eyes begin to narrow supsiciously behind the thick glass rims that have ensured he’s done no painting for the last decade or so.

Another inmate, was Archibald Hall, long term resident in the Wakefield Prison Hospital, ‘The Butler’, an opportunist mass murderer with impeccable manners who made the news every night for months in the late 70s until the BBC sudenly realised it was probably impossible for someone to be on their 299th day of hunger strike.

These kind of things could warp your vision....

In terms of attention to detail and mastery of the traditional mediums though, he’s on a par with anyone you might care to name.

In an excitable piece in the Sunday Times in June 1977, the art critic and Slade professor Lawrence Gowig came closest to capturing the essence of Dave’s work.

"In a year or two," Gowing concludes, "Dension will be famous and we shall wonder how we managed to neglect him."

Another critic, John Hewitt, went further.

"I believe this Wakefield prison officer and self-taught painter is probably the most brilliant artist produced in Yorkshire since David Hockney," he said.

But that was in 1977, and Dave’s last major exhibition was at the ICA in 1984.

So what happened?

A combination of the booze, the prison and a turbulent personal life threatened to tip Dave over the edge at one stage.

Meanwhile, there's that small matter of the 1,000+ page letter to Stephen Hawking.....

Extract from page 90:

Text by Adrian Wilson: adrianw@aol.com

Back to main gallery page

Best matches for DAVE DENISON. MAN WITH NO GOB "
After checkin his gob was clear, on his back. Not breathing. Jump to text »
the thick glass rims that have ensured he's done no painting for the last decade or so. As a compartively unknown artist, Dave Denison can boast some impressive credentials. ... Jump to text »
but rather the sullen angry voices of men hungry for their liberty. Jump to text »

12/06/2003 1:27
CAM
Cambridge Alumni, Magazine

Dear Editor,
With reference to the Cam magazine Number 40 Michaelmas term Page14 "

MASTERS OF NUMBER"

"With its devotion to numerical truth and scientific logic, Cambridge was a natural home for the first computers."

Friend of a friend
Would you please be kind enough to download the 2 following e-mails, responding to the above article, they may be of interest to your readers.

These are

1 of 1 the pictures and 2 of 2 the message,
I apologise for their downloading time

With every good wish
David Denison
9 Windsor Road
Wrenthorpe
Wakefield
West Yorkshire
WF1 2BT

Hawkin1. Doc

Dear Steven Hawking,

Hello Sir
Sharp intake of breath, thinks
Oh no not another crank
Hm, be that as it may, this is the most important letter I’ve ever written. You are I know an eminent thinker and your time is precious. I apologise most humbly for trespassing on your life in this way and hope you eventually consider your time to have been well spent. In some small measure I can thank you by giving you images of my work. I hope you like them.

I have just stopped for my umpteenth coffee
Dave gerron wi it, were not interested, you’ve only just started

For as long as I can remember, the koan bone I have worried has been

Ah sweet mystery of life
At last I’ve found you

Meanwhile back at the ranch.

Look abroad through natures range
Natures mighty law is changed

Thank you for that one dear Robbie
I started to paint in 1963, I had never done so before and cannot recall much of an interest whilst at school. I have never received any lessons, that I think was important. In 1966 I prepared the surface of a piece of hardboard and primed it with white emulsion paint. It was perhaps thirty six by thirty inches. This was maybe the seventh attempt at a painting, nothing much. After drawing a huge head, I simply divided it into segments, painted, thickly and quickly in different colours.

It is now 5.30 am in the morning, I’m sorry about my voice, it seems to be going, I’ll try and buck up.

If our Norah, my mother, who is eighty five were present, when you are listening to this she’d say,
Oh do you know that Mr. Hawking is a lovely man, so patient int he Michael. Michael ask him if he can play chess. I’ll get you a cup of tea and a sandwich. Mm

Dave I’m off to f-ing park, are you coming
No Deborah I must get this finished
You lazy, idle git

Dave, it’s just inspiration, all creative people get it

The question is, what is it.

In 1990 following five years of inner turmoil, during which I didn’t experience that magic process at all. Fifteen months ago I met one Ursula Nobis, a language assistant teacher at Wakefield College, in England for nine months sabbatical from the University of Aachen. We formed a close friendship, she stimulated my mind wonderfully, at last I had somebody that I could talk to. Perhaps the following may illustrate the totality of my mental isolation, cos apart from this, and speaking to Ursula, I never really spoke in or around this subject to anyone. The odd conversation with my brother, otherwise it’s only been explored whilst painting, in painting. Anyway, I said to her, I said ‘Ursula, where have you been all mi life. I have waited fifty six years for you to make your entrance.’ Before leaving England she encouraged me to write down whatever I wanted to communicate, this I could include when sending her a letter. I had previously written very little, apart from the odd letter and a few poems, I wrote in 1967-69, herein early evidence of a quest. About the fifth letter I wrote to Ursula, I did in the usual way, as the letter progressed I realised what had happened, the painting experience was being replicated. It had simply transferred to writing, as was usual, preceded in this case by more inner turmoil than ever before. The paintings created in the singular way I have described, the audio tape, and written work is my first sound painting in mime, and was, for me the key to explain these images.

I don’t wonder I get confused, neighbours are in and out like blue arsed flies.

Why do you like painting then Dave
Well it’s where mind and matter overlap
Is it
What I think happened, every time a painting evolved in that particular way, is that it has repeatedly been asking the same question, this sound painting is the answer. When I was writing, I did so quickly, in my usual untidy, hard to decipher scrawl. Over seventy pages without pause. It was like taking down dictation, the principle, enunciated, written down complete, out of the blue, the mending of a broken circle. The culmination of ruminations over all those years, which couldn’t have ripened earlier.

In the latter part of the letter, your name came into my mind regularly, with increasing confidence and insistence.

Mother, our David’s hearing voices
Oh that’s nice, he’s got someone to talk to at last

Having heard the accompanying tapes, and had chance to ponder, it maybe that the door that I have passed through, is in your judgement perceived as an illusion, then so be it. I can only offer you the fruits of my labour as an indication of my total sincerity and genuine response to all this. I know your workload must be a very heavy burden, I am very loathe to add to it, but I have felt under great time constraint to get this off to you. I can’t understand why that should be. Apart from my friend in Germany, up to now, you are the only person I have tried to contact in respect of this.

Perhaps what seems to me a self evident truth, is just that, if I am misguided, it isn’t for lack of effort
It’s the way, you tell em Dave
It’s strange also, I felt I had to send it in complete form, with all its imperfections, knowing the demands I am placing on you, and your various commitments. The tapes themselves, I think you’ll enjoy. I would also have sent written copy, but apart from my sister-in-law, who was going to do it, she has two young children and it would have taken ages. Remember I feel a sense of urgency and will do so until this particular hologram is passed on. My friend Ursula is fully appraised of what I am doing, that I must send it to you and is in agreement with this.

I’ve just been in kitchen, had another moment of satori, it must be all the pots I usually have to wash up.
It must mean that I’ve been a messenger, a messenger boy all this time. I wish I’d known, ee, what a humbling experience, hm it’s all serendipity.

It’s 10.35 pm at night, and I’m still at it. Thank god I’m near end
He’ll have to get of Mr. Hawking, he’s got some more dragons to slay, haven’t yeh Dave
As Ken Keasy said, when he were Jack Nicholson, at least I’ve tried.

Again Stephen my most heartfelt appreciation, thank you for listening. Unless you decide otherwise, I will not contact you again, for any reason. Should anyone else be privy to the letter, I ask once again that you kindly bring it to Mr. Hawking’s notice. The other tapes contain my sound painting. They are written and recorded in a simplistic and freer manner, but with absolute honesty as far as I am concerned. It was during the writing of the letter that I suddenly gained insight into the process that I have previously described, about which I have made these tapes. The instantaneous realisation and great sense of knowing seems to have left me in some way changed, an inner peace, perhaps it may reveal from its different perspective another way of looking at something. The reason for my excitement and compulsion to tell you is simple enough. It is as follows: in answer to the question, what is matter
Well you see, you might as well have asked me. What is mind, it doesn’t matter. What is matter never mind
Thank you, Bertrand Russell, will you step down please. Aye Mr. Russell stop fighting, somebody restrain him
I’m sorry, I’m sorry about that. Now Sir on behalf of Wakefield Pensioners Forum, I’ll ask you the same question, what is matter
Matter is the means by which mind proves itself, they are indivisible. Because we too are at one with this principle, we should understand how this is achieved, this I have called the Imaginative, Imitative, Need Imperative.

9 SECRET 6

-	ESOTERIC	-	-	-
1	I	9	9	9
6	SECRET	70	34	7
1	O	15	6	6
8	ESOTERIC	94	49	22
-	-	9+4	4+9	2+2
8	ESOTERIC	13	13	4
-	-	1+3	1+3	-
8	ESOTERIC	4	4	4

I SECRET O

6 SECRET 9

O SECRET I

6 SECRET 9

-	ESOTERIC	-	-	-
1	O	15	6	6
6	SECRET	70	34	7
1	I	9	9	9
8	ESOTERIC	94	49	22
-	-	9+4	4+9	2+2
8	ESOTERIC	13	13	4
-	-	1+3	1+3	-
8	ESOTERIC	4	4	4

MERLIN THE MASTER SHAMAN

D4Dave 1966

Nilrem. The Shaman. Magician Extrodinaire.
Behold the skin
A frown past o’er the royal, loyal, sun kings sun’s face
Oh beam, sun beam
With kind old eyes, that watered meekly, bleekly, and weakly, in the sun
He sulked, and skulked behind dark clouds
Until of reigning in the rain, he’d had enough
His royal dignity was there for all to see
A smile was summoned, ordered, pass by me
And then, as if by will intended
In him the sun, a rainbow thought engendered
This shimmering coronet, of rainbow tears
This hovering, irridescent, quick silvered, dragon fly

The quintessential moment, time suspended

Then time restarted, a little late
A second perhaps, or maybe even two
The basking sun, basked on
The officer in custom pink, pulled through
This newly painted image of the mind
With entrance unannounced, it longed to make
To execute a bow, or maybe even two
He watched, entranced, transfixed
Merlin, the Master Shaman
Sole sorcerer, to Arthur once a king
This master of illusion with a wink
Directly to the eye, of he in pink
Gave lie to his existence

The crusty conjurer
A card sharp, card carrying member he
Would turn a trick, for pensioners and young kids
At half the price, but only half the tricks
His magic now a tawdry dull affair
Nights at Camelot, now too long gone
None, now have faith in magic anymore
He paused, he thought, he knew
I’m half the man, of half the man, I was before
Merlin, the man of tattered habits
The master shaman, standing whisky still, stock still
Deep in thought

Master of illusion, man of tattered habits ruefully ruminated.
Where now old man, the wisdom that you sought.
His journey a pilgrimage, a seeking of the self.
There was always something strange about my magic.
The wisdom that he thought, he'd had, he'd never had before.
Wise wisdom lost at sea, drowned in a sea of knowledge.
His blind and gelded senses had masked the way intended.
New age thoughtful thinkers now were all the rage.
They'd seen it all, wonder of wonders and they would not wonder.
Their vices it suffices were sensory devices.
Their aim to transmute base metals into gold.
Sub atomic particles, articles of particles.
But pale reflections of the wizards skill.

He thrust a hand, in dirty habit clean
His many pocketed cloak, around thin shoulders draped

Without a glance, Merlin drew out, from within
The pocket, of his pock marked, many pocketed memory coat
His myriad, mirrored images, of glazed glassed eyes
A residue of demons, once his fiends
And cause now, only for a laugh
The shaman seer, a seance of the senses, would he make
Pull a trick, or maybe even two
Merlin, an incantation breathed

Slight silver spear, sliver of light
Sleight of hand, of mind, and sight

The august magi, belched twice
His plumbing turbulent
An island alone
Aloof, strange, silent
Reborn images appeared
Magic into image see
Magi the magic, blinks, thinks, winks
And pokes, sad embers of a dying brain
Light provoked, barely an echo
Of his once bright flame
He raised his hand, as if to bid adiue
His tired magic, look still works
A rag appeared, from out the air
It was old, and rough, and stained
In bleak despair, he turned to stare
And stare, and stare anew
Startled from his reverie, he rested
On the hard rock cafe, of his reality
The rag, meanwhile, had nested in his hand
He raised the mirror to his knees
And careful not to look
Gently began to wipe, and scrub
And scrub, and wipe, and rub
And rub, and rub, and rub
Lapsing again, into thoughtful mood mode
The busy bee of static, in his head, paused
Merlin, for that were he
Felt the creeping, stalking, numbness
Creeping, and stalking, stalking, and creeping
Within his brain, his skeletal brain
His skeletal, eletal brain
The anaesthetisation of his faculties
His memory, continued apace
Magic of a sort there
He thought, the illusion, of his illusion, was
Is
Was
Is
Was
Is
The delusion, of the illusion
This lay in mother sense
The womb of his creations
Herein the source of all his theatre
How skillfully, and clearly, cleverly, and dearly
Productions such as his, were hard to find
As long as the human race had existed
He had worn the rainment
Of his myriad names, with pride
He knew, this magus of magicians
That he, Merlin the magical
Sorcerer to kings
Was coming towards the end of his line
That he, confidence trickster of the senses
Working in many guises, and disguises, in many lands
Throughout all ages, the magician extrodinaire
Master of magic, trick, and illusion
Like his forebears, he knew all that had passed
And also of the future knew he too
This wizard of pantomine
This master of the five
Servants, ready to serve his every wish
I wish, I wish
When you wish upon a star
Oh how wonderful you are
The old magus, had continued all the while
Polishing his mirror
Without once glancing at it
When you wish upon a star
He ceased his task
The waning of his powers, coincided
As if by chance
By the knowledge, that had struck him
Like a lightening bolt of his own creation
Like a swift arrow of truth
Of sudden realization
Deep, in the heart, of the
Soft, full, fat, cheese, mollases of his brain
Its poisened tip of truth
Had dealt the self, a mortal blow
This central character in his own magic
Knew at last the truth of his magic
He, was part of the magic, of something else
Something much greater
Something, of which he was but a piece
A piece of a jigsaw
A grain of sand, on all the oceans of the world
All the ages of his creations, had been an odyssey
The stars he wondered at on an evening
Were the same stars
That all existing, within this magical reality
That they also, were marvelling at
His journey, a pilgrimage
A seeking of the self
He had asked many questions
Experienced many things
There was alway something strange
About my magic
The wisdom, that he thought he had
He’d never had before
Wise wisdom, lost at sea
Drowned, in a sea of knowledge
His blinded, gelded senses
Had masked the way intended
New age, thoughtful thinkers
Now the rage
They’d seen it all
Wonder of wonders
And they would not wonder
There vices it suffices
Were sensory devices
Their aim, to transmute base metals into gold
Sub atomic particles
Articles of particles
A techno-magic revolution
Changing, human evolution
Pale imitators, of the wizards craft
Suddenly, as was his custom
Offen in the past
A sunbeam thought
Impinged the polished mirror
Of his future past
And sped off into its own reality
In a wink of a blink
Thinking pink
The man that never was
With skin, that made the sun retreat in shame
Behind dull clouds
For fear of Mary Shellys skin
Merlin the magus
Spent his last trick
And he, who in error, terror paused
Became a pig-
A lily the pink pig
A fat, happy, joyful pig
This pig, happy, happy, as a pig in shit-
Merlin again ruefully ruminated
Those of today, those creating a great past
From a future yet to occur
They too still entangled
Hog tide and fixed
Fettered by the senses
A bigger magic
More powerful magic than his
None the less a magic
Which like his, had no basis in reality
This custom made, happy pig
Found a partner
Had lots of pigs
And lived, happy ever after
Merlin the magus
Raised, the mirror to his eyes
His old blind eyes
Eyes, he now realized, he had no need of
Looking at the mirror
He saw its early finery
Remembered, its beauteous clearness
He gave it the tenderist of wipes
As first he’d done
As at the dawn of human history
He’d practised his craft
From first aware of its perfection
It’s glorious perfection
And the clarity, clear, depth
Of the pool, of its sight
The pool, in which his senses had swum
For so long together
Before the corpreal nature, of his sight, caught the glass
He noticed, how old it had become
How tarnished, cracked and glazed, this glass
Finally, his eyes looked at the eyes
That were finally looking at him
Today Alice, did not look back
Saw, only throught the mist
A spectre, of an apparition, of a spectre
He sought, with fingers cold
To rub away, the cold, hot mist of his breath
Only for an instant did he see
That, that, far away
That, that, was me
For a split second he realized all
He knew, I know
Someone, something, somewhere
An illustrious magician, pulled another trick
And, had there been a mirror
Surely it would have cracked
From side to side

--------

Dunblane massacre
13 March 1996
Description
The Dunblane massacre took place at Dunblane Primary School near Stirling, Scotland, on 13 March 1996, when Thomas Hamilton shot 16 children and one teacher dead and injured 15 others, before killing himself. It remains the deadliest mass shooting in British history.
Deaths: 18 (including the perpetrator)
Date: 13 March 1996
Perpetrator: Thomas Hamilton

Location: Dunblane
Total number of deaths: 18 (including the perpetrator)

Attack types: School shooting, Mass murder, Murder–suicide

One and one is two,
Two and two are four,
Four and four are eight,
Eight and eight are sixteen,
Sixteen and two.

John Donne, Anne Donne, undone

Think of a number, think of a number,

Five,
Think of a number, think of a number,

Six.

Come with me, ride a cock horse to Banbury Cross,
See a fine lady on a white horse.
Does everyone love me like you mother?
Does everyone love me like you father?
Well Wilf, I have a question.
Was it for this the clay grew tall?
Jack and Jill went up the hill
To fetch a pail of water
Jack fell down and broke his crown
And Jill came tumbling after.

When I got up this morning
I felt powerful, full of gods power.
This morning, for a few minutes
I thought I was god.
I wanted at last, to be recognised for what I am.
My life is barren.

Before I set off this morning
To do god's work
I sat in the chair
One, two, three, four
Looking at each one

One, two, three, four.
I stroked, and caressed each one.
Like my woman.
And yet they were hard and strong, virile, cold
The arbiter of death.
Sometimes, at such times, he visits me.
The man for whom I long.

My guilt, will not altogether fit.
Yet, you who scorned me,
Have invited me,
Into each of your family homes.
I will always be present,
At Anniversaries, at Christmas.
At times meant to be enjoyed,
I shall be there, you're unwelcome guest.
Happy Days.

There were seventeen green bottles, hanging on the wall,
Seventeen green bottles, hanging on the wall,
And if seventeen green bottles, should accidentally fall.
Then they'll be no green bottles, hanging on the wall.

Thomas please, I grow old, I grow old
I shall wear the bottoms of my trousers rolled
In the room, the women, men, children, grandfathers, grandmothers
Nieces and nephews, cousins and brothers, brothers and sisters
Uncles, and aunts, friends and relations, come and go
Talking, always talking, of those that are gone
All of you do not forget us
Thomas would you, with the children please
Together then
I remember
I remember
The house where I was born

Blow the wind southerly, southerly, southerly
Blow the wind southerly, my bonny to see

Their energy was such
They were always displacing themselves
Fractured, yet healing, thereby to be the stronger
Laughing with a happy laugh
This noise, their noise, with life abounds
Such laughing
If only we'd known
Such tears
If only we'd known
We would have counted each of your tears
You are our little people
Full growed at five and six
Full growed ye who cared for them

Yes Mary, ah Mary's got a joke. Come on now, let's all listen. Yes Mary, yes, listen
What did Mary Shelley say to Frankenstein
Go on
Oh, I love you to bits
Very good Mary, I'll bet you got that off your mum and dad. I don't think it's your own joke is it. Perhaps it is.

Come on now children, altogether

This old man, he played one
He played nic nak, on my drum
With a nic nak paddy wak, give a dog a bone
This old man comes rolling home

I checked my watch, it's almost time
God keep the barrel straight
Although tensed, although anguished within himself
He gave a nervous laugh
Atishoo, atishoo, all fall down

That morning, all the children had minded their P's and Q's
That morning, all had answered the register
Variously happy, and in piping voices
The Scottish pipers lament
The lament for young heroes
Old before their time
Facing the fear of all of us
Facing their fear together
Our teacher, our very own

And he, who took our lives

We are children, who forgive easily
Mother, and Father, your task is harder
At the going down of the sun
And in the morning, we shall remember them

There is but one child left
What mother and father, will claim this child
What sister, claim this brother
Where now the lover
Those of you, who pour contempt
Hell and damnation, upon my head
Here the slain, select one
That he become me

If you were the only girl in the world
And I was the only boy

It is afternoon, it is time again to take the toll, and yet this classroom is empty, not alas for the discerning eye. Therein happiness, therein love, therein hope, therein our lives.

Settle down then children, answer the register
Robert, Robert Burns
Not present. No one seen him
Mary, Mary Shelley
Not present
Sylvia Plath
Gone away
William Shakespeare
Not present
Leonardo, has no one seen Leonardo
Michael Angelo
Not present
Elizabeth I Regina
Not present
Has anyone seen her sister Mary, Mary Queen of Scots
No, not present
What about David. Anyone seen David, David Livingstone
No, not present
Mary, Mary Curie
Albert, Albert Einstein
Albert, Albert Schweitzer
Not present
Where are they all
What of Christ, and Buddha, Mohammed
Not present. Not present. Not present
What of George, the bakers boy
Not present
And Lucy in the sky
Gone away
What of Nicola, and Matthew world travellers
What of Romany. What of Tom, Dick, and Harry
Gone away, all gone away
But what of Peg, and sister Meg
Bess, and Tess, and Rodney too
Gone away, all gone away
And what of Matthew, Mark, Luke, and John
Bless the bed that they lay on
One at their head, one at their feet
Two at their hearts
Their precious souls to keep

My children, dost thou know, that thy creator weeps today
In the beginning, is my end
And in the end, my beginning

When I died, did you hold me
As a child holds its doll mother
When I died, did you hold me
As you held your mother, father

What is thy name
My name, my name is death
My gift to plain Dunblane
Put not your curse upon me
If you cherish daughter life
You must love also her brother death

If I am called, if I am summoned
Then I have to comply
Understand I have to come
I came to do God's work

I also wept bitter tears
I have wept more tears than you
Bereaved, and beauteous souls
I am the teacher, these my children

Tell me brother death art thou evil

No my child, not so
I am at one with the creator
We are all of one blood, she and I
I am the great destroyer
She the great creator
Your children, are our children
When you were happy, we were happy
When you were sad, we were sad
Listen, for you too are our children.
We are but one
Everything is one
Know that the creative energy from which all spring, is indestructible
It is immortal
Your children's sacrifice is not in vain
Nor you my daughter, and you my son.
All that issue forth from me
They must return to me.
No life without death
No death without life.
The unchained cycle of change continues
They are not lost
You who listen
Or read these words are me
I am your mirror
They are not lost.

Dave D 1996

MOTHER AND BABY 1970

VIETNAM MADDONA 1970

ITS ONLY OF LATE AS I SIT HERE ALONE

AND REFLECT ON THE PASSING OF TIME

THAT I FEEL THE AGING OF FLESH ON THE BONE

THE GRAYING OF HAIR AS A SIGN

OF A DAY THAT IS LONG AND NOW NEARLY O'ER

OF A NIGHT JUST ABOUT TO BEGIN

OF THE WORKING IN MAN OF GODS HOLY LAW

AND A TIME FOR THE PAYING OF SIN

WILL FOOT NE'R AGAIN SQUELCH SOFT ON WET GRASS

NOR TEETH ON RIPE APPLE TO BITE

SHALL I NEVER AGAIN DRINK BEER FROM A GLASS

WENDING SLOW ON MY WAY FEELING TIGHT.

AND WHAT OF THE FAMILY,

AND FRIENDS LEFT BEHIND

THE PEOPLE I'VE MET ON THE WAY

I WONDER, WELL, DO YOU THINK THEY'LL MIND

DO YOU THINK THEY'LL HAVE OUGHT TO SAY

NOW FEAR BESETS THIS ONCE PROUD HEART

AND ICE IN THE MARROW I FEEL

AT LAST SO IT SEEMS THE TIME COMES TO PART

TIRED SOUL FROM THIS BODY TO STEAL

3	THE	33	15	6
6	FAMILY	66	30	3
9	First Total	99	45	45
-	Add to Reduce	9+9	4+5	4+5
9	Second Total	18	9	9
-	Reduce to Deduce	1+8	-	-
9	Essence of Number	9	9	9

3	THE	-	-	-
6	FAMILY	-	-	-
-	T	20	2	2
-	H	8	8	8
-	E	5	5	5
-	THE	-	-	-
-	F	6	6	6
-	A	1	1	1
-	M	13	4	4
-	I	9	9	9
-	L	12	3	3
-	Y	25	7	7
-	FAMILY	-	-	-
9	Add to Reduce	99	45	45
-	Reduce to Deduce	9+9	4+5	4+5
9	Essence of Number	18	9	9

-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	THE	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	FAMILY	-	-	-	-	-	-	-	-	-	-	-	-	-
T	=	2	-	1	T	20	2	2	-	-	2	-	-	-	-	-	-	-
H	=	8	-	1	H	8	8	8	-	-	-	-	-	-	-	-	8	-
E	=	5	-	1	E	5	5	5	-	-	-	-	-	5	-	-	-	-
F	=	6	-	1	F	6	6	6	-	-	-	-	-	-	6	-	-	-
A	=	1	-	1	A	1	1	1	-	1	-	-	-	-	-	-	-	-
M	=	4	-	1	M	13	4	4	-	-	-	-	4	-	-	-	-	-
I	=	9	-	1	I	9	9	9	-	-	-	-	-	-	-	-	-	9
L	=	3	-	1	L	12	3	3	-	-	-	3	-	-	-	-	-	-
Y	=	7	-	1	Y	25	7	7	-	-	-	-	-	-	-	7	-	-
-	-	-	-	-	FAMILY	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	THE	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	45	-	9	-	99	45	45	-	1	2	3	4	5	6	7	8	9
-	-	4+5	-	-	-	9+9	4+5	4+5	-	-	-	-	-	-	-	-	-	-
-	-	9	-	9	-	18	9	9	-	1	2	3	4	5	6	7	8	9

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	THE	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	FAMILY	-	-	-	-	-	-	-	-	-	-	-	-	-
A	=	1	-	1	A	1	1	1	-	1	-	-	-	-	-	-	-	-
T	=	2	-	1	T	20	2	2	-	-	2	-	-	-	-	-	-	-
L	=	3	-	1	L	12	3	3	-	-	-	3	-	-	-	-	-	-
M	=	4	-	1	M	13	4	4	-	-	-	-	4	-	-	-	-	-
E	=	5	-	1	E	5	5	5	-	-	-	-	-	5	-	-	-	-
F	=	6	-	1	F	6	6	6	-	-	-	-	-	-	6	-	-	-
Y	=	7	-	1	Y	25	7	7	-	-	-	-	-	-	-	7	-	-
H	=	8	-	1	H	8	8	8	-	-	-	-	-	-	-	-	8	-
I	=	9	-	1	I	9	9	9	-	-	-	-	-	-	-	-	-	9
-	-	-	-	-	FAMILY	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	THE	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	45	-	9	-	99	45	45	-	1	2	3	4	5	6	7	8	9
-	-	4+5	-	-	-	9+9	4+5	4+5	-	-	-	-	-	-	-	-	-	-
-	-	9	-	9	-	18	9	9	-	1	2	3	4	5	6	7	8	9

3	THE	-	-	-
6	FAMILY	-	-	-
-	A	1	1	1
-	T	20	2	2
-	L	12	3	3
-	M	13	4	4
-	E	5	5	5
-	F	6	6	6
-	Y	25	7	7
-	H	8	8	8
-	I	9	9	9
3	THE	-	-	-
-	FAMILY	-	-	-
9	Add to Reduce	99	45	45
-	Reduce to Deduce	9+9	4+5	4+5
9	Essence of Number	18	9	9

FIRST CONTACT 1980

Dave D 1969

From: david denison
Sent: Thursday, January 01, 2004 9:22 AM
To: comment@anc.org.za
Subject: Fw:NELSON MANDELA. IMAGINE THERE'S A HEAVEN

Dear Nelson Mandela.
Best wishes for the New Year.
Peace on Earth and good will to all sentient beings.
David.

Subject: Mathemetician Gone Mad? -Eht Namuh
XxDoberman_PharoahxX

HOLE INTHE EARTH
**********

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postedon 11-4-2007 at 11:45 AM Reply With Quote

Mathemetician Gone Mad? -Eht Namuh

I discovered this today and itseriously is the most disturbing thing I have everwitnessed on the internet. Before you even think aboutsaying it, Captain Asshat, I know it's just a website.But... you'll see.
Proposedly written by amathemetician gone insane, this website is not for the easilyscared. Bricks were shat.

The Evokation, in my opinion is the most disturbing part of the site.
Reading through IKNOW it means something, but I can't put my finger onit.
All I can establish is that 9 is some sort of'divine' number and Eht Namuh is The Human backwards,and this is after 3 solid hours of reading the page andtrying to decypher it in some way.
Sequences arerepeated and as is the number 9. Mismatching figureswithin sequences are always 9 or add up to 9.
>_<

E.g.

a1 b2 c3 d4 e5 f6 g7 h8 i9j1 k2 l3 m4 n5 o6 p7 q8 r9 s1 t2 u3 v4 w5 x6 y7z8

a b c d e f g h i j k l m n o p q r s t u v wx y z
z y x w v u t s r q p o n m l k j i h g f e d cb a

a+z 1+8=9
b+y 2+7=9
c+x 3+6=9
d+w4+5=9
e+v 5+4=9
f+u 6+3=9
g+t 7+2=9
h+s8+1=9
i+r 9+9=18
j+q 1+8=9
k+p 2+7=9
l+o3+6=9
m+n 4+5=9
n+m 5+4=9
o+l 6+3=9
p+k7+2=9
q+j 8+1=9
r+i 9+9=18
s+h 1+8=9
t+g2+7=9
u+f 3+6=9
v+e 4+5=9
w+d 5+4=9
x+c6+3=9
y+b 7+2=9
z+a 8+1=9

The only two that don't match up are r and i. Which are both 9. 9+9 =18
1 + 8 = 9

But what does it mean?

What does H3 think?

MAN EATING HIS OWN EYES 1977

Thursday, July 18, 2013 2:26 PM
To: Dave Denison
Subject: NELSON MANDELA. IMAGINE THERE'S A HEAVEN
the question
why did you paint him like that?
I HAVE MADE OTHER IMAGES OF NELSON MANDELA. THAT PARTICULAR PAINTING STARTED OUT AS A DANCER AND GREW INTO THE SIMULCRA EVOKING PORTRAIT OF MANDELA. THE HEAD IS IN PROFILE THE DANCER IS SWIRLING IN HER DRESS WHICH BECAME MANDIBA’S CLOAK. AND THE HAND HOLDING THE STICK ON THE RIGHT HAS BANGLES ON THE WRIST! THEREIN OTHER FETISH IMAGES RESPOND TO THE PERCEPTIVE EYE. THE HEAT AND MAGIC OF AFRICA! OLD AFRICA.
THE FIGURE SUCH AS IT IS, SHOULD BE SEEN IN PROFILE! STARE AS YOU MIGHT STARE AT THE STARS. SAME AS WITH THE LAST SUPPER! YOUR IMAGINATION PAINTS THE PICTURE AS WELL AS! THE SURFACE BECOME FLUID, MALLEABLE, MELLIFLUOUS, SUGGESTIVE! IS IT THIS IS IT THAT!
ANOTHER IMAGE ON THE CIVIL RIGHTS STRUGGLE IN AMERICA IS! “THE STRANGE DREAM OF VIOLA LIUZZIO”
http://en.wikipedia.org/wiki/Viola_Liuzzo
“AFRICAN NIGHTMARE! SPECTRE OF FAMINE” 1975. IS AN EARLIER EXAMPLE SET WITHIN AN AFRICAN THEME!

From dave@denizen7.freeserve.co.uk
Sent: Thursday, 18 July 2013, 12:00
Subject: NELSON MANDELA. IMAGINE THERE'S A HEAVEN

HOW ARE YOU TODAY?

HEREIN IS A TRIBUTE TO NELSON MANDELA MARKING HIS 95 TH BIRTHDAY
EIGHTEENTH OF JULY 2013.

THIS MAGIC G-GLOVE WAS PART OF DOCUMENTS I SENT TO THE ANC IN 2004.
IT WAS FULL OF TEXT ABOUT THE SITE. WHICH I HAVE OMITTED.

HOW THE TIME FLIES WHEN YOU ARE ENJOYING YOURSELF?
D 4 DAVE’S THOUGHTS ARE WITH YOU!

SEIZE THE DAY O QUEEN OF THE NIGHT!

A MOMENT OF REST UPON THE WIND AND ANOTHER WOMAN SHALL BEAR ME!

973 EHT NAMUH - 379 THE HUMAN

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warrioroftheyuga
Posts: 3
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973 EHT NAMUH - 379 THE HUMAN
Post by warrioroftheyuga » 28 Mar 2017 02:55

This has nothing to do with the bloody Devil. People see codes and randomness and they just jump "Oh, The Devil!" Stop, dear. I am surprised not many have easily seen the things depicted in eht namuh...it's obviously about "the human".

O
NAMUH
THOU
ART
WANDERING IN THE WILDERNESS OF THINE OWN DISCONTENT
WANDERING IN THE WILDERNESS OF THINE OWN DISCONTENT
ART
THOU
HUMAN
O

And...I spent some time on the website...it's not creepy but it still gave me a feeling of despair.

It has far too many religious quotes. Hinduism, Christianity, Egyptian myths, etc...some others I am probably not familiar with.

Do not be afraid!

"OM BHUR BHUVAH SVAHA TAT SAVITUR VARENYAM
BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACODAYAT"
on the page 5th or 6th?
Is a Hindu prayer to Goddess Durga for protection.

References to "Kali Yuga" - the Hindu version of the end of days...a warrior on a white horse comes...signifying the end of all...and the cycle begins again!

But what is ZED ALIZ ZED? anyone know?

"NOWT NOR SUMMAT BEING BEING A SUMMAT AND NOWT"
Nothing nor something being being a something and nothing!!!

I am getting chills!!!

"A
BEING
THAT IS NEITHER OF EITHER EITHER OF NEITHER IS THAT
NEITHER UPSIDE DOWN OR DOWNSIDE UP NEITHER
INSIDE NOR OUTSIDE OUTSIDE NOR INSIDE
ALWAYS
EVERYTHING AND NOTHING ALWAYS NOTHING AND EVERYTHING"

Is this an an attempt at creeping people out? Or does it hold mathematical genius and a religious truth?

ISIS, MAAT - Egyptian Gods/Goddesses

"MOMENT OF MIRRORED OPPOSITES HAS ARRIVED"
What reflection cast upon the mirror?

"AND THAT IS THE VERDICT OF YOU ALL?
I AYE EYE AYE I
AN
I
FOR
AN
I
THE
PERFECT LAW THE LAW PERFECT
JUDGEMENT PERFECT PERFECT JUDGEMENT"
We are all guilty - we will all face judgement. We are all tainted by the schemes of others.

Oh, GOD

NOT "MAA KHERU"!!! BUT "MAAT KHERU" - Egyptian for the voice of truth
MAAT IS TRUTH TRUTH IS MAAT THE TRUTH ISIS

I am sorry. I am really sorry.

AUM MANI PADME HUM - Buddhist mantra

Why is it mirrored? Why this extra confusion? Why can the truth never be delivered straight?

VE NUS SUN EV - Venus the Goddess and the Sun The cursed women with coarse skin

"ANDROGYNOUS CREATIVE LIFE SUSTAINING EVERYTHING"

- important. The perfect being is androgynous. The androgynous mind is truly broad. To sustain life - woman and man - held in power - both alike.

THAT FOR WHOM THE BELL TOLLS

I am sorry. I feel like crying. I am tired of scrolling. I feel like crying.

"HEAREST THOU THIS MY VOICE AND LET MY CRY COME UNTO THEE
"AWAKEN TO THIS IMAGINATIVE RESURRECTION AND ALLOW IT TO ROUSE IN THEE SUDDEN AWARENESS"

Brahma created all. Krishna remembers all. We have all but lived many a times.

ENOUGH.

Don't bid me goodbye. I cannot withstand this by myself. Please, come and help.

"THE
UNIVERSAL LANGUAGE
OF
ALL THE
WORLDS PEOPLE
COULD
BE
WRITTEN WITH A HANDFUL OF THESE SIGNS
BY
WRITING
THE
26
LETTERS
OF
THE
ALPHABET
IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"

I despise you for this.

"LIGHT AND LIFE
Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium.

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE""

How dare you?

OSIRIS OSIRIS SIRIUS SIRIUS
brightest star

False prophets. This reeks of arrogance. You command yourself as if you know more.

Language is a barrier.

OSIRIS - Egyptian God of afterlife

Stop being afraid. There is nothing to be afraid of. Everything demands only understanding. Not fear. Overcome fear by understanding. Not by ignoring.

The Dog Star - SIRIUS - the brightest star

The star God?

I don't want to look any more. I want to cry.

I am one. Join me to be all

EHT NAMUH 1977

IN THE PADS 1978

dave.d

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kafka
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dave.d
Post by kafka » 08 Dec 2020 19:09

would have asked a few because of dave denison:who is dave.d , why has he only written 4 posts so far and why writes redbeck posts of dave.ds account, does he still live?

kafka
Posts: 40
Joined: 05 Nov 2020 23:58
Re: dave.d
Post by kafka » 25 Dec 2020 16:54

I would appreciate an understandable answer
Top
Coddiwomple
Posts: 13
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Re: dave.d
Post by Coddiwomple » 25 Dec 2020 21:04

Dave Denison was a British surrealist artist and mathematician, although he's most known for this site - 973-eht-namuh-973 - which he created. Other than that, he seemed to be really into the occult/religious. I might be wrong on this, but I'm quite sure that he has passed.

In regards to Redbeck's connection to Dave D's work, I believe that they are carrying on his legacy, but I would highly appreciate it if Redbeck would clarify this.

Black_Rose
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Re: dave.d
Post by Black_Rose » 25 Dec 2020 22:10

Why do you think he's dead? I'm very curious.

PEOPLE OF THE ORACLE.

THANK YOU FOR YOUR CONTRIBUTIONS.

WITH RESPECT TO THE QUESTIONS RAISED, YOUR INTEREST IS MUCH APPRECIATED.

HERE AM I, ALIVE AND WELL, WORKING IN THE STARSHIP.

HEARKEN! A MYSTERIOUS VOICE IN THE NIGHT, I DELIGHT IN THE LIGHT IN THE LIGHT I DELIGHT.

D FOR DAVE IS THE SOLE MOTIVATING CREATIVE FORCE RESPONSIBLE FOR EXTERIORIZING AND MAINTAINING THE 973-EH-NAMUH--973 SITE IN IT'S ENTIRETY.AND POTENTIATES THE GREAT WORK DAY IN AND DAY OUT.

IMPORTANT TO UNDERSAND THAT EVERYTHING PRESENT ON THE SITE HAS BEEN GENERATED FOR AND ON BEHALF OF THE LIVING CREATOR CONSCIOUSNESS, VIA THAT SAME CALLING.

THE MAJORITY OF SYMBOLS, ANIMATIONS, AND TECHNICAL KNOW HOW COMMISIONED TO ORDER, LOCALLY FROM FRIENDS AND OTHER INTERESTED CONTACTS. ALL COSTS INCURRED BORN BY ME.

NEVERTHELESS, THIS WORK HAS RECEIVED IMMEASURABLE HELP FROM COUNTLESS SOURCES IN BOTH CONTENT, AND PRESENTATION OF MATERIAL

REGARDING THE EVER PRESENT TABLES, ALL WITHOUT EXCEPTION HAVE BEEN CREATED BY HAND IN THE FOLLOWING WAY. FIRSTLY, WRITTEN OUT BY ME MYSELF AND I, IN HUNDREDS OF NOTEBOOKS, ALONG WITH ANY OTHER RELEVANT INFORMATION, FROM WHATEVER SOURCE OBTAINED. THEN PAINSTAKINGLY TRANSFERRED INTO THE FORMAT NECESSARY TO PRESENT THEM AS SEEN ON THE INTERNET.

REGARDING THE COLOURED TEXT IN RED AND GOLD PATTERNS, THESE WERE MY RESPONSIBILITY. IN THE MAIN THE GOLD DESIGNATED TTERNS OF LETTERS BEING MARKED, SO THAT WHEN LETTERS ARE TRANSPOSED INTO NUMBER, AND INDIVIDUALLY ADDED TOGETHER WHEN MARK IN GOLD DESIGNATE THE NUMBER 9 NINE 9

THE SITE IS MASSIVE IN CONTENT, AND YET, I AM CONSTANTLY INUNDATED WITH INFORMATION FROM THE OTHER SIDE OF THE OTHER SIDE IN CONSTANT FLOW, SO NOT ONLY NEW MATERIAL AWAITS ITS TIME, BUT ALSO MASSES OF INFORMATION ALREADY AWAKENED DEMANDING THEIR MOMENT. MUCH OF IT YEARS OLD.

FOR SOME TIME I WAS ABLE TO EMPLOY A LOCAL WOMAN FRIEND, DEAR WENDY HANSON,WHO WAS A GREAT HELP IN TRANSCRIBING MANY OF THE NOTE BOOKS AND OTHER MATERIAL ONTO THE SITE. SADLY THAT CAME TO AN END SOME YEARS AGO ON WENDYS DEATH.

A GREAT MANY NOTEBOOKS NOW LYING DORMANT, WITH EVERY TABLE RELIANT ON SELF HELP. I HAVE MADE ENQUIRIES IN THE PAST AS TO CREATING A PROGRAMME THAT WOULD FACILITATE THE LETTER INTO NUMBER TRANSPOSITION INTO TABLES AUTOMATICALLY. HOWEVER AFTER SEVERAL PROMISING RESPONSES, SOME OF WHICH EMANATED FROM ORACLE MEMBERS. NOTHING MATERIALISED. AS A CONSEQUENCE MY LIFE SENTENCE OF HARD LABOUR CONTINUES.

ALONGSIDE THIS, EVERYDAY IS SPENT WORKING ON OTHER GIFTS OF THE INNER MINDS I, THAT HAVE TO BE RECORDED AS AND WHEN.

I AM NOW AGED 85, AND NEVER AM I NOT ON CALL TO THE GREAT WORK.

IN 2010, MY DEAR FRIEND AND COUSIN ANDREW THE ESTEEMED REDBECKARRIVED BACK IN WAKEFIELD FROM HIS VARIOUS TRAVELS., HE , WHO HAS A GREAT INTEREST IN THE WORK AND WHO HAS MADE SUCH AN IMPORTANT CONTRIBUTION TO THE FUNCTIONING OF THE ORACLE FORUM. HE WHO FROM TIME TO TIME BLESSEDLY, AND KINDLY FACILITATING SUGGESTIONS AND POSTS I THINK APPROPRIATE TO BRING TO PUBLIC NOTICE. TIME WISE HIS HELP IS ABSOLUTELY INVALUABLE IN MY DAY TO DAY WORKING DAY.

AS NOTED PREVIOUSLY THE ILLUSTREOUS REDBECK ALSO KEEPS A WEATHER EYE ON THE ORACLE AND HIS GREAT AFFINITY AND WISE WHEREWITHAL ARE OF IMMENSE VALUE TO THE TASK IN HAND. OF WHICH EVERY MEMBER OF THE ORACLE FORUM BEARS RESPONSIBILITY.

IN THE EARLY 2000'S, ANOTHER LOCAL FRIEND ROB BELL TECHNICAL WIZARD, SENT FROM THE OTHER SIDE OF THE OTHER SIDE MADE HIMSELF AVAILABLE

AS A PRACTICAL RESOURCE OF IMMENSE EXPERTISE, ALWAYS READY TO HELP OUT WITH ANY COMPUTER OR SOFTWARE PROBLEMS THAT MAY ARISE.

YOU WILL KNOW THE OLD ADAGE, SO MUCH TO DO, SO LITTLE TIME.

THE TIME THAT IS COMING NOW IS.

THE HOURS OF HORUS HAS ARRIVED.

GLOBAL WARNING
GLOBAL WARMING.

THIS WORK IS THE R IIN EVOLUTION REVOLUTION, THE R IN ELEVATION REVELATION. IT IS THE PROVING OF GOD MIND, UNIVERSAL MIND, THE COSMIC CONCIOUSNESS OF LIFE AND OF THE HUMAN MIND.

RISE UP AND BE COUNTED DEAR PEOPLE.

IN A VERY REAL SENSE THIS IS NOT MY WORK IT IS THE WORK OF THE ALL AND SUNDRY OF PLANET EARTH.

LET THE GO DO GOOD GOD BE WITH YOU SAY I.

FROM DAVID DENISON. HEREIN THE I'M DENISON DIMENSION.

FURTHER INFORMATION.

THE SITE HAS BEEN WEAVING ITS WEB ON THE INTERNET SINCE THE YEAR 2000, ORIGINALLY THE EARLY HOSTING WAS SET UP BY THE SON OF TEACHER RICHARD SUTCLIFFE, WHO WAS ONE OF MY BROTHER MICHAEL'S CHESS PLAYING FRIENDS FROM WAKEFFIELD CHESS CLUB.

OTHER RESOURCES APPEARED AS IF BY MAGIC WILL INTENDED. RIGHT AT THE BIRTHING OF THE SITE, ANOTHER FRIEND FROM THE PUBLIC HOUSE FRATERNITY NAMED HOWARD A GIFTED TECHNICNICIAN AND ARTIST WHO HELPED ME FOR SOME MONTHS IN MY IGNORANCE OF TECHNICAL MATTERS TO PRESENT THE SITE IN ITS EARLY FORMAT AND COLOURS.

AGAIN, IN RESPONSE TO MY ORIGINAL IMAGE, 3 COLOURED DICE IMAGES, WERE EVOKED BY DAN WATKINS, AT NO COST, WHO ADDED BEAUTY AND POWER TO THE ONES NOW ON DISPLAY

2 MORE IMAGES OF DICE WERE COMMISSIONED FROM AN INTERESTED PARTY CALLED BLAKEY, AND FURTHER TO THIS, YET ANOTHER FRIEND ALSO A PAINTER MIKE BALL GAVE LIFE UNTO THE LETTERS AND IMAGE ANIMATIONS CONCEIVED. SOME OF HIS ARTISTIC WORK IS PRESENTED ON THE LETTER O, IN THE SITE GRAND GALLERY

THE 973WHITE-RABBITZ973 SISTER SITE, WAS SET UP LATER, AT NO COST BY MY GOOD FRIEND, JAMES WARDELL. AT NO COST

HURRAH FOR RAH.

THE REAL UNFOLDING IN WRITTEN FORM BEGAN REVEALING ITSELF IN EMBRYO LIFE IN 1995, THE ACTUAL BIRTHING MUCH EARLIER, AS IF BY MAGIC WILL INTENDED.

PRIOR TO THIS, WITHIN THIS CREATIVE ORDEAL CAME THE DYING OF THE DEATH, THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF.

I STARTED PAINTING IN 1963, UNBEKNOWN TO ME I WAS PAINTING IMAGES FOR THE INTERNET BEFORE THERE WAS AN INTERNET

1958, NATIONA SERVICE, JOINED THE RAF FOR 3 YEARS.

1963 BEGAN 27 YEARS IN THE PRISON SERVICE

2 YEARS AS A DISCIPLINE OFFICER AND THE REST AS A MEDIC IN VARIOUS ESTABLISHMENTS, SPENDING SEVERAL YEARS TEACHING AT THE PRISON OFFICERS TRAINING SCHOOL WAKEFEIELD.

IN CLOSING,

DEAR FRIENDS, OMENS, COUNTRY MEN AND WOMEN.

YES! DAVE D IS STILL TREADING THE BOARDS, HEREIN THE I'M DENISON DIMENSION.

THE TIBETAN BOOK OF THE DEAD

The After Death Experience on the Bardo Plane,

according to Lama Kazi Dawa-Samdup's English Rendering

Compiled and edited Edited by W. Y. Evans-Wentz 1960

Facing Preface To The Paperback Edition

'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this callning to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae.

'Against his will he dieth that hath not learned to die. Learn to die and thou shalt learn to live, for there shall none learn to live that hath not learned to die.'-Toure of all Toures: and Teacheth a Man for to Die.

The Book of the Craft of Dying (Comper's Edition).

'\Vhatever is here, that is there; what is there, the same is here. He who seeth here as different, meeteth death after death.
'By mind alone this is to be realized, and [then] there is no difference here. From death to death he goeth, who seeth as if there is dificrence here.'-Katha Upanishad, iv. 10-11 (Swami Sharvanallda's Translation)"

Facing Preface to the Second Edition

BONDAGE TO REBIRTH

"As a man's desire is, so is his destiny. For as his desire is, so is his will; and as his will is, so is his deed; and as his deed is, so is his reward, whether good or bad.
' A man acteth according to the desires to which he clingeth. After death he goeth to the next world bearing in his mind the subtle impressions of his deeds; and, after reaping there the harvest of his deeds, he returneth again to this world of action. Thus he who hath desire continueth subject to rebirth.' "

Brihadaranyaka Upanishad

FREEDOM FROM REBIRTH

'He who lacketh discrimination, whose mind is unsteady and whose heart is impure, never reacheth the goal, but is born again and again. But he who hath discrimination, whose mind is steady and whose heart is pure, reacheth the goal, and having reached it is born no more.'

Katha U panishad.
(Swami Prabhavananda's and Frederick Manchester's Translations).

Page xi

SRI KRISHNA'S REMEMBERING

'Many lives Arjuna, you and I have lived.

I remember them all but thou dost not.'

Bhagavad Gita, iv, 5., iv, 5.

Page xx

"......... Denison........."

INCARNATION

THE DEAD RETURN

Daniel Easterman 1998

Page 99

"........David........."

Page 3

"The old man's name was Dennison"

THE

PATH OF PTAH

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

THE

VIRGIN BIRTH IS TO BE REBORN OF WATER

AND

SPIRIT GODS HOLY SPIRIT

AFTER

HAVING ENDURED

THE DEATH OF THE

I ME EGO SELF I SELF EGO ME I

WEIGHED IN THE BALANCE AND NOT FOUND WANTING

EVOLVE THEE THAT THOU OF LOVE LOVE LOVE OF THOU THAT THEE EVOLVE

Coddiwomple
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Re: Somebody tell me more about this site
Post by Coddiwomple » 23 Dec 2020 15:54

It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.

Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.

Beware
Posts: 13
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Re: Why are we here
QuotePost by Beware » 03 Oct 2020 20:05

QuotePost by Beware » 03 Oct 2020 20:05

Post by Beware » 03 Oct 2020 20:05

Oracle
Posts: 4
Joined: 04 Oct 2020 15:27
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Re: LUCIFER THE LIGHT BRINGER
Post by Oracle » 02 Jan 2021 18:27

DISCLOSURE2.png
It is time for the light to be shone, the name be revealed, and revelations come to pass.

THAT

AM IN SANITY IN AM

THAT

Reddit. Have you seen this website It's purportedly the work of a mad mathematician_ nosleep.mht

[–]mehtulupurazz 56 points 4 hours ago

Has nobody posted eht-namuh yet? It is the single most disturbing site I have ever come across on the internet. Basically, it is the endless rants of a paranoid schizophrenic man named David Denison who, in short, believes to have unlocked the secrets of the universe using his Magical Alphabet which he came up with. The main page is one of the longest pages I've ever encountered, and this is such a minute fraction of the entire site. I have spent countless hours on it, trying to make some sense of it all.
The most disturbing part about it all is the sheer amount of work he must have put into it. He quotes a ton of religious texts throughout his writings, which means he has obviously devoted years of his life solely to studying these texts in order to back up his Magical Alphabet theory, but the most mind-boggling part is just how much he has fucking written. There are so many pages on this website. I'm not talking a hundred, or a thousand - I'm talking tens of thousands. I remember somebody went into the site code on an old reddit thread from years back (the one I discovered this site from) and found out just how many pages there are. Hell, there isn't just an index - there is an index of indices.
He also has some very disturbing artwork and paintings which he has done.

Check out this site. It's truly a journey into the mind of the most horribly insane.
permalink

Reddit.com

Metellius.
“If reddit is the first page of the internet, what is the last?.”

http://973-eht-namuh-973.com
This site You will never get away. and it will be your final destination.”

Somebody tell me more about this site

Search this topic…
8 posts • Page 1 of 1
explorer
Posts: 1
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Somebody tell me more about this site
Post by explorer » 10 Dec 2020 04:52

An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
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packajos000
Posts: 1050
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Re: Somebody tell me more about this site
Post by packajos000 » 11 Dec 2020 19:40

Tales Of Rabbits.

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3301313.1411033
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Re: Somebody tell me more about this site
Post by 3301313.1411033 » 21 Dec 2020 16:46

explorer wrote: ?10 Dec 2020 04:52
An interesting mix of numerology, gnosis, Christianity, Hinduism... A search for truth? A religion? Pretty mysterious stuff to say the least. What does it mean? Id appreciate a somewhat clear explanation.
when you have an illumination then you understand every single word of all sites and all numbers, you will understand
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3301313.1411033
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Re: Somebody tell me more about this site
Post by 3301313.1411033 » 21 Dec 2020 16:49

bettter words for it, drop out the pyramid, not symbolic, drop out the pyramid system and look it from outside, from a distance where somebody cant ells

you play god, better say you are

cause you know why you live, you know who you are, you know why.
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Auriorusiana
Posts: 208
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Re: Somebody tell me more about this site
Post by Auriorusiana » 22 Dec 2020 00:53

illumination varies in degrees, shades, colors, and gradients, yet it stems from one all and will return to the same conclusion.
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Coddiwomple
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Re: Somebody tell me more about this site
Post by Coddiwomple » 23 Dec 2020 15:54

It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.

Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
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3301313.1411033
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Joined: 21 Dec 2020 06:07
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Re: Somebody tell me more about this site
Post by 3301313.1411033 » 24 Dec 2020 02:33

Coddiwomple wrote: ?23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.

Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality.
"It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.

Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality." -CoddyWomple

possibly the greatest written statement of mankind.
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3301313.1411033
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Joined: 21 Dec 2020 06:07
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Re: Somebody tell me more about this site
Post by 3301313.1411033 » 24 Dec 2020 02:36

3301313.1411033 wrote: ?24 Dec 2020 02:33
Coddiwomple wrote: ?23 Dec 2020 15:54
It's a rebuke of religion and a reaffirmation of Existentialism/Absurdism. Additionally, it's one hell of a masterpiece, possibly the greatest artistic statement of mankind.

Traverse the maze with a rational, atheistic mind, and your revelations will empower and enlighten you. Look out for duality, the absurd, and absurd duality." -CoddiWomple

possibly the greatest written statement of mankind.

COMMENT FIRST SEEN 30 JANUARY 2021

https://www.reddit.com/r/AtrocityGuide/comments/l83na3/a_cultist...
The website seems to be occult and filled with numerology, cryptology featuring other various coding, religious topics/art and it seems like it is leading to something to be found, some kind of revelation or understanding. Numbers like 9, 7, 5, and 3 have spiritual meaning and are used to decode messages.

A cultist website hiding a rabbit hole laid down by a crazy British surrealist painter.
http://www.973-eht-namuh-973.com/

What the fuck.

I've done some digging of my own and it is a REALLY deep rabbit hole. The website opens with the words "A MAZE IN ABRACADABRA" and when you click on the phrase "A MAZE IN" you're taken to a page with three spinning circles. When you click on these, it takes you to a page with cryptic messages and some clues as to what the site is about. At the bottom of the page are arrows to get to the different pages.

There are THOUSANDS of these pages, all with cryptic secrets and codes. I don't fully understand everything on it, but clicking through the pages takes you to different tables that piece together how to decode the site.

The website seems to be occult and filled with numerology, cryptology featuring other various coding, religious topics/art and it seems like it is leading to something to be found, some kind of revelation or understanding. Numbers like 9, 7, 5, and 3 have spiritual meaning and are used to decode messages.

After some more digging I discovered the Oracle, the forum where members of the site gather to reveal their findings. A lot of the posts on it reference some deeper meaning or truth to life that is found by decoding the site, and the revelation seems to be circular in a way. It takes you back to the beginning of your journey, but now you have the key to fully understand the site. On your final run through, the understanding occurs.

Some themes seem to be about a "hivemind" of some sort. One user described quantum entanglement linking human brains together, and that being why we feel empathy. In the same post, he said that people have different interpretations of the site at first, but adopt a universal view when they understand more.

The most interesting Oracle post though, at least to me, was made by a user called whiterabbit. He said that he had found the solution to the site and that he wouldn't be responsible for any side effects.

The creator of the website is a man named David Denison, a surrealist artist and occultist. He also painted the paintings on the site and describes the site as his life's work.He was reportedly the most well known surrealist painter in the Uk in the 1970s-1980s.

Hope you guys found this interesting.

Re: DAVID DENISON HAPPY 84TH BIRTHDAY SUNDAY 21ST OF MAY.
Post by Queengreen » 27 May 2023 13:25

I know it's a little bit late, but happy birthday! Thank you David for making this site, you've injected mystery into my life, my spiritual journey would not have been the same without you and everything you've done. For some reason, out of everywhere I've ever been on the internet, this is the one site that's always felt like home. You've been in my mind and heart for the past 12 years, your site has had more influence on me than even my own parents. Thank you for helping me grow, thank you for all of the work you've done, you'll always be a hero to me.

Dear members
Post by D173_Marilena » 20 Sep 2023 15:18

I hope this inquiry finds you well. I want to preface this by emphasizing that the Catalog operates with no malicious intent; We do not wish of harming your community. I am simply writing on behalf of the Catalog, where we focus on systematic examination of unique digital phenomena. To clarify, this is part of the Catalog's mission, where we document any digital entities. Contributions to the research effort are greatly appreciated and enhance understanding of the digital domain. We've characterized your occult community as anomalous and aim to investigate it; The investigation is directed at deciphering and understanding the primary incitement of the website, and the odd... cryptic use of mathematics. There's certainly a lot of depth and writing that has undergone here on the website.
In an effort to comprehend this website, I humbly request that you explain the contents of this website. Thank you in advance. Moreover, it is essential to clarify that, as you may already appreciate, the Catalog is committed to maintaining a high degree of anonymity so any private & targeted questions regarding who I am or anything of the matter, are questions that I will not answer. If there is anything else I am more than happy to provide :).
That is all, and thank you once again for your time & patience.

Sincerely,
A Catalog contributor.
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Redbeck
Posts: 1821
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Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
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Re: Dear members
Post by Redbeck » 20 Sep 2023 21:59

Dear D142_Marilena,

Welcome to the Oracle Forum community and thank you for your expansive first post. Firstly to explain that this is not an “occult community,” as you describe it it covers a wide range of subject matter of which the occult is but a component part of a catalogue that expands across the full width of theology and the religions, spiritualistic and pagan beliefs and philodophies that reside beneath that heading and much much further afield to the sciences, the creative arts, the natural world, progressive thought to save all endangered species including human kind, through to socio-political inertia and the barely discovered universe beyond our unfolding galaxy.

Pax Vobiscum Redbeck

And so to a brief introduction as to the essence of the site.

Although, that said. we do recommend that the reader member initially explores what is a vast repository of creative information alone and invests the time to gain an initial impression and some level of personal interpretation, but more importantly an understanding of the fundamentals and philosophy that underpin what is a colossal piece of work. This approach generally does require that dedicated members dig down and deeply through a wide spread of the indices within 973-eht-namuh-973.com in order to follow the thread which effectively enables them to weave their own pattern of areas of interest and therefore in a sense create an individual learning destiny. There is of course guidance to be found in the paragraphs below.

While complex in nature, this is not a university degree course with tutors in attendance to guide you through the matrix, however this synopsis has helped others in the past and is updated as often as we can. Nonetheless, as a new reader we would still recommend that you gather a collection of your own experiences and identify the areas of knowledge that interest you most. By taking this approach, you will be embarking on what should be viewed as long but ultimately fruitful journey. I assure you, that as an intellectual odyssey it will expand both your inner reflective and external observational wisdoms, some might refer to this as enlightenment, however, if nothing else this will lead to a significant change in your perception of life and how you view the world.

The site was created to help divine how we as humankind can collectively help to save the world from its current predicament before it is too late. Any enlightening vehicle for personal change will undoubtedly cover a sea of topics from the spiritual to passionately creative art & literature, through sociological and philanthropic topics, saving and protecting the natural world and habitable environments to shifting capitalistic dictatorship to sociocracy, as well as understanding the elements of climate science which form the ingredients of the "current predicament". This also invokes a self determining behavioural charter where as many of us as possible are able to change our ways at a individual level, facing up to governments who continue to demand delusional profit in their upper echelons in pursuit of the capitalistic dream, instead of ensuring that there are sufficient shared means and resources distributed across all human kind to enable them to peacefully coexist and live a decent life. And many more laudable objectives to help preserve our planet besides.

Turning the first page on 973-eht-namuh-973.com, walks you into what is a knowledge collection, exchange and transference site, designed to reinvigorate a possibly jaded habit of learning. A reignition that will hopefully lead visitors to the site onto alternative positive thought paths resulting in plans of action, that we believe will in turn motivate thinking readers to access and participate in a universal mind for the greater good of humankind. Universal mind, being an amalgamation of enlightened intellectual resource that will hopefully help us to collectively restore the world we inhabit to become a better place on every level, for all inhabitants of planet Earth.

One might call it a scholarly but nevertheless pragmatic push toward establishing an even handed and philanthropic world government as far removed from the ideology of capitalism as it can possibly get, approved by humanity not self serving politicians. A body that will eventually, under the stewardship of states-persons of powerful positive ethics and intellect, in possession of sane and compassionate minds with an impeccable moral compass, completely devoid of ego or obsession with either power or money, hopefully fashion a superior quality of life for all. A quality of life and law that will consign the prevailing rampantly capitalistic self-centred society into history, voiding its gluttonous appetite for precious elementary raw material, that is systematically destroying the human race. Sharing those natural resources currently dominated by a minority but in this case with no caveat of ownership: water, forest, grassland, and agricultural produce to sustain humankind, establishing global balance and wellbeing as a result.

You will also have noted from your previous investigations into the site content and structure that within this catalytic convertor toward positive global change, that transposition of language into number is fundamentally important to the process. The resulting numeric patterns that already appear within our work as well as future decoding, are highly tuned sensory indicators of the stress and crash points in our world that require addressing with great urgency, in order to prevent the whole socio-political system under which we presently exist sliding off the edge of a cliff in chaos. And figures strongly in the universal mind pathway to greater good which is the foundation stone of 973-eht-namuh-973.com, where 5 represents the balance and wellbeing between 1 and the ultimate power number 9 (Where the number nine can both determine or be a spreader of either intense sunlight or repressive darkness).

As far as the numerology aspect goes, the alpha to numeric transposition is straightforward. English (Latin) alphabet letters assume a value from A = 1 to Z = 26. Where letters are assigned a double digit number then the 2 digits are added together, for example R = 18 then 1 + 8 = 9. Then once each letter in a full word either has or has been resolved into a single digit number, then the values of the letter are added to together.

Taking 'together' as an example, T = 20 O = 15 G = 7 E = 5 T = 20 H = 8 E = 5 R = 18; so 2 + 6 + 7 + 5 + 2 + 8 + 9 = 39

3 + 9 = 12 1 + 2 = 3.

Clusters of gold letters found among red add up to 9, which is the power number whichever the context good or evil, 5 is the number of balance,

Along with this, we believe that the creative arts in all forms are hugely influential in a more joyful movement for human change that will help revive a flagging world and rejuvenate a rapid and sadly declining grasp of spirituality and how to tread the road to peaceful coexistence and humanity towards all human and sentient beings on earth. Above all ultimate ambition is to stimulate alternative thought processes among the 973-eht-namuh-973 community that would eventually result in actions for the greater good of humankind.

What I would add in conclusion is that the newly arrived should enter the site with a free spirit unencumbered by preconception. For while you might not find an exhaustive list of answers that you seek in one huge explosion of light, the candle of knowledge, truth and proof will burn all the brighter because of your efforts until it becomes a candelabra of sweet smelling beeswax candles, and you will most certainly uncover answers. But don't give up, keep at it as the founder creator and content architect of the site, David Denison is constantly adding new material.

It would seem apt to add the words of the highly influential Italian educator, physician and writer on scientific pedagogy, Maria Tecla Artemisia Montessori, to this profound chain of thought.

“We cannot create observers by saying 'observe', but by giving them the power and the means for this observation and these means are procured through education of the senses.”
Oh…………and thank you for boarding the train.

Kind Regards Redbeck

"We are but ships adrift on an endless sea until we gain greater knowledge of navigation"

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D173_Marilena
Posts: 2
Joined: 20 Sep 2023 15:07
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Re: Dear members
Post by D173_Marilena » 20 Sep 2023 23:37

Thank you for your careful and analytic response, Redbeck, it does seem that this site contains cryptic information about the metaphysical. Something that we usually can't grasp without the intellectual vehicle that is knowledge. Even though you did say, that personal interpretations of the site are not recommended for an absolute beginner. I've speculated about the site and it's meanings. The cryptic use of numbers in particular, it's like you said: The founder, David Denison, is truly a genius.

And yes, I have dived deep into the site and done my own personal assessments and interpretations. For example, the symbolism "973", -or better yet backwards- and I'll illustrate why I mention this reversal just now: "3", "7", 9" are all metaphors for the meanings of trinity, faith, and reflection respectfully. "379 The human", the site's name reads in reverse. Hints at a strong correlation between us, and the pillars that base the human connection to God... Even more so, this all ties up with the intricate fact that mathematics is the language of the universe. And god among many religions is the universe. And what does mathematics require? Self-Reflection, and self-reflection is what allows an individual to seek knowledge. Knowledge is power, and the meaning of power also is numerically transposed onto the number "9" -- the power number. And that's only just look at the surface level of the site and it's name. Since I'm in charge of documenting AIEC-005. I'll be taking notes!

... I am getting out of scope here, while this place is profoundly interesting, I am here for a reason: my purpose is to gather data. That is what people that represent the AIEC -like me- do. We observe, break down, and report information. To begin, I am not very religious myself and like I've said, my purpose is to observe. My mind remains open to potential ideas and new concepts; Alas, observation requires an open-mind :-).

Thank you once again, for providing a deep assessment of this vast intellectual oasis and we, at the Catalog, will try our best to understand this place. Furthermore, we're replying to ensure that your message has been read, that we appreciate the kindness the oracle community has showed us.

Sincerely,
D-class contributor.
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LocoGringo
Posts: 26
Joined: 15 Jun 2023 08:09
Contact: Contact LocoGringo
Re: Dear members
Post by LocoGringo » 21 Sep 2023 13:01

Dear D173_Marilena,

I would have liked to have explained what the "Catalog" is, "AIEC" and who you report to.

If there is no malicious intent, this should not be a problem for you.... I don't need to know who or what you are personally.

Otherwise, I hope you enjoy analysing this website, as you have been warmly and eloquently welcomed by Redbeck.

Among the maxims on Lord Naoshige's wall, there was this one: "Matters of great concern should be treated lightly." Master Ittei commented, "Matters of small concern should be treated seriously.”

Yamamoto Tsunetomo, Hagakure: The Book of the Samurai

The Pied Piper
Post by ONE » 27 Jan 2025 11:21

This is mostly a 973-eht-namuh-973 appreciation post.

However I wanted to share with you the story of the pied piper as well,maybe share some of my personal hints along the way as well.

Who knows?
Maybe as you read you discover one of the moments where a clue might be dropped for allegedly (SOLVING THE MYSTERIOUS WEBSITE)

On my break from 973 I tried not to think about the website much until I couldn’t help myself and wonder not about its undeniably underlaying mystery!

Oh no my friends.

I pondered my days through up until this moment not on this website.
Yet on non other than the Denison himself.

To demonstrate how much this man is a genius.
Ask yourself something…
When,since the dawn of humanity and in every story of creation religion had to offer since someone as impressive as Mr Dave.
And most importantly,when have something so deep and philosophically complex ever sway the minds of [please refer to the numbers on people registered on the oracle] brilliant beings?

Verily,Verily;my friends without falsehood most certainly true,we must declare!
It is an honor to witness such beauty in one’s lifetime.
Oh no!
Sigmund Freud would’ve bet your ass on it!
Darwin?
YUNG?

My friends if I have the right to nickname the architect;I would've declared this man as the PIED PIPER.

This man has the right to be on every hall of fame.
Try to grasp this man’s genius.The type of genius that would put the answer right between your eyes and you would still not be aware.If there was anything to solve that is to imply…
The same someone who counts the numbers of words in a sentence just to deliver his point mind you…

Still the facts lay true without question.
This man is a genius.
Again,I just wanted to appreciate after being out of touch for a while and seeing the oracle alive and well fed with the honorable mentions of humans brings me joy.

I in no way shape or form imply that I solved anything nor that I believe “SOMETHING” here is to be solved cause that’s my biggest conspiracy theory,give me a tinfoil hat IDC.

All Im saying is,give due to this man.
Try to understand the website through the lens of the starship captain himself.
“Some people can read War and Peace and come away thinking it's a simple adventure story. Others can read the ingredients on a chewing gum wrapper and unlock the secrets of the universe” Lex Luthor

Image

“Once more he stepped into the street and to his lips again laid his long pipe of smooth straight cane. Before he blew three notes (so sweet and soft, and yet so cunning), there was a rustling that seemed like a bustling of merry crowds justling at pitching and hustling. Small feet were pattering, wooden shoes clattering, little hands clapping and little tongues chattering, and, like fowls on a farm when barley is scattering, out came the children running.”

ONE,

THE ONE- KOHL TUTTLE- SAN ANTONIO TEXAS
e-MAIL Inbox

k- teezy <zeda7603@gmail.com>
Thu 30 Jan, 21:59 (20 hours ago)
to me

DAVID
THANK YOU FOR YOUR CONSCISE COMPLICATION OF INFORMATION
I sm the prophetic one...I have been with you since 2011. SAN ANTONIO TEXAS AREA CODE. IF I AM JESUS...so be it, i will sacrifice myself...maybe its NOT me dave....I am your scribe....you are my ALIZZED....kohl tuttle...san antonio texas...MESSIAH

THE MAGIC MOUNTAIN

Thomas Mann

1875-1955

Page 466

DIEING THE DEATH

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

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THE TRUE CRUCIFIXION ON THE CROSS

THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF

THE LIGHT IS RISING NOW RISING IS THE LIGHT

MAGIC IS AS MAGIC DOES

MESSAGE READS

TO THE ALL AND SUNDRY OF PLANET EARTH

RA IN BOW GOOD WISHES

LOVING THE LIGHT AND YOU R OF THE LIGHT

DAVE D HEREIN THE I'M DENISON DIMENSION

H	=	8	-	5	HAPPY	66	30	3
B	=	2	-	5	BIRTH	57	30	3
D	=	4	-	3	DAY	30	12	3
-	-	14	-	13	First Total	153	72	9
-	-	1+4	-	1+3	Add to Reduce	1+5+3	7+2	-
-	-	5	-	4	Second Total	9	9	9
-	-	-	-	-	Reduce to Deduce	-	-	-
-	-	5	-	4	Essence of Number	9	9	9

I'M DENISON

FROM THE I'M DENISON

DIMENSION

1965

ITS ONLY OF LATE AS I SIT HERE ALONE

AND REFLECT ON THE PASSAGE OF TIME

THAT I FEEL THE AGING OF FLESH ON THE BONE

THE GREYING OF HAIR AS A SIGN

OF A DAY THAT IS LONG AND NOW NEARLY O'ER

OF A NIGHT JUST ABOUT TO BEGIN

OF THE WORKING IN MAN OF GODS HOLY LAW

AND A TIME FOR THE PAYING OF SIN

WILL FOOT NE'R AGAIN SQUELSH SOFT ON WET GRASS

NOR TEETH ON RIPE APPLE TO BITE

SHALL I NEVER AGAIN DRINK BEER FROM A GLASS

WENDING SLOW ON MY WAY FEELING TIGHT.

AND WHAT OF THE FRIENDS TO LEAVE BEHIND

THE ONES I'VE MET ON THE WAY

I WONDER WELL DO YOU THINK THEY'LL MIND

DO YOU THINK THEY'LL HAVE OUGHT TO SAY

NOW FEAR BESETS THIS ONCE PROUD HEART

AND ICE IN THE MARROW I FEEL

AT LAST SO IT SEEMS THE TIME COMES TO PART

TIRED SOUL FROM THIS BODY TO STEAL

https://www.youtube.com/watch?v=p2KTbNWL1Ag

4	REAL	36	18	9
7	REALITY	90	36	9
8	REVEALED	72	36	9
19	First Total	198	90	27
1+9	Add to Reduce	1+9+8	9+0	2+7
10	Second Total	18	9	9
1+0	Reduce to Deduce	1+8	-	-
1	Essence of Number	9	9	9

REAL REALITY REVEALED

SAY

HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED

THAT

YET

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I	=	9	1	1	I	9	9	9	-	-	-	-	-	-	-	-	-	9
S	=	1	2	3	SAY	45	18	9	-	-	-	-	-	-	-	-	-	9
H	=	8	3	4	HAVE	36	18	9	-	-	-	-	-	-	-	-	-	9
I	=	9	4	1	I	9	9	9	-	-	-	-	-	-	-	-	-	9
M	=	4	5	9	MENTIONED	99	45	9	-	-	-	-	-	-	-	-	-	9
G	=	7	6	4	GODS	45	18	9	-	-	-	-	-	-	-	-	-	9
D	=	4	7	6	DIVINE	63	36	9	-	-	-	-	-	-	-	-	-	9
T	=	2	8	7	THOUGHT	99	36	9	-	-	-	-	-	-	-	-	-	9
H	=	8	9	4	HAVE	36	18	9	-	-	-	-	-	-	-	-	-	9
I	=	9	10	1	I	9	9	9	-	-	-	-	-	-	-	-	-	9
M	=	4	11	9	MENTIONED	99	45	9	-	-	-	-	-	-	-	-	-	9
T	=	2	12	4	THAT	49	13	4	-	-	-	-	4	-	-	-	-	-
Y	=	7	13	3	YET	50	14	5	-	-	-	-	-	5	-	-	-	-
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	74	-	56	First Total	648	288	108	-	1	2	3	4	5	6	7	8	99
-	-	7+4	-	5+6	Add to Reduce	6+4+8	2+8+8	1+0+8	-	-	-	-	-	-	-	-	-	9+9
-	-	11	-	11	Second Total	18	18	9	-	1	2	3	4	5	6	7	8	18
-	-	1+1	-	1+1	Reduce to Deduce	1+8	1+8	-	-	-	-	-	-	-	-	-	-	1+8
-	-	2	-	2	Essence of Number	9	9	9	-	1	2	3	4	5	6	7	8	9

-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	9
I	=	9	1	1	I	9	9	9	-	1	2	3	-	-	6	7	8	9
S	=	1	2	3	SAY	45	18	9	-	1	2	3	-	-	6	7	8	9
H	=	8	3	4	HAVE	36	18	9	-	1	2	3	-	-	6	7	8	9
I	=	9	4	1	I	9	9	9	-	1	2	3	-	-	6	7	8	9
M	=	4	5	9	MENTIONED	99	45	9	-	1	2	3	-	-	6	7	8	9
G	=	7	6	4	GODS	45	18	9	-	1	2	3	-	-	6	7	8	9
D	=	4	7	6	DIVINE	63	36	9	-	1	2	3	-	-	6	7	8	9
T	=	2	8	7	THOUGHT	99	36	9	-	1	2	3	-	-	6	7	8	9
H	=	8	9	4	HAVE	36	18	9	-	1	2	3	-	-	6	7	8	9
I	=	9	10	1	I	9	9	9	-	1	2	3	-	-	6	7	8	9
M	=	4	11	9	MENTIONED	99	45	9	-	1	2	3	-	-	6	7	8	9
T	=	2	12	4	THAT	49	13	4	-	1	2	3	4	-	6	7	8	9
Y	=	7	13	3	YET	50	14	5	-	1	2	3	-	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	74	-	56	First Total	648	288	108	-	1	2	3	4	5	6	7	8	99
-	-	7+4	-	5+6	Add to Reduce	6+4+8	2+8+8	1+0+8	-	-	-	-	-	-	-	-	-	9+9
-	-	11	-	11	Second Total	18	18	9	-	1	2	3	4	5	6	7	8	18
-	-	1+1	-	1+1	Reduce to Deduce	1+8	1+8	-	-	-	-	-	-	-	-	-	-	1+8
-	-	2	-	2	Essence of Number	9	9	9	-	1	2	3	4	5	6	7	8	9

MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS

MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4

-	-	-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
M	=	4	-	1	-	4	MIND	40	22	4	-	-	-	-	4	-	-	-	-	-
B	=	2	-	2	-	4	BORN	49	22	4	-	-	-	-	4	-	-	-	-	-
S	=	1	-	3	-	4	SONS	67	13	4	-	-	-	-	4	-	-	-	-	-
T	=	2	-	4	-	5	THOSE	67	22	4	-	-	-	-	4	-	-	-	-	-
P	=	7	-	5	-	5	PATENT	76	22	4	-	-	-	-	4	-	-	-	-	-
P	=	7	-	6	-	7	PATIENT	85	31	4	-	-	-	-	4	-	-	-	-	-
P	=	7	-	7	-	8	PATENTED	85	31	4	-	-	-	-	4	-	-	-	-	-
P	=	7	-	8	-	7	PATTERN	94	31	4	-	-	-	-	4	-	-	-	-	-
M	=	4	-	9	-	6	MAKERS	67	22	4	-	-	-	-	4	-	-	-	-	-
-	-	41	-	-	-	51	First Total	630	216	36	-	1	2	3	36	5	6	7	8	9
-	-	4+1	-	-	-	5+1	Add to Reduce	6+3+0	2+1+6	3+6	-	-	-	-	3+6	-	-	-	-	-
-	-	5	-	-	-	6	Second Total	9	9	9	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	Reduce to Deduce	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	5	-	-	-	6	Essence of Number	9	9	9	-	1	2	3	4	5	6	7	8	9

-	-	-	-	-	-	-	-	-	-	-	-	1	2	3	4	5	6	7	8	9
M	=	4	-	1	-	4	MIND	40	22	4	-	1	2	3	4	5	6	7	8	9
B	=	2	-	2	-	4	BORN	49	22	4	-	1	2	3	4	5	6	7	8	9
S	=	1	-	3	-	4	SONS	67	13	4	-	1	2	3	4	5	6	7	8	9
T	=	2	-	4	-	5	THOSE	67	22	4	-	1	2	3	4	5	6	7	8	9
P	=	7	-	5	-	5	PATENT	76	22	4	-	1	2	3	4	5	6	7	8	9
P	=	7	-	6	-	7	PATIENT	85	31	4	-	1	2	3	4	5	6	7	8	9
P	=	7	-	7	-	8	PATENTED	85	31	4	-	1	2	3	4	5	6	7	8	9
P	=	7	-	8	-	7	PATTERN	94	31	4	-	1	2	3	4	5	6	7	8	9
M	=	4	-	9	-	6	MAKERS	67	22	4	-	1	2	3	4	5	6	7	8	9
-	-	41	-	-	-	51	First Total	630	216	36	-	1	2	3	36	5	6	7	8	9
-	-	4+1	-	-	-	5+1	Add to Reduce	6+3+0	2+1+6	3+6	-	-	-	-	3+6	-	-	-	-	-
-	-	5	-	-	-	6	Second Total	9	9	9	-	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	Reduce to Deduce	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	5	-	-	-	6	Essence of Number	9	9	9	-	1	2	3	4	5	6	7	8	9

-	-	-	-	-	REAL REALITY REVEALED	-	-	-
R	=	18	=	9	R	18	9	9
-	-	-	-	-	E+A+L	18	9	9
R	=	18	=	9	R	18	9	9
-	-	-	-	-	E+A+L	18	9	9
-	-	-	-	-	I	9	9	9
-	-	-	-	-	T+Y	45	9	9
R	=	18	=	9	R	18	9	9
-	-	-	-	-	E+V	27	9	9
-	-	-	-	-	E+A+L	18	9	9
-	-	-	-	-	E+D	9	9	9
-	-	54	-	27	REAL REALITY REVEALED	-	-	-
-	-	5+4	-	2+7	-	-	-	-
-	-	9	-	9	REAL REALITY REVEALED	-	-	-

-	REAL	-	-	-
1	R	18	9	9
3	E+A+L	18	9	9
4	REAL	36	18	18
-	-	3+6	1+8	1+8
4	REAL	9	9	9

-	REALITY	-	-	-
1	R	18	9	9
3	E+A+L	18	9	9
1	I	9	9	9
2	T+Y	45	9	9
7	REALITY	90	36	36
-	-	9+0	3+6	3+6
7	REALITY	9	9	9

-	REVEALED	-	-	-
1	R	18	9	9
2	E+V	27	9	9
3	E+A+L	18	9	9
2	E+D	9	9	9
8	REVEALED	72	36	36
-	-	7+2	3+6	3+6
8	REVEALED	9	9	9

-	REAL	-	-	-
1	R	18	9	9
3	E+A+L	18	9	9
-	REALITY	-	-	-
1	R	18	9	9
3	E+A+L	18	9	9
1	I	9	9	9
2	T+Y	45	9	9
-	REVEALED	-	-	-
1	R	18	9	9
2	E+V	27	9	9
3	E+A+L	18	9	9
2	E+D	9	9	9
19	First Total	198	90	36
1+9	Add to Reduce	1+9+8	9+0	3+6
10	Second Total	18	9	9
1+0	Reduce to Deduce	1+8	-	-
1	Essence of Number	9	9	9

-	-	-	-	-	REAL REALITY	-	-	-
R	=	9	9	9	REAL	36	18	9
R	=	9	9	9	REALITY	90	36	9
-	-	-	-	-	REAL REALITY	126	54	18
-	-	-	-	-	-	1+2+6	5+4	1+8
R	=	9	9	-	REAL REALITY	9	9	9

REAL REALITY REVEALED HAVE I MENTIONED GODS DIVINE THOUGHT HAVE I MENTIONED

THAT

4	REAL	36	18	9
7	REALITY	90	36	9
8	REVEALED	72	36	9
19	First Total	198	90	27
1+9	Add to Reduce	1+9+8	9+0	2+7
10	Second Total	18	9	9
1+0	Reduce to Deduce	1+8	-	-
1	Essence of Number	9	9	9

-	-	-	-	-	REAL REALITY REVEALED	-	-	-
R	=	18	=	9	R	18	9	9
--	-	-	-	-	E+A+L	18	9	9
R	=	18	=	9	R	18	9	9
--	-	-	-	-	E+A+L	18	9	9
--	-	-	-	-	I	9	9	9
--	-	-	-	-	T+Y	45	9	9
R	=	18	=	9	R	18	9	9
--	-	-	-	-	E+V	27	9	9
-	-	-	-	-	E+A+L	18	9	9
-	-	-	-	-	E+D	9	9	9
-	-	54	-	27	REAL REALITY REVEALED	-	-	-
-	-	5+4	-	2+7	-	-	-	-
-	-	9	-	9	REAL REALITY REVEALED	-	-	-

IT WAS BUT YESTERDAY WE MET IN A DREAM

-	-	-	-	19	REAL REALITY REVEALED	198	90	27
R	=	9	-	-	REAL	36	18	9
R	=	9	-	4	REALITY	90	36	9
R	=	9	-	7	REVEALED	72	36	9
-	-	27	-	10	REAL REALITY REVEALED	198	90	27
-	-	2+7	-	1+0	-	1+9+8	9+0	2+7
-	-	9	-	10	REAL REALITY REVEALED	18	9	9
-	-	-	-	-	-	1+8	-	-
-	-	9	-	10	REAL REALITY REVEALED	9	9	9

-	-	-	-	-	REAL REALITY REVEALED	-	-	-	-3	1	2	3	4	5	6	7	8	9
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	7	REALITY	90	36	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-3	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	REAL	-	-	-	-	1	2	3	4	5	6	7	8	9
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	-	-	-	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-	-	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	-	-	-	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	-	-	-	-
-	-	36	-	9	REAL	36	18	18	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	REALITY	-	-	-	-	-	-	-	-	-	-	-	-	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	-	-	-	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-	-	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	-	-	-	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	-	-	-	-
I	=	9	14	1	I	9	9	9	-	-	-	-	-	-	-	-	-	9
T	=	2	15	1	T	20	2	2	-	-	2	-	-	-	-	-	-	-
Y	=	7	16	1	Y	25	7	7	-	-	-	-	-	-	-	7	-	-
-	-	36	-	7	REALITY	90	36	36	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	REVEALED	-	-	-	-	-	-	-	-	-	-	-	-	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	-	-	-	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-	-	-
V	=	3	13	1	V	22	4	4	-	-	-	-	4	-	-	-	-	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-	-	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	-	-	-	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	-	-	-	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-	-	-
D	=	4	13	1	D	4	4	4	-	-	-	-	4	-	-	-	-	-
-	-	36	-	7	REVEALED	72	36	36	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	19	REAL REALITY REVEALED	-	-	-	-	3	2	9	8	25	6	7	8	36
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	2+5	-	-	-	3+6
R	=	9	-	7	REALITY	90	36	9	-	3	2	9	8	7	6	7	8	9
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-	3	2	9	8	7	6	7	8	9
-	-	2+7	-	1+9	-	1+9+8	9+0	2+7	-	-	-	-	-	-	-	-	-	-
-	-	9	-	10	REAL REALITY REVEALED	18	9	9	-	3	2	9	8	7	6	7	8	9
-	-	-	-	1+0	-	1+8	-	-	-	-	-	-	-	-	-	-	-	-
-	-	9	-	1	REAL REALITY REVEALED	9	9	9	-	3	2	9	8	7	6	7	8	9

-	-	-	-	-	REAL REALITY REVEALED	-	-	-	-3	1	2	3	4	5	6	7	8	9
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	7	REALITY	90	36	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-3	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	REAL	-	-	-	-	1	2	3	4	5	6	7	8	9
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
-	-	-	-	-	REALITY	-	-	-	-	-	-	-	-	-	-	-	-	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
I	=	9	14	1	I	9	9	9	-	-	-	-	-	-	6	-	8	9
T	=	2	15	1	T	20	2	2	-	-	2	-	-	-	6	-	8	-
Y	=	7	16	1	Y	25	7	7	-	-	-	-	-	-	6	7	8	-
-	-	-	-	-	REVEALED	-	-	-	-	-	-	-	-	-	-	-	-	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
V	=	3	13	1	V	22	4	4	-	-	-	-	4	-	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
D	=	4	13	1	D	4	4	4	-	-	-	-	4	-	6	-	8	-
-	-	-	-	-	REVEALED	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	19	REAL REALITY REVEALED	-	-	-	-	3	2	9	8	25	6	7	8	36
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	2+5	-	-	-	3+6
R	=	9	-	7	REALITY	90	36	9	-	3	2	9	8	7	6	7	8	9
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-	3	2	9	8	7	6	7	8	9
-	-	2+7	-	1+9	-	1+9+8	9+0	2+7	-	-	-	-	-	-	-	-	-	-
-	-	9	-	10	REAL REALITY REVEALED	18	9	9	-	3	2	9	8	7	6	7	8	9
-	-	-	-	1+0	-	1+8	-	-	-	-	-	-	-	-	-	-	-	-
-	-	9	-	1	REAL REALITY REVEALED	9	9	9	-	3	2	9	8	7	6	7	8	9

-	-	-	-	-	REAL REALITY REVEALED	-	-	-	-3	1	2	3	4	5	6	7	8	9
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	7	REALITY	90	36	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-3	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
I	=	9	14	1	I	9	9	9	-	-	-	-	-	-	6	-	8	9
T	=	2	15	1	T	20	2	2	-	-	2	-	-	-	6	-	8	-
Y	=	7	16	1	Y	25	7	7	-	-	-	-	-	-	6	7	8	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
V	=	3	13	1	V	22	4	4	-	-	-	-	4	-	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
D	=	4	13	1	D	4	4	4	-	-	-	-	4	-	6	-	6	-
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	19	REAL REALITY REVEALED	-	-	-	-	3	2	9	8	25	6	7	8	36
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	2+5	-	-	-	3+6
R	=	9	-	7	REALITY	90	36	9	-	3	2	9	8	7	6	7	8	9
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-	3	2	9	8	7	6	7	8	9
-	-	2+7	-	1+9	-	1+9+8	9+0	2+7	-	-	-	-	-	-	-	-	-	-
-	-	9	-	10	REAL REALITY REVEALED	18	9	9	-	3	2	9	8	7	6	7	8	9
-	-	-	-	1+0	-	1+8	-	-	-	-	-	-	-	-	-	-	-	-
-	-	9	-	1	REAL REALITY REVEALED	9	9	9	-	3	2	9	8	7	6	7	8	9

LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER

LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S

5 x 5 = 25

LOOK AT THJE 5FIVES LOOK AT THE 5FIVES LOOK AT THE 5FIVES THE 5FIVES THE 5FIVES

5 x 5 = 25

-	-	-	-	-	REAL REALITY REVEALED	-	-	-	-3	1	2	3	4	5	6	7	8	9
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	7	REALITY	90	36	9	-	-	-	-	-	-	-	-	-	-
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-3	1	2	3	4	5	6	7	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	6	-	8	-
T	=	2	15	1	T	20	2	2	-	-	2	-	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	6	-	8	-
V	=	3	13	1	V	22	4	4	-	-	-	-	4	-	6	-	8	-
D	=	4	13	1	D	4	4	4	-	-	-	-	4	-	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	6	-	8	-
Y	=	7	16	1	Y	25	7	7	-	-	-	-	-	-	6	7	8	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
I	=	9	14	1	I	9	9	9	-	-	-	-	-	-	6	-	8	9
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	6	-	8	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	19	REAL REALITY REVEALED	-	-	-	-	3	2	9	8	25	6	7	8	36
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	2+5	-	-	-	3+6
R	=	9	-	7	REALITY	90	36	9	-	3	2	9	8	7	6	7	8	9
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-	3	2	9	8	7	6	7	8	9
-	-	2+7	-	1+9	-	1+9+8	9+0	2+7	-	-	-	-	-	-	-	-	-	-
-	-	9	-	10	REAL REALITY REVEALED	18	9	9	-	3	2	9	8	7	6	7	8	9
-	-	-	-	1+0	-	1+8	-	-	-	-	-	-	-	-	-	-	-	-
-	-	9	-	1	REAL REALITY REVEALED	9	9	9	-	3	2	9	8	7	6	7	8	9

-	-	-	-	-	REAL REALITY REVEALED	-	-	-	-3	1	2	3	4	5	7	9
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	-	-	-
R	=	9	-	7	REALITY	90	36	9	-	-	-	-	-	-	-	-
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-3	1	2	3	4	5	7	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	-	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	-	-
A	=	1	12	1	A	1	1	1	-	1	-	-	-	-	-	-
T	=	2	15	1	T	20	2	2	-	-	2	-	-	-	-	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	-	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	-	-
L	=	3	13	1	L	12	3	3	-	-	-	3	-	-	-	-
V	=	3	13	1	V	22	4	4	-	-	-	-	4	-	-	-
D	=	4	13	1	D	4	4	4	-	-	-	-	4	-	-	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-
E	=	5	11	1	E	5	5	5	-	-	-	-	-	5	-	-
Y	=	7	16	1	Y	25	7	7	-	-	-	-	-	-	7	-
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	-	9
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	-	9
I	=	9	14	1	I	9	9	9	-	-	-	-	-	-	-	9
R	=	9	10	1	R	18	9	9	-	-	-	-	-	-	-	9
-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-	-
-	-	-	-	19	REAL REALITY REVEALED	-	-	-	-	3	2	9	8	25	7	36
R	=	9	-	4	REAL	36	18	9	-	-	-	-	-	2+5	-	3+6
R	=	9	-	7	REALITY	90	36	9	-	3	2	9	8	7	7	9
R	=	9	-	8	REVEALED	72	36	9	-	-	-	-	-	-	-	-
-	-	27	-	19	REAL REALITY REVEALED	198	90	27	-	3	2	9	8	7	7	9
-	-	2+7	-	1+9	-	1+9+8	9+0	2+7	-	-	-	-	-	-	-	-
-	-	9	-	10	REAL REALITY REVEALED	18	9	9	-	3	2	9	8	7	7	9
-	-	-	-	1+0	-	1+8	-	-	-	-	-	-	-	-	-	-
-	-	9	-	1	REAL REALITY REVEALED	9	9	9	-	3	2	9	8	7	7	9

7	REALITY	90	36	9
6	LIVING	73	37	1
3	THE	33	15	6
4	MYTH	66	21	3
20	First Total	262	109	19
2+0	Add to Reduce	2+6+2	1+0+9	1+9
2	Second Total	10	10	10
-	Reduce to Deduce	1+0	1+0	1+0
2	Essence of Number	1	1	1
-	-	-	-	-
-	-	-	-	-
7	REALITY	90	36	9
3	THE	33	15	6
6	LIVING	73	37	1
4	MYTH	66	21	3
20	First Total	262	109	19
2+0	Add to Reduce	2+6+2	1+0+9	1+9
2	Second Total	10	10	10
-	Reduce to Deduce	1+0	1+0	1+0
2	Essence of Number	1	1	1

AUM MANI PADME HUM

ONE HUNDRED AND EIGHT TIMES

THE TIBETAN BOOK OF THE DEAD

The After Death Experience on the Bardo Plane,

according to Lama Kazi Dawa-Samdup's English Rendering

Compiled and edited Edited by W. Y. Evans-Wentz 1960

Facing Preface To The Paperback Edition

'Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that have this calling to learn to die. . . . I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundament of all virtues. '- OrologiumSapientiae.

The Book of the Craft of Dying (Comper's Edition).

Facing Preface to the Second Edition

BONDAGE TO REBIRTH

Brihadaranyaka Upanishad

FREEDOM FROM REBIRTH

Katha U panishad.
(Swami Prabhavananda's and Frederick Manchester's Translations).

Page xi

SRI KRISHNA'S REMEMBERING

'Many lives Arjuna, you and I have lived.

I remember them all but thou dost not.'

Bhagavad Gita, iv, 5., iv, 5.

Page xx

"......... Denison........."

INCARNATION

THE DEAD RETURN

Daniel Easterman 1998

Page 99

"........David........."

Page 3

"The old man's name was Dennison"

THE WHITE RABBIT

LONDON BRIDGE WHILST VISITING THE BRITISH MUSEUM'S 2010 EXHIBITION

THE EGYPTIAN BOOK OF THE DEAD

ARISING AT THE COMING FORTH BY DAY

CLOSER TO THE LIGHT

Melvin L. Morse and Paul Perry

1990

Page 78

SPIRIT IN MEDICINE

CONJURED DEATHS AND ANCIENT RULERS

"Deep in an underground chamber a solemn group of men is seeking guidance from death. They are dressed in white robes and chanting softly around a casket that is sealed with wax. One of their members is steadfastly counting to himself, carefully marking the time. After about eight minutes, the casket is opened, and the man who nearly suffocated inside is revived by the rush of fresh air. He tells the men around him what he saw. As he passed out from lack of oxygen, he saw a light that became brighter and larger as he sped toward it through a tunnel. From that light came a radiant person in white who delivered a message of eternal life.
The priest who is attending this ceremony is pleased with the results. "No man escapes death," he says. "And every living soul is destined to resurrection. You go into the tomb alive that you will learn of the light."
The man who "died" but is now reborn is happy. He is now a member of one of the strangest societies in history, a group of civic leaders who induced nearly fatal suffocation to create a near-death experience.
Sound like a cult from some place in northern California? ex-hippies looking for a new high, perhaps? Not at all. This
was the cult of Osiris, a small society of men who were the priests and pharaohs of ancient Egypt, one of the greatest civilizations in human history. This account of how they / Page 79 / inspired near death is an actual description of their rites from Egyptologists who have translated their hieroglyphics.
One of the most important Egyptian rituals involved the reenactment by their god-king of the myth of Osiris, the god who brought agriculture and civilization to the ancient Egyp-tians. He was the first king of Egypt who civilized his subjects and then traveled abroad to instruct others in the fine art of civilization. His enemies plotted against him. Upon his re-turn to Egypt, he was captured and sealed in a chest. His eventual resurrection was seen as proof of life eternal.
Each new king was supposed to be a direct reincarnation of Osiris. An important part of the ceremony was to reenact his entombment. These rituals took place in the depths of the Great Pyramid and were a prerequisite for becoming a god-king. It is my guess that many slaves perished while the Egyptians experimented, to find exactly how long a person could be sealed in an airtight container and survive.
Nonetheless, these near-death experiences were more im-portant to the Egyptians than the lives of a few slaves. After all, this was the age of the bicameral mind, a period in which men believed that their thoughts came to them from the gods and were not internally generated. For the Egyptians, thoughts and dreams were gods speaking to them.
Prior to the evolution of individual consciousness, people were what Princeton psychiatrist Julian Jaynes calls "bi-cameral." By this, he means that they did not understand that their own thoughts and actions were generated from within themselves, but rather that they thought external gods created these thoughts and actions. For example, a fully conscious human thinks: I am hungry and I will make myself a sandwich. The bicameral man thought: The gods have created a pain in my belly and cause me to find food to satisfy them. The Iliad is an excellent example of bicameral thinking: It is one god who makes Achilles promise not to go into / Page 80 / battle, another who urges him to go, and another screams through his throat (at his enemies). In fact, the gods take the place of consciousness. The beginnings of action are not in conscious plans, reasons, and motives; they are-to the bi-cameral man-the actions and speeches of gods.
This bicameral thinking has long vanished from human beings, ever since the evolution of language and writing. Once men could write down their thoughts, and read what other people have written, they came to understand that each human being has an individual consciousness, and that gods do not direct our every action.
However; ancient Egypt was a prime example of a bi-cameral society. Jaynes states that Egyptian civilization was controlled and directed by the bicameral voice of their first god-king" Osiris. It was essential to their civilization that each new king consider himself to be the vehicle of the halluci-nated voice of the dead king whose admonitions still con-trolled society. What better way to generate this absolute continuity of the god-king than to have each new king undergo a near-death experience. Just as children that I in-terviewed often perceived the light that they saw as the light of Jesus, these king-initiates would perceive that same light - as the spirit of Osiris.
A near-death experience by a bicameral man would have extraordinary significance, more so even than it has to mod-ern man. For one thing, it would be absolute proof of eternal life. Since they felt that the gods inspired their every thought, a near-death experience would be like having a god open the doors of perception to a mortal.
An NDE gave Egyptian rulers a sense of all-knowing. Before they were sealed into the casket, they only acted like kings. Afterward, they felt as if they had deeper knowledge of the world around them.
I also believe that an NDE as part of a king's job description / Page 81 / may account for the unusual peace and prosperity that Egypt enjoyed for the nearly two thousand years that the pharaohs reigned. As happens with those who experience NDEs today, these kings were transformed by the humbling and exalting experience of near death. They developed a reverence for the love that people share with one another. They became kind and caring and interested in the universe and the world around them.
These were people who supported extensive research in astronomy. With their "primitive" tools, they were able to obtain a vast knowledge of the stars, even finding dark stars that we have been able to confirm only with powerful telescopes.
The ancient Egyptians were advanced in medicine and the use of foods and antibiotics to prevent epidemics among pyr-amid workers. They knew of special diets of red onions, bread, and garlic that stimulated the immune system, a diet that was only recently endorsed by the National Science Foun-dation. They even had a fair amount of knowledge about surgery.
Archaeologists have deciphered the exact experience of these mystery rituals, and virtually all agree that its purpose was to generate an understanding of eternal life. Their un-derstanding of the death process has been handed down through the ages in a document known as The Egyptian Book of the Dead. This book is simply a detailed description of a near-death experience. It starts with a judgment scene and goes on to reveal many gods and various voices, continues on a long boat trip through a dark tunnel, and ends with union with a bright light.
The Egyptian Book of the Dead is quite similar to The Tibetan Book of the Dead, a manual for dying that was passed by word of mouth in Tibetan culture until about fifteen hundred years ago, when it was recorded by Europeans.

Page 82

The Tibetan Book of the Dead gives the dying person con-trol over his own death and rebirth; The Tibetans, who be-lieved in reincarnation, felt that the dying person could influence his own destiny. The Tibetans called. this book Bardo Thodol, or "Liberation by Hearing on the After-Death Plane." It was meant to be read after death to help the de-ceased find the right path.

Part of what the priest is supposed to read goes like this: "Thy own intellect, which is now voidness. . . thine own consciousness, not formed into anything, in reality void. . .will first experience the Radiance of the Fundamental Clear Light of Pure Reality.
"The union of your own consciousness and the Clear Light is the state of Perfect Enlightment. This is the Great Body of Clear Light. . the source of life and light."
How similar the Tibetan beliefs to the Egyptians and other ancient people too, from Europe to Africa.
The Aztec Song of the Dead represents a work that served to enlighten the Aztecs about the world beyond. This was a society, that practiced ritual and slow death as part of their basic religion.
Their Song of the Dead tells the story of Quetzalcoatl, their god and legendary king who discovered the arts, science, and agriculture and who represented the forces of civilization, good and light. He is described by his people as "igniting the creations of man's hands and the imagination of his heart."

"Their Song of the Dead reads like a poetic version of a near-death experience. It practically scores off the top of the scale of the Near-Death Experience Validity Scale developed by researcher Kenneth Ring. The Song reads like this:
"Then the time came for Quetzalcoatl to die, when he felt the darkness twist in him like a river."
He then had a life review, in which he remembers all of his good works and is able to settle his affairs. He then "saw / Page 83 / my face/(like looking into a) cracked mirror." He hears flutes and the voices of friends and then passes through a shining city and over hills of many colors.. He comes to the edge of a great sea, where he again sees his own face, during which time "the beauty of his face returned to him."
There is a bonfire on the beach in which he throws himself, and . . .

It ended with his heart transformed into a star.
It ended with the morning star with dawn and evening. '
It ended with his journey to Death's kingdom with seven days of darkness.
With his body changed to light.
A star that burns forever in that sky.

All of these cultures believed they left their bodies and embarked on a spiritual voyage, a journey that had the same traits as that of Katie, who nearly drowned in that swimming pool in Idaho."

The Zed Aliz Zed again presents credentials

This acknowledgement of the contributions of others within this hymn of praise to creative consciousness is freely and humbly given. It is perhaps indicative of where Eht Namuh stands on the ladder of its progress in this quintessential moment of time, that each and every one of us seeks a credit for this of that which all of us, as creative entities have been entrusted with exteriorizing. For and on behalf of that creative intelligent consciousness, holding each and every one of us in thrall, the initiator, and motivating power of the mysterious process of life.

Eht Namuh within the this of the that of the he as in she of the thou, of the thou as in ought, of the ought as in thought, give only praise and credit to the true creator. The energy of intelligent living creativity abundant and fecund manifested everywhere and in everything, for all is living energy, living creative energy, known variously and collectively as the one God. Cast off the shackles of thy puny ego Eht Namuh and accord thanks only for thy honoured participation in creativity of a kind and thank your stars for that, for there is a mountain to climb or otherwise a mounting oblivion shall be your future. In the beginning was the word and the word was that notion, the notion of an individual unique self is no notion at all, therefore if any part of the this of the that of this work can in any way help to free the understanding of thee Eht Namuh from the dark age tyranny of thy thinking thoughts of the he as in she absurdity of the no notion at all of an individual self publish and be not damned, but be thou blessed. Give only thy praise in wonder to that living essence of the energy within and without which is thy true nature. Blessed be the name of thy true god which is at one with thee, for thou art of it and it of thee.

THIS IS THE SCENE OF THE SCENE UNSEEN

Arthur Koestler wife Cynthia Linda and Dave D

October 1977

Arthur Koestler, Thomas Mann, and Arthur Schopenhauer’s Essay “On Death”: The Psychology of a Very Brief Encounter*
Henry Innes MacAdam

Look! For if you did, you’d see
life after life surging
like birds with powerful wings, more irresistibly
than raging fire,
to the sunset god’s edge of death.

-Sophocles, Oedipus Tyrranus lines 173-177(trans. Ahl, 2008)

The lives of Arthur Koestler (1905-1983) and Thomas Mann (1875-1955) intersected briefly in the summer of 1937 in Switzerland. Earlier that year Koestler had been released from a Spanish prison where he awaited a death sentence for his known communist party affiliation and his work as a journalist for the British anti-Fascist News Chronicle. It was during that “death row” episode (see Koestler’s first account in his Dialogue with Death, 1937; 1961) that he reflected on the mathematical perfection of Prime Numbers (see on this MacAdam 2009). He also expressed his admiration for the early novels of Thomas Mann, and how much spiritual and intellectual comfort they gave him while imprisoned. Even before returning to London, he wrote to Mann. The most detailed account of this appears in the second volume of Koestler’s autobiography, The Invisible Writing (1954; 1969):

During the first three weeks of solitary confinement, before I was allowed books from the prison library, my only intellectual nourishment had been the remembrance of books read in the past. In the course of these memory exercises, a certain passage from Buddenbrooks came back to me and gave me much spiritual comfort–so much so that at times when I felt particularly dejected, I would have recourse to that scene as it were a pain-soothing pill. The content of the passage, as I remembered it, was this. Consul Thomas Buddenbrook, though only in his late forties, knows that he is about to die. He was never given to any religious or metaphysical speculation, but now he falls under the spell of a book [Arthur Schopenhaurer’s essay On Death, and its Relation to the Indestructibility of our Essential Selves, which appears in Vol. 2 (a supplement to Book 4) of The World as Will and Representation] which for years has stood unread in his library, and in which he finds explained that death is nothing final, merely a transition to another, impersonal form of existence in the All-One…

The day after I was set free, I wrote Thomas Mann a letter (I knew that he lived in Zürich-Kuessnacht) in which I explained [my remembrance of Buddenbrooks] and thanked him for the spiritual comfort that I derived from his work. The title of [Schopenhauer’s essay] was expressly mentioned in my letter, which was dated from the Rock Hotel, Gibraltar, May 16 or 17, 1937. Thomas Mann’s answer reachedme a few days later in London. It was a handwritten letter which I lost, together with all my files, on my [escape] from France in 1940. I cannot, of course, remember its actual text, only its content which, for the sake of simplicity, I shall paraphrase in direct speech:

Dear Sir: Your letter arrived on May [23rd]. On the afternoon of that day I was sitting in my garden in Kuessnacht. I had read Schopenhauer’s essay [originally published in 1844 in the second volume of The World as Will] in 1897 or 1898, while I was writing Buddenbrooks, and I had never read it again as I did not want to weaken its original strong impact on me. On that afternoon, however, I felt a sudden impulse to re-read the essay after nearly forty years. I went indoors to my library to fetch the volume. At that moment the postman rang and brought me your letter ... (Koestler, 1969: 452-453).[Yours, etc. Thomas Mann]

Tony Penrose prior to visiting Farley Farm 1982

Roland Penrose, Linda and Dave D at Farley Farm

August 1982

Sunday Times colour magazine July 1977

Roland Penrose Introduction

DAVID DENISON

In the darkest reaches of prehistoric caverns the hunter living in a world of fear and starvation found the refuge he needed for concentration and communication with his gods in paintings which were both realistic and symbolic. The cavern which has helped in the incubation of the work of David Denison has no more than an imaginary resemblance to the subterranean cathedrals of Altimira and Lascaux but even so his voluntary enclosure in the walls of Prisons has provic'eå him with the isolation necessary to the development of his fantasy. The terrors that have surrounded him for years are not the menacing howlings of famished wild beasts but rather the sullen angry voices of men hungry for their liberty.

Denison has found unexpectedly in his choice of surroundincs, usually considered as hopelessly inappropriate for an artist, his own ladder of escape of which each rung is formed by the tension created by the crime and punishment that has been the cause of the assemblage of his companions. He sees in each one of them the ambiguities of Ivaman nature, the duality of existenoe no good 'Without evil, no evil without good - and being an Artist of sensibility and talent he is able to present to us images that portray the transmutations that occur before our eyes incessantly, visual proofs of the instability of the inner man.

Denison paints with the conviction of an artist such as the Douenier Rousseaux, who has found his own way without the often dubious tutoring of art schools. His sense Of academic stendards in colour, form and composition has been cultivated through his own intelligence and hig burning desire to understand and follow in the path of the treat painters of imagery. Images to him are symbols that can convey hisdeepest thought and passion, inspired by the acute sympathy he has for those less fortunate around him. Painting with skill and meticulous precision he often chooses to condense and unite incongruous images into conglomerate beings. Each detail has its own character and is at the same time part of a larger entity which often is in turn an integral part of a dominating presence, each part being inseparably integrated into the painting as a whole.

To enjoy Denison's work you should, having studied the picture as a whole, examine each detail to understand how its identity can change instantly, how perspectives take strange turns and architecture which at one moment is monumental may suddenly become a human face. This multiple imagery to me is much more than an amusing and ingenious display of talent. It exposes the ambiguities of life and the lack of certainty with which we can speak of reality. 'That Denison found stimulous in surrealism there is no doubt but with all the tempta— tions there can be to accept parrot-like a brilliant trend in art he has kept his individuality intact. This may be due partly to the thorough and sensi.tive way in which he has developed his own style and partly because of the isolation in which he has worked persistently but which in recent years has become miraculously alleviated by the presence and involvement of Linda, by whom he is now accompanied in his search to reveal to us the mysteries Of life, its miseries and its delights.

Dave D, in Leeds at a Lecture and book signing by Richard Dawkins

of his book "The Selfish Gene"

Birthday present for elder brother Michael.

THE LIGHT IS RISING NOW RISING IS THE LIGHT

Fame for a Wakefield prison office is

predicted by eminent figures in the art

world. GEOFFREY WINTER talks to

David Denison, above, whose surrrealist

paintings are said to bear a touch of genius.

ESCAPE INTO SURREALISM

David Denison left a Wakefield secondary modern school at 15, served a three year apprenticeship as a gasfitter, joined the airforce for another 3 years, emerged without qualifications and joined the prison service 17 years ago.

His earlier efforts when laid up with an ankle injury.sustained in the gym at RAF Cardington, were pencil drawings copied from photographs of Brigitte Bardot.and other movie stars. Without any formal art training he has come a long way since then.

Already critics are linking his job as a prison officer with his talent as a painter His story will be a gift to future historians.

He started painting imaginatively soon after entering the prison service at Wakefield Jail, and eight years later when posted to Pollington Borstal, the Governor (Mr Wood) saw and admired his work and sent him on two A level art courses and a teacherv training course all of which he passed.

Around that time Denison's paintings were noticed by Sir Roland Penrose, then President of the Institute of Contemporary Art and an expert on Surreal art. He now has six of Denison's paintings in his private collection.

Sir Roland has written the preface to the catalogue for the Denison exhibition at Bradfords Cartwright Gallery in May and June. He says "Denison paints with the conviction of an artist such as the Douanier Rousseau. who has found his own way without the sometimes dubious tutoring of art schools.

"The cavern which has helped in the incubation of the work of David Denison has the imaginary resemblance to the subterranean cathedrals of Almitra and Lascaux but even so his voluntary enclosure in the walls of HM prisons has provided him with the isolation necessary to the development of his fantasy.

"The terrors that have surrounds him for years are not the menacing howlings of famished wild beasts but rather the sullen angry voices of men hungry for their liberty.

"Denison has found unexpectedly in his choice of surroundings usually considered as hopelessly inappropriate for an artist his own ladder of escape of which each rung is formed by the tension of the crime and punishment that has been the cause of the assemblage of his companions.

In 1977, Lawrence Gowing, Slade Professor of Fine Art, paid this glowing tribute in an article on Denison: "He has learned an astonishing skill of a highly personal kind. He is a natural surrealist - a breed that is commnoner in England than in more rational countries, but is very rare even here.

At 37, this remarkable painter is still little known, but Sir Roland Penrose reports that when Max Ernst (one of the world's foremost surrealist artists) came to England, it was Denison that he wanted to hear about." With that kind of unstinting praise from two of the most distinguished and knowledgeable men in the art world. It was suprising to find David Denison living in a home office-owned house on a prim little estate peopled by prison officers and their families on the outskirts of Wakefield. When he is not taking first aid classes and playing energetic games to keep in trim (As a prison officer you have to keep fit. He is painting for several hours most nights. Around the walls of his front room hang photographs of a few of his paintings. The original of one his "The Wandering Jew" valued at a £1,000 was aquired by the Elephant Trust (set up ( by the sale of the late Max Ernst celebrated picture (The Elephant Celebes), and hangs in the Brighton Museum and Art Gallery.

Denison propped a screen on top of the gas fire and pulled the curtains and projected a source of coloured slides of his work, they were riviting, with the mesmerising quality that a stoat uses on a rabbit. At first sight, each image seems tortuous and tortured and has the sickening impact of a decaying corpse stumbled upon.

The artist stepped from behind the projector and eagerly pointed out the subtleties which the cursory viewer would miss:... "Look see that . . . Under that eye is another face formed partly by that eye. . . do you see the deleanation of the nose. . . And there the figure of a baby has emerged.

He would I imagine adopt a similar technique for teaching anatomy to his prison officer first aid pupils. but not perhaps with such marked enthusiaism.

Double images trebled and quadrupled, splitting away from the whole and taking individual shape like spilled quicksilver.

The pictures teemed with life, some of which the artist has created entirely unconsciously.

The colour studies and a canvas on which he is now working ( a figure with a skull like head infested with baby rats) at once facinated disturbed and came near to horrifying.

It is this disquieting characteristic about Denisons work which will prevent it from ever becoming popular. Not that you would expect to find any surrealist painting replacing the Tretchikoff above a fireplace, but a Denison is more nightmarish than most. His paintings have been compared with those of Francis Bacon and Dali. They reminded me of Bacon and Ronald Searle's cartoons, but certainly not of Dali. Denison is mining a rich seam of his own

Would he ever leave the prison service and turn professional. He says he has reservations about boat burning and could never endager domestic responsibilities.

One might expect that more recent and weightier testimonials from eminent art connoisseurs would have submerged Denisons memory of the first person to realise the importance of his work and encouraging him in it.

But he has not forgotten his debt to Arthur Kitchen until his retirement, exhibition officer to Bradford Metropolitan Council where Mr Kitchen himself was exhibiting organiser for the Manor House Gallery Ilkley he gave an exhibition of Denison early work some 12 years ago. Mr Kitchen recalls "He was painting large heads but suddenly he began painting with a marvellous technique of absolute precision. That sudden jump amazed me, it has taken me twenty odd years to develop a little draughtmanship yet David Denison achieved it almost overnight. He has a touch of genius. I hope his inspiration wherever it comes from, will continue.

Hello hello hello!
Inbox

Dave Denison <davedenizen9@gmail.com>
Sat, 9 Nov 2024, 19:04
to steven

Dear Steve and DIv, thank you very much for your wonderfully evocative description and images of Farley farm and meeting Tony Penrose. It brought back colourful memories for me.
Roland Penrose wrote an introduction to a major one man show I had all those years ago. I think it was the one I had at Cartwright Hall Bradford. I Was interviewed on Calendar Carousel by a great character Brian Glover. He subsequently came to the opening night. The exhibition if I remember correctly contained over a hundred items.
Remember years ago you and I Steve, with our esteemed cousin Andrew, went to some esoteric meeting of minds, along with others, up some rickety steps to a darkly lit room, I think on Whitfield street, wherein a discussion on politics and the Artists for Democracy protest exhibition were featured. I think it was located in a street off Tottenham Court road. The Artists for Democracy movement was in protest at the overthrow of socialist president Allende of Chile. I was part of an exhibition organised in protest. I exhibited a Painting called "The Sculpture of Vibrations". I remember later that same week talking to Roland Penrose about the criticism he had been subjected to in their written critique of capitalism. Although it seems from your research Steven that the considerable amount of my work purchased or gifted to Roland and Tony has, as it were, disappeared into thin air, I had the foresight to have the vast majority of the work photographed, often professionally. Within the greater scheme of things I now have no doubts all the creative work I did from 1963 up to around 1999 were in preparation for the Great Work that is the website I created, and with technical help was able to present on the internet in the year 2,000. The one and only 973-eht-namuh-973.com web site. Our Andrew oversees the good order of the Oracle Forum, which I had set up in 2007 and brilliantly submits regular posts. The site itself is seen all over the world and features prominently on You Tube. the painted images of yonder year are dotted about the all and sundry of this gift of the gods. "Ah sweet mystery of life, at last I've found you. Now at last, I Know the secret of it all"
Plato spoke of the rare and wondrous gift of Stereometry, "the likening of unlike things". Guess who's got that gift of the gods?
So! Be in no doubt, the paintings and other creative manifestations were created for the internet before there was an internet!. The animations and so on were devised by D4 Dave in order to serve an end to the creative means. Amazingly, rarely a day goes by that the long climb up the Magic Mountain doesn't move on, steadily, onwards and upwards.
Hurrah for Ra for Rah hurrah.

Goodnight and Godbless Steve and Div.
Thank you for the wonderful books, they are much appreciated.
Glad to hear you have Robert back, loving best wishes to you and all the family.
Every good wish Dave D, herein the I'm Denison Dimension.

From me to you guess who.

Dave Denison <davedenizen9@gmail.com>
Wed, 24 Jul, 18:06

to steven

Steve and Davina please accept my apologies for my late reply.
I did receive your condolences card and was grateful to have done so.
Michaels illness, the lengthy process wherein it revealed itself, the few weeks we watched him slowly begin the journey to who knows where, was something of a shared ordeal. the family rallied round however and he had loving company throughout his heart-rending ordeal.
I look forward to seeing you both on the 9th.

MICHAEL DENISON - 973-Eht-Namuh-973.com The Oracle Forum

ADVENT WAKEFIELD htm (973-eht-namuh-973.com)

DENIS MICHAEL DENISON

Born 18th July 1937

Died July 5th 2024

REST IN PEACE

In loving memory of Michael Denison much beloved of his family, dear brother to David and John, born 18th June 1937, Michael who after a short illness died in Pinderfields Hospital, Wakefield on 5th of July 2024. Rest in Peace.

I hope you received my condolences card. Davina and I were very fond of Michael, a lovely kind man, and a great loss.
See the email below, from a hotel we stayed at recently in Sussex. They are trying to stimulate more visitors by organising art and literature events. As you can see, they are promoting Lee Miller and Roland Penrose. Didn’t you visit Farley’s House once?
All the best.
Steve
07785 347925

Re Lee Miller, I met her for the first time at Roland's house in South Kensington, and later several times at Farley Farm when I went to see Penrose. I also stayed on occasion with Tony Penrose, their son.
Roland invited me to the exhibition he organised at the Institute of contemporary art just off Trafalgar Square. It was there I met Man Ray and several other interesting folk.
Roland Penrose bought a number of paintings from me, as did his son Tony.
A few years later, a serious collector friend of mine from Blackpool, Danny Ball, wrote to Rene Passeron Artistic Director at the Sorbonne and Author of The Encyclopedia of Surrealism. Sent him some photographs and told him about our Dave. that he was the best surrealist painter since the invention of sliced bread. Danny thought the world of me and bought a number of works that he extolled to high heaven.

Rene invited Danny to France. They became friends. Then lo and behold Rene and his 2 daughters came to England, to stay with Danny in Blackpool, where we all met up.
Then wah Danny contacted the French embassy in London and organised an exhibition at the embassy. and subsequently other galleries. I contacted Roland about the Rene Passeron exhibition. Just before the opening we all met up in London, went to Langhams restaurant for a meal and then onto the opening of
Renes Exhibition. Rene presented Roland with a signed copy of his book on Surrealism. Rene made a half hour tape about my work that I still have somewhere in the Starship. Sadly I lost Danny and his lovely wife Anne some years ago.

Quote from an article by Ada Wilson.
Dave’s paintings sometimes aren’t as easy to like as they are to admire, particularly now. They're both pre-PC and pre-the neutral, media-friendly gloss which has shaped much UK art in the last 20 years. In addition, his exteriors are all composed of interiors somehow: faces of gristle and bone and organs. The heart on his sleeve would be trailing gore and severed entrails.

In terms of attention to detail and mastery of the traditional mediums though, he’s on a par with anyone you might care to name.

In an excitable piece in the Sunday Times in June 1977, the art critic and Slade professor Lawrence Gowing came closest to capturing the essence of Dave’s work.

"His imagination has a sardonic poetry of its own," he said. "His Study of a Head, for example, builds spectacles and dentures into the structure of the skull. Each eye-socket contains minutely glittering machinery like a watch. Denison is great on eyes. In another picture, a bushy insect likeness of himself sits down to make a meal of a pair of eyeballs.

"In a year or two," Gowing concludes, "Denison will be famous and we shall wonder how we managed to neglect him."

Another critic, John Hewitt, went further.

"I believe this Wakefield prison officer and self-taught painter is probably the most brilliant artist produced in Yorkshire since David Hockney," he said.

Amazein at www.973-eht-namuh-973.com

From: The Star <thestar@thepolizzicollection.com>
Date: 14 July 2024 at 14:00:37 BST
To: steven@mctiernan.org
Subject: Discover Lee Miller
Reply-To: The Star <thestar@thepolizzicollection.com>

THE NUCLEAR FAMNILY 1969

SEND IN THE CLOWN 1977

MOTHER AND BABY 1970

Re: PANDORA’S BOX THE SWORD OF WORDS

Quote

Post by QuestforEudaimonia » 09 Apr 2025 21:23

Reflections of THE RAINBOW LIGHT - PANDORA'S BOX

The Journeyman & Eht Namyenrouj - 1977 - 6

The Journeywoman & Eht Namowyenrouj - 1978 - 7

Sculpture of Vibrations - 1971 - 9 - A sunflower & within its core, the 'Sun Cross' or the 'Wheel Cross' dating back to the Neolithic & Bronze ages. This symbol means "village" in Ancient Egyptian.

Birth of Horus - No Date Given - I watched a German Netflix TV series called "DARK" (2017-2020) with my older brother in mid 2018. It was the second piece of media (the first being Christopher Nolan's "Interstellar") which invoked a feeling of completely overwhelming emotions. Feeling as if "I've seen this" or "felt this 'before.' " DARK is a German science fiction thriller television series that focuses on time travel (at an explicitly strict amount of years--33 years back or forward. It follows Jonas Kahnwald as he discovers why his "father" committed suicide. His father being himself having intercourse with his mother 33 years in the past before his conception. There's also another character who has the EMERALD TABLET tattooed on his back. Admittedly, I never completed watching the show. The feelings invoked by watching it often left me in panic. I still haven't revisited the series but in its 3rd season it introduces the 33 years into the future, which it was set in a post-global nuclear annihilated environment... The Birth of HORUS

THE AHORAS ARE ALREADY UPON US. IT IS NOT SOON BUT NOW--I typed this yes I know but from within me it came by going with the flow.

These paintings--are they premonitions? Visions of the INVISIBLE LANDSCAPE, one mon Deni Son envisioned without the sun, clos ed eyes and list sunned to Alizzed's unsung son.

BIRTH OF AN IDEA - 1975 - 4 - FIRST THERE WAS AN & THEN THERE WAS U ALL THE CHILDREN OF THE RAIMBOW LIGHT BORN ANU

MAN EATING HIS OWN EYES - 1972 - 1 LIKE THE SNAKE WHO DINES ON HIS OWN BEHIND, MAN BLINDS THINESELF BINDS THINESELF, so we must rewind ourselves like in the year of 1972, we unwind back to one.

*** "The Novelist Arthur Koestler who had a great interest in synchronicity coined the term "Library Angel" to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead to exactly the right information being placed in their hands at exactly the right moment." ***

___________________________________________________________________________________________________

David - Thank you so much for giving your life to the GREAT WORK. I see more & more of the macrocosmic picture that lay in the without and woven into the within. This post is the greatest of all highlights into the true history of David Denison and his discovery of the "I AM DENISON DIMENSION."

I feel things, when I gaze upon certain pieces of your art (above are only a select few of many more that have garnered such a captivated focus from myself. In no way am I trying to be obsequious; rather I am just truly thankful. I AM going on a journey AND I CAN SEE IT NOW. MORE & MORE like Neo seeing, believing -- I TOO SEE 7 BELIEVE IN THE LIGHT.

"I'M DENISON

FROM THE I'M DENISON

DIMENSION

1965

ITS ONLY OF LATE AS I SIT HERE ALONE

AND REFLECT ON THE PASSAGE OF TIME

THAT I FEEL THE AGING OF FLESH ON THE BONE

THE GREYING OF HAIR AS A SIGN

OF A DAY THAT IS LONG AND NOW NEARLY O'ER

OF A NIGHT JUST ABOUT TO BEGIN

OF THE WORKING IN MAN OF GODS HOLY LAW

AND A TIME FOR THE PAYING OF SIN

WILL FOOT NE'R AGAIN SQUELSH SOFT ON WET GRASS

NOR TEETH ON RIPE APPLE TO BITE

SHALL I NEVER AGAIN DRINK BEER FROM A GLASS

WENDING SLOW ON MY WAY FEELING TIGHT.

AND WHAT OF THE FRIENDS TO LEAVE BEHIND

THE ONES I'VE MET ON THE WAY

I WONDER WELL DO YOU THINK THEY'LL MIND

DO YOU THINK THEY'LL HAVE OUGHT TO SAY

NOW FEAR BESETS THIS ONCE PROUD HEART

AND ICE IN THE MARROW I FEEL

AT LAST SO IT SEEMS THE TIME COMES TO PART

TIRED SOUL FROM THIS BODY TO STEAL"

Admittedly, this made me cry. From across the globe, the seas that separate our lands, I wish upon a falling star that you understand how many people you have positively influenced David. I wish not to speak for all but at least for myself...I couldn't be as confident as I am with my own special journey without having first stumbled across your Starship video posted by our so dear tech no wizard & reached out to him. I thank everyone associated with David so much this truly wonderful website, community, & this specialized reopening of Pandora's box.

My QUEST FOR EUDAIMONIA is far from over but this MASTER KEY of a website will assuredly aid me in valleys of doubt.

Geh mit dem strom
Solvitur ambulando

Top

Oracle12341123: Posts: 2; Joined: 10 Apr 2025 09:32; Contact:
Contact Oracle12341123

Re: PANDORA’S BOX THE SWORD OF WORDS

Quote

Post by Oracle12341123 » 10 Apr 2025 09:35

Hello Who wants to have me. Trump Trunpet ohhh yeaaa!!!! I am typing from Aselsan Meseleki Ve Teknik Anadolu Lisesi Come and lets do

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Redbeck: Posts: 1999; Joined: 19 Dec 2010 15:42; Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!; Contact:
Contact Redbeck

Re: PANDORA’S BOX THE SWORD OF WORDS

Quote

Post by Redbeck » 10 Apr 2025 22:50

Oracle 12341123 typing from Aselsan Konya Mesleki ve Teknik Anadolu Lisesi a High school in Kosova, Turkey welcome to the Oracle Forum community and thank you for making contact. Redbeck and David Denison, site founder, content creator and architect.

Please follow the link below and read deeply, you will come to understand a great deal more about the site and the undisputable learning it contains.

https://www.973-eht-namuh-973.com/Alche ... ADVENT.htm

Top

Redbeck: Posts: 1999; Joined: 19 Dec 2010 15:42; Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!; Contact:
Contact Redbeck

Re: PANDORA’S BOX THE SWORD OF WORDS

Quote

Post by Redbeck » 10 Apr 2025 23:09

My dear QuestforEudaimonia, what a wonderful epilogue to a post: "Admittedly, this made me cry. From across the globe, the seas that separate our lands, I wish upon a falling star that you understand how many people you have positively influenced David. I wish not to speak for all but at least for myself...I couldn't be as confident as I am with my own special journey without having first stumbled across your Starship video posted by our so dear tech no wizard & reached out to him. I thank everyone associated with David so much this truly wonderful website, community, & this specialized reopening of Pandora's box.

My QUEST FOR EUDAIMONIA is far from over but this MASTER KEY of a website will assuredly aid me in valleys of doubt."

One of the greatest and most emotive accolades of the work received. Our immense gratitude for the compliment and long may your studious journey continue and the knowledge you acquire along the way be bountiful and generously handed on to the benefit of human kind.

Thank you Redbeck and David Denison, site founder, content creator and architect.

XXXXXXXXXXXXXXX

XXXXXXXXXXXXXXXXXXXXXXXXX SEEK OUT THE SEVENS!!

XXXXXXXXXXXXXXXXXX

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Re: PANDORA’S BOX THE SWORD OF WORDS
Post by QuestforEudaimonia » 09 Apr 2025 21:23

Reflections of THE RAINBOW LIGHT - PANDORA'S BOX

The Journeyman & Eht Namyenrouj - 1977 - 6

The Journeywoman & Eht Namowyenrouj - 1978 - 7

Sculpture of Vibrations - 1971 - 9 - A sunflower & within its core, the 'Sun Cross' or the 'Wheel Cross' dating back to the Neolithic & Bronze ages. This symbol means "village" in Ancient Egyptian.

Birth of Horus - No Date Given - I watched a German Netflix TV series called "DARK" (2017-2020) with my older brother in mid 2018. It was the second piece of media (the first being Christopher Nolan's "Interstellar") which invoked a feeling of completely overwhelming emotions. Feeling as if "I've seen this" or "felt this 'before.' " DARK is a German science fiction thriller television series that focuses on time travel (at an explicitly strict amount of years--33 years back or forward. It follows Jonas Kahnwald as he discovers why his "father" committed suicide. His father being himself having intercourse with his mother 33 years in the past before his conception. There's also another character who has the EMERALD TABLET tattooed on his back. Admittedly, I never completed watching the show. The feelings invoked by watching it often left me in panic. I still haven't revisited the series but in its 3rd season it introduces the 33 years into the future, which it was set in a post-global nuclear annihilated environment... The Birth of HORUS

THE AHORAS ARE ALREADY UPON US. IT IS NOT SOON BUT NOW--I typed this yes I know but from within me it came by going with the flow.

These paintings--are they premonitions? Visions of the INVISIBLE LANDSCAPE, one mon Deni Son envisioned without the sun, clos ed eyes and list sunned to Alizzed's unsung son.

BIRTH OF AN IDEA - 1975 - 4 - FIRST THERE WAS AN & THEN THERE WAS U ALL THE CHILDREN OF THE RAIMBOW LIGHT BORN ANU

MAN EATING HIS OWN EYES - 1972 - 1 LIKE THE SNAKE WHO DINES ON HIS OWN BEHIND, MAN BLINDS THINESELF BINDS THINESELF, so we must rewind ourselves like in the year of 1972, we unwind back to one.

*** "The Novelist Arthur Koestler who had a great interest in synchronicity coined the term "Library Angel" to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead to exactly the right information being placed in their hands at exactly the right moment." ***

___________________________________________________________________________________________________

David - Thank you so much for giving your life to the GREAT WORK. I see more & more of the macrocosmic picture that lay in the without and woven into the within. This post is the greatest of all highlights into the true history of David Denison and his discovery of the "I AM DENISON DIMENSION."

I feel things, when I gaze upon certain pieces of your art (above are only a select few of many more that have garnered such a captivated focus from myself. In no way am I trying to be obsequious; rather I am just truly thankful. I AM going on a journey AND I CAN SEE IT NOW. MORE & MORE like Neo seeing, believing -- I TOO SEE 7 BELIEVE IN THE LIGHT.

"I'M DENISON

FROM THE I'M DENISON

DIMENSION

1965

ITS ONLY OF LATE AS I SIT HERE ALONE

AND REFLECT ON THE PASSAGE OF TIME

THAT I FEEL THE AGING OF FLESH ON THE BONE

THE GREYING OF HAIR AS A SIGN

OF A DAY THAT IS LONG AND NOW NEARLY O'ER

OF A NIGHT JUST ABOUT TO BEGIN

OF THE WORKING IN MAN OF GODS HOLY LAW

AND A TIME FOR THE PAYING OF SIN

WILL FOOT NE'R AGAIN SQUELSH SOFT ON WET GRASS

NOR TEETH ON RIPE APPLE TO BITE

SHALL I NEVER AGAIN DRINK BEER FROM A GLASS

WENDING SLOW ON MY WAY FEELING TIGHT.

AND WHAT OF THE FRIENDS TO LEAVE BEHIND

THE ONES I'VE MET ON THE WAY

I WONDER WELL DO YOU THINK THEY'LL MIND

DO YOU THINK THEY'LL HAVE OUGHT TO SAY

NOW FEAR BESETS THIS ONCE PROUD HEART

AND ICE IN THE MARROW I FEEL

AT LAST SO IT SEEMS THE TIME COMES TO PART

TIRED SOUL FROM THIS BODY TO STEAL"

Admittedly, this made me cry. From across the globe, the seas that separate our lands, I wish upon a falling star that you understand how many people you have positively influenced David. I wish not to speak for all but at least for myself...I couldn't be as confident as I am with my own special journey without having first stumbled across your Starship video posted by our so dear tech no wizard & reached out to him. I thank everyone associated with David so much this truly wonderful website, community, & this specialized reopening of Pandora's box.

My QUEST FOR EUDAIMONIA is far from over but this MASTER KEY of a website will assuredly aid me in valleys of doubt.
Geh mit dem strom
Solvitur ambulando
Top
Oracle12341123
Posts: 2
Joined: 10 Apr 2025 09:32
Contact: Contact Oracle12341123
Re: PANDORA’S BOX THE SWORD OF WORDS
Post by Oracle12341123 » 10 Apr 2025 09:35

Hello Who wants to have me. Trump Trunpet ohhh yeaaa!!!! I am typing from Aselsan Meseleki Ve Teknik Anadolu Lisesi Come and lets do
Top
Redbeck
Posts: 2003
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: PANDORA’S BOX THE SWORD OF WORDS
Post by Redbeck » 10 Apr 2025 22:50

Please follow the link below and read deeply, you will come to understand a great deal more about the site and the undisputable learning it contains.

https://www.973-eht-namuh-973.com/Alche ... ADVENT.htm

Image
Top
Redbeck
Posts: 2003
Joined: 19 Dec 2010 15:42
Location: The Rookery, 3rd Horse Chestnut along, St Johns, Britain. Teacher leave our nuts alone!
Contact: Contact Redbeck
Re: PANDORA’S BOX THE SWORD OF WORDS
Post by Redbeck » 10 Apr 2025 23:09

My QUEST FOR EUDAIMONIA is far from over but this MASTER KEY of a website will assuredly aid me in valleys of doubt."

One of the greatest and most emotive accolades of the work received. Our immense gratitude for the compliment and long may your studious journey continue and the knowledge you acquire along the way be bountiful and generously handed on to the benefit of human kind.

Thank you Redbeck and David Denison, site founder, content creator and architect.